Arts and Humanities Commons^™

Blue Room 2024, Blue Room Magazine Rso

Blue Room

Editorial Team

• Eli Elkins
• Jacob Owen
• James Haddon
• Max Yoho
• Ella Abbott
• Maddy Hunt
• Sofia King
• Sruthi Jnanesan
• Oscar Aguilar
• Rachael Perino

These Were My Glasses, Curtis Bay

Inscape

Portland-based artist Curtis Bay creates drawings, paintings, and collages in watercolor, oil, and mixed media. His work is expressive and personal, inspired by the tension between competing realities. His subjects are often from his own circle of friends and family and the natural world, but he freely jumps between figuration and abstraction. He received a BFA in Art with Honors from BYU in 1994. He was part of the Inscape staff at least in Winter of 1988 and designed some killer merch.

Sketchbook Sesh, Curtis Bay

Inscape

Portland-based artist Curtis Bay creates drawings, paintings, and collages in watercolor, oil, and mixed media. His work is expressive and personal, inspired by the tension between competing realities. His subjects are often from his own circle of friends and family and the natural world, but he freely jumps between figuration and abstraction. He received a BFA in Art with Honors from BYU in 1994. He was part of the Inscape staff at least in Winter of 1988 and designed some killer merch.

Divine Presences, Gary Hall

Inscape

Gary Hall has two art degrees from BYU: a BFA with an emphasis in ceramics completed in 1995, as well as an MFA in ceramics completed in 2007. In the years between his degrees and up to the present time Gary has worked at bronze casting foundries in the Utah Valley area learning all the aspects of transforming clay sculptures into cast bronze. Currently Gary teaches intro to sculpture classes at UVU and works at Adonis Bronze Foundry in Alpine, Utah. He is also very active in art shows in the state and the south west region.

Angel Of The East, Gary Hall

Inscape

Gary Hall has two art degrees from BYU: a BFA with an emphasis in ceramics completed in 1995, as well as an MFA in ceramics completed in 2007. In the years between his degrees and up to the present time Gary has worked at bronze casting foundries in the Utah Valley area learning all the aspects of transforming clay sculptures into cast bronze. Currently Gary teaches intro to sculpture classes at UVU and works at Adonis Bronze Foundry in Alpine, Utah. He is also very active in art shows in the state and the south west region.

Striding Warrior, Gary Hall

Inscape

Gary Hall has two art degrees from BYU: a BFA with an emphasis in ceramics completed in 1995, as well as an MFA in ceramics completed in 2007. In the years between his degrees and up to the present time Gary has worked at bronze casting foundries in the Utah Valley area learning all the aspects of transforming clay sculptures into cast bronze. Gary served in Utah Army National Guard from 2011 to 2017 and has stated that many of his experiences as a soldier have influenced his art. Currently Gary teaches intro to sculpture classes at UVU and works …

Value And Form Exploring Wrinkles And Folds In Clothing In Drawing, Jackson Venski

Senior Art Portfolios

Portfolio of Jackson Venski, Senior Art Exhibition 2024.

Does Art Pluralism Lead To Eliminativism?, P.D. Magnus, Christy Mag Uidhir

Philosophy Faculty Scholarship

Art pluralism is the view that there is no single, correct account of what art is. Instead, art is understood through a plurality of art concepts and with considerations that are different for particular arts. Although avowed pluralists have retained the word “art” in their discussions, it is natural to ask whether the considerations that motivate pluralism should lead us to abandon art talk altogether; that is, should pluralism lead to eliminativism? This paper addresses arguments both for and against this move. We ultimately argue that pluralism allows one to retain the word “art”, if one wants it, but only …

Retrospective Feature Exhibits Section, Sally Brown, Brian Lemme, Daniel Grossman, Nathan Harlan, Joshua Lohnes

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the large feature exhibitions.

Flower Layering Exploration With Influence From The Impressionist Movement, Kayla M. Bremmer

Senior Art Portfolios

Art Education Senior Capstone Exhibition work and unit plan by Kayla Bremmer during the Fall 2024 semester.

Breaking Molds: Transformative Processes In Art Making, Materials, And Life, James M. Wysolmierski

Graduate Thesis and Dissertation 2023-2024

Drawing upon traumatic moments of my past as a catalyst, I pursue understanding and acceptance of physical and emotional pain. In this thesis body of work, I employ the intersection of industrial and body imagery in sculptural forms and installation as a corporeal and allegorical account of my lived experience using visual narratives of trepidation and metamorphosis. In my creative practice, I incorporate various materials that create a reference of specific moments from my past. The artworks draw from principles rooted in Buddhism, affect theory, phenomenology, and materiality; incorporating them as tools to comprehend my position in the world and …

Sporarts: The Artistic Representation Of Athleticism, Joe Kraus

Capstone Showcase

This paper aims to describe the artistic value of sports photography. This paper includes academic theories and themes like the halo effect, theories of seeing (scopophilia, Laura Mulvey, male gaze, sporting gaze, gaze theory), and medium theory. Creative themes include architecture, gender in sports (Title IX), and film, digital, and experimental photography. Sports discussed include men's and women's ice hockey, baseball, american football, men's basketball, and men's soccer.

Fr1: Comics, Cyborgs, And “In Between” Identities, Ella Lehavi

Scripps Senior Theses

As a queer Jew who grew up surrounded by immigrant cultures and communities, I find myself in a liminal space between my identities and the dominant culture of my country– one where my perspective on gender and my cultural experiences aren’t fully understood by the world I exist in. Comics and cartoons are an explorational platform for concepts of reality and identity; they are one of very few spaces where I see my identities explored with so much depth and care.

Cartoons and comics exist in between realistic depictions and abstraction. This makes them a great place to express all …

Nurtured, Rebecca Klundt

Inscape

Rebecca Klundt is a Salt Lake City native and graduate from Brigham Young University with a BFA in 2D studio art, an emphasis on painting and power tools. Her works are built from reclaimed wood which she “reorganizes” into beautiful mosaics. Her work is found in the collections of The Church of Jesus Christ of Latter-Day Saints, Utah Arts and Museums, Salt Lake Community College, and Delta Airlines. She currently exhibits with David Ericson Gallery SLC, Art Space Warehouse in LA and Foursquare Gallery, as well as on her website rebeccaklundt.com and @rebeccaklundt on instagram.

Paths To The Abstraction: Kandinsky And Rothko, Vera Schueler

MA Theses

This thesis explores the artistic journeys of Kandinsky and Rothko, focusing on underlying motivations that led them towards the realm of abstraction. Kandinsky and Rothko played pivotal roles in the development and advancement of abstraction in the art world. They shared the belief that only non-figurative art had the power to convey deep meaning and evoke profound emotions, going beyond mere representation of the physical world. Despite their divergent artistic paths, artists were united by the idea of the transformative power of artistic expression and aimed to transcend to the viewer the energy and concepts of their vision through delving …

Jazz Piano, Curtis Bay

Inscape

Portland-based artist Curtis Bay creates drawings, paintings, and collages in watercolor, oil, and mixed media. His work is expressive and personal, inspired by the tension between competing realities. His subjects are often from his own circle of friends and family and the natural world, but he freely jumps between figuration and abstraction. He received a BFA in Art with Honors from BYU in 1994. He was part of the Inscape staff at least in Winter of 1988 and designed some killer merch.

Maine As Modernism’S Vernacular Muse: The Ogunquit Artists Colony As Microcosm For The Transition To American Modernism, Lydia C. Burke

Honors Theses

Maine has played a vital but largely unacknowledged role in the development of American modernism as both an environmental and cultural repository of inspiration. By examining the artistic and pedagogical tensions present in the Ogunquit, Maine art colony, this thesis explores Maine as an inspiration point for many of the foundational artists and teachers of the American modernist art movement. The gap in literature addressing the question, “why Maine?” leaves a void in the scholarship of American history and art history. Setting the scope of its research within this vital question, this thesis argues that Ogunquit, Maine served as a …

Material And Making: An Exploration Of Georgia Wild Clays, Nina Samuels

Honors College Theses

Wild clay is an abundant and diverse material that has a long history with both utilitarian and decorative uses. Since the industrial revolution, processed and manufactured clay bodies have become commonplace. However, there has been a recent resurgence in the use of wild clays in contemporary ceramic practices for the purposes of material connection, accessibility, and sustainability.

This thesis explores the abundant wild clays of Georgia including the sourcing, processing, testing, of these materials. It also shows examples of the portfolio of work that was created with this research.

Curating Transdisciplinary Residencies: Time And Place For A ‘First Kiss’, Denise Thwaites, Damith Herath, Vahri Mckenzie

Research outputs 2022 to 2026

Artist residencies offer opportunities for creative interaction between different cultures, communities, and practitioners. Beyond providing time and space, hosts facilitate artists’ immersive social encounters with place, allowing them to explore unfamiliar processes of experimentation. Drawing on a case study of a robotics and arts-based residency, which birthed the choreographed robotic installation ‘First Kiss’ by Melanie Lane, this short paper considers the complex rhythms of transdisciplinary collaboration; their awkward intimacies challenging seamless trajectories of innovation.

Her Monstrous Body: The Creation And Reclamation Of Female Monsters In Visual Culture, Sarah Teske

Scripps Senior Theses

Voracious, wicked, all-consuming. The image of the female monster has captivated audiences with its unique brand of horror. She brings chaos to her surroundings while we watch from behind the safety of a screen or the pages of a book. However terrifying, viewers can take comfort in the fact that by the time the credits roll, she will be defeated.

This trope has been used time and time again to center feminine bodies and female sexuality as monstrous, while justifying the existing patriarchal order. And this is no surprise being that her features are imbued with the threat of power …

Retrospective Exhibition Evansdale Section, Sally Brown, Colleen Moretz, Frankie Tack, Jason Lee, Ruth Yang

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the exhibitions that have taken place at the WVU Evansdale Library.

Retrospective: Health Sciences Section, Sally Brown, Beth Mccormick, Anne Mcfarland, Renee Nicholson, Sheila Price, Manuel Vallejo, Misbah Muzaffer, Dana Gray, Jamie Shinn, Jennifer Momen

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibit includes a summary of exhibitions and projects that have been based at the WVU Health Sciences Library.

Retrospective Curator's Statement, Sally Brown

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Libraries Retrospective includes a statement by the exhibition curator.

Retrospective Student Projects, Sally Brown, Stewart Plein

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of student projects.

Lights And Shadows - 2024, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Retrospective Accessibility, Sally Brown, Nicole Fuller

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Libraries Retrospective includes a statement on virtual programs and accessibility.

Retrospective Exhibition Additional Initiatives Section, Sally Brown, Lemley Mullett, Michael Sherwin

Art in the Libraries Retrospective: 2015-2024

The section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the program's special initiatives.

Retrospective: The Beginning, Section 1, Sally Brown, Linda Blake

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibition includes the history of the Art in the Libraries Program, including the first exhibitions and the forming of the committee.

Jurgen Comics Contest Newspaper And Artwork - Fall 2023, Julia Martinez

Jurgen Banned Art Comics Contest

Digital edition of the Jurgen Comics Contest broadsheet newspaper celebrating the Fall 2023 Contest winners. The newspaper design and supplemental artwork were created by contest student editor Julia Martinez. Supplemental promotional materials include a poster for an online information session.

The Fall 2023 Jurgen Comics Contest invited VCU students to explore a specific historical incident of censorship or suppression of visual art, books, music, film or performance.

Retrospective Awards Section, Sally Brown, Stephanie House-Niamke, Chansotheary Dang, Qazi Arka Rahman, Lara Farina, Colleen Moretz

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of awards given by the program to students, faculty and staff.