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Articles 3151 - 3180 of 5145
Full-Text Articles in Arts and Humanities
Birmingham Poetry Review 30 (Front Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review 30 (Front Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. -3
China Boy, Barbara Siegel Carlson
Places We No Longer Live, Al Maginnes
Supply, Al Maginnes
Brightwood, Theodore Haddin
Confusion To Amusement, Tom C. Hunley
Failure, K E. Duffin
Local Color, Donald Levering
Witness, Jeff Daniel Marion
Potrait Of The Artist's Mother In The Car, Bradford Gray Telford
Potrait Of The Artist's Mother In The Car, Bradford Gray Telford
Birmingham Poetry Review
p. 45
Eden Sunday, Do Gentry
At The Introvert's Family Reunion, Erin Garstka
In My Back Yard, Anne Ward Jamieson
The Color Of Heaven, Janet Mccann
Losing My Voice, Charles Harper Webb
Birmingham Poetry Review 31 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review 31 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. 60-66
The Tao Of Longing, Michael Henson
Birmingham Poetry Review 30 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review 30 (End Matter), Birmingham Poetry Review Staff
Birmingham Poetry Review
pp. 56-66
After Surgery, Sandra Kohler
Birmingham Poetry Review 30 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review 30 (Complete Issue), Birmingham Poetry Review Staff
Birmingham Poetry Review
No abstract provided.
Angel Answers Questions, Carolyn Elkins
Smoke, Stan Sanvel Rubin
The Bed At Mullinahone, Mary Kaiser
Kenosis, James Owens
A Skeptical Feminist Exploration Of Binary Dystopias In Marion Zimmer Bradley's The Mists Of Avalon, Alexandra Elizabeth Anita Lindstrom
A Skeptical Feminist Exploration Of Binary Dystopias In Marion Zimmer Bradley's The Mists Of Avalon, Alexandra Elizabeth Anita Lindstrom
Theses Digitization Project
In Marion Zimmer Bradley's retelling of the Arthurian legends, The Mists of Avalon, she creates two dystopic cultures: Avalon and Camelot. Contrasting Bradley's account of the legends with the traditional version, Sir Thomas Malory's Le Morte d'Arthur, reveals that Bradley's sweeping revisions of the tradition do little to create a feminist ideal. A skeptical questioning of the text's plot and characters with the Women's Movement in mind opens an interpretation of the text as a critique of feminism itself.
Connoisseur Of Dirt, Lucy Aron
Wild Turkey Shine, Lucy Aron
Sea, Ship, Lequel?, Doug Bolling
First Date (Like A Command), Heather Sellers
The Last Shot, Maryfrances Wagner