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Articles 721 - 750 of 5143
Full-Text Articles in Arts and Humanities
A Rusty, Michael Mcfee
Roe, Heather Sellers
Cat, Euthanized, David Kirby
Being In The Black Queer Diaspora: Embodied Archives In A Map To The Door Of No Return, Alexandria Naima Smith
Being In The Black Queer Diaspora: Embodied Archives In A Map To The Door Of No Return, Alexandria Naima Smith
Journal of Feminist Scholarship
Poet, novelist, and essayist Dionne Brand’s unconventional memoir, A Map to the Door of No Return (2001) provides a method for identifying how the embodied experiences of Black queer subjects form an archive for understanding operations of power within Black queer diasporas. Using the analytic of sensual worldmaking, a term I use to describe Black feminist narrative writing that locates embodied erotic and sensual experience as an authorizing source of knowledge about identity-based power dynamics, I illustrate how A Map to the Door of No Return offers a Black queer archive of experiences and narratives in the Black diaspora. Brand …
Representation, Narrative, And “Truth”: Literary And Historical Epistemology In 19th-Century France, Samuel A. Schuman
Representation, Narrative, And “Truth”: Literary And Historical Epistemology In 19th-Century France, Samuel A. Schuman
Honors Papers
My thesis examines the fluid boundaries between French historical and literary writing in the 19th century, and the shifts in “historical consciousness” that occurred in both fields as the century progressed. I examine three exemplary French writers—Jules Michelet, a historian, and Honore de Balzac and Emile Zola, both novelists—considering each primarily as a historical thinker, regardless of whether they considered themselves to be one. I argue that as the 19th century progressed, the broad shift in French institutions towards positivist epistemological and explanatory frameworks was reflected in literature, as well as in history. Both disciplines, one increasingly academic and one …
Portrait Of Brother As A Tractor At The Equipment Sale, Samatha Leigh Futhey
Portrait Of Brother As A Tractor At The Equipment Sale, Samatha Leigh Futhey
Birmingham Poetry Review
pp. 67-68
White Knight, Derrick Harriell
"I Don’T Want To Be A Priest. I’D Rather Be A God": An Interview With David Kirby, Alex Quinlan
"I Don’T Want To Be A Priest. I’D Rather Be A God": An Interview With David Kirby, Alex Quinlan
Birmingham Poetry Review
pp. 30-49
"Annie, Annie Are You Okay?", David Moolten
Collision, Shelby Knauss
My Father Should Die In Winter, Barry Marks
Featured Poet: David Kirby, Birmingham Poetry Review Staff
Featured Poet: David Kirby, Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. 1-3
Evolution Chart, Daniel Lassell
Late Night Poem, Hailey Leithauser
Bushkill Creek, Owen Mcleod
Sometimes A Voice, Deborah Pope
Ars Poetica, Matt W. Miller
Longing, Wading, Heather Sellers
The Lucky Ones, Katie Peterson
How To Forget That Night, Alexis Sears
Ex Machina, David Yezzi
Armstrong's Good Night, David Kirby
Soon, Ricardo Pau-Llosa
Birmingham Poetry Review 48 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review 48 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review
No abstract provided.
Yesterday, Here, Katie Peterson
Chernobyl Fox Makes And Eats Six-Layer Sandwich, Corey Marks
Chernobyl Fox Makes And Eats Six-Layer Sandwich, Corey Marks
Birmingham Poetry Review
p. 110
Office, Ricardo Pau-Llosa
Held Up, Joshua Robbins
The Word You're Looking For, Ayesha Shibli
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Dickens’S Changing Perspective Towards Capitalism And The Bourgeoisie, Christina Oliveira
Honors Program Theses
Most scholars agree that author and social activist Charles Dickens (1812-1870) made keen observations on human behavior and societal problems through his works. However, scholars are divided over whether to categorize Dickens and his work as radically reformist or pro-bourgeoisie. Through an analysis of three of Dickens’s texts, A Christmas Carol (1843), Bleak House (1852), and Great Expectations (1861), this thesis demonstrates that Dickens’s works carry contradictory ideologies. As time passes, Dickens becomes disillusioned with capitalism but continues to promote capitalist and bourgeois values and ideologies. The trajectory of Dickens’s views shows the difficulties in imagining different realities outside of …