Arts and Humanities Commons^™

Hamlet's Last Act: Artist's Statement, Sam J. Gold

Mime Journal

Gold contextualizes his performance piece Hamlet’s Last Act (video will be available on the Action, Scene, and Voice website going live in Summer 2017). He reflects on his own journey and process in creating the show, and also offers some fascinating information about Craig’s relationship to Asian puppetry traditions. Gold’s innovative show turns Craig’s wood engravings for the Cranach Press Hamlet into Balinese wayang kulit shadow puppets; Gold later discovered that Craig actually knew of this genre and referenced it in certain works. Gold explains how in Hamlet’s Last Act, Craig’s published engravings literally become performers, breaking down the …

Edward Gordon Craig, Étienne Decroux, And The Rediscovery Of Mime, Harvey Grossman

Mime Journal

In this edited transcription of his remarks at the 2013 Pomona College (California) conference “Action, Scene and Voice,” Harvey Grossman elucidates the theory and practice of his two most important teachers: Edward Gordon Craig and Étienne Decroux. Grossman elucidates Craig’s much-debated comments on the “Art of the Theatre,” as well as Craig’s influence upon the French corporeal mime Étienne Decroux. He relates in detail Craig’s positive response to seeing Decroux and his students (among them Jean-Louis Barrault and Éliane Guyon) perform in 1945.

The Shadow Puppets Of Elsinore: Edward Gordon Craig And The Cranach Press Hamlet, James P. Taylor

Mime Journal

Taylor considers the role that book arts may play in Craig’s theories of the new theatre, or the Art of the Future. He expands our understanding of Craig’s design work to include print culture, examining his engravings for the monumental editions of Hamlet published by Count Harry Kessler’s Cranach Press in 1929–30. Taylor explores the relationship of Craig’s designs for the 1912 Moscow Art Theatre production of Hamlet to his engravings for the German and English-language Cranach Press editions of the play. He suggests that it was only with this print publication that Craig finally achieved the absolute artistic control …

Our Puppets, Our Selves: Puppetry's Changing Paradigms, Claudia Orenstein

Mime Journal

Taking up the topic of puppetry, Orenstein forges connections between Craig’s vision of the übermarionette and the rise of “New Puppetry” today. She examines the use of puppets to explore similarities and differences between the technological anxieties of modernists versus contemporary artists. In addition, she calls for a more careful and contextualized attention to Craig’s puppet theory, with a close reading of the übermarionette passage in "On the Art of the Theatre." Orenstein returns to some of the most well-known and much-studied passages and theories from Craig’s early work, but considers them from the fresh vantage point of contemporary puppetry …

Contents - Edward Gordon Craig Special Issue 2017, Jennifer A. Buckley, Anne Holt

Mime Journal

Cover, front matter, and contents for Mime Journal Special Issue, "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig." Guest editors: Jennifer Buckley and Annie Holt.

Appendix: Program, Edward Gordon Craig Conference 2013, Pomona College, Mime Journal

Mime Journal

Conference program for "Action, Scene, and Voice: 21st-Century Dialogues with Edward Gordon Craig," at Pomona College, Claremont, California, March 2013.

Editors' Note - Action, Scene, And Voice: 21st-Century Dialogues With Edward Gordon Craig, Jennifer A. Buckley, Anne Holt

Mime Journal

A roadmap to this Special Issue of Mime Journal. This issue emphasizes the tissue of influences that shaped Craig’s own work and continue to impact contemporary theater and performance. By focusing on the historical contexts in which his ideas were developed and those in which they have been received, the essays counter the widely held perception of Craig as the solitary genius of the “Art of the Theatre.” His claims of originality and singularity have too often obscured the connections between his work and that of other artists—especially the dancer Isadora Duncan, upon whom two of the pieces included here …

The Revolutionary: On Isadora Duncan And Edward Gordon Craig, Jennifer A. Buckley, Lori Belilove

Mime Journal

Jennifer Buckley interviews dancer, choreographer, and teacher Lori Belilove on Isadora Duncan’s practice and legacy. Belilove argues for Duncan’s modernism, and emphasizes her impact upon Edward Gordon Craig’s developing aesthetic and his career. This edited transcription of their conversation takes its point of departure from Craig’s portfolio of six drawings of Duncan in action, Isadora Duncan: Sechs Bewegungsstudien, Insel Verlag, 1906. Belilove sees both Craig and Duncan as poised between late Victorianism and modernism, and she contends they shared a modernist impulse toward abstraction. Belilove also comments on her own practice as a performer and as a teacher passing …

2016-2017 Master Of Music Recital - Yodan Tenev (Violin), Yordan Tenev, Sheng Yuan Kuan

Master of Music Recitals

No abstract provided.

The Dancer And The Übermarionette: Isadora Duncan And Edward Gordon Craig, Olga Taxidou

Mime Journal

Olga Taxidou analyzes the ambiguous concept for which Edward Gordon Craig is best known—the “übermarionette”—alongside Isadora Duncan’s discussions of the liberated dancer. Highlighting the emphasis on futurity in Craig’s and Duncan’s manifestos and theories, she contends that this pairing works to undo the binaries between Hellenism and modernism, and between mechanistic and vitalistic aesthetics. Emphasizing the impact of Nietzsche’s The Birth of Tragedy (1872) and Charles Darwin’s evolutionary theories upon Duncan’s theory and practice, Taxidou locates Duncan within an intellectual vanguard that includes Jane Harrison and her fellow Cambridge Ritualists as well as major modernist poets.

Nine Ways Of Opening Macbeth, Patrick Le Boeuf

Mime Journal

A previously unpublished essay by Edward Gordon Craig in which Craig considers various directorial and casting choices for Shakespeare's Macbeth. Edited, with notes, by Patrick Le Boeuf.

Ua12/2/1 College Heights Herald, Vol. 92, No. 37, Wku Student Affairs

WKU Administration Documents

WKU campus newspaper reporting campus, athletic and Bowling Green, Kentucky news. This issue contains articles:

• Dick, Jacob. WKU Sues College Heights Herald Over Access to Records – Title IX
• Kast, Monica. WKU Tied Among Grant Winners – Fulbright Awards
• Miller, Callie. City Makes Plans to Improve Biker & Pedestrian Facilities
• Williams, Tyger. Welcome Notes Greet Incoming Refugees
• Chavis, Danielle. Local Restaurants Provide Sanctuary for Workers – Immigrants
• Alvey, Rebekah. Faculty Aims to Prevent Flu Epidemic Through Education
• Vogler, Emily. Editorial Cartoon re: Obstruction
• Faltering Fairness: City Officials Fail to Meet the Low Bar of Open Discussion
• Harsh, Spencer. In Midst …

Turpin, James, B. 1828? - Relating To (Sc 3092), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scan (Click on "Additional Files" below) for Manuscripts Small Collection 3092. Record of proceedings in Commonwealth of Kentucky v. James Turpin, wherein the defendant was adjudged a lunatic and ordered taken to the asylum in Hopkinsville, Kentucky. The record of the Garrard County, Kentucky court provides names of jurors as well as the circumstances contributing to Turpin’s condition, most notably his killing of a neighbor.

Edward Gordon Craig's Übermarionette And Étienne Decroux's "Actor Made Of Wood", Thomas Leabhart, Sally Leabhart

Mime Journal

Thomas Leabhart testifies to Edward Gordon Craig’s continuing influence on postmodern mime and movement. Leabhart discusses the influences that shaped Craig’s theory of acting. He then considers what the living actor and Craig’s “übermarionette” have to say to each other, putting pressure on the binary between human and non-human performers, especially in physical theater. Himself a student from 1968-72 of Étienne Decroux, the French corporeal mime and teacher whom the elderly Craig recognized as an “artist of the theatre,” Leabhart relates how he carries on Decroux’s pedagogy and legacy as a performer and teacher of corporeal mime.

Speaking Looks: A Conversation About Costume With Edward Gordon Craig, Léon Bakst, And Pablo Picasso, Annie Holt

Mime Journal

Holt focuses on Craig’s influential stage designs in relation to the performing body. Through costume design, Holt rethinks Craig’s relationship with the designs of the Ballets Russes, placing him in context with the experimentations of his contemporaries Leon Bakst and Pablo Picasso. Holt frames these designers’ historic opposition as a difference of opinion around the way that costumes can carry meaning. She argues that while all three designers used similar visual language and agreed that costumes should communicate with audiences, each artist used a different model for this communication – speech (Craig), music (Bakst) and writing (Picasso).

A Suspicion About Determinism, John Thorp

Philosophy Presentations

This presentation reflects on the fact that the idea of determinism, or fatalism, keeps recurring, in very different contexts, at different times: logical fatalism, theological fatalism, physical determinism, etc. Standing back and looking at this big picture, it voices the suspicion that all these different determinist theses are manifestations of a single, deeper, conceptual trouble.

The Environmental Humanities In A Post-Truth World, Amanda M. Di Battista, Paul Huebener

The Goose

Editorial introduction to The Goose Volume 15, Issue 2 (2017).

Lyle, Beth (Fa 1004), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1004. Paper written by Beth Lyle titled “Class Night: A Lasting Tradition at Allen County-Scottsville High School.” Class night was an annual event held in May in which members of the senior class were formally presented to the community, similar to a debutante or coming out ball.

Remembering The Great War: Writing And Publishing The Experiences Of Wwi, Ian A. Isherwood

Gettysburg College Faculty Books

The horrors and tragedies of the First World War produced some of the finest literature of the century: including Memoirs of an Infantry Officer; Goodbye to All That; the poetry of Wilfred Owen and Edward Thomas; and the novels of Ford Madox Ford. Collectively detailing every campaign and action, together with the emotions and motives of the men on the ground, these 'war books' are the most important set of sources on the Great War that we have. Through looking at the war poems, memoirs and accounts published after the First World War, Ian Andrew Isherwood addresses the key issues …

Making Common Causes: Crises, Conflict, Creation, Conversations: Offerings From The Biennial Alecc Conference Queen’S University, Kingston 2016, Jenny Kerber, Astrida Neimanis, Pamela Banting, Tania Aguila-Way, Ron Benner, Mick Smith, Adeline Johns-Putra, Peter C. Van Wyck

The Goose

At ALECC’s biennial gathering at Queen’s University in June 2016, participants came together to explore the possibilities of “making common causes” from a host of angles, yet all were anchored in an acknowledgement of the diverse more-than-human relationships that make up our common worlds. The following collection of short essays, authored by some of the gathering’s keynote speakers, explores specific aspects of making common causes. In this special section of The Goose, we deliberately invoke the plural of conversation. We understand the effort to make common causes as a process, rather than a “one and done” act. It is multifaceted …

Sitting In The Bush, Or Deliberate Idleness, Sylvia Bowerbank

The Goose

In this essay, Sylvia Bowerbank describes wandering with her two dogs on her land on the edge of Beverly Swamp in Southern Ontario in an effort to cultivate Green habits and attitudes in her daily life.

Autumn’S Fragrant Afterthought, Suzanne Stewart

The Goose

This creative nonfiction essay is an excerpt from a book length study that I have recently completed on the seasons. My manuscript was inspired by the Medieval Book of Hours, particularly its Labours of the Months calendar. This essay is a portrait of November. My setting is northeastern Nova Scotia, where the Medieval model of agrarian labour is still remarkably preserved. The essay is also a reflection on time: the rhythmic, seasonal flow that counters the accelerated pace of modern, urbanized life.

Rocco Muffi, Rocco Muffi

Duquesne Veterans’ Oral History Project

Rocco Muffi [b. 1945] is a veteran of the Vietnam War, serving in the US Army from 1969 to 1971. He attended Duquesne University prior to his service 1964 to 1968.

Northern Iowa Flute Choir & Flute Studio Present: Shining Northern Lights, February 28, 2017 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Hester, Elizabeth Allen "Beth," B. 1956 (Fa 1003), Manuscripts & Folklife Archives

Folklife Archives Finding Aids

Finding aid only for Folklife Archives Project 1003. Paper written by ElizaBeth Hester titled, “It Was Just a Good Wholesome Social Time: The Revival of Square Dance in Meador, Kentucky During the 1930s.” This paper was written as part of an assignment for a folk studies class at Western Kentucky University.

Choral Collage: Hendricks Chapel Choir, Peppie Calvar, Conductor; Concert Choir, Peppie Calvar, Conductor; Windjammer, Jeffrey Welcher, Director; Women's Choir, Elisa Dekaney, Conductor; University Singers, John Warren, Conductor; Oratorio Society, John Warren, Conductor; Dr. Jerry Blackstone, Guest Conductor, Hendricks Chapel Choir, Setnor School Of Music, Concert Choir, Setnor School Of Music, Jose Calvar, Windjammer, Setnor School Of Music, Jeffrey Welcher, Women's Choir, Setnor School Of Music, Elisa Dekaney, University Singers, Setnor School Of Music, Oratorio Society, Setnor School Of Music, John Warren, Jerry Blackstone

Setnor School of Music - Performance Programs

No abstract provided.

"There Was Nothing There For Us”: Environment And The People At Bosque Redondo, Kaveh K. Mowahed

History ETDs

The Bosque Redondo Indian reservation held nearly 10,000 Native prisoners through much of the 1860s. Navajo captives outnumbered the Mescalero Apaches who were imprisoned there by about ten to one, until the Mescaleros escaped in November, 1865. Americans interned the Navajo at Bosque Redondo for another three years before negotiating a treaty that allowed for their release and return to their homeland, Dinétah.

The physical environment’s role was seemingly all encompassing for Natives confined on the Bosque Redondo reservation. However, the environments in their homelands were different; they were distinct landscapes that illustrated the intimate connections people have with place. …

The East China Sea In Dod China Military Power Reports, Bert Chapman

Libraries Faculty and Staff Scholarship and Research

The National Defense Authorization Act of 2000 saw Congress require the Department of Defense (DOD) to prepare an annual report on Chinese military power. This report contains classified and unclassified editions. Documenting Chinese military developments, strategy, and trends are critical parts of these reports. Beijing’s military activities in the East China Sea (ECS) are important report components. This work explains the importance of these and other DOD reports for those studying ECS developments, examines how DOD has documented Beijing’s military activities within these publicly accessible reports, and describes how members of Congress have reacted to ECS developments during the Obama …

Frank Harper

African American Funeral Programs

No abstract provided.

Thoughts On An Aesthetics Of Mud, Tom Baugh

Contemporary Aesthetics (Journal Archive)

No abstract provided.