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2009

Dance

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Articles 31 - 49 of 49

Full-Text Articles in Arts and Humanities

Dance 2009: To Each His Own, Otterbein University Theatre And Dance Department Mar 2009

Dance 2009: To Each His Own, Otterbein University Theatre And Dance Department

2008-2009 Season

No abstract provided.


An Absolute Turkey, Otterbein University Theatre And Dance Department Feb 2009

An Absolute Turkey, Otterbein University Theatre And Dance Department

2008-2009 Season

Georges Feydeau, master of farce, displays all his tricks of the trade in this witty, seamless and acutely funny play. An Absolute Turkey was a West End hit following its London premiere at the Globe Theatre in 1993. https://www.samuelfrench.com/p/9770/an-absolute-turkey/


The Problem Of Tempo: Too Slow, Too Fast, And Just Right, Andrew Vorder Bruegge Jan 2009

The Problem Of Tempo: Too Slow, Too Fast, And Just Right, Andrew Vorder Bruegge

College of Visual and Performing Arts Faculty Publications

Examination of several sixteenth century Italian court balli that demonstrate the balance between gravitas and sprezzatura and how that balance dictates musical tempo for the accompaniment.


Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng Jan 2009

Red Detachment Of Women And The Enterprise Of Making ‘Model’ Music During The Chinese Cultural Revolution, Clare Sher Ling Eng

Music Faculty Scholarship

Artworks produced with official sanction during periods marked by turmoil and human suffering are challenging subjects for scholars who would like to discuss them in a fair and responsible manner. If they aestheticize the works’ form and political affiliation, how would they be doing justice to these works whose creation and content are so meshed with the politics of their time? On the other hand, can an approach that takes ideology into account be developed that does not appear to ignore, condone or support the odious acts of violence associated with those periods? This article explores the latter question with …


Music In The Lives Of Two Children With Autism : A Case Study, Elizabeth Ron Fang Jan 2009

Music In The Lives Of Two Children With Autism : A Case Study, Elizabeth Ron Fang

Master's Theses

This thesis is a qualitative case study about two children with autism spectrum disorder and the role of music in their lives. It explores how music serves as a non-threatening medium for learning and developing skills necessary to function successfully in life. The stories of the children and their parents are shared through their personal account and the author's observations. The literature in the field reveals that a structured/functional use of music helps communication, social interaction, appropriate behavior, motor skills, and academics in children with autism. Each child is able to actively participate in music-making within varied and appropriate settings …


Historical And Cultural Paradigms In The Evolution Of Dance In Ireland : Signifiers In The Works Of Siamsa Tire, Sharon A. Phelan Jan 2009

Historical And Cultural Paradigms In The Evolution Of Dance In Ireland : Signifiers In The Works Of Siamsa Tire, Sharon A. Phelan

Theses

This thesis examines historical and cultural paradigms in dance in Ireland. Initially, the Introduction establishes the post-colonial matrix within which the thesis is written. This section interprets stages in the development of dance using cultural and educational theorists. It also highlights where the dance repertoire and teaching system at Siamsa Tire operate as signifiers.

Chapter One focuses on dance during the colonial era. Post-Colonial theorists have queried the validity of the coloniser/ colonised concept highlighting that it simplifies the long ago. The heterodox origins of the Irish dance master system and canon support this notion as they recognise a cross-fertilisation …


The Classics And Her Cygnets: Classic Choreographies And Their Contemporary (Counter) Parts, Leeke Griffin Jan 2009

The Classics And Her Cygnets: Classic Choreographies And Their Contemporary (Counter) Parts, Leeke Griffin

Theses : Honours

The proliferation of contemporary interpretations of classic works throughout the history of dance is substantial, yet there is little scholarly acknowledgement of contemporary interpretations as a genre unto themselves. Unlike other art forms, there is a lack of academic research into contemporary interpretations within dance and their place in dance history. This thesis delves into the genre of contemporary interpretations of classic choreographies, uncovering their popular appeal, the various approaches, their role and contribution to dance history. The second part is a comparative Swan Lake case study, examining the works of Mats Ek, Matthew Bourne and Garry Stewart in reference …


Constellations, Pathways Through The Body : An Exploration Creating New Movement Pathways Using Dual Patterning, Gemma Laing Jan 2009

Constellations, Pathways Through The Body : An Exploration Creating New Movement Pathways Using Dual Patterning, Gemma Laing

Theses : Honours

This research paper is an exploration of the creation of movement using dual patterning, which is the tracing of two patterns simultaneously as a dual task. This piece of writing discusses practitioners Twyla Tharp, Trisha Brown and Lisa Kraus in their experiments with altering bodily habit. It also discusses patterns, imagery, bodily knowledge, and coordination to help facilitate the experiment. Thoughts and findings from the studio are discussed from the process to gain understanding of the experiment. Utilizing bodily intelligence or bodily knowledge, the body initially experiences a separation of hemispheres or halves of the body to enable the process …


"Dance, Dance Revolution": The Function Of Dance In American Politics, 1763-1800, Amy Catherine Green Jan 2009

"Dance, Dance Revolution": The Function Of Dance In American Politics, 1763-1800, Amy Catherine Green

Dissertations, Theses, and Masters Projects

No abstract provided.


'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron Jan 2009

'Youth Ventures Into The Unknown' Developing An Individual Style Of Dance Making, Kate Herron

Theses : Honours

As a new emerging dancer and artist who is highly interested in the form of choreography, the search for knowledge and understanding of where choreography has come from as well as how to generate works have been at the forefront of my personal journey in dance. My thesis looks at and asks how the formal choreographic elements and approaches can assist new choreographers in developing an individual style of dance making? This question leads to the various approaches and elements taken from famous choreographers over time, and assesses how new emerging artists can draw from these examples as a way …


Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton Jan 2009

Architects Of The Identity Of Dance: Gender Inequity In Achievement And Acknowledgment In Australian Contemporary Dance, Quindell Orton

Theses : Honours

Evidence suggests that males receive more opportunities, awards and dominate the dance scene in terms of artistic directorship of high visibility, large budget contemporary dance companies within Australia. This research investigates why and how males have come to be the architects of the identity of dance and the factors which may inhibit a counterpart female's likelihood of assuming the same role. Much of this paper deals with constructing hypotheses for how gender disparities in contemporary dance may have come about. In order to devise informed hypotheses, I have gathered data on government funding and national dance awards. In addition interviews …


The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend Jan 2009

The Relationship Between Working Memory Capacity And Movement Memory Of Dancers, Katrina Louise Muller-Townsend

Theses : Honours

Working memory capacity span tasks are suggested to predict complex cognitive behaviour across varied domains (Conway et al., 2005). However, it has been criticised that expert skills are highly situational and domain specific (Marteniuk, 1974). The current research aimed to investigate whether general memory span was related to movement span, and furthermore, whether this can predict dance learning. It was expected that memory for movement would be positively correlated with measures of working memory, due to the specific components of working memory, such as the capacity of the phonological loop. Furthermore, it was expected on the basis of previous research …


Dreaming In Motion: Maintaining Community, Culture And Identity Of First Australians, Ian R.T. Colless Jan 2009

Dreaming In Motion: Maintaining Community, Culture And Identity Of First Australians, Ian R.T. Colless

Theses : Honours

No abstract provided.


The Communicating Dance, Alison Plevey Jan 2009

The Communicating Dance, Alison Plevey

Theses : Honours

Does dance have the ability to communicate universally to all observers at some level of human engagement? This paper discusses theatre dance as a human communicative medium, the characteristics of how it communicates and to a certain degree why and what it communicates. In doing so the intentions of the communicating dancer and choreographer are considered alongside that of the receptive and responsive audience. The thesis compiles a survey of textual sources pin pointing the unique communicative abilities of dance, as an artistic, expressive and meaningful form of non-verbal communication establishing suggestions of the ways it may be universally communicable.


The Success And Sustainability Of Improvisation In A Live Performance Context, Ashleigh Rose Berry Jan 2009

The Success And Sustainability Of Improvisation In A Live Performance Context, Ashleigh Rose Berry

Theses : Honours

I am interested in investigating the value improvisation holds when placed in a live dance performance context. I am discussing improvisation in terms of it being an individual exploration of one's movement potential to create a personal movement language. Within this, I place focus on the body as a source of knowledge and the embodied movement possibilities that inevitably make up each individual dancer's personal movement language. I am also interested in the audience's perceptions of what defines successful dance and the dancer and audience relationship that forms during the duration of a performance. Can the practice of improvising be …


Focus Of Attention On Movement Technique Acquisition Of A Pilates Roll-Up, Kristine M. Bragg Jan 2009

Focus Of Attention On Movement Technique Acquisition Of A Pilates Roll-Up, Kristine M. Bragg

UNLV Theses, Dissertations, Professional Papers, and Capstones

Focus of attention manipulation has been shown to have an effect on learning and performance of movement tasks. The purpose of this experiment was to determine whether inducing an external or internal focus of attention while learning a Pilates roll-up had an effect on movement technique acquisition. Movement form, movement time, and distance reached served as dependent variables. Participants (n=22) were assigned to either an external or internal focus group and verbally instructed through 2 sets of 6 repetitions of the roll-up per day over two practice days. A retention test on Day 3 consisting of 2 sets of 6 …


The Waning, Darrell Jones, Paige Cunningham Dec 2008

The Waning, Darrell Jones, Paige Cunningham

Darrell Jones

Collaboration with Paige Cunningham. Venues: The Other Dance Festival, Hamlin Park Fieldhouse Theater; Dance Theater Workshop, New York City, NY


The Bootsy Series, Darrell Jones Dec 2008

The Bootsy Series, Darrell Jones

Darrell Jones

Solo dance piece. Venues: Links Hall, Chicago, IL; Dixon Place, New York City, NY


The Problem Of Tempo: Too Slow, Too Fast, And Just Right, Andrew Vorder Bruegge Dec 2008

The Problem Of Tempo: Too Slow, Too Fast, And Just Right, Andrew Vorder Bruegge

Andrew Vorder Bruegge, Ph.D.

Examination of several sixteenth century Italian court balli that demonstrate the balance between gravitas and sprezzatura and how that balance dictates musical tempo for the accompaniment.