Arts and Humanities Commons^™

Light Eaters: A Study On The Affect Of Light Depicted Through Different Art Mediums, Samuel Dyck

Student Scholar Symposium Abstracts and Posters

Humankind has spent its entire history defining and creating the things that make up our physical world. Everyday, humanity continues to discover and create, furthering society’s knowledge and understanding of existence. However, there are facets of nature that have never been entirely understood by mankind, because they have a unique affect on each individual. It is known how a tree manifests and grows but no one can explain the feeling of relief that comes in the shade of a long limbed oak on a cloudless day. Nature is unique in its simplicity and mystery. Artists often use aspects of nature …

The A.H. Kotz Unnatural History Exhibit, Marian R. Trainor

Honors College Theses

An exploration in two parts into the development of a narrative through manufactured evidence designed specifically to encourage the suspense of disbelief. The physical work exists within a faux anthropological museum exhibition focused around a human whose history and existence is entirely fabricated. The structural work is the layers of historical and practical research used to develop the suggestion of reality. The exhibit contains samples of the research, artifacts, and specimens collected by the deceased naturalist August Hermann Kotz, along with his falsified history. The second part consists of an overview of the research process and techniques needed to successfully …

Michelangelo’S Rondanini Pietà: Construction, Creation, And Sculptural Meditation, Heidi Pyper, Elliott D. Wise

Journal of Undergraduate Research

I organized this research project to better understand Michelangelo’s final work and sculpture, the Rondanini Pietà, which contains an upright Jesus supported from behind by Mary (Fig. 1). Michelangelo labored on the sculpture up until the last days of his life, and it has even been suggested by John Paoletti that it was meant for the altar of his burial chapel.1The Pietà subject depicts the apocryphal moment following the Crucifixion, when Christ was removed from the cross and placed in Mary’s embrace. Devotionally, the Pietà aids spiritual contemplation and prayer.

Skim, Joy Wong

Electronic Thesis and Dissertation Repository

This thesis dossier provides the theoretical structure to my art production, and is presented alongside my thesis exhibition skim at McIntosh Gallery. This document is comprised of three parts: a comprehensive artist statement outlining the methodology and theory to my work, a case study of painter Cecily Brown, and photographic documentation of my studio practice. These components illustrate the research and material engagement about skin, corporeality, the abject, the grotesque, the formless, and purity.

Art B0051 Studio Critique, Thomas A. Thayer Mr

Open Educational Resources

No abstract provided.

David Smith's Equivalence, Michael Schreyach

Michael Schreyach

Artists of David Smith's generation often sought to produce artworks that challenged the conventions of artistic "expression" and the expectations—technical, formal, psychological, interpretative—that accompanied them. Smith (like his contemporaries Stuart Davis, Willem de Kooning, and Arshile Gorky) was one of a group of artists whose formal innovations were guided both by a desire to align themselves with avant-garde art and by a pressing need to distance themselves from European affiliation. In Barnett Newman's words, these artists wanted to liberate themselves from "the impediments . . . of Western European painting" in order to "create images whose reality is self-evident and …

Shine, Richard Morris

Richard Morris

Sculpture 29 is a group exhibition which has been curated by Robin Gibson from the Robin Gibson Gallery. The primary focus of the exhibition is sculptural works by the gallery artists, and invited artists both Australian and International. Sculpture continues to play an important role in Australian art, as can be seen in the regular inclusion of sculptural artefacts in curated exhibitions at all major national, and international art galleries. The work Shine which I exhibited in Sculpture 29 is an assemblage made largely of painted wooden panels, and Maritime fragments.

Towards A Destructive, Unmonumental, Queer Hagiography: FéLix GonzáLez Torres And The Spiritual- Activist Potential Of Destruction, Daniel Santiago SáEnz Tabares

Conexión Queer: Revista Latinoamericana y Caribeña de Teologías Queer

This article presents an examination of two artworks by the late Cuban- American artist Félix González Torres, focusing primarily on the destructive strategies and theological potential of his work. After describing the activist and counter-monumental dimensions of «Untitled» (Portrait of Ross in L.A.) (1991) and «Untitled» (Lover Boys) (1991), the author examines these two pieces, as well as the artist’s life more generally, through the lens of queer martyrdom and queer theology to postulate a hagiographic take on González Torres’ life and oeuvre. Far from a definitive biographical study, this analysis is the result of interdisciplinary research mixed with …

And Where Is The Body?, Tyler Durbano

Electronic Thesis and Dissertation Repository

In combination with a Master of Fine Arts thesis exhibition, and where is the body?, this dossier offers the following as accompanying components: an extended artist statement, a transcribed interview with artist Francisco-Fernando Granados, documentation of my artwork and my curriculum vitae. The section containing documented artwork provides a selected overview of my creative research and material exploration made during my time at Western University. These components complement my creative research and expand on ideas of queer identity, performance, vulnerability, assemblage and drag that are explored in my thesis exhibition.

Soheila Azadi Interview, Jillian Bridgeman

Asian American Art Oral History Project

Artist Bio: Soheila Azadi is an interdisciplinary visual artist and lecturer based in Chicago and Iran. Born in the capital of Islamic cities, Esfahan, Azadi absorbed story-telling skills through Persian miniature drawings since she was nine. Azadi’s inspirations come from her experiences of being a woman while living under Theocracy. Now residing in the U.S. Azadi is dedicated to transnational feminism with a passionate devotion to the ways in which race, religion, gender, sexuality, and ethnicity intersect. Azadi uses performance art and performative installations as methods to both materialize and narrate stories about women’s everyday struggle in the world. Her …

Castles In The Sky, Iva Milovanović

Masters Theses

I was born and raised in the city of Belgrade. From the 1950’s till the beginning of 1990’s it was the capital city of the Socialist Federal Republic of Yugoslavia. From the 1950’s until the 1980’s Yugoslavia experienced a financial and thus architectural boom. The president Josip Broz Tito financed construction of WWII Memorials to demonstrate the strength of the socialist republic throughout the Balkans. These giant memorials, along with most of the architecture of Belgrade from that time, were built in brutalist style. Brutalism signified power, progress and a forward moving country.

However, when I was born a new …

White Gilt, Daniel Schmidt

Electronic Theses, Projects, and Dissertations

White Gilt

This exhibition is a dissection of American masculinity and institutional oppression. The systematic mistreatment of people within certain social identity groups is supported and perpetuated by society. My work is a personal investigation of this flawed system, my place therein and its ramifications.

The fragility of masculinity provokes immeasurable violence. Whiteness can be stereotyped as a toggle switch between bland culture, and self-entitled bigotry. These works are a confrontation with the dark parts of the human psyche, and the fears surrounding vulnerability, power and sexuality.

Through discomfort we can deepen empathy and cultivate progress.

Daniel Schmidt

Steel Sculpture: A Study Of Monumentality, Abigail Golodik

Honors Theses

This thesis is an exploration of steel sculpture and how each form varies in characteristics and prominence depending on size, shape, and color. I am inspired by graphic design and clean forms, and wanted to realize this aesthetic in my sculptures. The thesis work includes four steel sculptures made of two inch pipe and other maquettes and sketches to show the construction process.

Through sharp angles and clean lines, I play with perspective, making viewers feel the presence and tension of my forms. I begin with sketches, construct maquettes, and use these as a blueprint during the final production. Drawing …

Selfie-Portrait, John Shield, John Shield

Electronic Theses, Projects, and Dissertations

The selfie has become the currency of today; boldly stating: I was here, this is how I felt, and, most importantly, I exist.

This has become our self-reflection. Exploring the self-portrait, as have countless artists of the past, Johnny Shield uses the various selfies as reference for his sculptural works - both empty vessels and sculptural busts. Made from glass these fragile objects are all doomed to break. You, the viewer, are witnessing a truly damned object: the central portrait uneasily rests on a pedestal that is actively electrolytically corroding. While on display, this pedestal will lean more and more …

Dearest, Grace Tessein

LSU Master's Theses

Dearest is the examination of what remains of a person, looking to the objects they cherished most while contemplating the inevitability of their certain absence. The work questions the futility of preservation in the measure of time, the failure of memories held in fragile containers, and the decay of the physical body. The materials that compose Dearest are chosen for their innate longevity and their ability to evoke remembrance.

On Memory And The Radical Black Imagination, Todd Thomas

Theses and Dissertations

On Memory and the Radical Black Imagination is an exploration of the personal, sociological, and historical elements contained within the art of T. Eliott Mansa (Todd Eliott Thomas) Mansa examines the memorialization of black death and the radical black imagination. included are illustrations of specific art works and descriptions.

Layered Histories, Interpretive Desires, Rachelle Dang

Theses and Dissertations

I aim to excavate source material from the past and reinterpret its significance in the present through art. I merge history with the contemporary through acts of appropriation and material exploration, creating conditions for the viewer to grapple with colonial legacies in an affective space of visual experience.

Ruin Runes, Justin Cloud

Theses and Dissertations

My work probes masculine fetishization around vehicles, competition, and survivalism through sculptural intervention of industrial material. I address the implication of market driven lifestyles specifically pertaining to gendered notions of the male ego. Vehicles, sneakers, sculptural arrangements and survival gear all function as manifestations of masculine forms reconstructed and reassessed.

Overlapping Entities: Visualizing The Space Between Nature And Culture, Zoie Brown

Bachelor of Fine Arts Senior Papers

In my work I generate forms that occupy the space between our false conceptions of nature and culture. I subvert binaries–both between nature and culture and between women and men–through the physical conflation of microscopic and macroscopic spaces. Nature itself is a cultural concept; the notion that we are separate from nature at all is a fallacy. The body of work discussed uses ideas from Environmental Sociology and my definition of intersectional Ecofeminism to visualize the intersection of these cultural binaries within physical space. The pieces included utilize light responsive technology as a means of mediating our experiences with the …

Unmaking As Making, Viola Bordon

Bachelor of Fine Arts Senior Papers

Artist Viola Bordon examines the processes of touch, unmaking, and materially dictated aesthetics regarding her studio practice. The philosophical ideas of absence are used to establish a purpose for undoing, which is then explored as a learning process. This process is complicated by the sense of touch, resulting in formal aesthetics that are materially inspired.

Profanation, Tsahi Zac H. Hacmon

Theses and Dissertations

This paper attempts to provoke an Israeli American dialogue that comes through profanity of conventional architecture. I am creating this dialogue by displaying two main subjects in proximity to each other: border architecture from Israel and institutional architecture or non-places in New York.

Adhocracy, Sara Denney

Senior Honors Projects, 2010-2019

Adhocracy Sara Denney The Situationists of the 1960’s were cultural revolutionaries critical of passive consumerism and encouraged the reawakening of everyday life. In the spirit of the Situationists, and operating as an “ad-hocing” machine, this project proposes a machine to repurpose objects of everyday life -- reimagining what things might become and transcending limits of their inherent definitions. Why can’t a stroller be a shower head? Categories by default create opposing forces within a situation. Arthur Rimbaud, a French poet who influenced situationist thought, coined the quote “Il faut changer la vie”, “we must change life”. By freeing things from …

Pop-A-Washington, Sam Posso

Masters Theses, 2010-2019

This paper discuses the idea generation that lead to the MFA exhibition: Pop-A-Washington. The visual aspects and multi-sensory interactive installations mimic the coin operated automatons, video and sound displays, and wearable costume components of an obsolete roadside attraction. While new directions for the myths of George Washington are created based on believable lies, the concept of manmade time and the repetitive action associated with what we understand as mechanized time works against an age where the audience expects to experience all aspects of the exhibition as briefly as possible.

Primal Matter, Lucas Allen Bush

LSU Master's Theses

Abstract

Primal Matter is a physical representation of the intuitive process, through two and three dimensional forms. The pieces convey motion and tension while telling the story of their own creation. Working instinctively has always fascinated me, in the way of allowing our subconscious mind to make decisions in the place of preconceived planning. My work is heavily influenced by Intuition and the transformation of energy. I am constantly searching for the underlying image or object through scraps of wood and pieces of charcoal, and this body of work is the visible evidence. It explores the curiosity of our unknown …

Undesirable Forms, Maria Risner

Electronic Theses and Dissertations

The Master of Fine Arts exhibition, Undesirable Forms, presents a collection of paintings and sculptures that focus on the repulsion and discomfort a woman can experience within her mind and body. These works were exhibited at the Tipton gallery, in downtown Johnson City. The pieces included in this exhibition consist of encaustic paintings on panel, and sculptures created from plaster life-casts.

The ideas discussed in this paper are influenced by Julia Kristeva and Sigmund Freud’s work relating to the abject/grotesque female body. This paper also discusses inspiration from other artists, such as Natalie Frank and Helen Chadwick, who work …

Real Goner, Nicholas Cox

Graduate Theses and Dissertations

The purpose of this thesis paper is to tell the story behind, and outline the theoretical and conceptual framework underlying the exhibition, Real Goner. The exhibition combines a number of elements drawn from music and art history, as well as the theoretical writings of Albert Camus, Guy Debord, and Joseph Kosuth. Together, these elements produce a cryptic exhibition that attempts to address the inherent chaos, and apparent meaninglessness of existence; and to see art as a proposition, a performance, and a practice. The exhibition addresses issues of celebrity, the production and consumption of culture, and where that cycle leaves us …

Things That Don't Work: An Exploration In Sculpture And Installation, Mark Tyler Frasier

Graduate Theses

This thesis statement will explore connections between my work and contemporary artists and its references to art movements including Minimalism, Dada and Surrealism, and Installation art. My thesis work explores the metaphors of current social and political constructs that seem to operate properly, but in reality, do not. My intention is to juxtapose constructed and found fragments of mixed media in such a way as to subvert their traditional associations in order to encourage viewers to question reality. My relationship to the materials and interest in the process are as important to me as the final product. No single piece …

Motion-Contacto, Gabriela A. Hijar

Electronic Theses and Dissertations

Motion-Contacto is an exhibition of fourteen interactive ceramic sculptures and one video. The title references movement with the word Motion and the act of touching with the Spanish word Contacto. Viewers can play with the pieces and create sounds. The colors and organic shapes of the objects invite the public to approach and touch them. The sounds produced by interacting with the work will entice the viewers to explore the possibilities of physical interaction.

Poteus, Jimmy Snowden

Electronic Theses and Dissertations

ABSTRACT

Proteus is an exhibition that consists of seven sculptures, three woodcut prints, and an installation comprised of steel and ceramics. The seven sculptures vary in size and are fabricated from steel, wood, plastic, and foam. The woodcut prints are hand carved and large in scale from a printmaking standpoint. The purpose of Proteus is to explore ideas of balance as it pertains to: life, death, love, resentment, adventure, responsibility, the subconscious, and the physical world. The methods employed while producing this body of work range from traditional to experimental, and the results of the endeavor are mainly obtained through …

In Between, Wansoo Kim

School of Art, Art History, and Design: Theses and Student Creative Work

In my eyes, the world is composed of both revealed things and hidden things. I interpret my surroundings based on this idea, seeking to realize my ignorance and awareness. With this in mind, I create objects in which dichotomous ideas are present, and use their physically revealed and hidden aspects in order to represent the greater human struggle to see and understand what is hidden from us.

The notion of inside and outside is one of my particular subjects. Upon observing an object or a structure, we see only its external reality. I aim to present the unobservable, often presenting …