Arts and Humanities Commons^™

Broadening Your Education, Dean E. Wildman

Manuscripts

American minds have been coddled in school and college for at least a generation. There are two kinds of mental coddling. The first belongs to the public schools and is one of the defects of our educational system that we abuse privately and largely keep out of print. It is democratic coddling. I mean, of course, the failure to hold up standards, the willingness to let youth wobble upward, knowing little, and that inaccurately, passing nothing well, graduating with an education that hits and misses like an old typewriter with a torn ribbon. America is full of "sloppy" thinking, of …

The Old Market Woman, Jean Bowden

Manuscripts

A conservative air envelopes the old market woman. Her small oval face, deeply lined with wrinkles, is strikingly set off by the brilliant sparkle of her dark eyes. Her slightly rounded nose protrudes just enough to lend a small particle of curiousity to her determined facial expression. Her sunken cheeks add some noticeable shadows to her rough skin. Three deep wrinkles encircle her neck as an adornment of age. A thin horizontal crevice forms her firm mouth, which only supports her reserved personality. She is sitting quietly; perhaps, she is waiting for a passer-by to purchase the last of her …

Question On A Bus, Jack T. Kilgore

Manuscripts

"May I - ," George cleared his throat. "I wonder if I could take Jean to the show with me tonight." His words were engulfed by the silence that spread over the table. "(Why doesn't somebody say something'? They can't say no, they just can't. What are they waiting for?) I wouldn't be in late and there is no school tomorrow."

The mother looked up and smiled, and looked to the father for the first word. He said, "Jean who?"

"Jean Newcomb. She is in my English class. (And she smiles when she looks at me, and when she smiles …

The Awakening, Harriet Bishop

Manuscripts

And there I stood, a useless, living form
With roughened hands in worn out pockets pushed
And felt some force, not mine, had changed my will,
I turned my face up toward a darkened night.
There at my feet was spread an ancient world,
While high above there whirled a universe;
And far within the depths of treasured years
Strange, kindly voices dimmed the call of space.
For far below was all that used to be
While out in space stood life's futurity.

Felice, Marijane Badger

Manuscripts

I had been working hard all summer. When my vacation finally came, I decided to get "away from it all" and rented a cabin on a small lake. I arrived at the resort in the late afternoon of a warm September day. The lake was choppy and angry, little waves slapped at the shore.

"You should have come up sooner, Miss Morgan, we had a lovely summer. All of the vacationers are gone now, although we have a man in the cabin next to yours. I didn't think you would want to be left absolutely alone. He won't bother you, …

Thinking Makes It So, Jean Pastor

Manuscripts

"There is nothing either good or bad, but thinking makes it so."
The purpose of this paper is to analyze and evaluate the above statement, but before proceeding with the analysis, a backward glance at its history will prove interesting.
Although popular opinion generally attributes the origin of "There is nothing either good or bad, but thinking makes it so" to William Shakespeare, this idea must come under the heading of a "popular fallacy." In this instance, as in numerous others, Shakespeare has merely articulated one of the commonplaces of the time. In other words, the Elizabethans might have been …

The Blind Man, Helen E. Hughes

Manuscripts

I know you as you walk among my rooms,
Your head turned thus, your shoulders moving so,
Your hands made busy with the sound of brooms,
The many little tasks that women know.
Dear brilliant lady, as you come and go,
Is light lent to my days. In you I find
A roof against the rain-let winter blow!
Look on me, love, with kindness; for my mind,
My heart, my searching hands that clasp you-are
not blind.

Tradition, Mary M. Schortemeter

Manuscripts

Katherine Schneider Sat in the large, ugly, black leather chair that stood by the parlor window. She touched the worn chair arms with hesitant, reverential fingers. This had been Papa's chair, and now he was gone. All she had left was the square oil portrait so faded from the suns of many years that she could scarcely define the stern lines of his German face.

She lifted her eyes to Papa's picture and saw how stubborn was his chin, how coldly keen were his eyes. He always looked just that same way, she knew. He never changed anything. He never …

Greek And Latin In College Curricula, John E. Ross

Manuscripts

One of the changes in college curricula has been the lessening emphasis upon the study of the classics in literature and language. R. Freeman Butts discusses the historical setting of this change in his recent book The College Charts Its Course. Mr. Butts places an emphasis upon two aspects of this condition in education: "the origins of the traditions that a liberal education should be predominantly linguistic and literary in character," and "the rapidly changing social and intellectual conditions of the nineteenth century weakened this conception of a liberal education in the American college and gave rise to many innovations …

They, Inc., Jeanne Gass

Manuscripts

"Well, look who's here. Our new tenderfoot himself." Abby eased gently into the big wine-colored chair.
The man across the room scowled and fiddled with his hands and looked at the floor.
Emmie sighed ever so slightly. "I told them we could handle this assignment ourselves."
The man muttered. "Well. This was an important case."
Abby sniffed delicately. Emmie put her hand up' to her mouth and whispered, "It's all right, Abby. They probably had to give him something to keep him busy. He won't hurt anything."
"Mustn't have professional jealousy, you know," the man added defensively.

After Diana, Mary Wiley

Manuscripts

The clink of coffee-cups is pleasant here.
See, I have drawn the curtains fast, and shut
The moon's distracting light from our bright hearth.
Your grave brown warmth is heightened so
And I do not remember with such pain how sweet
The star's carress falls on the traveller's face,
When first he lifts it up to worship them.

The Concert, Joseph Berry

Manuscripts

The small, quiet man sat before a great sparkling mirror and swore quietly as he rubbed prodigious quantities of rouge onto his sallow complexion. He surveyed his rosy cheeks in the glass, stood erect and made a mocking bow, very deeply, very slowly.

"And you also, you ass? I'm extremely delighted to hear you say so. Really, you're too kind. Really. Why, it couldn't have been that fine, you're just flattering me. You fool, you wouldn't know a bow from a mute. All you ever look at is my shoes. 'Performance in proportion to square of brilliance.' Is my tie …

Volume 9, Issue 1: Full Issue

Manuscripts

Full issue of the March 2014 issue of Manuscripts. Includes work by: Joseph Berry, Mary Wiley, Jeanne Gass, John Ross, Mary Margrette Schortemeier, Helen Hughes, Jean Pastor, Marijane Badger, Hariet Bishop, Jack Kilgore, Jean Bowden, Dean Wildman, Elizabeth Clark, Rachel Whelan, Robert L. Harris, Ed McNamara, Frances Shemelson, Josephine Rosenfeld, Geraldine Staley, Tom Wagle, Keith White, Betty Lee Snyder, James Hawekotte, Riley Sullivan, Ardath Weigler, John Rock, and Jim Mitchell.

Front Matter

Manuscripts

Front Matter includes: front cover, table of contents, and masthead

Cseas Weekly Bulletin (April 14, 2014), Center For Southeast Asian Studies

CSEAS Bulletin

No abstract provided.

The Chanticleer, 2014-04-14, Coastal Carolina University

The Chanticleer Student Newspaper

The editorially independent student produced weekly newspaper of Coastal Carolina University.

F. Ludwig Diehn Concert Series: Nicki Parrott With John Toomey And Russ Helm, Nicki Parrott, John Toomey, Russ Helm

Guest Performances

No abstract provided.

Rice, Alice Caldwell (Hegan), 1870-1942 (Sc 2817), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and full-text of letter (Click on "Additional Files") for Manuscripts Small Collection 2817. Letter, 28 October 1905, of author Alice (Hegan) Rice, Louisville, Kentucky, to Helen Keller. She praises Keller’s recent autobiography and reports on its popularity with the girls at a Japanese boarding school Rice visited the past summer. Rice encloses a composition of one of the students (not included in this collection) in which she writes that “the eyes of [Keller’s] heart are open.”

Grand Valley Forum, Volume 038, Number 29, April 14, 2014, Grand Valley State University

2013-2014, Volume 38

Grand Valley Forum is Grand Valley State's faculty and staff newsletter, published from 1976 to the present.

Marshall University Music Department Presents Guido Sanchez Portuguez, Guitar, Guido Sanchez Portuguez

All Performances

No abstract provided.

The Wardrobe Of Easter: Forgiveness, Dale Cooper

Coop's Column

A devotional about how forgiveness imitates God, shows Christ-like care for others, and frees the forgiver.

Ordering Anarchy, John Thrasher

Philosophy Faculty Articles and Research

Ordered social life requires rules of conduct that help generate and preserve peaceful and cooperative interactions among individuals. The problem is that these social rules impose costs. They prohibit us from doing some things we might see as important and they require us to do other things that we might otherwise not do. The question for the contractarian is whether the costs of these social rules can be rationally justified. I argue that traditional contract theories have tended to underestimate the importance of evaluating the cost of enforcement and compliance in the contract procedure. In addition, the social contract has …

The Children’S Literacy Project: Classic Literature As A Graphic Novel, Joshua Talbot, Robert Barrett

Journal of Undergraduate Research

In the fall of 2011, my fellow classmates and I decided to create a graphic novel anthology of classic literature as an encouragement for young children to read great, time-tested writing (I decided on Treasure Island). The following is my continued experience on this project, the project’s outcomes and how this project has affected me as an artist, group member and visual communicator.

Béla Kondor And The Transatlanticism Of The Faux-Naïve Tradition, Kev Nemelka, Dr. James Swensen

Journal of Undergraduate Research

In preparation for my capstone/thesis project, I researched the life and works of Béla Kondor, a Hungarian Faux-Naïve Symbolist artist of the mid-twentieth century, and how his works are comparable to Utah Faux-Naïvists Andrew Ballstaedt, Fidalis Buehler, and Brian Kershisnik. Before I arrived in Budapest I arranged interviews and tours with the Contemporary Art Curator at the Hungarian Museum of Fine Art, the Chairman of the Board of Trustees for the Gábor Kogárt Art Foundation, the Contemporary Art Curator for the Miskolc Museum of Art, and one of the lead Hungarian scholars on Kondor’s oeuvre. I also hired a translator …

Gettin' Weird Together: The Performance Of Identity And Community Through Cultural Artifacts Of Electronic Dance Music Culture, Andrew Matthew Wagner

Theses and Dissertations

The growing popularity of Electronic Dance Music (EDM) on nearly every continent has given rise to the transition of EDM music from underground raves to large scale, multiple-day music festivals. Attendance at EDM events, whether at concerts or festivals, is primarily dominated by today's youth generation. The number of youth attending these events continues to grow as elements of EDM are being mixed into other mainstream music genres. This increase in the popularity of EDM has been an area of research interest in the past decades for a variety of disciplines, such as psychology, sociology, marketing, and tourism. The present …

This Wall Speaks: Graffiti And The Location Of Transnational Space Palestine, Ashley Toenjes

Theses and Dissertations

Extant literature on the Palestinian-Israeli separation wall privileges the wall's function in border-making, while ignoring other discursive and spacial functions it fulfills. My thesis reaches beyond the border-making function of the wall, resituating it as a node among different spacial networks of activism, tourism, and electronic media. My paper argues that Palestinian tactical use of graffiti on the separation wall traverses these spatial networks and provides a case for us to consider graffiti not only as a process which links these networks, but also as a discursive tool through which Palestinians appeal to transnational actors, particularly those who are complicit …

Sandor Ostlund, Double Bass, April 14, 2014 [Program], University Of Northern Iowa. School Of Music.

Music Recital Programs

Program of a music recital given by faculty, students, or guest artists from the School of Music at the University of Northern Iowa.

Masters Golf Tournament, Richard C. Crepeau

On Sport and Society

On Sunday, as I usually do on Master’s weekend, I turned to CBS to get an overdose of saccharine. Jim Nantz was in fine form developing storylines, both real and contrived, to keep the focus on the players and the natural beauty of Augusta National. The camera guys had all the obligatory shots of the dogwoods and redbud trees, the flaming and cooling azaleas, and to complete the scene, an occasional magnolia. Words like “idyllic” were used with abandon and those close ups of tense competitors nearly made golf look like an action sport.

Paper And Pixel : A Study In Multichannel Advertising, Jesse Jackson

Honors Theses

No abstract provided.

Modernism On Trial: An Analysis Of Historic Preservation Debates In Chicago, Stephen M. Mitchell

Theses and Dissertations

This thesis explores preservation issues regarding modernist architecture in Chicago. As urban and public history research, the project examines the new questions brought to the forefront by recent controversies over the preservation of modernist architecture. Modernism, and an "all concrete" variant known as "Brutalism," popular in the mid-twentieth century, aimed to remove ornament and historical references common in neoclassical, neo-Gothic, Beaux Arts, and Art Deco architecture and replace them with minimal, clean, glass-and-steel buildings. Modernists who, on principle, did not believe in preservation of past forms are now in the unlikely position of making such an argument for their own …