Arts and Humanities Commons^™

Vol. Ii, No. 4: Flannery O'Connor, Sin, And Grace: Everything That Rises Must Converge, Walter Sullivan

The Hollins Critic

No abstract provided.

A Study Of Urizen Symbols In Some Of William Blake's Poems, Glen Ivan Wilsey

Graduate Student Research Papers

It was the purpose of this study (1) to present a simplified background of Blake's philosophy and values and a clear concept of what Urizen is and (2) to show Blake's use of Urizenic symbols in presenting his views of the world in which he lived.

The Poetry Of Matthew Arnold: A Study In Versification, Douglas A. Mathewson

Theses and Dissertations

Despite the great number of published works that deal with English prosody or the more restricted subject of versification, there is a noticeable scarcity of studies that describe the practices of individual poets. One of the more apparent reasons for the meager number of versification studies is the instability of the basic criteria by which a poem is examined. Prosodists quite simply find it difficult to establish concrete principles of scansion that are acceptable to all other prosodists. Without going into discussion of the various schools of thought on metrical structure, suffice it to say that there are conflicting opinions …

Romansh Poetry, L. B.

Swiss American Historical Society Newsletter

In 1958, together with his friend Robert Billigmeier, Dr. Augustin Maissen has edited the booklet "Contemporary Romansh Poetry. An Anthology of Contemporary Poetry written in the Romansh Language of Switzerland, with Bilingual Text, including an Introduction and Biographical Notes", published by the Romansh-American Foundation and printed by Editorial 'Cantera', Morelia, Michoacán, Mexico (48 pages). This charming presentation of Romansh culture is an excellent introduction into the fourth Swiss national language because it appeals to a feeling for beauty which is universal. The poem "Il pur suveran" ("The Sovereign Peasant") by Anton Huonder (1824-1872), one of the early pioneers of the …

Vol. Ii, No. 3: A Fear Of Dying: Norman Mailer's An American Dream, Brom Weber

The Hollins Critic

No abstract provided.

Et Cetera, Marshall University

Et Cetera

Founded in 1953, Et Cetera is an annual literary magazine that publishes the creative writing and artwork of Marshall University students and affiliates. Et Cetera is free to the Marshall University community.

Et Cetera welcomes submissions in literary and film criticism, poetry, short stories, drama, all types of creative non-fiction, photography, and art.

Tag I.D., John S. Harris

BYU Studies

No abstract provided.

Vol. Ii, No. 1: That Old Triangle, A Memory Of Brendan Behan, Benedict Kiely

The Hollins Critic

No abstract provided.

The Lantern Vol. 32, No. 1, January 1965, Philip Sterling Rowe, Carol Flood, Bill Lybarger, Peter Vennema, Harry L. Serio, Phyllis Furst, D. Newcombe, Roy Christman, Steve Dearsley, Linda Leeds

The Lantern Literary Magazines, 1933 to Present

• The Wise Man
• Of Men and Lobsters
• Deliberate-Beyond Conception
• Villanelle
• Villanelle: Interlude
• Rune Green Stones
• Redemption
• John Ten
• Torch Ends
• The General and the Birdnest
• Not Quite Free
• Hymn to the Morning
• Walking Together

An English Graveyard, Clinton F. Larson

BYU Studies

No abstract provided.

To Joseph Smith, R. A. Christmas

BYU Studies

No abstract provided.

Lights And Shadows - 1965, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Rose Of Aberlone (Being An Entry For An Index), Brainerd Currie

Faculty Scholarship

No abstract provided.

Vol. 1, No. 5: The Search For Lost Innocence: Karl Shapiro's The Bourgeois Poet, Louis D. Rubin Jr.

The Hollins Critic

No abstract provided.

Vol. 1, No. 4: Hunting A Master Image: The Poetry Of Richard Eberhart, Daniel Hoffman

The Hollins Critic

No abstract provided.

Correspondences, Charles Baudelaire, Irene Spears

BYU Studies

No abstract provided.

Rose Street, Carma De Jong Anderson

BYU Studies

No abstract provided.

Just For A Moment, John B. Harris

BYU Studies

No abstract provided.

The Orc Symbol In William Blake's Works, Michael James Finnigan

Graduate Student Research Papers

A study of Orc, Blake's symbol for energy, suggests several different hypotheses. This paper intends to test the hypothesis that Orc is a force. With the use of illustrations and explications, Orc becomes more clearly a symbol of Blake's imaginative form. This energy will be seen at each level of Blake's visions, each different psychological stage, and at the highest level, poetic imagination. Thus, as the creator creates, the creation becomes the molded form of the creator's imagination.

Vol. 1, No. 3: The Long Chronicle Of Guilt: William Golding's The Spire, Walter Sullivan

The Hollins Critic

No abstract provided.

The Lantern Vol. 31, No. 2, May 1964, John Bradley, Bitsy Flint, Lynn Martin, Roy Christman, Craig Bender, Sue Hartenstine, L. Noll Evans, Elwood R. Pollock, Carl F. Peek, Mcdonald L. Whitlock, Sally Campbell

The Lantern Literary Magazines, 1933 to Present

• The High, Forbidding Wall
• Sonnet One
• Sceptic
• The Witch, the Prince, and the Princess
• Portrait in Gold and Black
• The Music of the Drum
• Sweat It, Jack
• Cold Blue and the Moon
• Another Carpenter: Circa 1963
• At a Conference of Colonial Historians
• Pineland Places
• Diasia to Death
• Hey!...
• The Hour
• I'll Not Return

Vol. 1, No. 2: John Cheever And The Charms Of Innocence: The Craft Of The Wapshot Scandal, George Garrett

The Hollins Critic

No abstract provided.

Sunset, Marden J. Clark

BYU Studies

No abstract provided.

Mouse In A Furrow, Jeanette Morrell

BYU Studies

No abstract provided.

Vol. 1, No. 1: Hard Times And The Noble Savage: J.P. Donleavy's A Singular Man, John Rees Moore

The Hollins Critic

No abstract provided.

The Religious Imagery In Emily Dickinson's Love Poems, Constance B. Kirby

Graduate Thesis Collection

This paper will discuss to what extent Emily Dickinson's heritage, environment, and experience formed her attitudes on religion and love, and will explain how successful she was in translating her intense emotional experience of love into poetry by examining her use of religious imagery.

Lights And Shadows - 1964, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

The Lantern Vol. 31, No. 1, December 1963, David J. Phillips, Sally Campbell, Roy Christman, Elwood R. Pollock, Rudolph W. Keehn, Connie Church, Eugene H. Miller, Craig H. Bennett, Larry Meyers, George E. Rutledge

The Lantern Literary Magazines, 1933 to Present

• Today's Memory
• The Realization
• Life Fire
• Come Sleep
• The Ends Meet
• Dawn of Darkness
• Closed and Done: With Apologies to No One
• A Search
• Concern
• Obvious Oblivion
• Love's Ashes
• Silence
• To My Dentist
• Snow
• Wisdom
• Look Up
• Nepenthe
• With Apologies to Charles Schulz
• Autumn and You
• What is Optimism?
• Agnostic?
• Potpourri of Being

The Lantern Vol. 30, No. 2, May 1963, Pam Mcdonough, Karen Rodenhausen, Geoffrey Bloom, Dorothy Davis, Harry L. Serio, George E. Rutledge, Sally Campbell, David Sall, Elwood R. Pollock, Peter Vennema

The Lantern Literary Magazines, 1933 to Present

• An Observation
• Interim
• The Collected Raid
• Please
• Love Me
• Waiting With the Sun
• Upon a Summit
• A Hedonist Comments on His Religion
• Like Ice
• Dark Morning
• So Soft the Breeze
• The Heat of Youth
• Solemnity
• A Laugh
• Peter Departing

Letter From May Sarton To Eleanor, February 15, 1963., May Sarton

Sincerely Yours, Letters From The Maine Women Writers Collection (Multi-Page Items)

Typed letter from May Sarton to Eleanor, dated February 15, 1963, in which she discusses valentines, aging and writing poetry.