Arts and Humanities Commons^™

A Falsified Universe Of Love And Desire, Review Of Micheal Farmer's Imagination And Idealism In John Updike's Novels, Sue Norton

Articles

Book Review of Micheal Farmer's Imagination and Idealism in John Updike's Novels

Art Interventions And Disruptions In Financial Systems: An Interview With Paolo Cirio, Marisa Lerer, Conor Mcgarrigle

Articles

Prior to the release of the 2016 Panama Papers and 2017 Paradise Papers – leaked documents that uncovered the movement of funds through offshore tax havens – conceptual artist Paolo Cirio’s (b. 1979) project Loophole for All (2013) revealed and documented the mechanics behind offshore financial centers. In this interview, Cirio expounds upon his investigations of offshore banking practices, describes his projects for instituting alternative financial models, and explains his hacktivist (i.e. Internet activist) strategies that engage with legal and economic systems. Defining the foundational movements that inform his work, Cirio in turn illuminates his methods of direct provocation and …

Curriculum Mapping: Nad Undergraduate Pastoral Education Core Qualities, Glynis M. Bradfield

Faculty Publications

A curriculum map is always a work in progress, an analysis, communication, and planning tool.

Role Of The Church In Restorative Justice : Sex Trafficking Of Children And Young Girls In Karnataka, Roopa Anand

ATS Dissertations

No abstract provided.

Transitioning To Multi-Site : A Model For Transitioning Wesley United Methodist Church To A Multi-Site Church, Adam Seth Hilderbrandt

ATS Dissertations

No abstract provided.

Embracing Learner Evangelism : Bar Poker Community Insights For Minnesota United Methodists, Frederick S.E. Vanderwerf

ATS Dissertations

No abstract provided.

Orthodoxy And The Great Commission In The South Georgia Conference Of The United Methodist Church, Lee Edward Pettis

ATS Dissertations

No abstract provided.

Best Practices Of Church Planting : A Case Study Of Ecwa And Other Churches In The West Coast Region Of The Gambia, Lawrence Borbor Jah

ATS Dissertations

No abstract provided.

Motion-Contacto, Gabriela A. Hijar

Electronic Theses and Dissertations

Motion-Contacto is an exhibition of fourteen interactive ceramic sculptures and one video. The title references movement with the word Motion and the act of touching with the Spanish word Contacto. Viewers can play with the pieces and create sounds. The colors and organic shapes of the objects invite the public to approach and touch them. The sounds produced by interacting with the work will entice the viewers to explore the possibilities of physical interaction.

Young Girls Are Coming To The Canyon, Jerri Dale Bourrous

Electronic Theses and Dissertations

Set mainly in Los Angeles in 2008, Young Girls Are Coming to the Canyon is a novella that explores familial relations and what truly constitutes a family. Joni and Grace face the sudden, violent death of their estranged mother, Beverly, and decide to search for their father’s family. As Joni struggles with commitment and Grace is conflicted about impending motherhood, one relative leads to another and they travel across the country to discover Beverly’s secrets, as well as the truth about their father.

Developing A Strategic Model For Deacons As Servant Leaders Within New Church Plants, Christopher Webb

Doctoral Dissertations and Projects

The office of deacon is vital within the local church and often varies from one congregation to another. There are many misconceptions concerning the role and responsibilities of deacons. The Bible clearly defines deacons as those who function as servant leaders. The purpose of this project is to address the biblical, theoretical, practical and personal observations that will assist new church plants in equipping potential candidates for the office of deacon, as servant leaders. The project will address vital areas of deacon ministry that will include; discovering the history of deacon ministry, the biblical qualifications for a deacon, the relationship …

Perceptions Of African American College Students In San Francisco Bay Area Community Colleges On Their Developmental Training To Participate In Civic Engagement During High School, Melvin Davis

Doctoral Dissertations

The democratic practice of representative government in the United States is supposed to represent and protect its citizens. Since the United States abolished legalized slavery with the 13th Amendment in 1865, individual states have made many attempts to impede the civil rights and voting rights of African American citizens. Several pieces of legislation were designed to protect citizens, such as the Civil Rights act of 1964 and the Voting Rights Act of 1965. In addition to overt legislated actions to thwart voting rights, the 26th Amendment of 1971 afforded citizens at least 18-years old the right to vote. Studies, however, …

Building Brand Kurdistan: Helly Luv, The Gender Of Nationhood, And The War On Terror, Nicholas S. Glastonbury

Publications and Research

In the early 2000s, the Kurdistan Regional Government hired a US-based firm to begin a public relations campaign called “The Other Iraq.” Since that time, it has worked with a number of PR and lobbying firms to build a cultural, political, and financial apparatus that I refer to as Brand Kurdistan. This apparatus aims to prove to Western audiencesthat the Kurds are a liberal exception in an illiberal Middle East, and to build prospects of KRG’s eventual national independence. This article explores the connections between Brand Kurdistan and the gendering of Kurdish nationalism, focusing particularly on Kurdish pop diva Helly …

Communicating Gender, Race And Nation In The Purvi Patel Case: The State, Biopower, And The Globality Of Reproductive Surveillance, Priya Kapoor

International & Global Studies Faculty Publications and Presentations

Purvi Patel was bleeding after a miscarriage when she drove herself to the local hospital in South Bend on the night of July 13–14, 2013. She hid the lifeless fetus behind the family restaurant she worked in (Gray, 2015; Bazelton, 2015). Despite the precarity of her postpartum condition, with a twenty percent loss of blood, Patel was incarcerated after being subject to questioning by County Metro Homicide Unit Detective Galen Pelletier, a few hours after she checked in at the emergency unit. Patel’s pleas of miscarrying were not heeded so she was treated as if she had executed a premeditated …

Caravan Of Stilts, Martin Zwick

Complex Systems Faculty Publications and Presentations

We all know that the expedition we are planning and which, Inshallah, we shall undertake in the fall, has been attempted at least once before. But the documents in our archives that tell us of that earlier expedition into the Gobi are fragmented and contradictory. The most reliable of these documents indicates that the expedition failed, that its members desisted from their attempt to cross the fearsome desert, that there were casualties. We need to contemplate the possible reasons for this alleged failure. I bring you news today of a surprising finding made by our scouting team in one of …

Wagon Tracks Volume 32, Issue 3 (May 2018), Santa Fe Trail Association

Wagon Tracks

2 On the Cover: Santa Fé, N.M. 1882

4 President: As I See It

5 Manager: Joanne's Jottings

6 Faye Gaines to be Feted June 16

7 Trail News

10 Membership Information

26 Photo Contest News

27 Books: Presidents Who Shaped the American West

28 Chapter Reports

32 Calendar

Notes From Johannesburg - Dialogues And Itineraries Of The South From Kinshasa: Art, History, And Education, David Andrew

Artl@s Bulletin

This text was originally a brief speech in a debate – Dialogues and Itineraries of the South from Kinshasa: Art, History and Education that took place at Mário de Andrade Library’s Auditorium in São Paulo (Brazil) on October 26^th 2016. It draws from questions and discussions in Kinshasa, concerning arts education, the challenges in decolonizing curriculum and methods, connecting them to South African experiences, particularly at the Wits School of Arts (Johannesburg) and also from the Another Road Map School research group workshops.

Think Natural ! Une Nécessité Qui Ne Se Cache Plus, Cedrick Nzolo Ngamobu

Artl@s Bulletin

This contribution raises questions regarding the search for mediation and transition found in pedagogy and the creative process. This can be posed as a response to an affirmation of identity, coupled with a search for philosophical autonomy. The need for mediation or transition is a necessity that we all seek in different ways and according to our respective contexts. In teaching in a school of art or fashion, it is a question with different variables that leaves the field open to all forms of questioning and brings to the fore the confrontation of modes of expression.

Œuvre D’Art Comme Récit Historique (Rapport Des Discussions Du Groupe De Travail), Emi Koide

Artl@s Bulletin

This report aims to present central questions raised during two days of group discussion and debate concerning the theme « art work as history ». Several different points of view were presented, in which generational frictions in kinois artistic milieu came to the fore. The main subjects during the discussions were: the challenges involved in writing Art History in the Congo through their own perspectives; the importance on creating archives about Congolese art locally; considering artwork as historical narrative; the importance of the body as a link between object and performance, as well as between material and immaterial dimension.

Cadrer Temps Et Histoire (Rapport Des Discussions Du Groupe De Travail), Matthias De Groof

Artl@s Bulletin

This group session discussed the notion of “Framing time and history” and investigated the ways in which the current practices of its participants (some of which emerged from the context of the Académie des Beaux-Arts de Kinshasa) are concrete examples of a South-South dialogue and how this can provide a critical perspective on art history and art education. Debates concerning the how and the why of that dialogue through art production, distribution and criticism are presented.

Au-Delà Des Rivalités Provinciales : Poétiques Visuelles Tropicalistes Et Autres Projets D’Art Étendu Depuis La Perspective Du Nord-Est Brésilien, Ayrson Heráclito

Artl@s Bulletin

This text is a compilation of writings published during the course of our research for the 3^rd Biennale of Bahia (2014), for which we worked in the curatorial team. These investigations reflect on the genealogy of Northeast Brazil’s contemporary art, seeing this region as unrestricted and non-essentialist. The production of certain artists is considered within an expanded context. To this end, we employed the idea of PEBA (Pernambuco-Bahia), while attempting to come to terms with the possibility of existence of a family, united by the desire for a poetic turn in the tropics.

The Lubumbashi Biennial: Towards New Protagonisms, Daniella Géo

Artl@s Bulletin

This article reflects on the role and relevance of the Lubumbashi Biennial (DR Congo), taking into account its specificities, context and modus operandi, as well as making brief parallels with other recurring art events in an attempt to situate the Congolese biennale within the histories of contemporary art biennales. The text provides first-hand commentary on the Lubumbashi Biennial, in particular its fourth edition in which the author formed part of the curatorial team.

Aesthetic Autopsy. Collective Memory And Trauma In Contemporary Art From Angola, Nadine Siegert

Artl@s Bulletin

Angolan history is mainly a history of wars. After the long anti-colonial fight (1961 – 1974) that ended with the independence of the country in 1975, a civil war between the former independence movements started. In the 1980s, Angola was the venue for a proxy war between the Socialist bloc and Western countries, supporting the different protagonists fighting on Angolan territory. After the crumbling of cold war ideologies in 1989, the war continued as a struggle for political hegemony and access to natural resources until 2002, devastating lands, economy and social structures. These historical events might have led to trauma …

Histoire Picturale De Laurent-Désiré Kabila (1997-2001), Donatien Dibwe Dia Mwembu

Artl@s Bulletin

This article considers the story of the late Laurent-Désiré Kabila, President of the Democratic Republic of Congo, as told by the popular painters of the city of Lubumbashi. Its shows how popular painting contributes to the knowledge of LD Kabila's reign, by serving as a support for oral history. Indeed, the commentaries of the paintings made by their authors or by critics unveil a chapter of history. Placed next to each other according to their theme and chronological order, popular paintings depict the highlights of the history of a given region in a specific area such as politics, economy, culture, …

Lumumba’S Iconography As Interstice Between Art And History, Matthias De Groof

Artl@s Bulletin

How does Congolese art and artistic representations of Lumumba “mediate past, present and future”? How do they relate to historical narratives and to the dialogues within the Global South? This contribution proposes Lumumba’s iconography as a case in point of the interstice between art and history. It positions the image of Lumumba as mediating between past, present and future for both the Congo and the Global South more broadly.

Retour À L’Authenticité In The City: A Photo Essay, Ruth Sacks Dr

Artl@s Bulletin

These photographs were taken as part of a larger research project tracing Mobutu Sese Seko’s construction projects in Kinshasa in the late 1960s and 1970s. The sites were part of a drive initially taking place under Mobutu’s cultural policy of retour à l’authenticité, instigated in 1967 as a means of taking recourse in pre-colonial Congolese traditions. This gave rise to a wide variety of architectural styles, adorned by artworks largely commissioned from a group called the avant-gardists. The selection of photos seen here presents glimpses of some of the sites and their artworks.

Le Paradigme « Art Africain » : De L’Origine À Sa Physionomie Actuelle, Henri Kalama

Artl@s Bulletin

This study relooks at the problematic concept of "African Art". The conceptual evolution of "African Art" coincides with three realities: firstly, that the art discovered in Africa was described as uncivilized; secondly, that this art capitulated with the colonial past of Africa; finally, that this art of an underdeveloped continent. In such a context of emergence, this art has been or is still exploited by ambitious and interested promoters. Hence, there is an imperative need for contemporary artists to overcome all these influences to produce works whose ontological values and universality cannot be challenged.

Les Nouveaux Défis Du Métier D’Artiste En République Démocratique Du Congo, André Yoka Lye

Artl@s Bulletin

The history of art institutions in D.R. Congo is relatively old compared to the rest of Africa. This justifies the know-how of Congolese artists since 1930-40’s, even if the general trend was, for a long time, reliant on amateurism and mimetism of European production. With the integration of art institutes into university education level since 1971, the issues and challenges became precise and appeared to be possible to overcome: professionalization, rooted and applied research, community building and international competitiveness, with the urge of solidarity with countries and experiences from the South.

Mediating Past, Present And Future Of D.R.Congo’S Historical Narratives On Art In A Global South Dialogue, Emi Koide, Ruth Sacks, Matthias De Groof, Patrick Missassi, Henri Kalama, David Andrew

Artl@s Bulletin

This special volume aims to bring to readers some of the main themes, discussions, research topics, dialogues and exchanges that were central to the symposium “Mediating Past, Present and Future: Historical Narratives and 20^th/ 21^st Century Art – Dialogues with Global South Experiences”. This took place at the Académie des Beaux Arts in Kinshasa from the 18^th to the 21^st of January 2016.

The Us’S Economic Promises Are Over: An Interview With Miguel Luciano, Marisa Lerer, Conor Mcgarrigle

Articles

Hurricane Maria struck Puerto Rico in September 2017. The island was left without electricity and clean water for months. However, the natural disaster was not the only cause of this lasting devastation. The financial fall-out from predatory loans, which led to Puerto Rico’s inability to invest funds in its own infrastructure, caused an enduring humanitarian disaster. Artist Miguel Luciano (b. 1972) in this interview discusses his work in relation to the 2017 Puerto Rican debt crisis and the legacy of the over 100-year span of Puerto Rico’s colonial status as a US territory, which gives the US disproportionate control over …