Arts and Humanities Commons^™

"Totality" And "Fracture": The External Context And Internal Opportunity In The Generation Of Literary Experience, Yan Wang

Theoretical Studies in Literature and Art

As a basic theory of literary research, literary experience has been a hot topic in the field of literary theory once again in the recent decade, but nowadays the understanding and use of this concept is ambiguous and random. The Western modern experience theory provides the basis for studying literary experience, which is an aesthetic presentation of human experience in the fictional world interwoven by discourses, and thus the human experience is born in the collision of perception and fiction. The world of experience is the external context for the generation of literary experience, which requires cultural memory to provide …

Art's Border Crossings, Crisis Or Rebirth Of Aesthetics: A Study Of Rancière's Critique Of Lyotard, Haochen Zhang

Theoretical Studies in Literature and Art

Following the Utopian tradition characterized by the interaction between aesthetic autonomy and aesthetic criticism, many Western scholars have critical attitudes towards art's border crossings and therefore are pessimistic about the trend of aesthetics. Rancière, through reflections on Lyotard and the whole postmodern "ethical turn" that he represents, tries to activate the political potential within border crossings of art and thereby reconstructs aesthetics' critical dimensions. However, due to the confusion of the "unpresentable" and the "unrepresentable", Rancière does not sympathetically see Lyotard's sublime aesthetics' direction; his route of aesthetic politics also has some limitations. Both his insights and limitations as manifested …

Disenchantment: Gu Cheng And Hai Zi In The Illusion Of Cultural Memory, Dong Yan

Theoretical Studies in Literature and Art

In the history of Chinese new poetry since a century ago, Gu Cheng and Hai Zi have become a cultural memory symbol indispensable to contemporary culture. Their similarities in people's memory continue to affect later readers' interest, which gives them an enduring position in the age fragmented with information. However, being in the cultural memory illusion, they gradually reveal how new poetry becomes an object of consumerism and entertainment. At the same time, because of the function of the symbol system called "condensed structure" by Jan Assmann, factors within and without their poetry are mixed together and indistinguishable, which affects …

Prosthesis Of Speed, Aesthetics Of Disappearance And Logistics Of Perception: Paul Virilio's Discussions Of Cinema, Xing Zheng

Theoretical Studies in Literature and Art

By integrating scatted discussions of Paul Virilio, this paper will give a comprehensive mapping of his thought on cinema and reveal its inner logic. Virilio's discussions on cinema are based on his "Dromology" theory. He points out that cinema is a kind of Prosthesis of Speed. It mimics an experience of perception which is peculiar to children, and has made it reborn in the adults. In this context, a new aesthetics related to modern art and media has emerged, which is named "Aesthetics of Disappearance" by Virilio. This new aesthetics has reshaped the perception in modern society in all dimensions, …

Reconstructing The Emancipatory Aesthetic Discourse In The Globalization Era: Three Discourse Domains Of The Political Aesthetics Of Contemporary Western Marxism, Yuanzhong Wen

Theoretical Studies in Literature and Art

The aesthetics of the Western Marxism is not a "pure" aesthetics, but a "political aesthetics", or an aesthetic discourse of emancipatory politics, whose objective, to use Althusser's words, is to achieve the transformation from a man of class shaped by ideological state apparatuses to a free subject. Since the 1960s-1970s, contemporary Western Marxists have learned from the Western Marxist tradition of political aesthetics, confronted the political, economic and cultural changes of the Western society in the context of globalization, and explored the way to reconstruct the emancipatory aesthetic discourse. They have reconstructed the perception of reality and history by criticizing …

Re-Packaging A Cultural Revolution Model Opera: Politics And Commerce In Tsui Hark's The Taking Of Tiger Mountain, Li Han

Theoretical Studies in Literature and Art

Tsui Hark's The Taking of Tiger Mountain (Zhiqu weihu shan, 2014) presents an unique text to examine the ramification of the Cultural Revolution in contemporary China and its interplay with the explosive growth of the mainland film industry in the global context. First of all, examined herein is the CCP's discourse on the role of cinema in its cultural enterprise plan in recent years. By situating The Taking of Tiger Mountain in the state's refreshed propaganda campaigns, the paper demonstrates how this work participates in the continuing exploration of new possibilities for the "main melody" elements. Secondly, conducted here is …

Seduction: From The "Aesthetic Stage" To The Postmodern Mirror: Baudrillard's Interpretation Of Kierkegaard's Seduction, Jingjian Shang

Theoretical Studies in Literature and Art

In his Seduction, Baudrillard interprets Kierkegaard's concept of seduction: he regards seduction as a behavior of the "aesthetic stage", including Don Juan's physical seduction and the spiritual seduction of Johannes, represented as the male's desire and seduction to women, and also as a guiding spirit of Socrates' maieutics and Jesus' sermons, while Baudrillard is concerned more about nature of women's seduction. He regards seduction as a game which disintegrates the hierarchy of gender, power and production with its superficiality and meaninglessness, from the post-modern perspective. He considers Johannes' seduction as an artificial strategy, which is the mirror image of the …

Tarrying With The Surface: The Screen Theory Of Slavoj Žižek, Guangji Wei

Theoretical Studies in Literature and Art

Centered around Lacan's concept "screen-image", this paper, proceeding from Žižek's interpretation of Lacanian psychoanalysis, especially from Žižek's critical theory of ideology, tries to elaborate, on the level of the image, how "the real/the Real" is visually constructed, and to demonstrate that the invisible is not the mystery beneath the appearance, but the manner with which the real "tarries with the surface".

The Bi Xing Poetics In The Late Ming And Early Qing Dynasties: The Cases Of Zhu Heling, Feng Ban, He Shang, And Wu Qiao, Zhuoying Huang

Theoretical Studies in Literature and Art

In the late Ming and early Qing's poetry circle, a new poetics system, Bi Xing poetics, came into being with representatives of Zhu Heling, Feng Ban, He Shang, and Wu Qiao, who were discontented with the popular poetics of the time, for example, Seven-Scholar School's ancient poetics and the Jing-Ling School's natural disposition and soul theory. The Bi Xing poetics had four characteristics: multiplicity of structure, introverted aesthetic affection, the orthodox style, and strained interpretation of history. It became very popular after the advocates' detailed explanation and arguments. Significantly, this new poetics directly led to some remarkable phenomena, such as …

The Illusion Of Emergency And The Future Of Cultural Studies: Thirty Years Of Cultural Studies And Cultural Criticism In Mainland China, Zhiqiang Zhou

Theoretical Studies in Literature and Art

Since 30 years ago, cultural studies in mainland China has established its own history, theoretical characteristics and framework of inquiries thanks to the introduction of Western theory, discussions of Chinese issues, and the engagement of active dialogue with international cultural studies. Chinese cultural studies started with a critical consciousness, then activated the drives of anti-authoritarianism, and generated an illusion of emergency. Today, it has outgrown the paradigm of the 1950s, and must establish new theories and thoughts on the basis of a new sense of criticism.

The Tendency Of Restoring Ancient Ideas In Tang Xianzu's Literary Theory Of Love: A Case Study Of The Peony Pavilion, Zhimei Sheng

Theoretical Studies in Literature and Art

For a long time, in the study of Tang Xianzu, most scholars believe that "countering Confucian ethical codes with emotion" is core to his idea of love, and Du Liniang is his spokesperson. In The Peony Pavilion, before her death, Du Liniang's image is an awakening young person, which is from the original material that Tang Xianzu adapts. From her death to resurrection, she gradually steps towards tradition and returns to the ethical codes. Du Liniang's journey from a human being to a ghost and from a ghost to a human being starts from love and ends in ethical codes, …

Affirmative Action And Identification: A Rethinking Of The "Seventeen Years" Minority Film, Chun Liu

Theoretical Studies in Literature and Art

The tension between ethnic group and the nation state, as well as the nation state and the international order, is the core conflict of globalization. From the aspect of visual identification, the article reviews the "Seventeen years" minority film (1949-1966) when China was not involved in globalization in a modern sense. Through a comparison with the U. S. affirmative action which has been commonly adopted by ethnic studies, this article creates a new explanation frame, arguing that such policies in the 1950 s as nationality identification, ethnic equality and ethnic autonomy were a part of the Socialist affirmative action. Based …

Zhu Guangqian's Translation Of Hegel's Aesthetics And The Construction Of Modern Chinese Literary Theory, Yongyin Li

Theoretical Studies in Literature and Art

As a classic work, Zhu Guangqian's translation of Hegel's Aesthetics has influenced Chinese literary theory profoundly. Many significant theoretical topics in Chinese literary theory are rooted in either imagination or a critical reconstruction of Zhu's translation. However, to some degree, Zhu's translation misses some thought of Hagel's aesthetics. Therefore, a comparative reading of Zhu's translation and Hagel's German texts is conducive to a better understanding of Hagel's aesthetics and, as a result, to the construction of literary theory in China.

Comedy Tonight!, September 25, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Editor's Introduction, Michael D.; Pante

Philippine Studies: Historical and Ethnographic Viewpoints

No abstract provided.

Nicola Lopez: Notes For Docents, Roger A. Lohmann

Faculty & Staff Scholarship

This article consists of notes prepared for docents at the West Virginia University Art Gallery in September, 2017. They discuss and analyze a collection of five prints by the artist Nicola Lopez in a series called Elements. The individual works are Earth, Air, Fire, Water and an unnamed fifth "satellite" work.

A Return To Gramsci: The Theoretical Origin Of Cultural Politics And The Gramsci Shift Of In Cultural Studies, Yanfeng Li

Theoretical Studies in Literature and Art

Since the 20th century, the Western Marxism underwent an important discourse transformation from the emphasis on economic foundation and the material structure to the superstructure and cultural ideology, from class politics to cultural politics, and ultimately established the discourse paradigm of cultural politics. The theory and practice of cultural politics come from Gramsci, whose dialectical thinking on the economic basis and superstructure, as well as interpretation of culture, politics, ideology and hegemony, directly affected cultural politics of western Marxism and promoted the Gramsci shift of cultural studies in the post-Gramsci era. Based on the analysis of Gramsci's cultural and political …

The Evolution Of The "Poetry As An Expression Of Aspirations" Theory And Its Multi-Layered Significance, Zhixi Qian

Theoretical Studies in Literature and Art

The statement that poetry is the expression of aspirations is the first ontological definition of poetry in China, and therefore its significance should be understood in its ontological perspective. The paper explores the historical context for the generation of the statement in three respects, namely, the maturing of the artistic trinity of poetry, music and dance, the establishment of the ancient politics-education system, and the establishment of the system of ethics. As a classical theory, this statement is inherited by the gentry scholars' poem writing during the Spring and Autumn period, and promoted by the hundred schools of scholars. "Aspiration" …

The Play-Text Forms Of Early Zaju And Narrative Sanqu In The Jin And Yuan Dynasties, Dajun Xu

Theoretical Studies in Literature and Art

The setting of the recitative protagonist is the core of Sanqu's narrative in the Jin and Yuan Dynasties, who is a firstperson narrator undertaking responsibility for chanting the progression of story with his vision and position. Similarly, the leading singer (Zhengmo or Zhengdan) of Zaju is also a first-person protagonist who undertakes responsibility for chanting the whole librettos of a play-text, so he should be a recitative protagonist of librettos of Zaju. With a comparison of the librettos of Zaju's text attribute and the play-text forms with those of narrative Sanqu, we find that the play-texts of early Zaju have …

The Semiotical Expansion Of Critical Theory: The Semiotical Methods In Baudrilard's Academic Research, Jian'gang Yang

Theoretical Studies in Literature and Art

Jean Baudrilard made great contributions to the dialogue between Marxism and Semiotics. Although he changed from a Marxist to a Post-Marxist, semiotics has always been his methodology throughout his academic career. This intrinsic tension between breakage and connection is primarily caused by the usage of semiotics. By introducing semiotics into Marxism, he began to analyze and criticize the object system, fashion, auction of work of arts and the consumer ideology of consumer society, and formulated his unique critical theory of the political economy of the sign. As a result, he enriched and developed the critical theory of classical Marxism and …

The Socializing Function Of Chinese Characters And The Worship Of Character Power Among Intellectuals In Jiangnan In The Qing Dynasty, Shijin Luo

Theoretical Studies in Literature and Art

During the Qing Dynasty, intellectuals in Jiangnan communicated with each other through literature, which could be analyzed in three aspects: talking about literature while drinking, taking writing as a profession, and achieving great success in writing. These three aspects embody the overall condition that the intellectuals take writing as a channel, a profession and a tool, reflecting their cognition of the social effects and cultural functions of "character-literature" in different levels. Socializing through writing is not a phenomenon in Jiangnan alone during the Qing Dynasty, but a shared practice among all intellectuals in ancient China to some extent. However, the …

The Translation And Writing Of Modern Chinese Poetry: A Case Study Of Xu Zhimo, Liming Chen

Theoretical Studies in Literature and Art

Since the publication of Wellek's "The Crisis of Comparative Literature" (1959), the study of literary influence has been legion, either focusing on (un) intentional misreading or misunderstanding. The perspective of influence is vital to clarifying the mechanism of Chinese new poetry's production. This article aims to illustrate, through a detailed survey of the intrinsic relation between Xu Zhimo's translation and poetic writing, how he creatively transformed modern western poetry, which not only brought vernacular Chinese poetry prosperity, but interrupted the predominant unpoetic trends by giving new poetry aesthetic temperament, though not yet so satisfactorily. The "anxiety of influence" became motivation …

Faculty Recital, Mark Urness, Double Bass, September 24, 2017, Lawrence University

Conservatory of Music Concert Programs

Harper Hall

St. Francis Of Assisi Catholic Church And Center For The Deaf Sunday Bulletin, September 24, 2017

Saint Francis of Assisi Catholic Church and Center for the Deaf Sunday Bulletin

A newsletter published for Deaf Catholics in Landover Hills, MD

St. Francis of Assisi Catholic Church and Center for the Deaf Sunday Bulletin Finding Aid

St. Mark’S Catholic Community Of The Deaf, September 24, 2017

Saint Mark's Catholic Community of the Deaf

A newsletter published for Deaf Catholics in Edmonton, Canada

Saint Mark's Catholic Community of the Deaf Finding Aid

In Place: September 24, 2017, Place

PLACE Historical Documents

In PLACE is a newsletter designed to keep the Linfield College community apprised of information related to PLACE activities, as well as ways to bring the program into classes. Included in this issue:

• PLACE: What's In It for Faculty?
• PLACE: What's In It for Students?
• PLACE in the News
• Last Week in PLACE

More, Jill Schouten

Staff Work

"Discontentment is often blatantly displayed in the actions of young children; in fact, it is something we seem to never grow out of."

Posting about ­­­­­­­­trusting in God's providence from In All Things - an online journal for critical reflection on faith, culture, art, and every ordinary-yet-graced square inch of God’s creation.

https://inallthings.org/more/

Cave Run Lake Collection, United States Army Corps Of Engineers, Louisville District.

Morehead State University Manuscripts Collections

No abstract provided.

Senior Recital: Lauren Bobarsky, Percussion; September 24, 2017, Lauren Bobarsky

School of Music Programs

Kemp Recital Hall
September 24, 2017
Sunday Morning
11:30 a.m.

Tidal Rhythms, September 24, 2017, Glenn Block

School of Music Programs

Center for the Performing Arts Concert Hall
September 24, 2017
Sunday Evening
7:00 p.m.