Arts and Humanities Commons^™

Leading Congregational Singing From The Piano, John Ferguson, Cynthia Uitermarkt

Symposium on Worship Archive

A note taking outline for the session offered the 24th to the 26th, including discussion of the leadership role of the keyboard player, musical role of the keyboard player, and ways to prepare oneself each week.

Creativity Research In Music Education: A Review (1980-2005), Donald J. Running

Music Faculty Publications

This article lays a foundational groundwork of what is currently known regarding creativity and music education to encourage future research. It explores principal research avenues within various scholarly journals related to creativity and music education, including definitions of creativity, empirical measures of creativity, and effects of music instruction on general creativity scores. Definitions (and, consequently, assessments) of creativity fall into three general categories: product based, process based, and performance based. These definitions have generated a number of new theories and tests designed to assess the creativity of products and individuals.

Aesthetics In Culture, Dan Rager

Music Faculty Publications

This article examines the role of aesthetics in art, music, non-art objects, and activities in daily life. It shows that recognition is vital to our understanding of art and art-objects and sometimes creates conflicts which ask, what does one do with art? The question becomes more confusing when we think about non-art objects and activities which concern our everyday experiences from eating, clothing, cleaning and dealing with life's natural elements. The author points out that Western cultures have a distinct artworld that is usually limited for special occasions set aside for that purpose. He suggests that aesthetics in culture is …

Classical Music In America, Daniel Rager

Music Faculty Publications

Research on the state of classical and educational music in America shows declines and growth within its various disciplines. This article looks at what is called "the good old days," concert attendance, and statistics of the musical arts from the 1970s to the present.

The paper encompasses think tank organizations such as the Association of Performing Arts Presenters, who brainstorm on the theme of change and opportunity in American education as well as society's support of the arts. Presented are global issues, which compound the complexity of the situation, and American educators who survey the ecological change of classical …

The Role Of Music In Society Past, Present And Future, Daniel Rager

Music Faculty Publications

The author investigates the role of music in the United States from the nineteenth century forward, and how it transformed into new genres through global ideologies. The paper examines the development, social and functional roles in early American music education and envisions music’s future in an ever changing world.

The article encompasses think tank organizations such as the Association of Performing Arts Presenters who have brainstormed on the theme of change and opportunity in America while asking:

• Who are the existing audiences for classical music?

• Who are untapped or potential audiences?

• What do they need to feel …

Piece For The End Of Time: In Defence Of Musical Ontology, Andrew Kania

Philosophy Faculty Research

Aaron Ridley has recently attacked the study of musical ontology—an apparently fertile area in the philosophy of music. I argue here that Ridley’s arguments are unsound. There are genuinely puzzling ontological questions about music, many of which are closely related to questions of musical value. While it is true that musical ontology must be descriptive of pre-existing musical practices and that some debates, such as that over the creatability of musical works, have little consequence for questions of musical value, none of this implies that these debates themselves are without value.

New Waves In Musical Ontology, Andrew Kania

Philosophy Faculty Research

Since analytic aesthetics began, around 50 years ago, music has perhaps been the art most discussed by philosophers. The reasons for philosophers' attraction to music as a subject are obscure, but one element is surely that music, as a non-linguistic, non-pictorial, multiple-instance, performance art, raises at least as many questions about expression, ontology, interpretation and value as any other art—questions that often seem more puzzling than those raised by other arts.

Ua1c7 Departmental Photos, Wku Archives

WKU Archives Collection Inventories

Images showing everyday activities of university departments.

From The Streets To The Screen: The Music Of Madrid In Saura's Deprisa, Deprisa, Linda M. Willem

Scholarship and Professional Work - LAS

With a distinguished career as a director of over thirty-five feature films, Carlos Saura has been a prominent figure within the international film community for nearly fifty years. One of his most critically-acclaimed works, Deprisa, deprisa [Hurry, Hurry], is a documentary-like portrayal of a group of friends - Pablo, Angela, Meca, and Sebas - engaged in ever-escalating acts of crime and violence in Madrid in the early 1980's. This is Saura's second film to deal with the topic of alienated urban youth. In 1959 his very first feature film, Los golfos [The Hooligans], focused on a young gang of thieves …

Sae Magazin : Das Magazin Von Sae Institute Und Sae Alumni Association 2008|1, Sae Institute

SAE Magazine (2007-2011)

No abstract provided.

The N.O.C. Project: A Musician’S Evolution, Nick Papageorge

Whittier Scholars Program

The contents of the project are a reflection paper titled “A Musician's Evolution”, an album titled The N.O.C. Project” and two dvds. One is a documentary titled When Papa Lost the Pimps” and a music video titled Rancid Reality”. In the paper the author writes out the lyrics of eight songs, out of the sixteen songs in the album, in order for the reader to analyze them. I chose these songs because I feel that they best represent the goals of my project. They reach a wide variety of emotions and situations. The author credits the understanding of music and …

The Classical Guitar: A Brief History And Introduction To The 20th Century, Curtis N. Smith

Library Research Grants

No abstract provided.

What Hymns Early Mormons Sang And How They Sang Them, Michael Hicks

BYU Studies

Hymns reveal a denomination's minds and hearts, but not every published hymn is sung frequently—or at all. Hicks claims that to understand early Mormon thought and belief, one must not only study published Mormon hymnals but also consider which hymns were favored by congregations. He examines the few meeting notes that exist as well as over two hundred Saints' diaries to get a small sample of what hymns Mormons sang. Among the favorites were "The Spirit of God" and "Adam-ondi-Ahman." Hicks also discusses the kinds of hymns sung in home devotionals and other informal meetings and the way Mormon congregations …

To Imprecate Or Not: Psalm 137 And Its Appropriation In Music, Elizabeth Boase

Theology Papers and Journal Articles

Psalm 137 opens with lament and closes with one of the most strident imprecations in the Psalter. Read against the backdrop of the Babylonian exile, the imprecation incorporates both Edom and Babylon, concluding with the words “Happy shall they be who take your little ones and dash them against the rock.”

The closing verses have proven to be problematic for commentators. The tension is well expressed by R. Clifford, who states “Psalm 137 has the distinction of having one of the most beloved opening lines and the most horrifying closing line of any psalm. If the psalm ended at verse …

Nine Months With Elvis, Angel J. Bart

Theses and Dissertations

“Nine Months with Elvis” is a coming-of-age travel memoir about a time the author spends as a drummer in a theater company, touring the U.S. and Mexico. The writer, who previously lived a sheltered life, finds he is separated from all that is well-known to him. He documents with humor and pathos the physical miles he travels with the group, along with the personal growth he experiences. Each of the seven chapters takes place in a different geographic locale and centers on an event that prompts this young man to consider the ways he sees himself and how the decisions …

(Waterfall), Scott Schumann

Compositions

No abstract provided.

With Eyes Closed, Queenie Li

Compositions

No abstract provided.

Works, Recordings, Performances: Classical, Rock, Jazz, Andrew Kania

Philosophy Faculty Research

In this essay, I undertake a comparative study of the ontologies of three quite distinct Western musical traditions – classical, rock, and jazz – approached from the unusual angle of their recordings. By the ‘ontology’ of a tradition I mean simply the kinds of things there are in that tradition and the relations that hold between them. A study of this scope is bound to leave many questions unanswered when restricted to this length. The ontology of classical music has been debated in the analytic tradition for close to half a century, and there has been a growing interest in …

The Pickin’ Parlor: Bringin’ The Front Porch Inside, Saddler Taylor

Staff Publications

This article appeared in Bill Wells: Bluegrass Ambassador, by Pat J. Ahrens

Literature And Performance Of Music For Double Bass And Tape, Jeremy C. Baguyos

Music Faculty Publications

Electroacoustic music for double bass can be classified into the following two types of repertoire: real-time/interactive computer music or tape music. Real-time/interactive computer music is the newer of the two types and involves the algorithmic generation of electronic sounds in live performance. Pre-recorded electronic sounds are usually avoided, and instead, the sound of live input is used as the source material for electronic sounds. A computer is used for capture, processing and synthesis, and the software is usually written in the MAX/MSP environment. The second category, tape music, is the older of the two types of electroacoustic music for the …

Argent Sound Recordings: Multimodal Storytelling, Matthew L. Klimas

Theses and Dissertations

ARGENT SOUND RECORDINGS explores the integration of visual, written and sonic elements to tell a story. "The Silver Bell," a fairy tale, is delivered through the internet – providing users an opportunity to experience and interpret a constructed narrative under the guise of an independent record label website.

Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable

Music Faculty Publications

Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.¹ Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …

Etha Barror: Profile Of A Successful Choral Conductor, Niamh Mcdonagh

Masters

This study documents the musical career and teaching methodology of one of Ireland’s leading choral conductors, Ethna Barror (1915 - ) and explores the factors contributing to her success as a conductor, with particular reference to her choir, The Lindsay Singers. The study is informed by life history methodology, focusing on interviews with Barror which were conducted over an extended period of time. The research also includes interviews with some of Barror’s peers and choir members. This data is supported by documentary material relating to the Lindsay Singers performances, achievements and awards, and the repertoire they performed. The research is …

An Analysis And Overview Of Selected Original Compositions, Miguel Angel Soto

Open Access Theses & Dissertations

The following chapters present an overview of the compositions completed as part of my studies toward the Master of Music degree. They are presented chronologically in the order in which they were composed. The analyses of these works are intended to offer insight into the process of their composition, as well as to draw attention to their important musical elements. These pieces involve a wide range of instrumental and vocal settings, as well as a variety of traditional forms.

The Influence Of Family In The Preservation Of Appalachian Traditional Music: From The Front Porch To Performance, Kathy Q. Hayes

Browse all Theses and Dissertations

The purpose of this project was to extend the literature on the influence of family in the preservation of Appalachian traditional music since few scholars have focused their research on this topic. The family was the first institution in the Appalachian Mountain area, and families preserved the music by performing in their homes for themselves and friends. Families preserved the traditional music, passing it down to future generations. The music was a part of the everyday life of the Appalachian people, and it was performed, remembered, and taken with them wherever they went. Even though the music changed as the …

The In Pulse, William L. Hall

Browse all Theses and Dissertations

A collection of poems composed as an exercise with imagination and the attempt to convey the mind as medium for experience without forgetting the reader remembers something else.

Toward A General Theory Of Polymeter: Polymetric Potential And Realization In Elliott Carter's Solo And Chamber Instrumental Works After 1980, Ève Poudrier

Dissertations, Theses, and Capstone Projects

This dissertation proposes a conceptual framework and tools for the analysis of polymeter in contemporary musical practices applied to the short instrumental works of Elliott Carter, where multiple temporalities have been identified as an essential aesthetic component. Three works are discussed in more detail: Changes for guitar (1983), Esprit rude/Esprit doux I for flute and clarinet (1985), and 90+ for piano (1994). The composer's use of metrical modulations and structural polyrhythms is re-evaluated in the context of a theory of polymeter. Structural polyrhythms are represented by means of proximity charts, and Carter's compositional strategies are explored, including rhetorical use of …

Sacred Sound: Experiencing Music In World Religions. By Guy L. Beck, Editor, Greg Hansen

BYU Studies

Guy L. Beck, editor. Sacred Sound: Experiencing Music in World Religions. Waterloo, Ontario, Canada: Wilfrid Laurier University Press, 2006.

Turning Tricks And The Modern Female Protagonist: An Analysis Of The Portrayal Of The Role Of The Demimonde From Viennese Operet, Melissa Nay

Electronic Theses and Dissertations

The demimondaine, an exclusive courtesan in nineteenth-century Europe, and the modern mezzo-soprano protagonist are prevalent characters in American musical theatre and can be observed in various styles throughout European music and drama. In Arthur Schnitzler s The Little Comedy, the female protagonist is both a romantic heroine and mistress; and in Jules Renard s Le Pain de Ménage, the lead player is anything but the classic ingénue. In preparation for performance and to further the research in the contemporary music comedy realm, I prepared for the roles of Josefine and Monica in the University of Central Florida s production of …

Listen, Sing And Learn: The Effects Of Musical Activities On Phonemic Awareness In The Foreign Language Classroom, Kelli White

LSU Master's Theses

Traditionally, there has been a lack of emphasis placed on proper second language (L2) pronunciation in recent theoretical perspectives on foreign language pedagogy. Pronunciation is important because it is indicative of a learner’s level of phonemic awareness, an important component of second language acquisition. Inaccurate pronunciation (and therefore poor phonemic awareness) is often the result of a lack of training in this area due to the focus on grammar and syntax in many language classrooms. One often-neglected method of training students in L2 pronunciation discussed in some theoretical literature is the use of authentic materials in the form of musical …