Arts and Humanities Commons^™

Detecting Wimsey: Papers On Dorothy L. Sayer's Detective Fiction. Nancy-Lou Patterson. Ed. Emily E. Auger And Janet Brennan Croft, Joe R. Christopher

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Editorial: Divination And Prophecy In Mythopoeic Literature [Article], Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Tarot And T.S. Eliot In Stephen King's Dark Tower Novels [Article], Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Characters and events in King’s Dark Tower series are inspired by the Fisher King, Arthurian, and other mythologies and legends, as well as the works of more contemporary authors who derived inspiration from similar sources. This paper explores King's use of Tarot motifs in the Dark Tower series with attention to similarities and parallels to the presentation of Tarot in T.S. Eliot's The Waste Land. King’s central character Roland, whose cards are read by his nemesis, has the satisfaction of knowing when the cartomancer is dead and of saving multiple universes, but then discovers that he is doomed to …

Tarot Of The Future: Raising Spiritual Consciousness. Arthur Rosengarten, Emily E. Auger

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Schola Cantorum And Women's Chorale With Washington And Lee University Singers And Eighth Blackbird, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

Author Biographies, University Of Dayton

Season 3: Standards of Behavior

No abstract provided.

Scavenge, Jessica B. Thames

LSU Master's Theses

Scavenge is an installment that blurs the boundaries of found and altered materials. What I define as "Left-overs" are abandoned materials taken from an enigmatic history. These Left-over objects are minimally altered, stacked or placed carefully pertaining to visual characteristics of the object, as well as the spatial relationship between each object inside the gallery. My work refuses to settle. Transporting an object from a large outdoor grouping into a gallery space changes our perception of the object. The newly created interior arrangement in the gallery space contrasts the arbitrariness of objects found in nature or discarded, inviting a viewer …

Jazz And Contemporary Combos, Department Of Music, University Of Richmond

Music Department Concert Programs

No abstract provided.

2nd Place Contest Entry: Piracy, Policy, And Pandora: Outdated Copyright In A Digital World, Stephanie Caress

Kevin and Tam Ross Undergraduate Research Prize

This is Stephanie Caress' submission for the 2018 Kevin and Tam Ross Undergraduate Research Prize, which won second place. She wrote about current copyright laws and digital distribution practices and how they can be improved for creators and consumers of music.

Stephanie is a senior at Chapman University, majoring in Music and Strategic & Corporate Communication. Her faculty mentor is Dr. Jessica Sternfeld.

Artesana De Sí Misma: Gabriela Mistral, Una Intelectual En Cuerpo Y Palabra, Claudia Cabello Hutt

Purdue University Press Book Previews

Artesana de sí misma by Claudia Cabello Hutt reevaluates the place of Nobel laureate Gabriela Mistral in the literary and intellectual history of Latin America, illuminating and filling a number of lingering voids in the study of this canonical figure. Cabello Hutt introduces readers to Mistral’s vast but scarcely studied journalistic prose as well as her unpublished manuscripts, letters, and images held in the United States and in newly opened Chilean archives. Moving beyond her amply discussed poetry, Cabello Hutt demonstrates that Mistral’s essays, visual representations, and gender performance are key to understanding Mistral’s self-construction as a Latin American female …

English People. Owen Barfield; Narnia And The Fields Of Arbol. Matthew Dickerson And David O'Hara; And The Mythic Dimension. Joseph Campbell, Phillip Fitzsimmons

Faculty Articles & Research

Three books, written about differing themes and released decades apart, still manage to work together to present a complex picture of the images of mythology and their effect upon the human race. The books are English People, a 1929 novel by Owen Barfield; Narnia and the Fields of Arbol, a 2009 study of environmentalism in the works of C.S. Lewis, by Matthew Dickerson and David O'Hara; and The Mythic Dimension, a selection of essays by Joseph Campbell spanning almost three decades.

Senior Recital: Logan Guttschow, Soprano; April 15, 2018, Logan Guttschow

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Afternoon
2:00 p.m.

'Love Of Knowledge Is A Kind Of Madness': Competing Platonisms In The Universes Of C.S. Lewis And H.P. Lovecraft, Guillaume Bogiaris

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Though they often gesture in his direction, few contemporary philosophers or writers engage Plato’s ideas. Yet C.S. Lewis and H.P. Lovecraft, two relatively uncelebrated authors of science-fiction fantasy (in academic circles, at least), treat Plato’s notion of human enlightenment extensively. The two authors seem to agree with Plato’s premise that knowledge is possible. While they concur that the metaphorical journey outside the cave is feasible, they differ on the benefits of such an ascent. Lewis is reassuring to his readers; like the Neo-Platonists to which he links his trilogy of science-fiction fantasy, he theorizes that the outside of the Platonic …

Game Of Thrones Versus History: Written In Blood. Brian Pavlac, Joseph Young

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Junior Recital: Robert L. Voelker, Tenor; April 15, 2018, Robert L. Voelker

School of Music Programs

Kemp Recital Hall
April 15, 2018
Saturday Afternoon
7:30 p.m.

Senior Recital: Regan Berkshier, String Bass; April 15, 2018, Regan Berkshier

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Evening
8:30 p.m.

Senior Recital: Katherine Cosenza, Mezzo-Soprano; April 15, 2018, Katherine Cosenza

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Afternoon
12:30 p.m.

Isu Percussion Ensemble, April 15, 2018, David Collier, Ben Stiers, Matt James, Elliott Godinez

School of Music Programs

Center for the Performing Arts
April 15, 2018
Sunday Evening
7:00 p.m.

Senior Recital: Eric Friel, Cello; April 15, 2018, Eric Friel

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Afternoon
4:30 p.m.

Senior Recital: Katie Klipstein, Percussion; April 15, 2018, Katie Klipstein

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Morning
11:00 a.m.

Senior Recital: Vicente Leyva, Saxophone; April 15, 2018, Vicente Leyva

School of Music Programs

Kemp Recital Hall
April 15, 2018
Sunday Afternoon
3:00 p.m.

Sophomore Recital: Eliabeth Briney, Flute; April 15, 2018, Elizabeth Briney

School of Music Programs

Kemp Recital Hall

April 15, 2018

Sunday Evening

6:00 p.m.

Hume On The Doctrine Of Infinite Divisibility: A Matter Of Clarity And Absurdity, Wilson H. Underkuffler

USF Tampa Graduate Theses and Dissertations

I provide an interpretation of Hume’s argument in Treatise 1.2 Of the Ideas of Space and Time that finite extensions are only finitely divisible (hereafter Hume’s Finite Divisibility Argument). My most general claim is that Hume intends his Finite Divisibility Argument to be a demonstration in the Early Modern sense as involving the comparison and linking of ideas based upon their intrinsic contents. It is a demonstration of relations among ideas, meant to reveal the meaningfulness or absurdity of a given supposition, and to distinguish possible states of affairs from impossible ones. It is not an argument ending in an …

Ursula K. Le Guin: An Appreciation, David Bratman

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

It seems appropriate in the aftermath of her death, which occurred January 22, 2018, at the age of 88, to name Ursula K. Le Guin as the most consequential writer in the fantastic mode of the last half century. Her work spans a range from traditionalist European fantasy to hard-edged social science fiction on the effect of technology on society, without ever drawing a firm line between categories. Le Guin never disavowed genre, but refused to be bound by it. She used it as a tool to express herself.

Ursula K. Le Guin In Mythlore, Janet Brennan Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Ursula K. Le Guin, whose career and influence are examined in brief in the preceding note by David Bratman, has long been a writer of interest to the readers of Mythlore and members of the Mythopoeic Society. She was the Author Guest of Honor at Mythcon 19 (the theme of which was “Legends for a New Land: Fantasy in America”) at Berkeley CA in 1988, and was a finalist for the Myth and Fantasy Studies Award in 2011 and 2012 for her essay collection Cheek by Jowl (Aqueduct Press, 2009).

J.R.R. Tolkien, Romanticist And Poet. Julian Eilmann. Translated By Evelyn Koch, Kris Swank

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

C.S. Lewis And Christian Postmodernism: Word, Image, And Beyond. Kyoko Yuasa, Peter G. Epps

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In C. S. Lewis and Christian Postmodernism, Kyoko Yuasa has managed to advance the cause of careful reading and discussion of Lewis’s novels as contemporary cultural artifacts, rather than mere ciphers for apologetics or mere fluff for children, for both Japanese and American audiences. This is no mean feat, not only in terms of translation but also in terms of trans-Pacific discourse, and Yuasa deserves great credit for the accomplishment. Her close reading of several of Lewis’s major fiction works in a comparative frame she derives from works by Iris Murdoch, Muriel Spark, Doris Lessing, and John Fowles yields …

English People. Owen Barfield; Narnia And The Fields Of Arbol. Matthew Dickerson And David O'Hara; And The Mythic Dimension. Joseph Campbell, Phillip Fitzsimmons

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Three books, written about differing themes and released decades apart, still manage to work together to present a complex picture of the images of mythology and their effect upon the human race. The books are English People, a 1929 novel by Owen Barfield; Narnia and the Fields of Arbol, a 2009 study of environmentalism in the works of C.S. Lewis, by Matthew Dickerson and David O’Hara; and The Mythic Dimension, a selection of essays spanning almost three decades by Joseph Campbell.

Allegorical Reference To Oxford University Through Classical Myth In The Early Poetry Of Dorothy L. Sayers: A Reading Of “Alma Mater” From Op.I.., Barbara L. Prescott

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Dorothy L. Sayers is rarely considered to be an author of mythopoeic literature or one whose own writings contain the metaphors or allegories of myth and legend. Yet, as a young adult at Oxford University, Sayers produced a variety of poems that, centering upon Oxford and her experiences as a student, explored mythic themes as they related to the university. Her early poems, written while an undergraduate at Oxford and directly afterward, were built upon three motifs: classical mythology, mediaeval legend, and Christian romanticism. These Oxford-centered poems were included in Dorothy L. Sayers’s first book titled, OP. I., published …

Goddess And Grail: The Battle For Arthur's Promised Land. Jeffrey John Dixon, Kris Swank

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.