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Full-Text Articles in Arts and Humanities

Kathleen Melian Mfa Thesis - Lalaland, Kathleen Melian May 2012

Kathleen Melian Mfa Thesis - Lalaland, Kathleen Melian

CGU MFA Theses

I am interested in the struggle in our culture to project an image and the burden of that endeavor. This preoccupation with image creation permeates our society as a whole and is not bound by social or economic status. In this body of work, I wish to expose a sense of the emotional fallout of such existence, and the truth beneath the fiction.

A twist to this narrative, is that the falsity is also a source of pleasure and enjoyment. This creative reinvention of self, although fraught with desperation and anxiety, offers intense satisfaction as participants take roles like actors …


The Darkness Is Passing, Grace Heeeun Park May 2012

The Darkness Is Passing, Grace Heeeun Park

CGU MFA Theses

My work is about the interplay of light, darkness and space. I express illumination of space and penetrating light with abstract painting. I use the white of canvas and thick application of black paint to create frames and to break rules of defined dimensions. Through my paintings, I challenge the perception of space and question the boundaries between two and three dimensions.


Women And Video Games: Pigeonholing The Past, Allison Perry May 2012

Women And Video Games: Pigeonholing The Past, Allison Perry

Scripps Senior Theses

Academic work dealing with the overlap between video games and female representation is limited in both volume and proper research. Most texts agree on three supposed flaws with video games: they alienate female participants, there are no games for female players, and female players cannot relate to female characters. This thesis sheds light on these points, not only citing specific counter-examples, but also showing how many of these issues reflect on a larger societal problems.


Auto Tune, Dana Ollestad May 2012

Auto Tune, Dana Ollestad

Theses and Dissertations

This thesis is an overview of the source material, methodologies, artistic influences, and conceptual decisions that inform my artwork and characterize my art practice. Utilizing participation (audience, community, viewer), I engineer experiences and encounters for the general public. Whether through directed physical interaction or implicit reaction, I create open-ended situations or environments that I may influence, but not fully control. The democratic cede of authorial control, as well as the heightened risk and unpredictably in my work, instigates a more positive, non-hierarchical social model in which every viewer is an “author,” who produces content and communication signals, and has a …


I Am Who Am, Ali M. Scattergood May 2012

I Am Who Am, Ali M. Scattergood

Lawrence University Honors Projects

This body of work includes both black and white photographs and a film. In each work, I put my collaborators in an environment consisting of a simple black curtain, to neutralize the space, and a 2 foot by 2 foot glowing orb of light. I asked my subjects to interact with the glowing orb in any way they felt most comfortable. I adjusted my collaborators only to keep them from leaving the frame of my camera. The positions and movements these people produced are both intimate and authentic to themselves. As such, each experience with the orb, captured on film, …


The Three Principles (For -2012), Nikolai Noel May 2012

The Three Principles (For -2012), Nikolai Noel

Theses and Dissertations

Utilizing alchemy as an allegory for the political, social, cultural history and present of the Caribbean, I discuss critical themes, approaches, methodologies their development, application and evidence in my thinking and art practice.


Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild May 2012

Art From The Outpost, Field Notes, New Territory, And The Invisible Hamster, Dymphna De Wild

Masters Theses, 2010-2019

The outpost installations I create reveal my choice to be inventive with mostly found materials that I discover on my walks. Calling myself an artist-archeologist, I write down field notes as I collect my art-bound specimens and make a descriptive inventory for each of the works. I often surprise my viewers (and myself) by creating something fabulously strange and compelling with things that were cast aside. I hope to increase my viewers’ abilities to find beauty in these forgotten and trashed items and to generate an innovative dialogue and an outside-of-the-box way of thinking.


Tutti Frutti, Damaris G. Rivera May 2012

Tutti Frutti, Damaris G. Rivera

CGU MFA Theses

Mark making is equivalent with making a place one's own. Demarcation of a site is not solely a negative act. The negation of a space is pre-transcribed, presupposed. The point is to take the negative and invert it. It’s not a one-way street. In order to change the building you have to move through the building and let the building move through you. Once the building lives in the occupant the experience of the building can be altered. Total absorption of architecture and its environment can provide a means to live in a unified expressive way. It’s about the person. …


Dante Gabriel Rossetti And The Romance Of Loss, Jane N. Cooper May 2012

Dante Gabriel Rossetti And The Romance Of Loss, Jane N. Cooper

Master of Liberal Studies Theses

Through paired poems and paintings, Dante Gabriel Rossetti explored the nature of Love—both physical and spiritual—as made evident by distance or absence. Influenced early by his familiarity with Dante Alighieri and a confluence of changing social and artistic attitudes, Rossetti transformed the dialogue around him to a more personal internal conversation, revealed by pen and brush. This paper examines the dynamic of that pervasive thread in Rossetti’s work through a discussion of the influences upon the artist, the artist’s effect upon important figures of mid- to late nineteenth century England, and the important relationships that shaped his discourse. In addition, …


Marais Des Cygnes, John Michael Orr May 2012

Marais Des Cygnes, John Michael Orr

Graduate Theses and Dissertations

This thesis documents the concept, process, installation, and specific pieces in my Master of Fine Arts thesis exhibition, Marais des Cygnes. The Marais des Cygnes is a river in southeast Kansas and western Missouri, near a Bleeding Kansas-era massacre site of the same name. The river is notorious for flash flooding, was named by French explorers and translates to Marsh of the Swans. The work is about a fictional wandering car thief and alcoholic named Vernon, the bad guy in my novel. Vernon is obsessed with the distant past, particularly the time before the Louisiana Purchase and the Louisiana of …


Dessert, Glenna Worrell May 2012

Dessert, Glenna Worrell

Graduate Theses and Dissertations

From an early age craft played a major role in my development as a person and as an artist. The traditional 1950s-70s crafts such as quilting, knitting, and sewing as performed by my mother began to influence me as a child and are now what I draw upon in my artwork. This thesis exhibition addresses my future role as a nurturer and how it relates to my relationship with my mother. It is my way of forming a connection with the rich history of craft and that of the studio potter. I draw inspiration from historical and contemporary ceramics, the …


The Production Of Choreography Influenced By Works Of George Balanchine, Tiffany Guy May 2012

The Production Of Choreography Influenced By Works Of George Balanchine, Tiffany Guy

Mahurin Honors College Capstone Experience/Thesis Projects

One of the most renowned Ballet Masters in the history of dance is George Balanchine. By studying his works and feedback from his dancers, my goal is to gain enough information to develop a two to three minute choreographed work of my own, incorporating the influence of Balanchine’s style and design. In my research, I will be examining his history and the interviews of Balanchine-influenced dancers, reflecting on personal experiences, and dissecting his choreography and elements of my own work in creating my final choreography. Within my piece, I will be manipulating various uses of rhythms, implementing Balanchine-style movements, and …


2012 Forces, Scott Yarbrough May 2012

2012 Forces, Scott Yarbrough

Forces

No abstract provided.


Latino/Latin American Muralism And Social Change: A Reflection On The Social Significance Of The Cold Spring Mural, Shannon Mcevoy Apr 2012

Latino/Latin American Muralism And Social Change: A Reflection On The Social Significance Of The Cold Spring Mural, Shannon Mcevoy

Art Student Work

No abstract provided.


From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth Apr 2012

From The Attic To The Cosmos: Myth In The Art Of Anselm Kiefer 1973-2007, Isabel L. Roth

Scripps Senior Theses

Anselm Kiefer was born in Germany, 1945—the year of Adolf Hitler’s suicide, and subsequently, the end of World War II. His own beginnings were shrouded by a national “repression” of history. This repression was at odds with Kiefer’s needs to establish his own origin. For this reason, the spirituality in his earlier work is often overshadowed by its subject—Nazi Germany. This thesis will look back on Kiefer’s work through the lens of mythology in an effort to re-evaluate his earlier art within the context of his works since 1990. From the 1970s to the present, Kiefer has drawn from mythology …


A.F.M., Adam P. Mason Apr 2012

A.F.M., Adam P. Mason

CGU MFA Theses

Sculpture happens.


Desport, Juliette Marie, 1889-1985 (Sc 277), Manuscripts & Folklife Archives Apr 2012

Desport, Juliette Marie, 1889-1985 (Sc 277), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "additional files" below) for Manuscripts Small Collection 277. Autobiographical sketch by Juliette Desport, Nashville, Tennessee, giving the history of the Desport family; information about paintings donated to the Kentucky Museum, Bowling Green, Kentucky; educational pursuits; and travel. Her father, Alphonse, was an artist who resided in Bowling Green from 1893-1905. Includes letters, 1969-1970 (3), of Miss Desport.


Transcendent Materiality, Lauren E. Mabry Apr 2012

Transcendent Materiality, Lauren E. Mabry

School of Art, Art History, and Design: Theses and Student Creative Work

I make painterly, abstract, ceramic objects. My obsession with surface and materiality compels me to investigate the relationship between images and objects through the inherent qualities of ceramic material. Primarily my work communicates directly, through its formal and aesthetic qualities, but it may also be understood in relationship to abstract painting, minimal work, and process art. I exploit the intrinsic qualities of ceramic material producing works that are warm, seductive, and surprising. Ultimately, my work is a synthesis of intuitive, expressive surfaces and elemental forms.

In this body of work there are two main forms: cylinders and curved planes- as …


Art And The Human Condition: Incorporating Visual Analysis Of Artworks Into A Undergraduate Pre-Medicine Curriculum, Elizabeth Fuqua Apr 2012

Art And The Human Condition: Incorporating Visual Analysis Of Artworks Into A Undergraduate Pre-Medicine Curriculum, Elizabeth Fuqua

Theses and Dissertations

This thesis project presents a sample class session for the course, "The Human Condition: An Arts Perpective" (ARTH 361), which will be a part of the optional Medical Humanities minor for the pre-medicine students at Virginia Commonwealth University (VCU). Dr. Margaret Lindauer, Associate Professor of Art History at VCU has directed the development of this course. She oversaw the creation of the preliminary syllabus, which includes readings and assignments relevant to the course. The Tour presented in this thesis project provides a model for planning other class sessions, some of which will be developed by Museum Studies graduate students, some …


The Threes, Clifford Eberly Apr 2012

The Threes, Clifford Eberly

CGU MFA Theses

In the physical world I explore and gather regenerative clues that vivify the installations I build. The harshness and unforgiving power of nature’s nature, combined with the infinity of the cosmos, inspires me to cobble together sculptures that defy absorption into a finite, descriptive category. Like our beings change from second to second, I work diachronically, chugging along, shifting the purposes of supplies until they manifest like organisms that pulled themselves together from shiny and dirty matter or arrived from an extraterrestrial playground. By reusing and layering a complex blend of materials, I blur the ambiguous origins of the objects …


Art And Space: Impacting The Workplace, Erin V. Mccool Apr 2012

Art And Space: Impacting The Workplace, Erin V. Mccool

Senior Honors Theses

Art in its various forms and applications has always been a part of the human experience. Art can be intrusive, thought provoking, or simply beautiful. Although art comes in many different styles and forms, art continues to capture our imagination. The purposes of this thesis are to discover how art affects human activity in the workplace as well as the qualities that make artwork in the workplace successful. Based on the findings of this study, artwork will be created for the Center for the Advancement of Faculty Excellence at Liberty University in order to create a lively, creative environment. By …


G-Plex Psi, Jacques Louis David Apr 2012

G-Plex Psi, Jacques Louis David

CGU MFA Theses

Monumental metal sculpture that incidentally creates sound. Heaviness and lightness displayed via large, heavy, metal sculptures of abstract geometric forms suspended from the ceiling by seemingly fragile wires that not only appear to defy gravity but provide tonal expression when plucked, hammered, or bowed. Further conversation associated with the micro to the macro is easily revealed when the sounds and shapes are compared to the vibration of life identified with imagined subatomic movement.


The Evolution Of Anatomical Art: The Artists And Methods That Illustrated The Human Body, Amanda Spaunhorst Apr 2012

The Evolution Of Anatomical Art: The Artists And Methods That Illustrated The Human Body, Amanda Spaunhorst

Student Scholarship

The evolution of anatomical texts and illustrations during the bridge between the 15th and 16th centuries was greatly influenced by the research of Leonardo da Vinci. Although primarily a painter, sculptor, and illustrator da Vinci also spent his time studying the scientific mystery that was the human body. Through his human dissections of cadavers and close observances of physiological movements da Vinci contributed significant and innovative information to the new and growing field of anatomy. His goal was not only to illustrate the accurate structure of the bone and muscles but to understand how emotion and cognitive thought could affect …


Spatial Phases, Eric Schott Apr 2012

Spatial Phases, Eric Schott

CGU MFA Theses

No abstract provided.


Composition And Community: Integrating Design And Service Learning, Linda Gottesfeld Apr 2012

Composition And Community: Integrating Design And Service Learning, Linda Gottesfeld

Cornerstone 2 Reports : Community Outreach and Empowerment Through Service Learning and Volunteerism

No abstract provided.


All That We See(M), Alison H. Vanvolkenburgh Apr 2012

All That We See(M), Alison H. Vanvolkenburgh

School of Art, Art History, and Design: Theses and Student Creative Work

Born open-eyed, ready to take stock of our surroundings from the first breath, no other sense so largely informs our understanding of the world as sight. The ability to visually process our environment may seem extremely straightforward to those long accustomed to its instinctive use. However, there is more to seeing than the pure mechanics of visual perception. Since we live, not in a static environment, but one of constant change and motion, our knowledge of the world around us comes in fragments, shifting flashes of color, shape, and movement that coalesce through the active process of vision. In these …


Satori 2012, Winona State University Apr 2012

Satori 2012, Winona State University

Satori Literary Magazine

The Satori is a student literary publication that expresses the artistic spirit of the students of Winona State University. Student poetry, prose, and graphic art are published in the Satori every spring since 1970.


Fiction Fix 11, Russell Turney, William Northrup, David Press, Petra Press, Scott David, David Livingstone Fore, Masha Sardari, Marianne Langner Zeitlin, Bily Simms, Emily Zasada, Joe Ponepinto, Nathan Holic, Michael Cocchiarale, Mimi Lipson, Suzanne Ushie, Jonathan Baylis, Thomas Boatwright Apr 2012

Fiction Fix 11, Russell Turney, William Northrup, David Press, Petra Press, Scott David, David Livingstone Fore, Masha Sardari, Marianne Langner Zeitlin, Bily Simms, Emily Zasada, Joe Ponepinto, Nathan Holic, Michael Cocchiarale, Mimi Lipson, Suzanne Ushie, Jonathan Baylis, Thomas Boatwright

Fiction Fix

No abstract provided.


Taking In: A Juried Selection Of Photography 2012, Aib Students Apr 2012

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.


Discipling Worship Leadership: Biblical And Theological Rationale For Discipling Worship Leaders, Byron Spradlin Apr 2012

Discipling Worship Leadership: Biblical And Theological Rationale For Discipling Worship Leaders, Byron Spradlin

Doctoral Dissertations and Projects

A review of current worship literature reveals very little guidance to assist Protestant church leaders in training, discipling or mentoring congregational worship leadership. Therefore, this thesis project researched and presents a basic rationale for developing worship leadership discipling curricula strategically targeting the needs related to discipling and training artistic Christians who are called to worship leadership in the local church.