Arts and Humanities Commons^™

Cinderella, Marie Antoinette, And Sara: Roles And Role Models In A Little Princess, Elisabeth Rose Gruner

English Faculty Publications

Role-model criticism, the easiest and often most logical form of criticism for children’s literature, has fallen out of favor in our more theoretically sophisticated times. Toril Moi, surveying the state of feminist criticism in 1985, devoted a chapter to “Images of Women” criticism, finding it overly prescriptive and frequently self-contradictory in its calls for a “realistic” or accurate depiction of women’s lives simultaneously with the desire for “strong, impressive female characters” (47). Since many real women (and men!) are neither strong nor impressive, the effort is doomed from the start. And the specific call for “role models” is problematic in …

Company Man, John Bargowski P. 3

Birmingham Poetry Review

p. 3

Looking For The Door, Mercedes Lawry

Birmingham Poetry Review

p. 25

Circle, Jane E. Marston

Birmingham Poetry Review

p. 26

I Ching #2 The Yielding, Earth, Karen Zealand

Birmingham Poetry Review

p. 35

Old, Richard Helms

Birmingham Poetry Review

p. 19

The Watch, Grace Bauer

Birmingham Poetry Review

p. 4

At A Rock Quarry Outside Zvornik, Bosnia On Election Day, 9/96, Phillip Corwin

Birmingham Poetry Review

p. 7

The Sick Room, Joseph Bathanti P. 4

Birmingham Poetry Review

p. 4

All You Need For Painting, Gaylord Brewer

Birmingham Poetry Review

p. 6

Painkillers, Mercedes Lawry

Birmingham Poetry Review

p. 24

Reading Life Into Stone, Andrea Zawinski

Birmingham Poetry Review

p. 34

Birmingham Poetry Review 18 (Front Matter), Birmingham Poetry Review Staff Pp. -2

Birmingham Poetry Review

pp. -2

Bottom Fishing, Chris Gompert P. 17

Birmingham Poetry Review

p. 17

Bone Yard, Richard Hague

Birmingham Poetry Review

p. 15

Picasso At The T Stop, Peter Swanson

Birmingham Poetry Review

p. 30

Sonnet, Lorraine Bonner P. 9

Birmingham Poetry Review

p. 9

At The Other Chapel, Nadya Aisenberg

Birmingham Poetry Review

p. 3

Lights And Shadows - 1998, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Primo Levi And Bruno Piazza: Auschwitz In Italian Literature, Ilona Klein

Faculty Publications

To focus on the literature of the Shoah more than 50 years later and 7,000 miles away inevitably creates some sense of dissociation due to both historical and geographic distance. While on the one hand, an analysis of the literature of the genocide might grant further insights through a retrospective look, on the other, however, this distance of time and space risks leading to an oversimplification of the Shoah, in the sense that the plight of the Jews, their individual stories and the overwhelming sense of emptiness caused by the depletion of the intellectual Jewish cultural communities in Europe might …

Vol. Xxxiv, No. 5: The Fiction Of Russell Hoban, Earl Rovit

The Hollins Critic

No abstract provided.

Vol. Xxxiv, No. 4: "And He Shivered With The Horror Of Creation": The Poetry Of Ted Hughes, Harriett Zinnes

The Hollins Critic

No abstract provided.

Vol. Xxxiv, No. 3: Passwords At The Boundary: Carolyn Kizer's Poetry, Carolyn Kizer

The Hollins Critic

No abstract provided.

Review: David Lyle Jeffrey, People Of The Book: Christian Identity And Literary Culture (Eerdman's, 1996), James Mark Shields

Other Faculty Research and Publications

Book Review: David Lyle Jeffrey, People of the Book: Christian Identity and Literary Culture (Eerdman's, 1996)

Vol. Xxxiv, No. 2: Rebecca Goldstein: Jewish Visionary In Skirts, Emily Miller Budick

The Hollins Critic

No abstract provided.

Vol. Xxxiv, No. 1: "So There Were These Two Jews...": The Poetry Of Irving Feldman, David R. Slavitt

The Hollins Critic

No abstract provided.

Words And Images 1997, University Of Southern Maine

Words and Images

Director and Designer: Bethany Vogt

Cover photograph by Hugh Chatfield, ©1997.

Old Poet Remembered: The Case For The Poetry Of C.S. Lewis, David Landrum

Inklings Forever: Published Colloquium Proceedings 1997-2016

Though well known for his fiction and essays, C.S. Lewis also wrote in poetry. Often forgotten or considered less than his prose, his poems are rich with meaning and pleasure. The author offers some perspectives on how those who love Lewis’s prose might learn to love his poetry as well.

Presented at the 1997 Frances White Ewbank Colloquium.

Parnassus 1997

Parnassus

The 1997 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Deracialized Discourse: Temperance And Racial Ambiguity In Harper's 'The Two Offers' And And Sowing And Reaping

English

No abstract provided.