Arts and Humanities Commons^™

Towards A Destructive, Unmonumental, Queer Hagiography: FéLix GonzáLez Torres And The Spiritual- Activist Potential Of Destruction, Daniel Santiago SáEnz Tabares

Conexión Queer: Revista Latinoamericana y Caribeña de Teologías Queer

This article presents an examination of two artworks by the late Cuban- American artist Félix González Torres, focusing primarily on the destructive strategies and theological potential of his work. After describing the activist and counter-monumental dimensions of «Untitled» (Portrait of Ross in L.A.) (1991) and «Untitled» (Lover Boys) (1991), the author examines these two pieces, as well as the artist’s life more generally, through the lens of queer martyrdom and queer theology to postulate a hagiographic take on González Torres’ life and oeuvre. Far from a definitive biographical study, this analysis is the result of interdisciplinary research mixed with …

Bloodlines – Mammalian Motherhood, Biotechnologies And Other Entanglements, Lynn Mowson

Animal Studies Journal

This paper outlines my current sculptural research project bloodlines focusing on the ways in which dairy cows are entangled with multiple biotechnologies and the wider environment. bloodlines brings extant works such as fleshlumps, boobscape and slink, together with new works, to represent the dairy industry, the environmental impacts of animal agriculture and the biotech innovations of in-vitro meat and bio-fabricated leather. These works are linked together by a web of interconnected fluids: excreta, milk and blood. In this new work, I hope to make the links between the dairy industry and these extended concerns both visceral and visible.

Xx Openings, Jackson Siegal

Senior Projects Spring 2018

XX Openings represents my dual sculpture and photography practice. The title comes from a 70’s domestic frame, with 20 openings of varying sizes for family pictures. Half of the slots were filled with stock pictures of smiling family scenes, while the others just had measurements for the openings themselves. The object struck me as alienating, and oppressive. I didn’t see any scene within those openings I felt connected to.

The frame came to symbolize varying perspectives, ways of seeing, and ways of being. As my sculpture practice has weighed more heavily on my work as a photographer, I feel tensions …

Of The Crickets, Kathryn Lien

Theses and Dissertations

Of the Crickets imagines the overlapping worlds of ethical ecological solutions to climate changed sustenance and the potential for collective excellence in female exclusive environments. Using garments, furniture, site-specific installation and directed performance, the project harnesses social and material sensitivity to mine solutions for idealized living.