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171st Commencement Program (2017), College Of The Holy Cross

Commencement Documents

Order of execises for the 171st Commencement of the College of the Holy Cross, held May 26, 2017.

Volume Cxxxiv, Number 25, May 26, 2017, Lawrence University

The Lawrentian

No abstract provided.

The Second Pen, Nicholas D. Brennan

Theses and Dissertations

"The Second Pen" evaluates the historical relevancy of prevalent monikers for William Shakespeare-- namely, "The Bard," "Swan of Avon," and "Upstart Crow." While Brennan finds the general concept of the moniker to encapsulate Shakespeare's current historical legacy, he equally finds the aforementioned monikers to misrepresent this. Brennan offers "The Second Pen" as a moniker for Shakespeare that redresses the distortions of the others. He concentrates his defense of its relevancy around a defense of William Shakespeare as the "second pen" which Ben Jonson's 1605 Sejanus quarto names as a collaborator in the writing of a preceding stage version of the …

For(Years<28), Ricardo A. Contreras Jr

Theses and Dissertations

A life written in code, and code written in prose.

2017-05-26; Pamphlets; Celebration Of Life For Doris Winifred Waters Givens, Lincoln Memorial United Methodist Church

Pamphlets and Commemoration Material

No abstract provided.

Health Budget Tracking At Local Levels: A Training Manual For Uganda’S Youth Leaders And Advocates, Rehema Z. Namukose Ms.

Capstone Collection

Uganda’s decentralization policy was introduced in 1997 under the Local Government Act to transfer power from central government to local government levels. The main purpose was to promote participation of all citizens in decision making processes to enhance responsibility and accountable monitoring of services delivered to citizens at all levels. The policy “aimed to achieve efficiency and effectiveness” in services delivered and managed at lower levels (Kebba & Ntanda, 2005). But how were citizens at local levels going to participate in accountability processes? How would they monitor the quality of services delivered under this policy framework? In what ways were …

Prophet Of Consumerism, Aaron Baart

Faculty Work Comprehensive List

"How can you let the Bible read you today, rather than merely the other way around? Read slower. Way slower. Read for transformation, not for information."

Posting about how consumerism affects the way we read the Bible from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

http://inallthings.org/the-prophet-of-consumerism/

Transnational ‘Interruptions’ In Eritrean Refugee Lives In The Bay Area, Meron Y. Semedar Mr

Master's Theses

For many refugees, the day they flee their home country is the start of the interruption of their life. For refugees, such interruption brings the absence of continuity and loss of vision for the future, that they have to be present in the current situation – not knowing their future. This interruption literally 'interrupts' the life plan of refugees. Many Eritrean refugees vocally state that, "Our body might be here, but our soul is all in Eritrea". Eritrean refugees, having fled an oppressive regime, continue to experience nonstop interruption to their lives in their new country. Due to both the …

Inside Out, Spring 2017

Inside Out

Contents:

Abstract Anatomy: The Strength Within, Jordyn Brooke Tumas, Front Cover

Lower East Side, Caroline Christianson, Inside Cover

Untitled, Alex Rowan, 1

Daytime Figure Study, Chen Zhou, 2

Amyloids, Malika Madhava, 3

Dirty Dishes, Daisy Zhang, 4

Topography, Prachi Priyam, 5

Glass Wall, South Street, Sanket Patkak, 5

Our home is open, Julie Christensen, 6

Hands, Katie Shen, 7

Balance, Anna Melnick, 8

Consequence, Anitha Ahmed, 9

Woman with White Carnation, Katie Sommers, 10

pocketbooks, Anthony K. Vu, 10

Miniatures, Holly Rankin, 11

Savory Poem, Anya Platt, 11

Rememberance, Anya Platt, 12

Paper Doll, Daisy Zhang, 13

Miniatures, Holly Rankin …

Inside Out, Spring 2016

Inside Out

Contents:

Untitled, Amanda Breem, Front Cover

Stockholm Underground, David Chou, Inside Front Cover

Portrait of a Woman, Chen Zhou, Opposite Page

The Happy Prince, Yuhang Zhou, 1

Feeling Limited, Amy Tressan, 2

Winged Scapula, Daisy Zhang, 3

Untitled, Kathryn Tuazon, 4

Cooking with Papa in Ramadan, Anitha Ahmed, 6

Not Sure Where I'm Going, Jessica Gatt, 6

Salt Marsh, Jessica Gatt, 7

Bite your liquor, not your tongue, Daisy Zhang, 8

Dr. Frank N. Furter, Kathryn Tuazon, 9

Calm, Jessica Gatt, 10

River Basin, Jessica Gatt, 11

Thoracic Vertebra, Holly Rankin, 12

Scapula 2, Holly Rankin, 13

The Kacha Bazaar, …

Industrial Education, Community Outreach, And Progressivism In Boston’S North End 1880-1920, Meg Stanley

CrissCross

At the turn of the 20th century, America’s Northeastern cities were expanding, diversifying and industrially progressing at an unprecedented rate. Immigrants from Eastern and Southern Europe were flocking to ethnic neighborhoods in search of familiarity in a new land. Boston’s historic North End became an epicenter of ethnic collisions with a growing population of unskilled immigrants and a declining quality of life. Through the chaos, the North Bennet Street Industrial School (NBSIS) emerged as a leading educational institution. The school provided opportunities for education and community involvement, responding to the needs of the struggling neighborhood.

Writing As A Spatiotemporal Concept: Ekphrasis Of Place And The Spatial Turn, Maggie Kennelly

CrissCross

Ever since Lessing wrote his Laocoön many critics have classified painting as a solely spatial art and writing as a solely temporal one. However, in recent years the idea of the spatial turn, of space not fitting into only one category, has sparked new critiques as to what defines art. In this paper, I prove that, by using ekphrasis of place, writing is a spatiotemporal art, meaning it depicts both space and time. This argument is supported by evidence from literary critics, notably Joseph Frank, and pieces of poetry and prose in which ekphrasis of place is used. Through this …

The Invention Of "Japanese" Literature In Colonial Korea, Or How Shameless Literary Engagement Could Be Under Colonial Conditions, Mihara Yoshiaki

Theoretical Studies in Literature and Art

This is the full-paper version of the 338th Si-Mian Lecture delivered at ECNU on March 17, 2017, which focuses on the "shameless" act of intellectual collaboration committed by Ch'oe Chaes ô (崔載瑞), an eminent scholar of English literature and criticism as well as a prominent "pro-Japanese" intellectual in Colonial Korea, who encouraged Korean writers to contribute to Japanese "kokumin bungaku" [national literature] by writing in the Japanese language. Rather than simply denouncing him as a "shameless" traitor, however, the author of this article tries to salvage the potentially postcolonial problematics he has posed in his theoretical struggle as regards possible …

The Literary Concepts Through Novel Titles Of The Ming And Qing Dynasties, Guofu Cheng

Theoretical Studies in Literature and Art

Titles are special insight into the Ming and Qing novel writing. Through an examination of the texts, prefaces and epilogues, the records of book production, guidelines for book use, book reviews, notes etc. the paper explores the literary concepts reflected by the Ming and Qing novels. Specifically, novel titles can be interpreted in four respects, namely, the novel as a supplement to history, the novel as admonishment, the novel as entertainment, and the novel as true feelings. Through these concepts we may have a better understanding of the significance and the evolution of the literary concepts of the Ming and …

The Origin Of The Title "The Four Dreams Of Linchuan" And The Deep Significance Of The Peony Pavilion, Baocheng Kang, Yanfang Chen

Theoretical Studies in Literature and Art

The title "the Four Dream of Linchuan" is not in accordance with the facts of the four Chuanqi plays written by Tang Xianzu, for "The Purple Hairpin", one of the "four dreams" has little to do with "dream" of any kind. Inspired by "the Four Dreams" written by Che Renyuan and the folk song "4 dreams 8 voids" in The Plum in the Golden Vase, Tang Xianzu himself began to use the title of "the Four Dreams of Linchuan". The title was rarely recognized till the late Ming Dynasty, but it became popular during the reign of Emperor Kangxi of …

The Origination Of "Zhong Zhuo Da" From Calligraphy Critique: The Cultural And Literary Historical Background Of The Turn Of Ci-Poetry Criticism In The Late Qing Dynasty, Ronggang Jiang

Theoretical Studies in Literature and Art

"Zhong Zhuo Da" (Strength, Refined Antiquity, and Grandiosity) is an important theory of ci-poetry in the late Qing Dynasty, since its theoretical origin remains unknown, there are so various interpretations of the theory that there is still no consensus on its origin. Through a comprehensive study of the related cultural changes in the late Qing Dynasty, the paper argues that it is almost certain that the aesthetic paradigm should originate from the theory of tablet calligraphy critique. Given the shared problem with the development of ci-poetry and calligraphy in the late Qing Dynasty, critics introduced tablet calligraphy critique into ci-poetry …

The Naming Of Bronze Bells In The Shang Dynasty;The Concept System Of Yuexuan; Bronze Bells' Definition:Three Issues About The Bronze Bell, Fa Zhang

Theoretical Studies in Literature and Art

The bronze bell in the Shang Dynasty had no name, which was why it has been called Rao (铙) by many scholars and Rong (庸) by others. From the viewpoint of the evolution of bronze bells, Rao was related more to Ling (铃) in the Xia Dynasty, and later Rao became Rong in the Shang Dynasty and finally Bianzhong (编钟) in the Western Zhou Dynasty. Thus seen, Rong was more akin to the nature of bronze bells. The concept system of Yuexuan (乐悬) consisted of three aspects: sunju (簨虡), sidu (肆堵) and gong-xuan-pante (宫-轩-判-特). The three groups of concepts were …

Thinking Is Folding: Deleuze's Problematique Of The Baroque, Kailin Yang

Theoretical Studies in Literature and Art

According to Deleuze, the importance of the Baroque is not the history of art, but what counts is to force us to think about "the possibility of the fold to infinity". The fold, as "point of view", is the distinct expression of the universe, while each fold is inseparable from becoming. The Baroque has no essence. It is just a mannerism pushed to infinity. Through the Monad of Leibniz, Deleuze creates the concept of the fold. Between the Monad and the universe, there is a non-relative who built the "milieu" or "common Limit". Through the conception of the fold, Deleuze …

Pen Names In The "Seventeen Years Period" And The Ecology Of Contemporary Chinese Literary Criticism, Pengcheng Kou

Theoretical Studies in Literature and Art

It is a common phenomenon to use a pen name when a writer publishes his critical works in China's "seventeen years period". There are several causes: 1. the author worries that his work is not mature; 2. the author is not confident of his reputation; 3. the author intends to express particular ideas. Underneath these apparent causes are deeper psychological motivations: 1. to express opposite ideas to someone else’s; 2. to criticize a friend or a teacher; 3. to publish politically alternative works; 4. to reinforce the validity of criticism with another name; 5. to express special aims. Because of …

Tactile Culture Or Auditory Culture: A Different Future Of The Post-Visual Culture, Lianjie Liu

Theoretical Studies in Literature and Art

With the continuous expansion of the hegemonic visual culture, post-visual culture has become an academic topic. Represented by Martin Heidegger and Hans-Georg Gadamer, phenomenology and hermeneutics turn to listening and advocate the auditory culture, but some postmodernists like Marshall Mcluhan and Jacques Derrida turn to touching and advocate tactile culture. The replacement of visual culture with auditory culture is still confined by traditional Western mindset, which is in fact a move from one extreme (despotic culture) to another extreme (submissive culture). Compared with visual culture and auditory culture, tactile culture is more self-reflexive, and less likely to become despotic, which …

The Aesthetic Regime Of Art And The Construction Of Its Politics: On Jacques Rancière's Aesthetic Thoughts, Haiting Zheng

Theoretical Studies in Literature and Art

Jacques Rancière is not satisfied with the two modes of modernism, namely turning art into mere life or into pure art. He endeavors to reveal the hidden tension between this binary opposition, maintaining that art should play freely within this binary tension space and make the tension space a dissensus theatre of the part of no part. The essential of aesthetic revolution of modernism lies in recognizing and receiving the previous excluded parts of literature, such as details drifted away from the integrated story, characters detached from the writer's arrangement, which challenge the given distribution of the sensible with its …

The Construction And Review Of The Wujiang School And Linchuan School: A Study Of The History Research Books Of Traditional Chinese Drama In The Republic Of China, Huaping Cheng

Theoretical Studies in Literature and Art

The naming of Wujiang Group and Linchuan School in the history of drama was established by drama historians of the Republic of China. Because these drama historians had neither defined the concept of School, nor had they reached a consensus and guidelines that should be followed in the division of the School. These drama history research books differed in the classification and number of dramatists. In interpreting the theory of the two factions, there is also a tendency to exaggerate the opposition between the two groups. Since the Republic of China, some drama historians had denied the existence of Linchuan …

Transcending The "Word-Image" Debate: The Writing Experiment Of T. J. Clark's The Sight Of Death, Yi Zhuge

Theoretical Studies in Literature and Art

The "word-image" relationship is an important subject of modern Western aesthetics. It represents the division between the writing of art history and that of art criticism. The bone of contention between the two writing camps is whether the art work can be reducible to words. Art writings vibrate between this dualism, and some try to transcend the "word-image" division in theory. In his The Sight of Death: An Experiment in Art Writing, T. J. Clark, by adopting the diary style without a strong style of language, recorded his daily viewing of Poussin's paintings and his deep contemplations. He stresses the …

The Perfect Trinity Of Poetry, Calligraphy And Painting As A Neo-Classicist Paradigm In Zhao Mengfu: The Three Aspects Of Zhao Meng-Fu's Thought On Literature And Art, Yi Zhang

Theoretical Studies in Literature and Art

In the formation of the neoclassicism integrating the Yuan's and Southern and Northern Dynasties' retro ethos, Zhao Mengfu, known for his literary and artistic talents, played a pivotal role because of his opportunities to travel between South China and Dadu, the then capital, and to mix with his contemporary literati and artists, thus becoming an archetype of an artist featuring the trinity of poetry, calligraphy and painting. His "conception of antiquity", his understanding of the "Tang approach and Jin rhyme" and his high-brow, superbly skilled painting contains his valuation of classicality, naturalness, tradition, and innovativeness, informing the trend of the …

"What Are Poets For" And Ecological Ethics, Kuiying Zhao

Theoretical Studies in Literature and Art

Martin Heidegger's essential question of "what are poets for" is used to explore the relationship between the poet and nature, being, beings as a whole, the thing, and language in the "world's night" of "destitute time". In Heidegger's view, human beings' venture that follows their manufactural willing has led to the vanishing of the thing, the shrink of beings as a whole, destruction of the foundation of all beings, and deprived things and human beings of their homes of being. Then poet's mission is to reflect on the control of technology, to participate in the rescue of the thing, to …

A Critique Of Studies Of The Cultural Identity Of Hong Kong Literature Since The 1990s: The Case Of Inherent Contradiction Between Nativeness And Chineseness, Shiying Xu

Theoretical Studies in Literature and Art

Since the 1990s, Hong Kong and overseas scholars have borrowed the idea of the "third space" to investigate the issue of cultural identity in Hong Kong literature, which has brought about three typical views: "the margin theory", "the crevice theory" and "the theory of imagining Hong Kong moving North", all based on the inherent contradiction between the Hong Kong nativeness and Chineseness. In order to transcend the framework of "Hong Kong and China", Zhu Yaowei shifts his vision to the framework of "East and West, local and global, orientalism/postcoloniality and global capitalism". The above discussion shows that political factors play …

A Probe Into The Theory Of Event Literature: Reflections On The Reconstruction Of Literary Studies "After Theory", Jing Yin

Theoretical Studies in Literature and Art

Terry Eagleton criticized different kinds of post theories which were once in fashion in his After Theory, and proposed that literary theory should return to literature itself and reflect on such grand issues as morality and ethics in a constructive way. Based on the "literary ethics" put forward by Terry Eagleton and the concept of "event" highlighted by his theoretical reflection, this paper tries to combine Gilles Deleuze's and Alain Badiou's concepts of "event" in order to carry forward Eagleton's reflection on theory and develop an effective theory of event literature, which focuses on writers who, as the faithful subjects …

Bai Xianyong's New Aesthetics Of Kunqu Opera, Sheng Ding

Theoretical Studies in Literature and Art

Bai Xianyong proposed the concept of New Aesthetics of Kunqu Opera after the youth version of The Peony Pavilion and the new version of The Story of Jade Hairpin. The goal of the New Aesthetics of Kunqu is to integrate the classical aesthetics of Kunqu and modern theatrical aesthetics, and the integration is characterized by the centrality of classicality aided by modernity. The works which come as a result of the New Aesthetics of Kunqu Opera have received praises scholars and some criticism from senior fans at the same time. This paper expounds on Bai Xianyong's theory and practice, and …

Becoming, Intensity And Transversal Communication: The Cross-Cultural Dialogue Between Deleuze's Thoughts And Taoist Thoughts, Dandan Jiang

Theoretical Studies in Literature and Art

This paper explores the paradoxical thought in the works of the French philosopher Gilles Deleuze (1925-1995), including his writings in collaboration with Félix Guattari, around the question of "becoming". It examines the connotation of certain notions and their internal connection in Deleuze’s works, and, by drawing on the reinterpretations of Deleuzian philosophy by the contemporary Italian philosopher Agamben, discusses becoming and intensity, immanence and Transcendental empiricism, body without organs and transversal, etc. It also explores some possibilities of cross-cultural dialogue between Deleuze's thoughts on becoming and the works of the Taoist thinker Zhuangzi in ancient China.

Empiricism, Sense And Modernity Of Aesthetics: Edmund Burke's The Sublime And Beautiful From The Viewpoint Of Medieval Aesthetics, Chen Chen

Theoretical Studies in Literature and Art

Edmund Burke's The Sublime and Beautiful is familiar to Chinese scholars, the studies of which nevertheless are inadequate, as many studies confine themselves to Burke's exposition of the sublime. But in fact Burke implies a critique of the tradition of the medieval doctrine of beauty, which is particularly evident in the first section of the third part of this book. As central concepts in the Scholastic doctrine of beauty in the Middle Ages, proportion, fitness, and perfection are transmitted to Burke's times. Burke, employing John Locke's empiricism, criticizes traditional qualities of the beautiful on the side of the object, and …