Arts and Humanities Commons^™

Exploring The Stereotypes Of Gender And Sexuality In Ballet And Its Impact On The Dance Community, Ava Jackson

Audre Lorde Writing Prize

Ballet has been deemed a feminine sport for hundreds of years. The famous words of choreographer George Balanchine, “Ballet is Woman,” remind us of this. While some may see classical ballet as a feminized birthplace of dance for queer men and women, the art form as a whole denies more flexible roles of masculinity. For men, the majority of roles are limited to strong princes, played by cis-gender men who fit the model of hegemonic masculinity. Dance is not exempt from oppression with intersectionality between dancers. An intersectional approach is imperative for understanding the exclusion dancers face, by challenging these …

Where I Belong: Four Dancers On What They Bring Into Leadership Roles, Kate Mattingly

Communication & Theatre Arts Faculty Publications

The article discusses dancers on what they bring into leadership roles which include Kiyon Ross, the associate artistic director for Pacific Northwest Ballet, Clifton Brown, assistant director at the Alvin Ailey American Dance Theater, and Helanius J. Wilkins, associate director of dance in the Department of Theatre & Dance at University of Colorado. Topics include Ross's first foray into choreography in 2005; Brown on how Dancers are being heard; and Wilkins on leadership role in dance.

Decapitated Dancers: An Investigation Of Nineteenth-Century Social Status And Class Representations In Degas’S L’Orchestre De L’Opéra, Jon E. Mcgee

Kentucky Journal of Undergraduate Scholarship

Edgar Degas is famous for depictions of ballet dancers. However, his earliest rendition of the subject in L’Orchestre de l’Opéra (Figure 1) is ignored for its ballerinas, who are beheaded by the pictorial frame. Despite the prevalence of dancers in his catalogue afterwards, scholarly discussion mostly focuses on L’Orchestre’s primary subject, bassoonist Désiré Dihau, and his peers, making it an innovative portrait which conveys modern life with formalist techniques. Most prior discussion contends these dancers were not beheaded for content, but for a formalist exercise in dramatic cropping. Recent discourse relegates the ballerinas to the background as erotic objects. …

Women Dancers Of Color Decolonizing Knowledge Production Through Performance, Mio Yoshizaki

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis focuses on how women dancers of color (WDoC) decolonize the process of knowledge production through performance. Through a feminist perspective, this research analyzes the ways WDoC use dance and movement to share their voices as women of color. The American concert dance industry was established based on Western perspectives. When WDoC create performances about their own lived experiences, dance plays a role in decolonizing the process of knowledge production by portraying their unique perspectives and culture through movement. Focus group discussions with women of color who perform in a midwestern metro area were selected as a method for …

Isolated Joint Block Progression Training Improves Leaping Performance In Dancers, Paige E. Rice, Kiisa Nishikawa, Sophia Nimphius

Research outputs 2014 to 2021

The purpose of this study was to investigate the effect of a 12-week ankle-specific block progression training program on saut de chat leaping performance [leap height, peak power (PP), joint kinetics and kinematics], maximal voluntary isometric plantar flexion (MVIP) strength, and Achilles tendon (AT) stiffness. Dancers (training group n = 7, control group n = 7) performed MVIP at plantarflexed (10◦) and neutral ankle positions (0◦) followed by ramping isometric contractions equipped with ultrasound to assess strength and AT stiffness, respectively. Dancers also performed saut de chat leaps surrounded by 3-D motion capture atop force platforms to determine center of …

Law Library Blog (December 2019): Legal Beagle's Blog Archive, Roger Williams University School Of Law

Law Library Newsletters/Blog

No abstract provided.

Kinematic Repeatability Analyses Of Multi-Segment Foot Motion In University-Level Ballet Dancers, Sarah Carter, Nahoko Sato, Luke Hopper

ECU Posters

Background:

Dancers are susceptible to overuse foot and ankle injuries, however there is a lack biomechanical studies examining foot mechanics to explain the causality of these injuries. The purpose of this study was to determine the intra and inter-assessor repeatability of a modified Rizzoli Foot Model (RFM) for ballet dancers.

Methods: Six university-level ballet dancers performed the following trials in randomized order, natural stance, turnout plié and stance, and two dynamic trials; turnout rise and flex-point-flex movement. A twelve-camera motion capture system were used to track fourteen reflective markers and one triad on the following segments: shank, entire foot, hindfoot, …

2017 Calendar: Music & Theater Images From The C. L. Sonnichsen Special Collections Departement, Special Collections Staff

Annual Calendars

Celebrating 50 Years of Archives at the UTEP Library

Celebration 50 Years of Archives at the UTEP Library 2017 marks the fiftieth anniversary of the Archives Department at the University of Texas at El Paso (UTEP) Library. In September 1967 Library Director Baxter Polk created the Library Archives and appointed El Paso historian Leon C. Metz as UTEP’s first archivist. Metz argued that the university “had an obligation to the community and the surrounding area to preserve its historical heritage.” He envisioned an archive that actively collected materials about the history of the southwestern United States and northern Mexico – …

The Link Between American Deaf Culture And Dance: Assessing Nonverbal Communication And Recognizing The Value Of Deaf Dancers., Chloe Edelstein

Undergraduate Honors Thesis Collection

As a dancer, it is of the utmost importance to know the history behind the origins of movement with intent. In a collegiate setting, we are immersed in the different styles and origins that have shaped the refinement and adaptations of dance into the genres that it exists today. But, I have recognized a lack of knowledge in one extraordinary facet; dance performed by those who are deaf. With this project, I have educated a group of dancers on the different aspects and struggles of being deaf within America and through the creation of a dance that mimics the rehearsal …

The Effects Of Instruction On Landing Strategies In Female College-Aged Dancers And Non-Dancers: A Pilot Study, Brittany Keating, Jason Pyfer, Kimberly Vialpando

UNLV Theses, Dissertations, Professional Papers, and Capstones

Background Female athletic participation has increased over the past decade and with it the prevalence of knee injuries. Current research demonstrates an increased risk of anterior cruciate ligament (ACL) injury for female athletes. However, a number of studies have pointed out that ballet and modern dancers exhibit a lower incidence of ACL injuries despite the fact that they perform jumping and landing frequently.

Objective The objective of this study was to examine how dance experience and instruction affect the lower extremity biomechanics during drop landings. Specifically, lower extremity joint alignment and muscle activation of gluteus maximus and gluteus medius were …

Genu Recurvatum In Dance Training: Assessing And Addressing The Structural Deformity In Dancers, Anne Mercedes Mushrush

Undergraduate Honors Thesis Collection

Genu recurvatum is a medical condition in which the knee curves baac kwar d past the normal range of extension predominantly in the sagittal plane. Hyperextension can be attributed to extra laxity in the body, therefore the surrounding ligaments of the knee allow for the femur and tibia to be placed past a sagittal alignment of 180°, which is the possible knee extension of normal knee alignment. Genu recurvatum, medically viewed as a deformity, is desirable and considered a positive attribute in the dance world, especially classical ballet. Hyperextension also makes the line of the leg appear longer and straighter …

Art Of State / State Of Art : The European Tours Of Martha Graham And Her Dance Company, 1950-1967, Ileana Camelia Lenart

Legacy Theses & Dissertations (2009 - 2024)

Praised for inventing a new language of dance and for freeing the human body and spirit through it, Martha Graham (1894-1991) is one of the most revered artistic innovators of the 20th century. In spite of the complexity of her art and persona, the scholarly work devoted to her reflects a fascination with "Graham the artist", limited to the "magic years" of the thirties and the forties, considered the peak of her artistry and "technique" dance innovation. The rest of her long life and artistic career have not been not thoroughly explored by dance historians, since they unjustly assume this …

Shanghai Dancers: Gender, Coloniality And The Modern Girl, Vera C. Mackie

Vera Mackie

In 1924, the artist Yamamura K6ka (1885-1942) produced a colour woodcut depicting the dance hall of the New Carlton Hotel in Shanghai. In this print, two women are seated at a round table. One has bobbed hair; the other wears a red hat. Both wear western dress, but the embroidered jacket draped on one of the chairs suggests the fashion for Chinoiserie. Two cocktail glasses on the table contain red cherries. Several couples dance in the background of the picture, the women all with similar bobbed hair. The male dancing partners are barely visible and the women are seen from …

Shanghai Dancers: Gender, Coloniality And The Modern Girl, Vera C. Mackie

Faculty of Law, Humanities and the Arts - Papers (Archive)

In 1924, the artist Yamamura K6ka (1885-1942) produced a colour woodcut depicting the dance hall of the New Carlton Hotel in Shanghai. In this print, two women are seated at a round table. One has bobbed hair; the other wears a red hat. Both wear western dress, but the embroidered jacket draped on one of the chairs suggests the fashion for Chinoiserie. Two cocktail glasses on the table contain red cherries. Several couples dance in the background of the picture, the women all with similar bobbed hair. The male dancing partners are barely visible and the women are seen from …

Taliaferro Collection (Mss 51), Manuscripts & Folklife Archives

MSS Finding Aids

Finding aid only for Manuscripts Collection 51. Copy of diary kept by Betsy Taliaferro (1800-1850) from 20 March 1838 to 8 April 1839, concerning her trip from Harrisonburg, Louisiana, to New Orleans to Versailles, Kentucky, her native home, by steamboat and stagecoach. Includes correspondence, notes, clippings, etc. of researcher Mary T. Moore regarding the diary.

A Chorus Line: Does It Abide By Rules Established By Actors' Equity Association For The Audition Process?, Mark Hardin

Electronic Theses and Dissertations

I have been cast as "Bobby" in A Chorus Line at Orlando Broadway Dinner Theatre in Orlando. I will use this opportunity as my thesis role. As part of my thesis defense, I will combine an analysis of the character of "Bobby" in A Chorus Line with an assessment of Actors' Equity Association's audition policies from 1970 to the present, and investigate whether the audition held in the show abides by the policies established by AEA for Broadway calls. "Bobby" has an interesting arc of development as he actually gives the director what he (the director) does not want, yet …

Accumulated Response In Live Improvised Dance Performance, Joanna T. Pollitt

Theses: Doctorates and Masters

The response project and accompanying thesis aim to affirm the role of the dancer as an authority in revealing patterns and traces of accumulated lived experience, knowledge and ideas through the practice and performance of dance improvisation. The dancing body is investigated as a dynamical and complex system of research that is embedded in a process of continual response to the present. These bodily inscriptions and the process of active response form the seminal grounds for the physical and energetic exchange of improvised dance in performance.

Pennsylvania Folklife Vol. 45, No. 2, Thomas E. Gallagher Jr., Robert Troy Boyer, Amos Long Jr., Christine M. Mueseler, Catherine Anne Jacobs, Hugo A. Freund

Pennsylvania Folklife Magazine

• Occupational Folklife
• A Fine-Tooth Comb: Atlee Crouse Carries on a Family Tradition
• "Lime and Manure": Agricultural Practices Among the Pennsylvania Germans
• Alcoa, New Kensington: "It was More Than a Job - It was a Way of Life"
• Women's Work: Textile Manufacturing in the Lackawanna Valley
• Working the Seams: African American Professional Performers Moving Between White Public Culture and African American Private Culture

Dance, Nica Vernon

Scope

No abstract provided.

Ua19/16/5 On-Campus Halftime Program, Wku Athletic Media Relations

WKU Archives Records

On-Campus Halftime Program featuring Mary Small co-director of the Topperettes dance team interviewed by Todd Gibbs.

Girls Winding Maypole At Nashville School

Arkansas schools

Girls at Nashville School participate in a Maypole dance while accompanied by two ladies on the guitar and violin.