Arts and Humanities Commons^™

Politicizing The Past: The Exploration Of Revolutionary Collectivity Within Neoliberalism In Dionne Brand’S In Another Place, Not Here And Rita Indiana’S Tentacle, Siobhan Nerz

Honors Theses

This thesis explores the depictions of revolutions in the two Caribbean novels In Another Place, Not Here by Dionne Brand and Tentacle by Rita Indiana. I analyze how the novels explore the potential for political collectivity within neoliberalism through their depictions of the environment and same-sex relationships. I also examine how both authors engage their reader by forcing them to confront their positionality within the economic system. While Brand imagines ephemeral moments of collectivity within neoliberalism, Indiana shows revolutionary individual and collective action is inhibited by late-stage capitalism. Paring these novels together shows how contemporary individuals of differing positionalities can …

Collective Healing Within Queer Paradoxes: Deconstructing Emotional Abuse In Lgbtq2sia* Communities To Cultivate More Accountable And Compassionate Worlds, Alexia Siebuhr

Cal Poly Humboldt theses and projects

Emotional abuses within LGBTQ2SIA* communities are rarely acknowledged as existing or often normalized. Through care and anti-oppression works, transformative justice models such as community and self-accountability have helped carve out ways of addressing harm directly and breaking cycles of violence. The research in this thesis has been through mixed qualitative methodologies including semi-structured interviews and surveys. The participants' along with other authors, artists, activists and scholars’ narratives draws upon the experiences of emotional abuse lived within structural and social surveillance. The settler colonial state sanctioned projects have responded to harm by perpetuating violence upon those most marginalized. Deconstructing emotional abuse …

The Choral Composer/Conductor Collective: An Ongoing Experiment In Musical Self-Governance, Julian D. Bryson

Theses and Dissertations--Music

C4: The Choral Composer/Conductor Collective and Triad: Boston’s Choral Collective are the first choirs to explore collectivity as a method of ensemble organization. While more traditional ensembles have a single artistic director, C4 and Triad share and rotate leadership responsibilities among the full membership. Artistic and logistical decisions develop through conversation, consensus, and/or voting.

This monograph draws primarily on interviews with thirteen current and former members of the two ensembles as well as the author’s personal experiences with Triad’s inaugural concert cycle to present a narrative description of member characteristics, governance, and operational processes. Interview responses are compared to relevant …