Arts and Humanities Commons^™

Passages, Arden Carlson

Graduate Theses and Dissertations

Passages is a collection of wood sculptures and drawings by Arden Carlson, exploring a mesh of southern intimacies and queer musings; underpinned by the logics of belief, grief, and love. The result is a tender field of angelic birds fixed in flight over gnawed surfaces of grain and graphite. The following dissertation details the artist’s logic during the construction of the visual art thesis exhibition, Passages. The writing is composed in an autoethnographic format, backed by supporting anecdotes and creative methodologies that help to route the operational modes used. Near the end of this writing, you’ll find an additional addendum …

Pillowfort Logic, Victoria Barquin

Graduate Theses and Dissertations

I use textiles, everyday objects, and my own studio archive to create assemblages that are both abstract and familiar. I follow my body, operating without preconceived notions as to what the materials are or how they should act, creating a liberatory practice of working intuitively, embracing play, and challenging my own conceptions of what’s possible. In my thesis exhibition, Pillowfort Logic, this methodology of reimagining what already exists is fundamental. The construction of these pieces mimic the act of building a fort in the living room where chairs are walls and blankets are roofs. The parts may return to work …

Porous, Janice A. Agustin

Graduate Theses and Dissertations

Porous presents sensory modalities to convey the theme of memories, creating an active site that resists erasure as an immersive art installation. Through a collage of multichannel video performances, Porous is an assemblage of fragmented, abstract, and non-linear aspects of memory. These videos are portals to sites of resistance, collaged and entangled as the essence of memories. All videos touch slightly on the wall, displaying their interconnectedness. The videos coexist with layered audio and live water ambient noise.

Overpowered, Benjamin Pearey

Graduate Theses and Dissertations

Overpowered is a temporary installation of a tiled living room, modeled after my own living room in a rental apartment in Fayetteville, Arkansas. It takes its name from a kind of sci-fi electro-disco love song released in 2007 by Roísín Murphy, who breaks down romantic attraction into preprogrammed meanings, chemical needs and matching data - and her sense of losing control, succumbing to the overwhelming forces at play. My installation is borne from a similar feeling. It is a continuation of a navigation of daily life under the pressures of external forces exerted by the various systems that underpin society …

Bull Spit, Sirena Nieves, Sirena M. Nieves

Electronic Theses and Dissertations

BULL SPIT, formally known as “It’s Bullshit!!”, is an exhibition consisting of seven sculptures, four installations, and one performance. The sculptures are informed by my research on low-income, working-class communities of color, analogous to the one I grew up in. The materials for my work include domestic objects such as bedsheets, hardware, uniforms, and miscellaneous items that reflect the contemporary dysfunctional dynamics between families and communities of low-income backgrounds. Cardboard, plastic bags, Styrofoam, and paper are disposable materials manipulated into abject forms to integrate the survival practice developed from the poverty culture of “making the most out of nothing.” …

Dear Mama: An Exploration Of Trauma And Black Feminist Healing Practices Through Letter Writing, Bria Nickerson

Women’s, Gender, and Sexuality Studies M.A. Final Projects

This autoethnographic project delves into the multitude of strategies I've employed over the past decade since my mother's passing to confront and heal from my trauma. Through a series of original letters spanning from girlhood to early adulthood, I narrate my journey, delving into the depths of my emotions, thoughts, and coping mechanisms as I navigate through various traumatic experiences. Guided by Black Feminist Autoethnography as its methodology and anchored in Black Feminist Thought as its theoretical framework, this project also explores the profound impact of transgenerational trauma on the psychological well-being of Black women. From enduring slavery and racialized …

The Unspoken Words Of Fashion: Movements Behind Harajuku’S Avant-Garde Fashion Trends, Alastair Leon

Theses/Capstones/Creative Projects

Over the past 50 years, the Harajuku neighborhood in Tokyo, Japan, has become an epicenter for innovative fashion trends that have reached global audiences. Fashion, as a medium, is an art form that can be as powerful as traditional work. It can convey a multitude of messages, and most notably, it can be a wordless statement against dominant culture and societal norms. Social groups have used fashion as an identifier, and they are commonly linked with a subcultural identity. Self-expression is a powerful tool to fight against the status quo, and fashion enthusiasts in Japan have advocated for a rebellion …

My Daily Grounds: A Journal Of Creative Alchemy, Kathleen A. Donovan

Creativity and Change Leadership Graduate Student Master's Projects

My Daily Grounds: A Journal of Creative Alchemy is a project intended to renew artistic confidence and prepare a mindset for a writing retreat in Ireland in June 2024 by revisiting childhood memories and exploring the impact of early domestic abuse through a visual journaling process. This endeavor aims to stir up the creative voice and find authenticity in creation by gathering and clarifying personal data visually, following the Creative (CPS) approach to unlock new insights and ideas for writing. The resulting essays will illuminate the unseen effects of trauma and are intended for publication, reflecting a co-creative process between …

Authentic Fake: Authenticity And Authentication., Suyun Son

Electronic Theses and Dissertations

My thesis exhibition questions the modern sanctification of authenticity. No longer believing in objective truths, the postmodern society seeks epistemic grounding on being true to oneself. The categories of authentic-or-fake replaced the binary of true-or-false. But authenticity is a trojan horse for authentication. As a Korean American artist, I'm encouraged to express my “authentic” Korean identity. This encouragement can also imply my works will receive recognition as authentic and meaningful only when they embody Korean cultural expression. Authenticity becomes a performance for the sake of authentication. Ironically, authenticity turns into an act of conformity/confirmation. Authenticity demands you stay true to …

Art And Math Via Cubic Polynomials, Polynomiography And Modulus Visualization, Bahman Kalantari

LASER Journal

Throughout history, both quadratic and cubic polynomials have been rich sources for the discovery and development of deep mathematical properties, concepts, and algorithms. In this article, we explore both classical and modern findings concerning three key attributes of polynomials: roots, fixed points, and modulus. Not only do these concepts lead to fertile ground for exploring sophisticated mathematics and engaging educational tools, but they also serve as artistic activities. By utilizing innovative practices like polynomiography—visualizations associated with polynomial root finding methods—as well as visualizations based on polynomial modulus properties, we argue that individuals can unlock their creative potential. From crafting captivating …

My Body Adorned, Marie Y. Peterson

Art and Art History Honors Projects

My studio art honors project is an autobiographical body of work expressed through a ceramic-based installation. Further exploring the hybridized identity of being an Asian-American adoptee, My Body Adorned aims to juxtapose the contentious history of body modifications using the familiar and prestigious visual language of South Korean-inspired celadon-ware. My Body Adorned showcases a collection of vessels inspired by Korean ceramics with “tattooed” exteriors. Reinforced and informed by my tattooing practice, my work exposes the visual, linguistic, and technical skills that intertwine clay and skin and establishes a conversation between my physical human body and body of work.

Light Reflection, Victoria Holowinsky '24

Art & Art History Student Scholarship

Victoria Holowinsky ’24, Studio Art major, concentration Photography

Faculty Mentor: Dr. Eric Sung, Art and Art History

Art As A Form Of Therapy: Afghan Women And Their “War Rugs” Highlight The Trauma And Violence Of The Soviet-Afghan War, Abigail Turano '24

History & Classics Student Scholarship

Abigail Turano ’24, History major
Faculty Mentor: Dr. Margaret Manchester, History and Classics

From Field To Fashion: A Journey In Sustainable Design And Regional Understanding, Lily Turner

Individually Designed Interdepartmental Major Honors Project

As the fashion industry became globalized over the past century, it has become a major environment polluter and exposed laborers to hazardous conditions. This honors project considers sustainability in the textile industry at large and at the regional scale of the Upper Midwest. Its scholarly component offers an overview of the current textile production, details how the industry may become sustainable, and suggests practices of environmentally-conscious and ethical design. The creative component is a soil-to-soil seasonless capsule collection titled From Field View that incorporates biomimicry and interrogates the concept of place by referencing the Midwest’s flora, wool, and linen fibers.

Emergent Narrative In Tabletop Role-Playing Games: An Application Of Concepts, Padraig Mumper

Honors Projects

This project examines tabletop role-playing games using concepts from narratology and ludology including emergent narrative and Roger Caillois’ categories of games by applying these concepts in the creation of an adventure zine for the game MÖRK BORG. The existing literature on emergent narrative primarily focuses on video games and Avant Garde texts but tabletop role-playing games provide a novel opportunity to explore emergent narrative in new ways. The dynamic of a collaborative game with multiple players and a gamemaster provides additional challenges for designers due to variance in interpretation of the game events and the lack of a digital program …

Hózhó + Art Heals, Eugene Tapahe

Theses and Dissertations

The land where I grew up gives me a sense of purpose and belonging. It embodies the Navajo concept of hózhó, which represents harmony, beauty, and balance. Being in tune with this spiritual connection inspires me to bring people together through art and healing. I use natural materials like sand, sage, cedar, tree twigs, and yellow and blue cornmeal to create my art. To maintain the spirituality of my work, I employ traditional and ritualistic harvesting methods passed down from generation to generation. These techniques are deeply connected to the land and are essential to my identity as an artist …

Sometimes Windows Break, Samantha Snyder

Theses and Dissertations

The sensation of detachment and reclusion frequently gives rise to an uncanny and dreamlike space. Enveloped within this dimension, the quirks of memory become a fragile lifeline to bygone, intangible ideas of reality. Fixated on this threshold, my artistic explorations in print, collage, and assemblage navigates these elusive realms, rendering fragmented and distant shapes and figures in stark contrast to elements that evoke an eerie sense of familiarity. In this manner, my work invites viewers to embrace the disconcerting and unsettling aspects of the in-between, all the while establishing an unsettling connection to reality through the lens of nostalgic objects …

Color On Canvas In Black Britain And Black Germany, Marisa J. Pickett

History ETDs

Using the artwork and poetry of Black artist-activists Lubaina Himid, Keith Piper, May Ayim, and Raja Lubinetzki, a connection was found between the increasingly anti-immigrant rhetoric of conservative politicians of the 1980s and the self-identification and belonging of non-white communities within the countries of Great Britain and Germany. By linking the produced artwork with the direct political initiatives of the time, we are able to draw parallels between the experiences of two diasporic communities, Black Britain and Black Germany, through artists and their work. Artwork can be seen as a medium through which to engage with the audience on a …

Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba

Artl@s Bulletin

In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.

Munna Uganda Taga Nuwagaba abuuza nti: …

As If It Were One Day, Megan Rowley Stern

Theses and Dissertations

As If It Were One Day is a multimedia art installation that chronicles patterns of light, movement, and sound, channeling the fluidity of time within the newborn phase of familial living. After giving birth to my daughter, I spent the next seven weeks observing these elements and recording them via video. The resulting art installation acknowledges my efforts to navigate my current life as an artist and a mother, my past battle with postpartum depression, and my consequent gravitation toward light.

Validating Boyness: How Art Education Allows Male Adolescent Students A Space For Authenticity, Vulnerability, Empathy, And Connection, Stephanie Behlke-Mcfarland

Theses and Dissertations

This thesis examines societal norms and unwritten rules for boys as they mature. It is hypothesized that most boys deal with emotional suppression or dissociation in varying degrees of severity due to traumas during their developmental years. This dissociation creates an inability to express their own emotions adequately and therefore affects their ability to empathize with others. A lack of vulnerability may also be a common challenge among boys society still considers vulnerability weakness. This pattern continues into adulthood and is then perpetuated through posterity and future generations. This thesis explores through a qualitative case study how using art integration …

Still Life Happens, Mary Ann Crabtree

Theses and Dissertations

After dedicating over two years to pursuing an MFA degree focused on ceramics and sculpture, I find myself transported back to a familiar setting from my past: a tableau reminiscent of what remained in the dining space after four young children finished a meal and exited the room. Revisiting the scene recalls happy times despite the disorder. What helped maintain my sanity during the relentless repetition of the every-day-long task was the realization that every day, innocents are learning to become aware of the world around them. For my thesis exhibition, I created a tableau as a loud reminder of …

Education For Sustainable Development Competencies In A Community-Engaged Art Workshop, Amy J. Schmierbach

SACAD: Scholarly Activities

Arts participation can expand empathy and cognitive growth capacity while creating a social bond and communal meaning (McCarthy et al., 2004). As an art instructor for over twenty years, I have witnessed the bonds that can be created through collaborative art experiences. These bonds are nurtured from a space of equity and inclusion. Teaching a community-engaged art course can bring these qualities into the community, allowing university students to use their art skills in real-world applications to impact society through experiential learning art practices. Making art with others will enable us to help others build empathy and social bonds that …

The Lying Woman: Avant-Garde Collaboration In Jo Harvey Allen's Alt-Country, Caitlin C. Grann

American Studies ETDs

Jo Harvey Allen is an artist, writer, and actress whose work is cited as transforming performance art in the 1980s. In this dissertation, I analyze the nature of Jo Harvey’s collaborative process, which spans over five decades, to better understand her positionality in avant-garde and alt-country genres. I argue that Jo Harvey’s collaboration is familial, gendered, and emplaced. My goal with this project is to intervene with literature on musicians and artists from West Texas, specifically Lubbock, through an expansion of the contributions of women. This dissertation is a product of my own collaborative efforts with Jo Harvey, as I …

Welcoming The Stranger: Abrahamic Hospitality And Its Contemporary Implications, Ori Z. Soltes, Rachel Stern, Endy Moraes

Religion

Embracing hospitality and inclusion in Abrahamic traditions

One of the signal moments in the narrative of the biblical Abraham is his insistent and enthusiastic reception of three strangers, a starting point of inspiration for all three Abrahamic traditions as they evolve and develop the details of their respective teachings. On the one hand, welcoming the stranger by remembering “that you were strangers in the land of Egypt” is enjoined upon the ancient Israelites, and on the other, oppressing the stranger is condemned by their prophets throughout the Hebrew Bible.

These sentiments are repeated in the New Testament and the Qur’an …

Unraveling Paradise, Olivia Arslanian, Sydney King, Augustine Muller, Camryn Burns, Giana Napolitano

Development of Western Civilization Student Scholarship

The colloquium marks the culminating semester of the DWC experience. Over four semesters, students have achieved a grounding in major texts of the western tradition, engaged in deep reading and reflection, improved their communication skills, and are ready to make connections with their majors and careers. The colloquium allows them to utilize these skills and make the transition to their future academic work. In light of this, the Development of Western Civilization Program Committee has selected 5 DWC colloquium culminating projects that demonstrate excellence in communication and critical thinking skills. We are grateful to these students for their hard work …

Clark Student Voices Literary Magazine, Issue 3: Serendipity (Spring 2024), Clark Student Voices Literary Magazine Contributors

Clark Student Voices Literary Magazine (2023-present)

Issue 3 of the Clark Student Voices Literary Magazine, published in the Spring 2024 semester. The theme of the issue is 'Serendipity'. A semesterly publication curated by Clark University students, CSVLM creates space for students to share their creative writing including poetry, prose, and artwork. Organizing and distributing Clark Student Literary Voices builds community by uniting the many creative students on the Clark campus. The magazine's editors on the issue's theme:

"The Oxford English Dictionary defines serendipity as “The faculty of making happy and unexpected discoveries by accident.” This doesn’t mean that all of the pieces in “Issue 03: Serendipity” …

Clark Student Voices Literary Magazine, Issue 3: Serendipity (Spring 2024), Clark Student Voices Literary Magazine Contributors

Clark Student Voices Literary Magazine (2023-present)

Issue 3 of the Clark Student Voices Literary Magazine, published in the Spring 2024 semester. The theme of the issue is 'Serendipity'. A semesterly publication curated by Clark University students, CSVLM creates space for students to share their creative writing including poetry, prose, and artwork. Organizing and distributing Clark Student Literary Voices builds community by uniting the many creative students on the Clark campus. The magazine's editors on the issue's theme:

"The Oxford English Dictionary defines serendipity as “The faculty of making happy and unexpected discoveries by accident.” This doesn’t mean that all of the pieces in “Issue 03: Serendipity” …

Art, Artist And Audience: An Interdisciplinary Investigation, Sean Tenney

Honors 499 Theses and Creative Projects

The purpose of this project is to explore relationships among artists, works of art, and the artistic audience. I had originally planned to use a selection of famous paintings, differentiated by genre (e.g., abstract vs. representational) and ask people to write about these paintings. I imagined that the colors, shapes and textures in these famous paintings would elicit a range of reactions in viewers. Their reactions could then be compared to how the artists had conceived of their own artwork. This felt like an utterly academic exercise. It was safe, structured, in accordance with existing literature, while also indulging my …

“Making The Bed”: Challenging Ideologies Of Ownership, Nonlocality, And Romanticism In The Age Of The Anthropocene, Ainsley P. Foster

[Archive] Belmont University Research Symposium (BURS)

The current Age of the Anthropocene marks a recent and rapid transition into a period in climate history that is notably defined by human impact. Modern Western sentiments of grief, frustration, and romanticism as a result of the interplay between domestic and corporate spaces seem to culminate in an overall attitude of apathy and acceptance of the Age of the Anthropocene. Various art forms collaborate to create the current conversation of the causatory and reactionary relationship that humans have with the Anthropocene, offering interpretations of how individuals and corporations view ownership of and responsibilities to the environment. There is a …