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Full-Text Articles in Arts and Humanities

Imaging South Africa: Collection Projects By Siemon Allen, Siemon Allen Jan 2010

Imaging South Africa: Collection Projects By Siemon Allen, Siemon Allen

Anderson Gallery Art Exhibition Catalogues

"This catalog was published in conjunction with the exhibition Imaging South Africa: Collection Projects by Siemon Allen, August 27-October 31, 2010, and made possible by generous support from the Office of the Dean, VCU School of the Arts."--p. 83.


Review Of ‘Competitive Irish Dance: Art, Sport, Duty’, Christie L. Fox Jan 2010

Review Of ‘Competitive Irish Dance: Art, Sport, Duty’, Christie L. Fox

English Faculty Publications

No abstract provided.


Élan Vital, Sharon Mealey Jan 2010

Élan Vital, Sharon Mealey

CGU MFA Theses

My art explores the inner qualities of life, focusing on adaptability and resiliency. I am interested in the mysterious vital force philosophers call élan vital that animates human beings. I investigate the transitory nature of life where it intersects with élan vital. My paintings accommodate the ephemeral and the perpetual. Please see Download button in top right corner for the full statement.


New Material World: Rethreading Technology, Concurrent Exhibitions, The Sheldon Museum Of Art Jan 2010

New Material World: Rethreading Technology, Concurrent Exhibitions, The Sheldon Museum Of Art

Textile Society of America: Symposium Proceedings

Sheldon Museum of Art
www.sheldonartgallery.org
12th & R St.
(402) 472-2461


New Material World: Rethreading Technology
October 8, 2010 - January 2, 2011


From manipulating old techniques in new ways to coupling new tools and digital
processes with traditional methods, this work explores what it means to be an
artist integrating such approaches in the 21st century.


Participating artists: Lyn Carter, Kyoung Ae Cho (1997 Lillian Elliott Awardee),
Sonya Clark (2000 LEA), Ishida Tomoko Hashimoto (1998 LEA), Kyoko Kumai,
Cat Mazza, Janice Lessman-Moss, Geraldine Ondrizek, Jessica Smith, and
Grethe Sørensen.


Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology Jan 2010

Dit Graduate Exhibition Show Of The School Of Art, Design And Printing 2010, Dublin Institute Of Technology

DIT Publications

Exhibition committee staff Kieran Corcoran Peter Jones Paul White Robert Tully Neville Knott John Short Brenda Dermody Clare Bell Brenda Duggan Annette Buckley Pat Muldowny Joe Hanly Exhibition commitee student representatives Lucy Clarke Margaret Flynn Kate Geoghegan Gavin Gogarty Fiona O'Keeffe Cian McKenna Becky O'Hara Catalogue concept and design Paul Woods - www.paultheillustrator.com Maeve Keane - www.andstudio.ie Photography by Gillian Buckley. Typeset in DIN 9pt and 24pt. Printed on 140gsm Revive 50/50 by Future Print, Dublin. DIT Graduate Exhibition 2010


The Only Way Out Is Through, Lia Halloran Jan 2010

The Only Way Out Is Through, Lia Halloran

Art Faculty Creative Works – Exhibitions

"DCKT Contemporary is pleased to present LIA HALLORAN’s third New York solo exhibition. The exhibition includes new paintings of crystal caves and personified icebergs, along with ink on vellum works. HALLORAN uses science and the natural world to map out physical and psychological spaces in her painting and addresses time in ways that stretch our notions of perception."

This exhibition can also be viewed on DCKT's website.


Similarity And Difference: The Appearance Of Suffering At The Strokestown Famine Museum, Niamh Ann Kelly Jan 2010

Similarity And Difference: The Appearance Of Suffering At The Strokestown Famine Museum, Niamh Ann Kelly

Books/Book Chapters

No abstract provided.


Bilingual Visual Culture In New York : Socially-Engaged Latina Artists And The Discourse Of Hybridity, Solmerina Aponte Jan 2010

Bilingual Visual Culture In New York : Socially-Engaged Latina Artists And The Discourse Of Hybridity, Solmerina Aponte

Legacy Theses & Dissertations (2009 - 2024)

The purpose of this dissertation is to analyze the aesthetic visual discourse of hybridity manifested in the works of contemporary socially-engaged Latina artists of the New York diaspora. For Latin America and the Caribbean, regions where sociopolitical history has generally exhibited a tumultuous trajectory, the arts have provided a formidable venue for addressing the social concerns engendered by this turbulent history and for studying the creative ways in which artists interpret them. The symbiotic bond created between art and politics would become a cultural force and tradition in the history of struggle that characterizes the countries that are part of …


Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair Jan 2010

Mfa10 (Mfa 2010), Sam Fox School Of Design & Visual Arts, Mildred Lane Kemper Art Museum, Buzz Spector, Robert Gero, Patricia J. Olynyk, Clyde Ashby, Aaron Bos-Wahl, Andrew Cozzens, John Early, Ryan James Fabel, Joel Fullerton, Mary Beth Hassan, Wenting Hsu, John Nicholas Hutchings, Dani Kantrowitz, Larry Keaty, Mamie Korpela, Paola Laterza, Mad Mohre, Emily Moorhead, Jonathan Muehlke, Jessa Richardson, Nicolette Ross, Carlie Trosclair

Books and Monographs

Catalogue of a culminating student exhibition held at the Mildred Lane Kemper Art Museum in 2010. Content includes Foreword / Buzz Spector -- Thinking as making / Robert Gero -- A new set of conversations / Patricia Olynyk -- MFA 2010 graduates. Clyde Ashby / Aaron Bos-Wahl / Andrew Cozzens / John Early / Ryan James Fabel / Joel Fullerton / Mary Beth Hassan / Wenting Hsu / John Nicholas Hutchings/ Dani Kantrowitz / Larry Keaty / Mamie Korpela / Paola Laterza / Mad Mohre / Emily Moorhead / Jonathan Muehlke / Jessa Richardson / Nicolette Ross / Carlie Trosclair …


Believing Is Seeing, Robin Akkerman Jan 2010

Believing Is Seeing, Robin Akkerman

LSU Master's Theses

Fantasy art is often described as being connected to the imagination. My work defines fantasy themes in combination with modern culture and real life experiences. During the creative process I have overcome a struggle with composition development and color relationships. Paintings mimic a puzzle strategy. I come up with a basic idea by inserting and taking away imagery in order for the whole image to be cohesive. Subject matter includes women of different cultures in dress, animals, pattern, sweets, and childhood experiences from the 80’s. My characters are a personification of myself as I often dream of being dressed up …


Pensively, Kenneth L. Lantz Jan 2010

Pensively, Kenneth L. Lantz

LSU Master's Theses

Pensively, uses toys and solar powered drawing machines to present elements of movement, time, and scale. Each of the works in this exhibition invites or implies action through automation or viewer interaction. The works in this exhibit creates an environment of wonder and excitement that triggers memories of childhood and the pleasure of learning. The works investigate and discuss the responsibilities attained through maturation that keep us from recovering the sense of accomplishment we achieved with play.


Lights And Shadows - 2010, University Of North Alabama Jan 2010

Lights And Shadows - 2010, University Of North Alabama

Lights and Shadows

Art and Literature Magazine


Vita Brevis; A Public Art Initiative At Boston's Institute Of Contemporary Art, Rikki Sierra Rooney Jan 2010

Vita Brevis; A Public Art Initiative At Boston's Institute Of Contemporary Art, Rikki Sierra Rooney

Dissertations and Theses

No abstract provided.


But This Is What I See; This Is What I See: Re-Imagining Gendered Subjectivity Through The Woman Artist In Phelps, Johnstone, And Woolf, Heather Wayne Jan 2010

But This Is What I See; This Is What I See: Re-Imagining Gendered Subjectivity Through The Woman Artist In Phelps, Johnstone, And Woolf, Heather Wayne

Electronic Theses and Dissertations

Since the publication of Laura Mulvey's influential article 'Visual Pleasure and Narrative Cinema,' in which she identifies the pervasive presence of the male gaze in Hollywood cinema, scholars have sought to account for the female spectator in her paradigm of gendered vision. This thesis suggests that women writers have long debated the problem of the female spectator through literary depictions of the female artist. Women writers of the nineteenth and twentieth centuries'including Elizabeth Stuart Phelps, Edith Johnstone, and Virginia Woolf'recognized the power of the woman artist to undermine the trope of the male gazing subject and a passive female object. …


Inspire: The Confluence Of Art & Design, John Mark Lawler Jan 2010

Inspire: The Confluence Of Art & Design, John Mark Lawler

LSU Master's Theses

Inspire: The Confluence of Art & Design seeks to untangle the inextricable link between graphic design and art. Graphic design has always been seen simply as an informational or sales tool; rarely is it seen as art. The work presented in this show illustrates that works created with typography can, in fact, be one and the same.


Managing A Creative Practice, Julie C. Barrett Dec 2009

Managing A Creative Practice, Julie C. Barrett

Critical and Creative Thinking Capstones Collection

Myths and assumptions about creativity often lead us to believe that creativity is innate. Researchers find though, that we develop creative skills like any other ability, through opportunity, encouragement and practice. They also believe that most people fail to reach their creative potential, not because of lack of ability, but lack of opportunity. In this paper, I studied how creativity functions (specifically in terms of my own painting practice) and how it can be applied more flexibly. Certain factors, such as access to strong mentors, freedom to experiment, and readily available resources, help potentially exceptional minds find the passion to …


Ascents And Descents: Personal Pilgrimage In Hieronymus Bosch's The Haywain, Alison Daines Dec 2009

Ascents And Descents: Personal Pilgrimage In Hieronymus Bosch's The Haywain, Alison Daines

Theses and Dissertations

At the end of the fifteenth century, Hieronymus Bosch provided the foremost expression of the strict religious piety embodied by the Devotio Moderna and the impending embrace of secular humanism. As a result, Bosch's seemingly complex images provided viewers with positive messages concerning the journey of life through the use of binary symbolism. He utilized the pilgrimage motif as a guide throughout his paintings and in relation to the liminal spaces surrounding his works. This article will examine his important triptych, The Haywain, (c.1495-1516) as an example of spiritual paths taken simultaneously by both religious and contemporary figures, along …


The Design Brief: Conceptual Tool For Visual Resolution Of Professional Design Problems, Jason Andrew Neal Dec 2009

The Design Brief: Conceptual Tool For Visual Resolution Of Professional Design Problems, Jason Andrew Neal

Theses and Dissertations

In this thesis I show how I have integrated the design brief concept with my art philosophy to help guide the exploration and visual resolution of three academic visual projects. The design brief is the most significant project management tool I have added to my design philosophy and production approach during my graduate studies. It has not changed the art I create, but rather has changed how I plan for and manage the production of my art. The brief consists of a series of questions that I can apply to all design decisions to make sure those decisions remain consistent …


Senior Project Artist Book, Adam Wirdak Dec 2009

Senior Project Artist Book, Adam Wirdak

Art and Design

This paper explains the process of ideation, topics of research, hand building, woodworking, and production, as well as a summary of my project.

My senior project involved the creation of an artist book. My artist book consisted of six maps (roughly 10.5” X 10.5”), two trays of individual words (roughly 520 words in total), six dowels, one string of twine, and a box which holds all elements of the project.


Deviant, Courtney Richards Dec 2009

Deviant, Courtney Richards

All Theses

ABSTRACT
I create portraits and self-portraits that explore the dualities of the western human condition, namely the deviant and the ideal, the refined and the unrefined, and the perfect and the flawed. Drawing on personal experiences with people considered outsiders or social deviants, I construct figures that embody the conflicting ideas inherent in these dualities. I explore these conflicts in drawings that are constructed with marks and shapes that are both basic and refined, and in photographs that use analytic documentation to describe social turmoil. I reference artists both contemporary and historical, such as Egon Schiele, Robert Longo, Kathe Kollwitz, …


An Abridged Visual History Of Graphic Design, Tierney Cunningham Dec 2009

An Abridged Visual History Of Graphic Design, Tierney Cunningham

Art and Design

This is a documentation of the research, design methods, and production of “An Abridged Visual History of Graphic Design.” First the documentation explains the choice to create an illustrated design history book. Then, it describes the research methods and findings of the process, as well as a detailed description of the design decisions made for each graphic movement covered. It provides in-progress illustrations and covers the production methods for the two final books.


Beauty, Ugliness, And Meaning: A Study Of Difficult Beauty, Christine Anne Palmer Nov 2009

Beauty, Ugliness, And Meaning: A Study Of Difficult Beauty, Christine Anne Palmer

Theses and Dissertations

The emergence of modern art, and subsequently contemporary art, has brought with it a deep-rooted deliberation of the definition of beauty and its role in the realm of art. Unlike many representational artworks, contemporary art less often contains a beauty that is readily available on the surface of an artwork- an easy beauty. Instead, it often possesses a beauty that requires substantial reasoning and understanding- a difficult beauty. Just as the definition of beauty has and will continue to be culturally and historically changing, so must our methodological and pedagogical practices in regards to beauty and Aesthetics. As Art Educators, …


Wilson, Ivan, 1889-1981 (Sc 2054), Manuscripts & Folklife Archives Nov 2009

Wilson, Ivan, 1889-1981 (Sc 2054), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid for Manuscripts Small Collection 2054. Letters from Ivan and Emma Wilson, Hazel, Calloway County, Kentucky to former neighbors, H.B. and Dulcie Clark, Bowling Green, Kentucky, related to the couples' health, mutual friends, and the disposition of some of Ivan's art work. Includes five of his small pencil sketches. An image of one of the pencil sketches is included as an additional file.


Unity And Continuity In Jon Lee’S Abstract Woodblock Prints, Michael Schreyach Sep 2009

Unity And Continuity In Jon Lee’S Abstract Woodblock Prints, Michael Schreyach

Art and Art History Faculty Research

No abstract provided.


Relating To Relational Aesthetics, Anne Hollinger Lindley Sep 2009

Relating To Relational Aesthetics, Anne Hollinger Lindley

Pomona Senior Theses

This thesis will examine the practice of relational aesthetics as it involves the viewer, as well as the way in which it plays out within and outside of the institutional setting of the museum. I will focus primarily on two unique projects: that of The Machine Project Field Guide at Los Angeles County Museum of Art on November 15, 2008, produced by Machine Project, a social project operated out of a storefront gallery in Echo Park; and David Michalek's Slow Dancing at the Lincoln Center Festival in New York City, July 12-29 2007.


The Indigenismo Of Emilio "El Indio" Fernández: Myth, Mestizaje, And Modern Mexico, Mathew J. K. Hill Aug 2009

The Indigenismo Of Emilio "El Indio" Fernández: Myth, Mestizaje, And Modern Mexico, Mathew J. K. Hill

Theses and Dissertations

As one of the major directors of Mexico's Golden Age of Cinema (1936-1956), Emilio “El Indio” Fernández (1904-1986) created films which for many came to express the official vision of Mexican identity. Part of this identity was based on the ideology of indigenismo, which posited that the pre-Columbian past held the basic kernel of Mexico's national essence while advocating the incorporation of modern Indian groups into mainstream society. El Indio's films reflect the paradox of indigenismo: praise for indigenous cultures and a simultaneous effort to make them disappear. The following study examines three of his indigenista films, Marí­a …


Qin Chong - A Quest For Ars Veritas, Curtis Carter Jul 2009

Qin Chong - A Quest For Ars Veritas, Curtis Carter

Philosophy Faculty Research and Publications

No abstract provided.


Beyond The Walls: The Easter Processional On The Exterior Frescos Of Moldavian Monastery Churches, Mollie Elizabeth Mcvey Jul 2009

Beyond The Walls: The Easter Processional On The Exterior Frescos Of Moldavian Monastery Churches, Mollie Elizabeth Mcvey

Theses and Dissertations

During the sixteenth century, the princes of Moldavia, a region of modern Romania, built many churches and monasteries. These churches followed the typical Byzantine style by placing detailed frescos on the interior walls, but some of the Moldavian churches took that tradition even further and expanded the frescos to the façade. This thesis argues that these exterior images were used to enhance the Easter processionals that occurred around the churches. While most scholars explain this phenomenon as propaganda or a cry for help against the Ottoman Empire, a new interpretation is offered here. It discusses how the exterior scenes on …


Gwinnett Names Design Contest Winner Jul 2009

Gwinnett Names Design Contest Winner

Georgia Library Quarterly

The article announces the winners of the Gwinnett Reading Festival Design Contest, including Nhiani Halim and Linda Hunt Nay.


Secret Identities: Graphic Literature And The Jewish-American Experience, Brian Klotz Jun 2009

Secret Identities: Graphic Literature And The Jewish-American Experience, Brian Klotz

Senior Honors Projects

During the 1930’s and 40’s, rampant anti-Semitism prevented many Jewish-Americans from getting hired to a respectable job in publishing. Around this same time, an industry sprang up around the idea that comic strips (which had previously been confined solely to the pages of newspapers) could be printed in pamphlet form and sold on newsstands for profit. These “comic books,” while commercially successful, were considered the lowest rung on the ladder of artistic respectability, a trashy medium for children and borderline illiterates. This attitude, however, allowed it to become a field into which young Jewish-American artists and writers were not barred …