Arts and Humanities Commons^™

"Actividades Femeninas" Collective Exhibitions Of Women In Chile Between 1914 And 1939, Gloria Cortes

Artl@s Bulletin

In 1927 the Great Female Exhibition was held in Chile within the framework of the fiftieth anniversary of the Amunátegui Decree (1877), a precept that allowed women to go to university. The Exhibition was the result of a series of initiatives by the high bourgeoisie that began in 1914 with the creation of women's organizations such as the Women's Art Society.

Twelve years later, in 1939, the MEMCH —Pro Emancipation Movement of Women in Chile— held the Feminine Activities exhibition, conceived as a response to previous experiences led by the elite, and focused on the political and social …

"Women Artists To Victims Of War" - The First Exhibition Of The Moscow Union Of Women Painters And Its Reception By The Contemporary Press., Natalia Y. Budanova

Artl@s Bulletin

A few surviving visual and documentary sources related to the exhibition Women Artists to Victims of the War organised by the Moscow Union of Women Painters in winter 1914 represent a useful primary material for piecing together fragments of the history of this short-lived female art group. The Union exemplified impressive gender changes in educational and professional spheres of Russian art. Yet, it failed to attract strong membership and disintegrated within few years after its institution. By analysing available evidence this essay seeks to uncover and assess the causes of the Union’s defeat in establishing a prominent public profile.

The Exhibition Of Former Students Of The Elise Von Jung-Stilling Drawing School In Riga In 1904, Baiba Vanaga

Artl@s Bulletin

In the 19th century, the art scene in the Baltic provinces and their largest city, Riga, was fairly undeveloped: it was impossible to acquire good arts education, the art market practically did not existed and only a comparatively small number of artists educated outside of the Baltics were working there. The local art scene became significantly more active after 1870, when the Riga Art Society was established. In 1898, Society opened its Art Salon, which held several solo exhibitions of women artists and at least two group shows where all of the participants were women: the exhibition of works by …

“Non Più Cenerentole!” The Società Delle Artiste At The 1906 Mostra Nazionale Di Belle Arti In Milan, Chiara Iorino

Artl@s Bulletin

The Society of women artists was created in Rome in the house of the painter Ida Salvagnini Bidoli and her husband Francesco Alberto Salvagnini. Its members presented themselves as a group at the National Exhibition of Fine Arts during the International Exhibition of Sempione in Milan in 1906 where they managed to get their own room. This article will describe the difficulties encountered by these artists, show the importance of the exhibition as a site where artistic ambitions coincided with the women’s movement and contextualize it within the broader transformations of women’s roles in Italy at the beginning of the …

Le Cercle Des Femmes Peintres De Bruxelles : Un Collectif, Quatre Expositions (1888-1893), Denis Laoureux

Artl@s Bulletin

Entre 1888 et 1893, le Cercle des femmes peintres de Bruxelles organise quatre expositions rassemblant 400 tableaux peints par près de 80 femmes. Celles-ci sont décrites par la presse d’époque comme des dilettantes. L’analyse montre pourtant qu’elles présentent un niveau de professionnalisation contraire à l’oubli qu’elles connaissent aujourd’hui. Plusieurs paramètres permettent d’en prendre la mesure. Le réseau relationnel, le niveau de visibilité dans les Salons d’État, les indicateurs de légitimité (prix, titres…) et les valeurs chiffrées des œuvres font ressortir un corpus d’une trentaine d’artistes qu’il conviendrait de réintégrer au canon de l’histoire de l’art de la Belgique fin de …

Les Polonaises S’Organisent : Les Premières Expositions De Femmes Artistes Polonaises Au Tournant Du Xxe Siècle, Ewa Bobrowska

Artl@s Bulletin

À la fin du XIXe siècle, à la suite des partages de l’Etat polonais entre la Russie, la Prusse et l’Empire austro-hongrois, les conditions du développement de l’art polonais ne sont pas favorables au sein d’une nation privée d’indépendance. Cependant, elle connaît alors une exceptionnelle prolifération de talents artistiques. Face à un manque de structures d’enseignement, de commerce et de promotion de l’art, les artistes forment des groupes pour promouvoir leur travail. Les femmes artistes, bien que privées de possibilités de formation, commencent à se professionnaliser et fonder leurs propres groupements. Les enjeux de la première exposition du Cercle des …

L'Esposizione Internazionale Femminile Di Belle Arti (Torino, 1910-1911; 1913). Note Su Genere, Arte E Professione In Italia All'inizio Del Xx Secolo, Francesca Lombardi

Artl@s Bulletin

Il contributo intende ricostruire la vicenda delle Esposizioni Internazionali Femminili di Belle Arti (1910-11; 1913), prima manifestazione artistica di taglio internazionale riservata esclusivamente alle donne organizzata in Italia. Promosse a Torino dalla rivista La Donna, le due rassegne si svolsero in un momento storicamente determinante per l'affermazione di un nuovo status delle artiste, contribuendo a dare visibilità e legittimità al fenomeno della produzione artistica femminile. La ricerca ripercorre, sulla scorta soprattutto di documenti d'epoca e fonti d'archivio, la storia e gli esiti di questa innovativa esperienza, evidenziando la complessità delle reti istituzionali, sociali, di patronage e matronage che concorsero …

Autour De Frances Benjamin Johnston, Gertrude Käsebier Et Catharine Weed Barnes Ward: Stratégies Séparatistes Dans L’Exposition Des Femmes Photographes Américaines Au Tournant Des Xixe Et Xxe Siècles, Thomas Galifot

Artl@s Bulletin

Cette étude inclut une nouvelle analyse de l’exposition des photographes américaines conçue par Frances Benjamin Johnston à l’occasion de l’Exposition universelle de Paris de 1900. Dans une mise en perspective inédite, l’événement est également replacé dans un contexte américain élargi, riche en initiatives et en débats aussi fondateurs que méconnus. Cette enquête, qui donne lieu au premier panorama des expositions collectives de photographes américaines jusqu’en 1914, aboutit à une nécessaire remise à l'honneur de Catharine Weed Barnes Ward et de Gertrude Käsebier, personnalités dont le rôle central sur ces questions est largement mésestimé.

Vizuri Kabisa 2019, Vizuri Kabisa

Black Activism and Education

Pamphlet and script from the 23rd Annual Vizuri Kabisa celebration. Tuesday, May 14th, 2019 in McLaren Hall.

Vizuri Kabisa 2019 Script, Vizuri Kabisa

Black Student Union

No abstract provided.

Mcbride, John Randolph, 1841-1912 (Sc 3433), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid, scan and typescript (Click on "Additional Files" below) for Manuscripts Small Collection 3433. Letter, 1 May 1862, of John R. McBride to Lucas F. Smith, Bluffton, Indiana. Serving with the 33rd Indiana Volunteers, McBride describes the march from Lexington, Kentucky to their present encampment near Cumberland Ford on the Cumberland River, and the current command structure. He asks about Bluffton’s young women and lightheartedly complains about the absence of eggs from his diet. He also recalls his fortunes after leaving Bluffton, which included a year of homesickness and then enlistment for service in order to return home “with …

Moving Through Feelings Integrating Dance And Private Counseling: A Creative Dance Technique Based Curriculum For Children Ages 10-12 Undergoing Talk Therapy, Jessica Bourassa

Honors Program Theses and Projects

According to Private counselors, one of the top reasons children are undergoing talk therapy is because they have experienced a trauma that affects their day to day lives, learning abilities, difficulties with social interactions, and behavioral issues. More than sixty-eight percent of children have experienced a traumatic event by the age of twelve and more than twenty percent of those children develop side effects that can lead to anxiety disorders, depression, suicidal thoughts and other emotional issues (Hamner 1). With these side effects, children often undergo talk therapy in order to work through their experiences and learn to heal from …

Love The Art In Yourself: Empowering Actors To Honestly, Comfortably, And Successfully Embody Their Characters, Alyssa Germaine

Honors Program Theses and Projects

As an actor, I have performed in more than twenty plays and worked with ten different directors over the years. The outcomes of these performances have varied, and so has the effectiveness of the different approaches I have experienced. As an early career director, I am working to find my own creative voice as well as my personal style of directing and communicating with actors. The purpose of this process is to address the relationship between the actor and the director and how this can best serve a production from the rehearsal process and into performances. A director’s initial role …

The Little Civil War Drummer Boy, Cameron T. Sauers

The Gettysburg Compiler: On the Front Lines of History

When I think about the battle front, I think about soldiers in uniform marching off to fight with their weapons and small mementos from home. I also think about the many doctors and nurses who provided care to men riddled with bullet holes and disease. I never thought of drummers, though, until I saw the snare drum pictured above. However, this drum and the many others like it were an integral part of army life. For the drummers themselves, their instrument represented a unique avenue of service where zealous, but often underaged, patriots could join the war efforts without being …

The Function Of Role Models In The Identity Development Of African American Male Adolescents And Young Adults, Gensis Galan

Honors Program Theses and Projects

The function of role models in the lives of adolescents has been linked to many positive outcomes, including academic success and enhanced physical activity (Assibey-Mensah, 1997; Babey, Wolstein, & Diamant, 2016); however, it remains unclear who adolescents and young adults are seeking and identifying as role models. This two-part interdisciplinary project started with literary analyses of a memoir and semi-autobiographical novel that depicted the experience of two African American male adolescents and their exploration of identity; during this time, each male developed the desire for a role model whose behavior he could imitate. The second part of this project included …

Renaissance Drama And ‘Magic Realism’: Mythology And Religion Across Time And Genres, Kellie Delaney

Honors Program Theses and Projects

Renaissance and ‘magic realism’ literature share many characteristics; among these are the prevalence of mythology and religion. It is no new observation to say that contemporary literature has strong and discernible connections to the earlier literature of the Renaissance; scholarship has long seen the parallels between eras that share the collapse of established values and beliefs. The use and treatment of mythology and religion in these respective categories of literature, however, invites a discussion yet to be made in scholarship. An examination of the form and function of mythology and religion in authors of both Renaissance and ‘magic realism’ literature …

In Search Of Wholeness: A Conversation About Transcending Language(S) And Art Forms, Natasha Lvovich, Olga Mezhibovskaya

Publications and Research

Natasha Lvovich interviews an interdisciplinary artist / designer, educator, and musician / musicologist, the multilingual Olga Mezhibovskaya, who discusses the complex relationship between languages (in this case, Russian and English) and artistic modalities, art forms, and genres. Mezhibovskaya's main scholarly focus (which she studied through music and in Russian) and now in art is wholeness, which could be understood as synthesis of all forms, interdisciplinarity and interconnectedness, what Roman Jakobson termed as "intersemiotic translation." References to Mezhibovskaya's numerous interdisciplinary projects, extremely rich with various intersemiotic connections, are both described and shown as visuals (URLs), videos and illustrations.

Introduction To The Special Issue: Multilingualism, Creativity, And The Arts, Natasha Lvovich, Steven G. Kellman

Publications and Research

No abstract provided.

Without A Scratch, Samantha Farinella

Theses and Dissertations

Without a Scratch is a short form personal essay film that explores the themes of fear, loss, love, hope and renewal as it relates to my brain tumor diagnosis spanning from the initial symptoms through my recovery.

Substantive Solidarity From Winona To Madison: A Blog Post, Isabel Balk

Feminist & Queer Praxis

This blog post was written for the WSU Academic Blog, which showcases the exciting and challenging work WSU students do. The students in Dr. Mary Jo Klinker's "Queer Theories and Politics" class (WGSS 374) at Winona State University traveled to Madison, Wisconsin and worked along side the organization LGBT Books to Prisoners.

Take Back The Night 2019: A Blog Post, Kristen Henry

Feminist & Queer Praxis

This blog post was written for the WSU Academic Blog, which showcases the exciting and challenging work WSU students do.

Writing On Basho's Pond, Clark Lunberry

English Faculty Research and Scholarship

Matsuo Bashō (1644–94) is Japan’s most well-known haiku poet; and Bashō’s poem about the old pond, the jumping frog, and the sound of water is Bashō’s best-known haiku. Indeed, this haiku, like Bashō himself, is known well beyond Japan, long ago attaining through its many translations a degree of international recognition. However, in Japan, awareness of Bashō, and of his frog haiku, goes well beyond simple recognition, having long ago absorbed itself into a broader and more complex form of remembrance and, with that absorption, a nearly reflexive response by many of those hearing it. Often, the mere mention of …

“We Listened To Each Other:” Social-Emotional Growth In Literature Circles, Elena M. Venegas

Bilingual and Literacy Studies Faculty Publications

Literature circles undoubtedly foster literacy. Yet successful participation in literature circles requires social and emotional competence of students. This article presents findings from a study of a fifth-grade student who demonstrated social-emotional growth while participating in literature circles. Specifically, growth in intrapersonal and interpersonal skills such as self-management, social awareness, social metacognition, and empathy were evident. These findings suggest that literature circles not only foster literacy but also social-emotional learning.

Power In The Hands Of The Uninvolved, Sarah Vita

Across the Bridge: The Merrimack Undergraduate Research Journal

The Dutchman, written by Amiri Baraka, expresses the racism of the 1960s. While skimming the surface to find the tones of racism and white oppression exhibited by Lula, Baraka craftily sneaks the bystander effect into his stage directions. The bystander effect is easily looked past in this play because the words of Lula and her actions distract from the small details that create the real problem.

Herbert Hoover And The Problem Of American Indians, Mary Levine

Across the Bridge: The Merrimack Undergraduate Research Journal

In the 1930s, federal American Indian policy shifted dramatically away from seeking to end all tribes and break up reservation lands. The shift towards re-recognizing American Indian Native nations as enduring political entities is often characterized as beginning under President Roosevelt and with the guidance of John Collier. In fact, it was Roosevelt's predecessor, Herbert Hoover, who gave attention to and laid the foundation for this profound shift in federal Indian policy. This paper presents the historical evidence of Hoover's deeply held interest in American Indian affairs and the consequences of this interest. Hoover began his term as president with …

Something In The Dark Swallows, Amber Cigelske

Studio One

No abstract provided.

Sunrise, Cormac Quinn

Studio One

No abstract provided.

Lake Front, Cormac Quinn

Studio One

No abstract provided.

Figures, Alexus Jungles

Studio One

No abstract provided.

Tuck And Spin, Kathleen Gunton

Studio One

No abstract provided.