Arts and Humanities Commons^™

Chapman Saxophone Ensemble, Chapman Saxophone Ensemble

Printed Performance Programs (PDF Format)

No abstract provided.

Tres Apuestas Por Lo Porvenir, Silvia Gabriela Kurlat Ares

Alambique. Revista académica de ciencia ficción y fantasía / Jornal acadêmico de ficção científica e fantasía

No abstract provided.

Once Upon An Adventure, Spectrum 2024, April 14, 2024 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recitals given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

2023-2024 Woodwind Department Recital, Yian Liu, Sungkyung Lee, Hoon Chang, Keegan Neely, Aidan Quintana, Pablo Camacho, Kari Jenks, Noah Suarez, Nataniel Farrar, Kyle Mechmet, Graydon Howard, Lauren Washburn, Clair Ives, Dina Bikzhanova, William Penn, Youbeen Cho, Baran Zolfaghari, Carline Dratnal, Olivia Oakland, Yubin Zhang, Shuqi Yang, Juan Fernandez Villegas, Devin Salazar, Aneliya Novikova

Studio Recitals

No abstract provided.

Guitar Studio Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Color On Canvas In Black Britain And Black Germany, Marisa J. Pickett

History ETDs

Using the artwork and poetry of Black artist-activists Lubaina Himid, Keith Piper, May Ayim, and Raja Lubinetzki, a connection was found between the increasingly anti-immigrant rhetoric of conservative politicians of the 1980s and the self-identification and belonging of non-white communities within the countries of Great Britain and Germany. By linking the produced artwork with the direct political initiatives of the time, we are able to draw parallels between the experiences of two diasporic communities, Black Britain and Black Germany, through artists and their work. Artwork can be seen as a medium through which to engage with the audience on a …

Ensemble Concerts: Percussion Ensemble, April 14, 2024, David Collier, Ben Stiers

School of Music Programs

Center for the Performing Arts
April 14, 2024
Sunday Evening
7:00 p.m.

Recital: Gresham Clarinet Studio, April 14, 2024, Illinois State University School Of Music

School of Music Programs

Kemp Recital Hall
April 14, 2024
Sunday Evening
7:30 p.m.

Concealment And Darkness In Horace Walpole’S The Castle Of Otranto, Alexandra G. Speck

Global Tides

This paper examines the relationship between darkness and fear in Horace Walpole’s The Castle of Otranto, widely recognized as the first Gothic novel. Walpole wrote Otranto soon after the rise of Enlightenment thought, which stressed sensory observation as the foundation for human reason. Walpole engages with Enlightenment ideas through Otranto’s dark setting, which invokes fear and irrationality in the heroine, Isabella.

Tracking Walpole’s manipulation of light and darkness through the narrative, this paper illustrates how darkness inspires more fear in Isabella than either the novel’s infamous supernatural dangers or its human villain, Prince Manfred, who pursues her through …

Inside The Glass Closet: Analyzing The Representation Of Queer Romantic Relationships In The Literature Of Virginia Woolf, Paige Meyer

Audre Lorde Prize

No abstract provided.

Trombone Studio Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Molly Wakefield Senior Recital, Arkansas State University Department Of Music

Performance Programs

No abstract provided.

Driving In Cars With Noise: Reflections On An Audio Research Methodology, Randall W. Monty

Writing and Language Studies Faculty Publications

No abstract provided.

Using Ai Chatbots As Ideation Machines, Brett Hawley, Naomi Hollans

Student Works

The team analyzed 3 popular chatbots and found that none of them could consistently produce idea-centered essay help responses. The team approached them with 3 separate prompts, one from each of three academic subjects. The team analyzed how each chatbot adapted to the addition of personal information from the “student” and to the phrase, “what are some ideas that could help me get started?” The goal with each interaction was to receive a response in which the chatbot did not produce any pre-written content. Overall, the team’s research did not suggest that AI is fully reliable as an ideation tool.

Sherman Melvin Jr.

African American Funeral Programs

Sherman_Melvin_Jr.pdf - Funeral program for Sherman Melvin Jr.

From The Outside, Looking In: Reflections On The Complex Infrastructures Of African Art History, Joanna Gardner-Huggett

Artl@s Bulletin

This essay engages with the five articles featured in this issue from the perspective of a non-specialist. Each contribution considers challenges facing scholars of African arts when confronted with incomplete and not always reliable historical evidence. The author contends that given the escalating demands for the repatriation of African objects, all art historians— not only art historians focused on African arts—should better understand the important strategies proposed by contributors to this issue. These interventions encourage the development of a more critical audience for African arts and also model ethical research, a slow critical archival practice, and sustainable provenance and digital …

Art And Evidence In Totems Of Uganda (2014), Margaret Nagawa, Taga F. Nuwagaba

Artl@s Bulletin

In his painting and book project, Totems of Uganda: Buganda Edition (2014), Ugandan artist Taga Nuwagaba asks: What is the function of a totem? In Buganda, the historical kingdom in current-day Uganda, totems serve as unique identifiers for fifty-two distinct patrilineal descent groups designated as clans, or ebika in the Luganda language, forming the primary scheme of social and political organization. Yet, totems also serve as a conservation practice. In this 2022 interview, Nuwagaba discussed his art and the evidence he relies upon to create his images, demonstrating that identities and knowledges are complex.

Munna Uganda Taga Nuwagaba abuuza nti: …

You Cannot See It: Navigating Yorùbá Religious Artistic Materials, Stephen A. Fọlárànmí

Artl@s Bulletin

My research spanning two decades in Ọ̀yọ́ Palace generated series of questions about access to artistic materials in site-locational spaces, archives and private collections. I probe how scholars have navigated and negotiated these terrains, especially artworks created for religious functions. I explore alternatives to resolve field challenges and consider the effects of such hindrances in art historical research. Drawing on the concept of ọ̀gbẹ̀rì, anecdotes and personal scholarly experiences, I interrogate research access and propose approaches based on personal experience on the importance of Yoruba religion, and practice of initiation.

Iṣẹ́ ìwádì mi fún bíi ogún ọdún sẹ́yìn lórí ààfin …

Shaky Foundations: Cultural Classifications In Museum Collections Management Systems And The Endurance Of Colonial-Era Terminology, Carlee S. Forbes, Erica P. Jones

Artl@s Bulletin

This article uses two musical instruments with attached ancestral remains and labeled as “Asante” from the Fowler Museum at UCLA to consider effects of style-based cultural classifications that appear in museum databases today. We highlight the sway of past classifications over our current understanding of objects that is prolonged by the problem of confirmation-bias in museum collections management systems. We then indicate how working across disciplines stimulated a more nuanced understanding about the complexities of artistic styles for musical instruments with attached human remains in the Akan-speaking region of West Africa.

Cet article étudie deux instruments de musique incorporant des …

Shifting Approaches, Innovative Methods: Collection Histories As A Tool To Move Beyond William Fagg’S ‘Lower Niger Bronze Industry Mystery’, Imogen Coulson, Julie Hudson, Sam Nixon

Artl@s Bulletin

At the end of 2019, the British Museum launched a new research project focusing on copper alloy objects associated with the Lower Niger Bronze Industry. The aim was to increase knowledge of these objects through a combination of provenance and collection history research and scientific analysis. This paper will outline the earlier art historical-focused approach to the Lower Niger Bronzes corpus and will then describe the new research and its methodology. Initial findings will be presented through a case study of objects from the Forcados River in the Niger Delta region of present-day Nigeria. In doing so, we aim to …

Making Absences Present: The Process Of Visualizing Knowledge Production In Museum Records, Caitlin Glosser

Artl@s Bulletin

In this paper, I evaluate the development of data visualizations as an art historical approach. By visualizing data for Senufo-labeled objects in the Musée Africain de Lyon’s collection, I demonstrate how the museum’s knowledge infrastructure privileges European collectors over African makers. I use Tableau visualizations to decenter this narrative by making silences present in a more impactful manner than through text alone. The visualizations also reveal the complex role that one maker, Bèma Coulibaly, played in the life of the collection. The addition of the individual narrative to the data was necessary to bring a human element into view.

Nous …

Technologies Of Recovery And Discovery: The Poetics Of “Artefacts”, Kathryn Simpson

Artl@s Bulletin

This article discusses the ways that objects, specifically personal belongings, held in British collections have their stories muted to become imperial signifiers. Using two pieces of jewellery acquired in 1859 by David Livingstone, British missionary and traveller (1813-1873), a lip ring from a Mang’anja woman in present day Malawi and a bracelet from the Kafue valley in present day Zambia, this article evidences how digital tools can be used to layer, in a palimpsestic way, the information available about colonially collected objects, to locate them physically, in the space they inhabit, and narratively, in the space they create.

En este …

What Does It Mean To Keep Kissing-Close To The Evidence, And Why Might It Matter?, Susan Elizabeth Gagliardi, Constantine Petridis

Artl@s Bulletin

African art specialists often lack detailed information to assess the original meanings, uses, and contexts of so-called historical or traditional arts of Africa, and they rely on indirect evidence to interpret the works. Thus, claims about African arts often reflect speculation rather than irrefutable details. When specific documentation for an object does exist, the circumstances of its creation require careful evaluation as well. The assessment of the quality and reliability of any claim is of particular importance in attempts to determine an object’s place of origin in the ongoing debates about restitution.

Creating Consent Based Spaces In The Performing Arts, Laura Rikard

SC Upstate Research Symposium

In 1849 when Duke Saxe Meiningen created the role of the modern director in theatre he created an authoritarian model for creative power over production that would be replicated for the next one hundred and fifty years in the performing arts. This leadership model led to a performing arts industry reliant on performances being obedient and not fostering environments where creative collaboration can thrive. It created confusion between what it means to say, “yes” from a point of view of survival and not from a place of consent. For true collaboration to thrive in the product and process oriented spaces …

The Ghosts Of Memphis, Dale Tate

FUSION

A personal essay about one man’s musical journey to the place where it all began for him, and his battles to reconcile modern day values with the racial struggles and discrimination past times and past places. This “Personal Place Essay” was submitted for American Literature (ENGL 2130) in February 2023.

This piece was written in response to an assignment that asked students to write a personal essay based on a place to which they are connected. An experience in that place is the foundation of the essay; this experience is woven together with detailed description, reflection, and analysis of both …

Darling: An Adaptation Of "The Yellow Wallpaper", Dawniqueca A.L. Steele

FUSION

Based on Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the following story depicts the vacation of a young woman and her fiancé to an isolated mountain cabin. Similar to the original text, the woman gains a fixation on a specifically colored item, this being the white snow outside. The intentions of this story were to depict how misogyny and female insanity have both evolved and remained stagnant throughout time. Even though the original text featured traditional concepts of misogyny while the following focuses on modern forms, the two show the same maddening fear of a woman in the presence of inequality. …

Adaptation Production Plan For “Cardigan, Betty, And August” From Taylor Swift's Folklore, Carlie Hillhouse

FUSION

This multimodal project creates a production plan for a fictional movie adaptation of Taylor Swift's popular songs "cardigan, betty, and august" from her 8th studio album, folklore. The production plan consists of details and descriptions for each cast member, filming locations, soundtrack, and key scenes to film for the movie.

The project was created in response to an assignment prompt that asked students to analyze how adaptation affects the way stories are told in different genres. Students had to consider audience reception, the portrayal of heroism, how mode affects a story's point-of-view, and how elements like key scenes and …

Mother And Son, By F Odun Balogen, A Brief Analysis Through The Lens Of New Historicism, Mattie L. Frascella

FUSION

This article employs New Historicism to analyze F. Odun Balogun's short story "Mother and Son," exploring its reflection of social, political, and cultural dynamics. By examining the story through a New Historicism lens, this analysis sheds light on the complexities of navigating a rapidly changing society while acknowledging the enduring racial barriers faced by the narrator.

The essay was created in response to an assignment prompt that asked students to choose a literary theory and apply it to a story in order to argue for the story's meaning.

Deconstructive Analysis Of "Six Characters In Search Of An Author ", Nathan L. Dahlberg

FUSION

This analysis applies deconstruction theory to Luigi Pirandello's Six Characters in Search of an Author, exploring diverse perspectives, fragmented reality, and language ambiguity. It emphasizes the dynamic nature of meaning and offers a fresh perspective on the play's complexity through visual representations and engaging discussions. It contributes to the discourse on deconstruction in World Literature.

This project was created in response to an assignment prompt that asked students to apply a literary theory to Pirandello's play. Students explored their chosen theory through visualizations of its major concepts using text and images. They then connected examples from the play to …

Adaptation Production Plan For Taylor Swift's "No Body, No Crime", Emma Coley

FUSION

Focused on creating a music video for Taylor Swift’s “No Body, No Crime” song, this detailed production plan encompasses specific plots, settings, characters, and even casting choices. This plan dives into the song’s origins on the Evermore album, presenting a murder mystery narrative involving infidelity, revenge, and a lack of conclusive evidence, raising questions of guilt and justice. The intricate details involving casting are listed and justified based on their suitability for the respective plot, and the chosen locations to film bring forth the mysterious atmosphere that Taylor Swift lyrically created. Overall, the plan demonstrates a thoughtful and comprehensive approach …