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Articles 13831 - 13860 of 15232
Full-Text Articles in Arts and Humanities
Diagnosing Kyle Grenshaw, Chris Boss
Old Book Smell, Ashley Colón
The Contest, Carter Staub
Surgeon, Grace Dawson
The Bar, Betty Holloway
Wishing Children, Nicole Bredeson
Evolving White, Astoria Aviles
Killed By Crossbow, Carter Staub
To Jenni, On Christmas Eve, Sam Crusemire
Embarrass Me, Please, Sabrina Islam
Tokyo, Kenta Murakami
Petite, Ashley Colón
500 Things I Love About You, Richard Jennis
When I Was A Careless Child, Cheyenne Varner
The Bird, Carter Staub
Caring Is Creepy, Chris York
Lines For The Spider Who Has Probably Bitten The Back Of My Leg, Jenni Swegen
Lines For The Spider Who Has Probably Bitten The Back Of My Leg, Jenni Swegen
The Messenger
No abstract provided.
Untitled, Aleah Goldin
Loud Pipes, Dee Glazer
Finders Keepers, Nicole Bredeson
Boots, Rachel Bevels
Waiting, Lourdes Figueroa
What To Offer, What To Take, Cheyenne Varner
Secret Ocean, Janelle Sadarananda
"Por Un Clavo Se Pierde Un Reino": Alfonso Reyes, The Generation Of 1927, And The Imperial Appropriation Of Góngora, Aurora Hermida-Ruiz
"Por Un Clavo Se Pierde Un Reino": Alfonso Reyes, The Generation Of 1927, And The Imperial Appropriation Of Góngora, Aurora Hermida-Ruiz
Latin American, Latino and Iberian Studies Faculty Publications
The displacement of Alfonso Reyes to the periphery of “nuestro centenario” highlights some of the major questions concerning the Generation of 1927 and its impact on the modern appreciation of Góngora and the definition of gongorismo. Considering that Rubén Darío was widely perceived to be the origin of the modern cult of Góngora in Spanish, the stature of Alfonso Reyes as “primer gongorista de las nuevas generaciones” meant a new form of primacy that clearly pointed to the dominance of Latin America in the narrative of contemporary poetics. Thanks to Foulché, who had carefully made his own discovery of …
María Rosa Lida Y El Control De La Posteridad: O De Cómo Rafael Lapesa Reseñó La Originalidad Artistica De "La Celestina", Aurora Hermida-Ruiz
María Rosa Lida Y El Control De La Posteridad: O De Cómo Rafael Lapesa Reseñó La Originalidad Artistica De "La Celestina", Aurora Hermida-Ruiz
Latin American, Latino and Iberian Studies Faculty Publications
La intención de este trabajo es responder a esta simple pregunta: ¿por qué fue Rafael Lapesa el primero en leer y reseñar la obra póstuma de María Rosa Lida? Para responder a esta pregunta, debo aclarar, en primer lugar, que Lapesa, en una vida casi centenaria, escribió muy pocas reseñas, la mayoría muy breves, y ninguna jamás del tipa que Yakov Malkiel llamaba "demolition jobs" y que María Rosa Lida, en cambio, convirtió en sello propio (Malkiel, "María Rosa Lida" 27-28: Gómez Bravo 726).1 Es por eso que destaca que haya do autores repetidos en ests breve apartado de …
Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka
Dead Men, Walking: Actors, Networks, And Actualized Metaphors In Mrs. Dalloway And Raymond, Elizabeth Outka
English Faculty Publications
This article takes up Rita Felski’s recent call to modernists to explore how Bruno Latour’s latest work on actor-network theory might be adapted for literary studies. It examines two accounts of World War I soldiers who (allegedly) return from the dead in material form: Virginia Woolf’s fictional account of Septimus Smith, who is convinced his friend Evans has come back from the dead, and Oliver Lodge’s best-selling memoir, Raymond, or Life and Death, which recounts in detail how Lodge believed his dead son sent messages to the family to assure them of his continued material existence. That these moments …
A Personal Look At America's Foremost Communist, Laura Browder
A Personal Look At America's Foremost Communist, Laura Browder
English Faculty Publications
There is nothing quite like the experience of being in the beautiful, sunlit special collections reading room on the top floor of Bird Library—especially when one is about to dive into 86 meticulously cataloged boxes of family history. I was there to do research for a documentary about my grandfather, Earl Browder, as well as a joint biography of him and my grandmother, Raissa Berkmann Browder—a task that was almost overwhelming to contemplate.
After all, my grandfather Earl Browder was the head of the American Communist Party (CPUSA) during its most influential period—the Great Depression. He coined the slogan “Communism …
Women's Gun Culture In America, Laura Browder
Women's Gun Culture In America, Laura Browder
English Faculty Publications
A recent article in the New York Times focused on the possible increase in female gun ownership in the United States. This “new” phenomenon of women and guns is of course far from new: as early as the 1870s, trapshooting for women was publicized by gun manufacturers as yet another feminine activity, not far removed from shopping or club work. The ultra-feminine Annie Oakley, who in the 1880s became an international star in Buffalo Bill’s Wild West, personally taught fifteen thousand women to shoot. By the turn of the twentieth century, gun manufacturers were promoting hunting as a healthful activity …
Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens
Foreword: Dead Wood And Rushing Water: Essays On Mormon Faith, Family And Culture, Terryl Givens
English Faculty Publications
The essay is a form particularly well suited for Mormon writers, for it blends a number of their cultural and religious imperatives. We are a confessional people, in both senses of the word. In keeping with Augustine’s principal employment of the term, we are committed to the public profession of our faith. Not merely as an act of evangelizing, but among the more reflective Saints, as an articulated meditation on our yearning for the divine, and a psalmic celebration of God’s gifts. We are also confessional in the more conventional sense: journal keeping, the informality of Mormon worship, public testimony …