Arts and Humanities Commons^™

Rock Of Ages Film Review, Sarah Werth

Backstage Pass

This is a critique of the 2012 musical film, Rock of Ages.

Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield

Backstage Pass

This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.

Emmylou Harris’S Bold And Broken Pieces Of Sky, Jennifer Morrow

Backstage Pass

This article critically examines the 1975 album, "Pieces of Sky," from country artist Emmylou Harris, whose unique blend of strength and vulnerability shine through in an imperfect yet promising work of art. The piece explores how Pieces of Sky succeeded in reaching a mainstream audience through innovative musical stylings and emotionally authentic lyricism.

Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal

Backstage Pass

This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.

The Big Payback Book Analysis, Isaiah Smith

Backstage Pass

This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.

Passing The Baton From Detroit To Berlin: Techno’S Introduction To The Global Scene, Rebekah M. Thomas

Backstage Pass

Podcast describing the history and cultural impact of the techno music trend in the 1980s and 1990s.

The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr

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This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!

“The Personal Is Political”: The Power Of Female Voices In 1970s Pop Music And Beyond, Jennifer Morrow

Backstage Pass

This essay examines how, in the male-dominated structures of the popular music industry, narratives about women have been marginalized, ignored, and undervalued. The female singer-songwriter, my research suggests, is, by definition, a contradiction and subversion of traditional gender roles, and this position has been claimed by female musicians as a form of rebellion and resistance. In the scope of my research, I focus on how female pop artists have embraced songwriting as a medium for authentic self-expression, and how these narratives have been embraced as autoethnographies that represent the collective experiences and frustrations of women in a patriarchal social landscape. …

Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone

Backstage Pass

No abstract provided.

From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong

Backstage Pass

No abstract provided.

Spotify Vs. Apple Music, Lexi Gerbino

Backstage Pass

A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.

Uc Theatre: An Internship Guide Book, Monica Motta

Backstage Pass

No abstract provided.

Female Representation In U.S. Music Festivals, Kortney Burton

Backstage Pass

No abstract provided.

A Guide To 30 Northern California Venues: Excerpts, Nicole Wasnock

Backstage Pass

This is a sample of six venues from my senior project, A Guide to 30 Northern California Venues.

Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow

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No abstract provided.

Letter From The Editor, Keith Hatschek

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No abstract provided.

Moved Through Abbey Road, Raymond Gallo Iii

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The Beatles songs have beautiful lyrics that has connected with people for multiple generations. I believe everyone has their own way to relate to their lyrics. In this piece, I have chosen some of the lyrics that have moved me and used specific colors to depict The Beatles’ famous Abbey Road picture.

Revolver Please Sgt. Abbey, Monica Motta

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No abstract provided.

The Beatles And The Yellow Submarine, June Benoit

Backstage Pass

Something that always stuck with me about the Beatles, besides their music obviously, was their unique visuals. I remember as a kid I loved their album artwork for all of their albums, and how creative they were with everything they did. For my final project, I decided I want to combine two things they were known for outside of their music: their strong artistic visuals and fashion.

Here Comes The Sun, Olivia Valentino

Backstage Pass

It became very clear while learning about the Beatles this semester is that the group truly were themselves while creating in the studio. This is an image of the group recording and I recreated the feel of that room.

Acid Rose, Mia Saucedo

Backstage Pass

The original framed collage was a birthday present when I was a huge Beatles fan in the sixth grade.

I decided to use this collage to contrast how I viewed the Beatles and how I consumed their music when I was younger and how that's evolved, as well as how their sound evolved as their career progressed.

I focused on how their songs began to be influenced by their drug use. Some of their songs with drug-influenced lyrics are featured in the painting.

*Note: Download Original collage in "Additional Files" below as well as Author Statement as original image file.

Fab 4, Nicole Wasnock

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I wanted to do something artistic for this project so I chose to do a grid drawing inspired by Chuck Close. In order to choose the color palate I used the colors of each of their uniforms on the album cover for Sgt. Peppers .

"We All Live...", Bryan Kyner

Backstage Pass

I wanted to draw the submarine from 'Yellow Submarine' as this was the first song I ever listened to from The Beatles. The style of The Beatles from the top-left corner and the Octopus from the bottom-right corner was inspired by The Beatles cartoon and I really like the at style from the cartoon too.

What Percentage Of The World Owns A Beatles Album?, Ailey Butler

Backstage Pass

What inspired me to create this work was seeing the impact that the Beatles had on culture and the world. They became so popular, and I felt the inclination to see how many albums they had sold over the course of their career. In my infographic, I examined the top five best selling Beatles albums and did some quick math to show what percent of the world’s population owns that particular album.

Come Together, Doone'y Harris

Backstage Pass

At the beginning of the semester I was asked “what is your favorite song by The Beatles?” I said that I didn’t know. I was told that by the end of the semester I will know. The sheet music used for the background in my piece is that of my two favorite songs by the band. “Lucy in the Sky With Diamonds” and “A Hard Day's Night.” My art piece is called “Come Together.” The title is not only the name of a Beatles song, but it helps to describe the entire piece. Throughout the course I learned a lot …

Pedagogies Of E-Literary Practice For (Un)Continuous Times: Lightning Talks, Caleb Andrew Milligan, Sarah Whitcomb Laiola, Erin Kathleen Bahl, Élika Ortega

Electronic Literature Organization Conference 2020

In response to Debbie Chacra’s charge to “celebrate and foster education, maintenance, analysis, critique, and, above all, caregiving” in maker cultures, this roundtable imagines pedagogies of e-literary practice that combine creation and caregiving in ways restorative to the ongoing tradition(s) of e-lit (“Beyond Making”). E-lit regularly confronts theoretical, cultural, and material challenges endemic to the field, as genres of previously accessible work are being lost to technological obsolescence and new developments are moving increasingly off the screen and out of practical reach. One way to counter such challenges of these "(un)continuous" times is through an integrated, applied, practice-based model of …

Spineless And Sentient: A Challenge For Moral Comparison, Patrick Forber, Robert C. Jones

Animal Sentience

We agree with Mikhalevich & Powell but take issue with their criteria for attributing sentience. This problem is connected with difficult issues concerning moral comparisons and evaluating moral decisions when interspecific moral interests conflict.

Avoiding Anthropocentrism In Evolutionarily Inclusive Ethics, Simon Fitzpatrick

Animal Sentience

Mikhalevich & Powell are to be commended for challenging the “invertebrate dogma” that invertebrates are unworthy of ethical concern. However, developing an evolutionarily inclusive ethics requires facing some of the more radical implications of rejecting hierarchical scala naturae and human-centered conceptions of the biological world. In particular, we need to question the anthropocentric assumptions that still linger in discussions like these.

Zones Of Precaution, Jonathan Birch

Animal Sentience

My commentary focusses on Mikhalevich & Powell’s criticisms of the Animal Sentience Precautionary Principle. I emphasize the pragmatic nature of my rationale for proposing that, rather than extending the scope of animal welfare protection on a species-by-species basis, we should be willing to protect entire Linnaean orders on the basis of evidence from a single species.

Brain Complexity, Sentience And Welfare, Donald M. Broom

Animal Sentience

Neither sentience nor moral standing is confined to animals with large or human-like brains. Invertebrates deserve moral consideration. Definition of terms clarifies the relationship between sentience and welfare. All animals have welfare but humans give more protection to sentient animals. Humans should be less human-centred.