Arts and Humanities Commons^™

Female Art And Artisans In Edith Wharton’S The House Of Mirth, The Custom Of The Country, And “Roman Fever”, Julia B. Welch

College of Graduate Studies: Theses & Dissertations

In early twentieth century old and new New York social circles, the marriage market’s commodification of women acted as the controlling factor for relationships, female power, and personal identity. When considering Wharton’s works for the first-hand viewpoint that she provided of the marriage market, it becomes clear that her interest in art plays heavily into the way women comport themselves within her novels. In order to discuss this relationship in Edith Wharton’s works, I’ve created terms that delineate the various ways female characters respond to the pressures of the marriage market. The best way to analyze Wharton’s women is by …

Median, Amy Petit

Graduate Student Theses, Dissertations, & Professional Papers

Median reflects my observation of changing forms of communication in the digital age and how that affects personal interaction, expression, and the value that we assign to objects. The sculptural objects in this exhibit stem from my formative experiences of frequent relocation, as well as a professional background in the fast-paced technological world. These factors, combined with contemplative and repetitive sculptural practices, help illustrate the anxiety and discomfort that can accompany rapid advances in communication practices. My research situates my work within contemporary art by drawing on the relevance of indexical signs, reliquaries, current discussions of communication in the digital …

A Single Particle Among Billions: Yayoi Kusama And The Power Of The Minute, Isabelle Martin

Oswald Research and Creativity Competition

Japanese contemporary artist Yayoi Kusama has developed her career through the continued use of the infinitely repeated polka-dot motif, an element that has not only persisted throughout the entirety of her work, but has also become a fundamental aspect of her self-presentation. Kusama has long suffered from a mental affliction called cenesthopathy, which results in intense hallucinations and anxiety attacks. Her use of the polka dot is not only a way for her to visualize her hallucinations, but also an example of the physical commitment (identified by Kusama as self-obliteration) she has to her work—her repeated application of small motifs …

Prime, Perform, Recover, Patrick Harkin

Theses and Dissertations

This thesis examines the formal and conceptual framework of my artistic practice as it culminated in the installation of my thesis exhibition, Prime, Perform, Recover. My exhibition seeks to operate as an analysis and critique of the separation inherent in media presentation and rhetoric surrounding natural disasters.

I utilize the aesthetics and vocabulary of disaster capitalism and prepping culture in order to pose direct questions about ecological and social change. I examine the role of images within mass media image production as an all encompassing Now-Time. In this paper I describe frameworks that my practice proposes as potential solutions to …

Processing Nature, Julia J. Turner

Theses and Dissertations

In my artwork, I merge nature with typography. I use macro-level photography to capture details of nature, such as the pistils of a flower or the sensory hairs of an insect. I print enlargements and transfer these photos onto pages of poetic text about nature, or collage them onto canvas. Once transferred, I use multiple media to alter and enhance features of the photos. I intentionally obscure much of the text which allows me to place focus on the overall layout and design. The arrangement of lines of text and spacing of words is used to create a visual rhythm. …

Trauma And Recovery: A Confessional Process, Mia Siracusa

Scripps Senior Theses

This paper is about a confessional painting series, which appropriates Abstract Expressionist techniques, and is on geometric canvas reliefs. The main focus through out the series is the process of my recovery from a traumatic event and the process of the creation of a language through abstraction.

Elements, Stephen Anthony Geffre

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis consisted of a gallery exhibition titled “Elements” featuring sculpture created by Stephen Geffre for his Master of Arts in Sculpture from University of Minnesota-Mankato, located in Mankato Minnesota. The exhibition ran from October 16, 2017 to October 31, 2017. The artwork explored sacredness---sacredness rooted in the natural, sacredness rooted within the minds of human kind, sacredness in the form of the classical elements Earth, Air, Fire and Water.

All the work was created in part with material that was going to be thrown away or sold at a fraction of its cost because of its imperfection.

Pebbles Is A Girl That Doesn't Know Anything, Grace A. Kubilius

Theses and Dissertations

I am not quite sure how to be a woman. It’s complicated, contradictory and highly surveilled. I make videos, sculptures and wearable objects that attempt to rationalize my female identity. The body is a sustained fixture in my work: as an armature, as an absent actor for constructed environments, as fragment and as the literal inclusion of my image. It is through these various modes of dis/embodiment that I negotiate the complexities of gendered existence. Crumbling ceramic and paper objects, pieced fabric forms, videos, beauty products, and delicate flowers reference splintered narratives and unwieldy terrains. I consider the idea of …

Taking In: A Juried Selection Of Undergraduate Photography 2017, Lucad Students

Taking In

Taking In is a juried annual student-run publication that showcases the best of LUCAD undergraduate photography and video. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

Reflections On Motion Picture Evidence, Brian L. Frye

Law Faculty Scholarly Articles

Courts have long admitted motion pictures as evidence. But until recently, making motion pictures was expensive and cumbersome. Today, making motion pictures is cheap and easy. And as a result, people make so many of them. As Cocteau predicted, the democratization of motion pictures has enabled people to create new forms of motion picture art. But it has also enabled people to create new forms of motion picture evidence. This article offers a brief history of motion picture evidence in the United States, and reflects on the use of motion picture evidence by the Supreme Court.

L’Expression Visuelle Durant La Seconde Guerre Mondiale : La Résistance, La Collaboration, Et Le « Juste Milieu », Jackie Sirc

Honors Theses

La Seconde Guerre mondiale a lancé un défi immense à l’humanité et au monde entier. Le niveau de violence était sans précédent et les conditions de vie ont changé complètement à travers l’immensité du combat. Une des choses qui a beaucoup changé était la production de l’art pendant cette période. Tandis que la violence du combat a eu une influence sur les thèmes et les sujets artistiques, le style du gouvernement en France devenait plus strict et règlementé. Par conséquent, la production de l’art, l’état de l’artiste, et la disponibilité de l’art pour le public se transformaient. Il y avait …

Denis Diderot's Anglophilia And Its Impact Upon His Salons, William Judson

LSU Master's Theses

The work of Enlightenment philosophe Denis Diderot went largely unpublished during his lifetime, and upon its discovery in the nineteenth century, his originality was overlooked because of the perceived quaintness of his tastes. Thankfully, as his body of work became better understood and more accessible, his reputation steadily improved. The discipline of literary art criticism is now thought of as having its origins in Diderot’s Salons, a series of letters containing his thoughts on the French Royal Academy of Painting and Sculpture’s biennial exhibitions in the Palace of the Louvre. These were circulated among an elite clientele who were not …

Me Paenitet, Joshua Stenvick

LSU Master's Theses

The coming pages will document my journey from the initial creative spark, to the final performance of a one-man show. The first chapter will chronicle the creative process and how I came about the idea. The second chapter will show you the performance text along with analysis to give a side-by-side example. The third and final chapter will detail what this thesis project means to me personally, my graduate degree and how my views on art have evolved. What was my one-man show about? It’s a story about the moment our moral compass is turned upside down, and finding our …

One Two One, Brianna Morgan Ozanne

LSU Master's Theses

These things, they speak in whispers. Come close, lean in, listen up. Whisper back. Tell me everything. I know you’ve been here, too. I know you’ll understand. I know you have a shoebox full of memories just like these hidden deep inside your closet. I know.

Behind The Stitches: The Fabric Of Nebraska, Elizabeth Ingraham Dr.

School of Art, Art History, and Design: Faculty Publications and Creative Activity

Works from my project, Mapping Nebraska, a drawn, stitched and digitally imaged cartography of the state (physical and psychological) where I live were exhibited in 2017 at the International Quilt Study Center & Museum in Lincoln, Nebraska in an exhibition, Regarding Nebraska, coinciding with the sesquicentennial of Nebraska statehood. As stated in the exhibition:

“I map the state where I live and document an internal and external landscape. I work with cloth and with piecing and quilting because of their references to human scale, human touch and human occupation. With image and stitch I communicate the beauty and diversity of …

Sound And Silence In The Forge: Work, Space, And Communication In Early Cistercian Monasticism, Jacob Bradley Roosa

Honors Papers

This research considers the place of artisans and manual labor, specifically blacksmiths and metalworking, within Cistercian monasticism in 12th and 13th century Europe. Stressing the dual importance of daily prayer and manual labor in strict silence, the Cistercian order of monks sought to reform traditional monastic practices they saw as excessive and far removed from their guiding set of regulations, the Rule of St. Benedict. Their growing numbers in the 12th century led them to establish a second class of monks, known as lay brothers, who provided the majority of each monasteries’ manual labor and who were largely prevented from …

Art By Jerks, Bernard Wills, Jason Holt

Contemporary Aesthetics (Journal Archive)

Is it wrong to enjoy art created by immoral people? Some people express discomfort with listening to or reading the works of artists who have been abusive to others in their personal lives. In this paper, the authors argue that, generally speaking, moral and aesthetic judgment should be kept distinct, as authors and their works formally differ. Indeed, works by morally dubious artists may well contain crucial acts of moral imagination we should not deprive ourselves of as ethical beings. Nonetheless, the authors argue there are limits to how far the ethical and aesthetic can be divorced. Art that is …

Lights And Shadows - 2017, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Disruptions Of Normalcy: Subverting Discomfort And Expanding Social Perceptions Of Art Through Process-Based Experiences, Ariana Steiner

Scripps Senior Theses

This paper explores the artistic theories of social practice and examines the artwork of Michael Rakowitz, Carmen Loch and Ernesto Neto to observe the ways artists can expand traditional understandings of art. Looking at art therapy and the ways that participation in art can make art more accessible and functional, this paper also outlines a project which functions to bring comfort to participants and expand boundaries of art through individually shaped personal experiences.

[Rebelution 17]: Gender Bender, Francesca Louise Inocentes

Scripps Senior Theses

Fashion embodies what is accepted and valued in a given culture or society and empowers individuals by building self-confidence, enabling them to express themselves authentically through their bodies and garments. The gender binary, perpetuated by the mainstream fashion industry, marginalizes individuals who do not conform to it. In Rebelution 17, I utilize clothing design and photography to empower and liberate individuals who do not conform to the standards of beauty in regards to gender identity and acceptability. The finished works are featured in a Lookbook – a digital and physical collection of photographs used to market fashion – designed …

Body, Blood, And Flood: The Ripple Of Kinesics Through Nature In Leonardo Da Vinci's Art, Rachael Herrera

Scripps Senior Theses

Leonardo da Vinci's art and science have a dynamic relationship that can be used to better understand the role of the individual and the human body within his art. Leonardo believed that movements of the body were expressions of the soul. He also thought that the body was as a microcosm of the physical world. The theories, based in ancient tradition, would be challenged by his work with the human anatomy. By studying his notebooks it becomes evident that Leonardo held nature to be the highest creator of the world but as he worked to understand the human body and …

Oronyms, Arianna Cozart

Williams Honors College, Honors Research Projects

There are many ways of creating understanding; art is one of them. When there are misunderstandings created through a combination of art and oronyms, however, that is where the real fun begins. Oronyms are similar to homonyms however, instead of the same word being spelled in different ways, oronyms are usually composed of multiple words used together that cause confusion in the brain.[1]

An example would be the phrase, “Have you seen me at my darkest,” being misconstrued as, “Have you seen me in my carcass.” This creates an oronym which could be illustrated as two individuals, one envisioning …

Interaction As A Lost Art, Megan Steele

Williams Honors College, Honors Research Projects

In today’s day and age, people are consumed by technology. We tend to use phone and email rather than meeting up in person to share the experiences in our lives. It’s easier, more convenient, and quicker, but in-person interaction is a critical key in keeping relationships alive. Body language, tone of voice, and emotional cues are absent or easily taken out of context when using technology to communicate. The use of electronics takes away human presence.

This exhibition focused on encouraging the idea of meeting up with people face-to-face whether it’s a long time friend, or a stranger. The mural …

Painted Faces & Printed Music: Women And Music In The Paintings Of Bartolomeo Veneto And Sebastiano Florigerio, Lauren N. Rosenblatt

Theses and Dissertations

The cultural views surrounding musical performances by women rapidly changed during the sixteenth century. The ideal of the preceding century advised ladies of the court to avoid displaying the frivolous and sinful ways of music-making, but the new notion of the female courtier praised women for performing music, for it could only serve to enhance their beauty and virtue. These two opposing concepts can be seen simultaneously in treatises, correspondences, and artwork of this era. Artists’ depictions of courtesans included music to convey what was considered sensual and immoral; yet other works displayed music instruments as representations of women’s nobility …

North Of The Heart East Of Victory, Joel Hansen

All Graduate Theses, Dissertations, and Other Capstone Projects

Just as music can be described as colorful and text can provide texture, art has a voice. That voice can scream, whisper or babble incoherently. It can also sing. Making art sing is the overarching goal of all my work. There are no formulas or templates, of which I am aware, on how to accomplish this but if I think of individual pieces as songs, a series as an album and exhibits as concerts art can become sonorous. Shadows and highlights act as rhythm. Color and composition behave as melodies and arrangements. If I've done my job correctly the art …

Examining The Impact Of Art-Based Anchor Charts On Academic Achievement In Language Arts, Kimberly Ivette Fontanez

Walden Dissertations and Doctoral Studies

The students at 2 middle schools in County SD, NHMS and WMS are not scoring on or above grade level on the information text portion of the English Language Arts (ELA) standardized SC Palmetto Assessment of State Standards (SCPASS) test given annually in South Carolina. The teachers developed and implemented art-based anchor charts to help close the achievement gap among the 6th, 7th, and 8th grade students. There has been no formal exploration of the teachers' experiences regarding the use of anchor charts. Using the elements of problem-based learning as the theoretical framework, the purpose of this project study was …

Flannery O’Connor’S Art And The French Renouveau Catholique: A Comparative Exploration Of Contextual Resources For The Author’S Theological Aesthetics Of Sin And Grace, Stephen Allen Baarendse

Theses and Dissertations

Flannery O’Connor described herself as “a Catholic peculiarly possessed of a modern consciousness” (HB 90). What makes her such a fascinating author is that she was almost uncannily sensitive to what Charles Taylor has analyzed in his large study A Secular Age as the fraught spiritual cross-currents of late modernity. Decades before Taylor described the modern secular social imaginary as a haunted space, O’Connor wrote in an essay that “if the South is hardly Christ-centered, it is most certainly Christhaunted” (MM 44). She interpreted the freak “as a figure of our essential displacement” (45). What Taylor works out about the …

Re-Exploring My Identity As A Japanese Woman, Fumi Amano

Theses and Dissertations

This document contains reflections on my motivations and the personal decisions made in the realization of selected works leading up to and including my thesis exhibition "Voice". The following text shares the many and varied connections between my life and art-making. My issues in my personal relationships with others has spilled out from my heart and turned into these works. I'm continuously expressing the unsuccessful attempts we make at developing true bonds that bridge the gaps between people.

Ideas About Nature In American Art And Visual Culture, Mark Graham

Faculty Publications

The stories we tell ourselves about nature deeply influence how we attempt to preserve, use, or restore nature as well as practices of art and art education that are concerned with ecological issues (Cronon 1996). Landscapes are culture before they are nature (Schama 1996). Yet, our ideas about wilderness, nature, landscape, and sustainability are fraught with paradox and debate. For example, Darwin’s fundamental assertions about the human relationship to nature continue to spark theological, political and educational controversies. Some environmentalists caution that our consumerist economy will destroy the planet and that we need to return to a less sophisticated technology …

It’S Nothing... Ben-Ary And Harwood’S Immaterial, Vahri Mckenzie

Research outputs 2014 to 2021

In Susan Glaspell’s one-act play Trifles (1916), a group of men and women try to figure out the story behind an apparently senseless murder. While the men focus on material facts present in the house and barn, the women solve the mystery. They notice the ‘trifles’ that the men do not: clues present in the kitchen and amongst the sewing things that suggest domestic abuse led a wife to strangle her husband. They do not tell the men what they have seen. Thus, those things of little value and importance to the men are secretly recouped and used to buy …