Arts and Humanities Commons^™

Reassurance In Negative Space, Elizabyth A. Hiscox

Dissertations

This dissertation, Reassurance in Negative Space, is a poetry manuscript that deals with intersections of grief, gender, environment, and art in contemporary society. One of its guiding properties is an interest in the ekphrastic mode of composition: poetry in response to a work of visual art. American Hybrid poet-editor Cole Swensen discusses what has emerged as a new “hybrid” poetry that combines conventional approaches with more experimental forms; a stable first person narrator with fragmentation or juxtaposition, for example: “Hybrid poems often honor the avant-garde mandate to renew the forms and expand the boundaries of poetry—thereby increasing the expressive …

I Recognized The Mitten, David Schelhaas

Pro Rege

This poem was originally published in Pro Rege 42:2, but in an incomplete form. Here is the complete poem

The Lemon Tree: My Tree Of Life, Meghan E. Mccarthy

Electronic Theses, Projects, and Dissertations

The Lemon Tree is a collection of poems that arose from my attempt to capture memories of influential experiences in growing up. The poems are written in prose blocks and move in and out of childlike and adult sensibilities, creating the disillusion of time and memory. The poems themselves are comments on the unreliability and limited scope of memory and compare remembrance to dreams. This suggests that time moves more fluidly than the waking world accepts. Through looking back, through prisms, the speaker remembers experiences that impacted her development as we follow her on a journey to coming-of-age. The Lemon …

Memoric Form: Poem As Memory, Lawrence V. Eby

Electronic Theses, Projects, and Dissertations

Machinist in the Snow is a narrative long poem, much like a novel in verse that deals with the loss of memory and environmental rebirth. In the book, the narrator exiles himself into a frozen nature and attempts to return the frozen wasteland into its former, flourishing environment. The poems take on the memoric form of memory in a wide range of poetic forms from the traditional sonnet, haiku, or villanelle, to a scattered projective verse. In the center of these poems is an attempt to mimic the mind in the way that it shifts, in its moments of clarity, …

Confessions Of A Hip-Hop Hippie, Tristan D. Acker

Electronic Theses, Projects, and Dissertations

This Statement of Purpose does not give a history of hip-hop or hip-hop poetry but rather how this particular poet fits into the current phase of hip-hop and performance poetry. In it, I discuss and explain the new pro-working class hip-hop performance poetic. This includes extensive discussion of how rap poetry conveys meaning through sound. Also discussed is the socioeconomic context for the suburban southwestern topics found in the manuscript. This statement is a parallel piece to the manuscript itself in that it explains a brown kid from San Bernardino’s journey of connecting words and music for purposes of personal …

Americhicano, Isaac R. Escalera

Electronic Theses, Projects, and Dissertations

The title of my manuscript, Americhicano¸ is a play on the words American,Americana, and Chicano. It was my goal to write poems that would capture the shared experiences of Chicanos, Latin Americans and the vast people group we identify as “American.”

In the first part of my Statement of Purpose, I go into the politics and social commentary of why I chose this as the focus of my project. “Why I Write” is a continuation of that conversation, but more focused on my own personal experience and journey as a writer. In the Section titled, “On Narrative Poetry” I explore …

Lissauer, Mildred Wallis (Potter), 1897-1998 - Collector (Mss 482), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid for Manuscripts Collection 482. Correspondence, scrapbooks, journals, diaries, photographs and miscellaneous papers of Mildred (Potter) Lissauer of Bowling Green and Louisville, Kentucky and of her family, especially her mother, Martha (Woods) Potter and her aunt, Elizabeth Moseley Woods. Includes a World War I scrapbook created for and about Mildred's brother John (Click on "Additional Files" below).

The Hat Lady Equation, Lauren Capone

LSU New Orleans Theses and Dissertations

The Hat Lady Equation is a collection of poems by Lauren Capone. As influences she cites Elizabeth Bishop, John Berryman, among the exquisite minutiae of day-to-day living. The poems explore works of visual art by Alberto Giacometti, James Taylor Bonds, Chris Dennis, Blaine Capone (her brother), and creatures of the natural world including fish, the rhinoceros, a lettered olive shell. . . . Lauren shows a preoccupation with disassembling through the poems whether it's her identity, art, or happenings of everyday life.

Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt

ABO: Interactive Journal for Women in the Arts, 1640–1830

Greatly illustrative of Adam Smith’s statement in his Theory of Moral Sentiments that the sympathizer must “adopt the whole case of his companion with all its minutest incidents; and strive to render as perfect as possible that imaginary change of situation upon which his sympathy is founded”––while also complementing notions of feeling from the work of Anna Barbauld––Beachy Head and its minutiae “renders” an utterly sympathetic argument, one void of gender conventions, that comments on nature's inhuman and human condition.

Volumes, Matthew Brooks Stark

Theses and Dissertations

Volumes is a book-length work of poetry in three parts. Volumes investigates the process of art, wherein the creative act constructs both the created object and its creator the artist. I use the term "creation" rather loosely: I propose such an act to be present within one's self-recognition, imaginative contextualization of oneself within a setting, or performance of a role. Volumes, through Ars Poeticas, struggles with ideas of self-awareness, wherein the artist achieves a unique determinacy before and after a creative act because the artist is necessarily changed by the act of creation. The project struggles against the opaqueness of …

Excerpts

Manuscripts

Excerpts from additional submissions by authors: Betty Lewis, Joseph C. Greenlee, Suzanne Weesner, Katherine Armstrong, and J. Wm. Lynn.

Ode To A Jukebox, Rosemary Haviland

Manuscripts

Oh fat gleaming monster reposing in the corner
With your soul glowing like satan's fires,
Whence have you come to destroy life's peaceful existence;
To tempt youth and put new lines in the seers' brows?

Like the roaring blasting furnace, you require nourishment,
Taking pity on your pangs of hunger, I'll feed you a nickle,
Ungrateful one! There you sit with your polished sides gleaming,
Smug and satisfied like a fat Buddha.

Slowly you devour my offering,
And as it reaches your digestive system,
You gr--rr-owl and gr--rr-Ind;
Instead of a soft crooning thanks, you stab at me with a …

Sonnet, Lucy Kaufman

Manuscripts

Now let the sweeping clouds of spring be gone
forever from these wild perfidious skies,
and let no more a laughing sun mask dawn
with psuedo-joy to veil its mocking lies.
No more the solitude of swinging space
stretching through the unrecorded hours,
marks alone time's lofty ponderous pace
across this heaven and above these towers.

Now you will see a servile sky defer
at dusk before a dark-winged enemy,
and you will hear the low portentous purr
of planes announcing death decorously.
No more can nights which swept the heavens clean
of war, within these shell-shocked skies be seen.

Verse Forms Class Poetry

Manuscripts

Once from Carthage Dido's funeral pyre
Signalled Aeneas that his dream was ended
And all his hour of passion purged by fire,
By fire of brand and fire of spirit blended.
The way the gods had marked once more seemed best
And he was free to found the destined race
That sprang from Troy but settled in the West
With trojan greatness in the Roman place.
Again from Carthage sails the founding host
Again toward Rome the guided legions sail
To build a newest Troy upon the coast
That held Aeneas in the older tale.
But now the guides are …

November With The World At War, Mary M. Schortemeier

Manuscripts

November with the world at war
Is a strange sight
And a frightening thing.

When the leaves die and the headlines scream
Of more important deaths it is so evident
What death is.

And when the darkness hours are almost twice
The light, it is far too easy to guess how it would be
With the dead.

And when a lame bird is all that is left
Of the summer singers it is plain what the world would be
After all the deaths.

And the cold wind and the first snow
Chill the soul like the final kiss on the …

Ophelia According To Sheikh Jaafar: “Female Authority In His Poetry”, Kazem Fakher Hajem Al-Khafaji

Uruk Journal of Human Sciences

There is no doubt that Arabic poetry, especially modern poetry, draws upon the cultural heritage, both Arabic and universal, and employs it artistically to convey its message and express its underlying themes. Hardly any collection of modern poetry is devoid of religious and mythological allusions and symbols, which are used to express contemporary ideas. Returning to these symbols and drawing inspiration from them is a way of returning to the original sources of human experience. Our poets have turned to Greek, Babylonian, Assyrian, and Egyptian mythology, as well as sacred texts, drawing from them and using them as an artistic …

Artemisia In Ecstasy, Emily A. Francisco

The Mercury

No abstract provided.

Addiction, Jenna E. Fleming

The Mercury

No abstract provided.

Ode To My Tattooed Skin, Emily J. Cranfill

The Mercury

No abstract provided.

Wake, Victoria A. Blaisdell

The Mercury

No abstract provided.

Latin-America, Mauricio E. Novoa

The Mercury

No abstract provided.

Plath's Cremation, Brendan M. Raleigh

The Mercury

No abstract provided.

Storm Clouds, Taylor L. Andrews

The Mercury

No abstract provided.

On Language, Emily A. Francisco

The Mercury

No abstract provided.

For Bonbon, Rachel L. Martinelli

The Mercury

No abstract provided.

Daniel's Song, Mauricio E. Novoa

The Mercury

No abstract provided.

Dissonance, Taylor L. Andrews

The Mercury

No abstract provided.

Constellation-Maker, Victoria A. Blaisdell

The Mercury

No abstract provided.

Driving Past Dead Sunflowers In October, Emily A. Francisco

The Mercury

No abstract provided.

Italy, Taylor L. Andrews

The Mercury

No abstract provided.