Arts and Humanities Commons^™

Flamingos, Lucy Kaufman

Manuscripts

Far through the jungle, bird cries mark night's end.
Eastwardly the sky is streaked with pink,
and near the water's edge black orchids bend
beneath webbed-feet, as white flamingos drink.

Deep among the spindling silent stalks
which border banks surrounding the lagoon
wet reeds stir, and a tall flamingo walks
infringing on the sleep of afternoon.

Flamingos showing silver in the night
fly far above the jungle toward the west,
and following a star's transluscent light
at length reach home, and white flamingos rest.

Poets Don't Ride Motorcycles, Andrew G. Tully

Department of English: Dissertations, Theses, and Student Research

This is a collection of poems that focus more on minutia and happenstance than larger universal themes. Using free-form lines and stanzas, spare construction, and dark yet powerful imagery, these poems remind readers of the meaningful emotional impact everyday items and interactions can have. The extraordinary and unusual are important too, and form a stark contrast to the poems about the mundane. These poems are not meant to be a final collection, but are a solid base for a book-length manuscript that will expand on the themes, images, and stories contained in this thesis.

Adviser: Kwame Dawes

Sehnsucht, Dena Ten Pas

Theses & Honors Papers

Sehnsucht is German, referring to a longing or yearning, sometimes further qualified as the longing for something unknown or something that will never be possible.

Likewise Folio: A New Journal Of Contemporary American Poetry, Kylan Rice, Conner Bassett, Dr. Susan Howe

Journal of Undergraduate Research

In a socially mediated age marked by competing identity politics, fractured and proliferating interests, and streamlined global connectivity, networking and community-building have become invaluable components of any venture /career goal. This is as true for lawyers or politicians as it is for poets and artists. The old adage, “it’s who you know,” is continuously validated and proven in job markets, in graduate schools, and in other sectors of the career-oriented world. To this end, Conner Bassett and I have used the funding provided us by an ORCA grant not only to expand the reach of our small online poetry journal, …

Putting The Muse To Music: German Composers And Elisa Von Der Recke, Aubrey Hatch, Dr. Michelle James, Cindy Brewer

Journal of Undergraduate Research

Some artists create music directly, while other artists—like Elisa von der Recke—inspire others to create music. Elisa von der Recke was a literary phenomenon in her era, a woman whose writing was taken seriously by male readers, thinkers, and, very importantly, by male composers. At the height of her popularity and shortly after her death, several of Germany’s best composers put Recke’s poetry to music. Unfortunately, for all of their popularity during the German Romantic period, Recke’s poems—as well as their musical accompaniments—have all but disappeared1. The purpose of this project was to both compile and transcribe music that was …

Excerpts

Manuscripts

Excerpts from additional submissions by authors: Melvin Kuebler, Richard Jowitt, Mary Elizabeth Black, Quentin West, Edward F. Wright, Margie Ann Hukriede, Margaret Dawson, Don R. Cutsinger, and Suzanne Van Talge.

Two Poems, Margaret Byram

Manuscripts

On Discovering a Book of Shelley's Poems

A portion of the feeling that once hallowed Keats
when he kenned the vast unknown
And stood, a Watcher, rapt, alone,
Came to me, a vision, swift, unbearable
In beauty scarcely born.

The joy of fusing with a master's soul,
The searching bliss of first discovery
Swept my mind, and left me tense and free,
A spirit treading the fresh-dewed grass
In early morn.

My Attitude Toward Poems, Richard Outcalt

Manuscripts

I am not interested in most poems. At one time I disliked poetry to the full extent of my ability, but as I grew up I became aware that to many people, poetry was all right. On careful consideration of this awakening, I decided that there were undoubtedly merits to poetry, but that you had to be in the mood to really get anything out of them. This mood to me seemed to signify a pale thin fellow skipping with gaily outstretched arms and fingers, romping through sunny fields of buttercups chasing gorgeous butterflies, then, tiring of this strenuous exercise, …

Credo, Mary Wiley

Manuscripts

In our sad days it is a woman's part
To keep alive the things that ease the soul,
All music and delight. It is her role
To pour out lovely songs to fill the heart
With tenderness again, and hopeful start
The hymnal in the church; amid the whole
Of dark, confusing time out of control
To sing, and let not loveliness depart.

Unfaltering faith is difficult to keep
When futile tears fall on the changeless earth
And still are dried by the recurrent sun.
Mankind may perish if its women weep
Too much, too long. We will allow no …

The Silversmith, Joe Berry

Manuscripts

The child was born unto a silversmith,
born son and grandson both of silversmiths
in the small room behind the dusty shop.

The old man stopped his pounding on his bench,
his son turned down the fiercely blasting fire
when the child was born. But when he breathed, cried
and howled, they worked again, as they had done
all morning - and as they had done
for years before, the old man and his son:
silver sculptors, bracelet makers, fashioners
of all small articles from gleaming blocks.
Now they were glad; not for two hundred years
had the house lacked …

April Thoughts In War Time, Helen E. Hughes

Manuscripts

Sonnet

Blue skies are cruelest now; immense, they bend
Over the lonely land, uncompromising,
Unconcerned, aloof. Unnatural friend!
Whose time is April when the sweet surprising
Daffodils spring up to rival such
A brave and tender blue! We who are used
To turning calm eyes skyward now see much
Of heaven that is alien and confused.
Where once we laughed into the sun's embrace,
Once welcomed friendly rain, once searched the broad
And democratic sky for Saturn's face,
And, searching, strained to touch the hand of God;
We now stand under skies that vomit fire.
Be angry at the blue …

Poem, Ardath Weigler

Manuscripts

I Ivy and jew growing in pink and blue
mugs
Mugs meant for small children
Mugs settled primly on lace doilies
Atop a spinster desk ....

TWO MONTHS LATER
II He was standing there under the neon
sign-tall, hair rough in the wind-
broken outline of glasses and upturn-
ed collar ....
Dull tap of narrow black heels on
the asphalt.
He turned as they walked toward
him, to him, past him.
Her heart did a flat-footed ballet
as she thought, "This is the end, fool."
-tugging, choking, adolescent heav-
iness crushing her breath with its
vacuum.
He thought, "She's …

Lines From The Night, Josephine Rosenfeld

Manuscripts

The vanity
of the trees leaning over the rivers
adjusting and readjusting their coiffures.

The solemnity
of the brook gliding by
laughing as the rocks tickle it.

The processional
of the moon
bringing in its trail the princesses
of the sky-the stars.

The strains
of music ascending to the heavens
carrying the heart and souls of the listeners.

The Awakening, Harriet Bishop

Manuscripts

And there I stood, a useless, living form
With roughened hands in worn out pockets pushed
And felt some force, not mine, had changed my will,
I turned my face up toward a darkened night.
There at my feet was spread an ancient world,
While high above there whirled a universe;
And far within the depths of treasured years
Strange, kindly voices dimmed the call of space.
For far below was all that used to be
While out in space stood life's futurity.

The Blind Man, Helen E. Hughes

Manuscripts

I know you as you walk among my rooms,
Your head turned thus, your shoulders moving so,
Your hands made busy with the sound of brooms,
The many little tasks that women know.
Dear brilliant lady, as you come and go,
Is light lent to my days. In you I find
A roof against the rain-let winter blow!
Look on me, love, with kindness; for my mind,
My heart, my searching hands that clasp you-are
not blind.

After Diana, Mary Wiley

Manuscripts

The clink of coffee-cups is pleasant here.
See, I have drawn the curtains fast, and shut
The moon's distracting light from our bright hearth.
Your grave brown warmth is heightened so
And I do not remember with such pain how sweet
The star's carress falls on the traveller's face,
When first he lifts it up to worship them.

Ferradáns Publishes Bilingual Collection Of Spanish Poet's Work, Kim Hill

News and Events (Discontinued Series)

No abstract provided.

Vol. Li, No. 2: "A Morbid Longing For The Picturesque": The Novels Of Donna Tartt, James Shell

The Hollins Critic

No abstract provided.

Zephyr: The Fifteenth Issue, Zephyr Faculty Advisor, Katie Labbe, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Hillary Cusack, Alexandria Makucewicz, Paige Massingale, Nikita Naumowicz, Alanna Sachse

Zephyr

This is the fifteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

The Oval, 2014

The Oval

This issue includes creative work from undergraduate students at the University of Montana.

The Lantern, 2013-2014, Isabella Esser Munera, Rayna Nunes, Blaise Laramee, Chukyi Kyaping, Bobbi Stone, Erica Gorenberg, Anne Rus, Dana Kluchinski, Arthur Robinson, Emily Duffy, Jane Lee, Leah Garrity, Brian Thomas, Michele Snead, Melanee Piskai, Chloe Kekovic, Kevin Moore, Codey Young, Dominick Knowles, Richard Schulz, Quinn Gilman-Forlini, Collin Takita, Amanda Sierzega, Mara Koren, Epiphany Summers, Caitlin Jackson, Benjamin Jones, Joshua Hopkins-Desantis, Rebecca Galarza, Kelsey Knowles, Aubrey Atkinson, Michael Heimbaugh, Sophie Zander, Kendal Conrad, Nora Sternlof, Henry Willshire, Elijah Kineg, Joshua Hoffman, Maxwell Bicking, Andrew Tran, Arthur Robinson, Nicolas Shandera, Grace Buchele Mineta, Meaghan Geatens, Nina Petry, Sean Dolan, Kayla Sallada '17, Sam Cermignano

The Lantern Literary Magazines, 1933 to Present

• Strikes
• Pietro di Venezia
• To the Lover of Small Things
• Jim's Big Day
• Akademiks
• Redamancy
• A Love Poem for Arctia Caja
• Mother River
• The Lyrics to Your Song
• Nerves
• Gemini Season
• White Interface
• The Last Time I Played with Dolls
• The Mechanic
• My Goldfish
• Put Down Your Hammer
• Strip
• Hollywood
• Identity
• The Grey Zone
• Sophia
• When I Became a Poet
• Unbroken
• The Veteran Aeronaut
• I Have Running Water but They had the Stars
• Not …

Satori 2014, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.

2014 Spring Quiz & Quill Magazine, Otterbein English Department

Quiz and Quill

No abstract provided.

The Molloy Student Literary Magazine Volume 11, Damian Hey Ph.D., Kenneth Bornholdt, Kristin Cardino, Annie Darcy, Brianne Schieffer, Caitlin Breen, Angie Elkaray, Charisma Karnavar, Joseph Ostapiuk, Ryan Roberts, Roger Smith, Lauren Spotkov

The Molloy Student Literary Magazine

The Molloy Student Literary Magazine, sponsored by Molloy College’s Office of Student Affairs, is devoted to publishing the best previously unpublished works of prose, poetry, drama, literary review, criticism, and other literary genres, that the Molloy student community has to offer. The journal welcomes submissions, for possible publication, from currently enrolled Molloy students at all levels. All submitted work will undergo a review process initiated by the Managing Editor prior to a decision being made regarding publication of said work. Given sufficient content, The Molloy Student Literary Magazine is published twice annually in Spring and Fall. Interested contributors from the …

New Topics, New Powers, And New Spirit: Walt Whitman And Allen Ginsberg And The Power Of The Poet, Peter W. Rosenberger

Student Publications

Walt Whitman was an enormous influence on Allen Ginsberg, which Lawrence Ferlinghetti recognized at the first public reading of “Howl” in 1955. Leaves of Grass, first published in 1855, featured untitled twelve poems without rhyme, meter, or traditional line breaks. However, acknowledging a single influential figure for a countercultural writer is a somewhat uncommon phenomenon. Countercultural movements and countercultural artists tend to define themselves by standing against the dominant culture, an understandable instinct that yields important insights. Still the link between Ginsberg and Whitman is unmistakable. By analyzing the complex ties between an example of Whitman’s and Ginsberg’s major work …

[I Have Skimmed Over The World In This Green Canoe], Jacob Sunderlin

CutBank

No abstract provided.

Eating Kit Kats During The Last Hurricane, We Decide To Split Up, Christina Olson

CutBank

No abstract provided.

Holding Myself For Ransom, Jason Gordon

CutBank

No abstract provided.

Black & White, Amish Trivedi

CutBank

No abstract provided.

One More Letter, Amish Trivedi

CutBank

No abstract provided.