Arts and Humanities Commons^™

Marshall University Music Department Presents Fluteworks, Thunder Flute Ensemble Concert, Dr. Wendell Dobbs, Director, With Guest Artist, Elizabeth Brightbill, And, Andrew Gabbert, Cello, Wendell B. Dobbs Dr., Elizabeth Brightbill, Andrew Gabbert

All Performances

No abstract provided.

Closing Worship - A Sacrifice Of Praise, Calvin Institute Of Christian Worship, Anthony Carter, Joel Navarro, Tom Trenney

Symposium on Worship Archive

The recording and service outline from the closing worship service of the 2008 Calvin Symposium on Worship, including preaching by Anthony Carter on Hebrews 13:9-16 ("A Sacrifice of Praise"), congregational singing led by Tom Trenney (organ) and Joel Navarro (director of the conference choir), and celebration of the Lord's Supper.

Beatrice Washington Love

African American Funeral Programs

No abstract provided.

Frivolous Friday: China Beat Goes Hollywood

China Beat Blog: Archive 2008-2012

Last year saw some curious news stories appear that linked China with Hollywood, from ones involving Mia Farrow’s critical views of the Beijing regime, to ones reporting Paris Hilton’s trip to Shanghai to attend an MTV awards show, to ones detailing sex scenes being cut from the version of Ang Lee’s film so that it could be showed in the PRC. With these still fresh in China Beat’s mind, this week’s “Frivolous Friday” offering takes the form of quiz, which tests the pop culture acumen and in some cases also the Sinological savvy of our readers. (Answers as well as …

Agnes Of God Poster, Coyote Hill

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Agnes of God by John Pielmeier

January 25 & 27 & February 1 & 3, 2008

Poster design: Coyote Hill

Agnes Of God Promotional Card, Coyote Hill

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Agnes of God by John Pielmeier

January 25 & 26 & February 1 & 2, 2008, 8pm

January 27 & February 3, 2008, 2pm

Director & Scenic Design, John Garrity

Costume Design, David Costa-Cabral

Lighting Design, Katherine C. Abernathy

Promotional card design: Coyote Hill

Agnes Of God Playbill, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre

Agnes of God by John Pielmeier

January 25 & 26 & February 1 & 2, 2008

Director & Scenic Design, John Garrity

Costume Design, David Costa-Cabral

Lighting Design, Katherine C. Abernathy

Vocal Coach, David Harper

Sound Design, Paul Perry

Cast: Malika Jones - Doctor Martha LIvingstone; Nancy Anastadis - Mother Miriam Ruth; Sarah Bedard - Agnes

2007-2008 Single Lovers Of Classical Music, Valentin Mansurov, Tao Lin, Elena Chernova, Girard Villanueva, Aziz Sapaev, Ni Peng, Seul-A Lee, Vasile Sult, Wallas Pena

Other Seasonal Concerts

No abstract provided.

Short, Drucilla Jane (Harris), 1878-1952 (Sc 1567), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1567. Two letters, 25 September and 27 October 1918, from Franklin, Kentucky native Drucilla Jane Short to her brother, George D. Harris, serving with the American Expeditionary Forces in France. Letters contain comments about family, business, the influenza epidemic, and the impending overseas deployment of their brother Downey. The letters were returned after George's death on 13 October 1918.

Beijing Olympic Faq #1: Politics And The Olympics

China Beat Blog: Archive 2008-2012

Last year the International Olympic Committee (IOC) invited me to write an essay on the Beijing Olympics, and “The Beijing Effect” was published in the July-September 2006 issue of The Olympic Review. At the end of that essay I wrote, “China hopes that it will change the Olympic Games, but is the West really open to that possibility? Are we truly ready for ‘One World, One Dream’?” Since that article appeared in the official magazine of the IOC, it is not implausible that Beijing decided to answer my question. On August 8, 2007, Beijing marked the one-year countdown to the …

What Hath Silicon Valley To Do With Jerusalem? Technological Innovation And Ancient Practice In Worship, Mark Roeda

Symposium on Worship Archive

Worship is something we do, not observe. Because technology supplies us with the capacity to program and record content which it will then present on demand, utilizing technology in worship can remove the sense of immediacy (in terms of both time and space) of worship, the sense that this is something we are doing now, together. In short, it risks reducing us to passive observers of the acts of worship.

Worship 101: The Building Blocks Of A Biblical Approach To Worship, John D. Witvliet

Symposium on Worship Archive

George Barna: "Most of the church people who fight about their musical preference do so because they don't understand the relationship between music, communication, God and worship. Church leaders foster the problem by focusing on how to please people with music or how to offer enough styles of music to meet everyone's tastes rather dealing with the underlying issues of limited interest in, comprehension of, and investment in fervent worship of a holy, deserving God." ... The Barna study discovered that among the key worship issues is that church-going adults and Protestant Senior Pastors do not share a common perception …

Who May And May Not Participate In The Worship Life Of The Church?, Mark Stephenson

Symposium on Worship Archive

A discussion and reflection on disability in the church, presented by Reverend Mark Stephenson, Director of Disability Concerns, CRCNA.

"Persons with disabilities include those who have long-term physical, mental, intellectual, or sensory impairments which in interaction with various barriers may hinder their full and effective participation in society on an equal basis with others." (Article 1: Purpose, "Final report of the Ad Hoc Committee on a comprehensive and Integral International Convention on the Protection and Promotion of the Rights and Dignity of Persons with Disabilities," United Nations General Assembly, A/61/611, 6 December 2006)

Choreography For Worship, Shelley Marinus

Symposium on Worship Archive

A handout for note taking during the workshop to review the purpose of the dance as part of worship and review the basic elements needed for dance in worship, and choreography planning considerations.

Experiencing God In Worship, Bob Rognlien

Symposium on Worship Archive

"Western Christianity went to sleep in a modern world governed by the gods of reason and observation. It is awakening in a post-modern world open to revelation and hungry for experience.... It is one thing to talk about God. It is quite another thing to experience God." - Leonard Sweet, Post-Modern Pilgrims

"Among adults who regularly attend church services, one half admit that they haven't experienced God's presence in the past year." - George Barna

The more complete the experience of God, the greater the response to God! To read the introduction of Experiential Worship and sign up for the …

An Invitation To "The Liturgy Of The Hours", Pat Zandstra

Symposium on Worship Archive

The Liturgy of the Hours, also known as Fixed Hours of Prayer, Divine Hours, Daily Offices, or Common Prayer teaches us to pray, immerses us in Scripture, unites us with all believers who have gone before us and believers around the world, makes us aware of the passing of time in the liturgical year, provides words for us in tough times, and regularly draws our attention back to God throughout the day.

Public Biblical Praying, Lester Ruth

Symposium on Worship Archive

The Berekah, or blessing, occurs several times throughout the Bible. Genesis 24:26-27: Then the man bowed down and worshiped the Lord, saying, "Blessed be the Lord, the God of my master Abraham, who has not abandoned his kindness and faithfulness to my master." Exodus 18:10-11: "Blessed be the Lord, who rescued you from the hand of the Egyptians and of Pharoah, and who rescued the people from the hand of the Egyptians." There are further examples and discussion included in the handout.

When The Fires Die: Religious Critiques Of Revivalism In The Aftermath Of The Second Great Awakening, John D. Bratt, Lester Ruth

Symposium on Worship Archive

A document accompanying a talk on the aftereffects of the Second Great Awakening, including types of critics, common charges, common complaints, and proposed solutions.

The Proud & The Passionate, Buffalo Gay Men's Chorus

Programs

Proud - lofty; a reasonable delight in one's position, achievements, possessions, etc. Exalting, highly pleased.

Passionate - easily moved; ardent, excited; agitated; the suffering of martyr.

Definitions from Noah Webster's New International Dictionary Second Edition 1943

Thriving As A Keyboard Player In The Diverse World Of Church Music, Cynthia Uitermarkt

Symposium on Worship Archive

In today's church climate, the pianist or organist will need to be fluent in multiple styles: traditional, contemporary, and ethnic. For the classically trained performer, this can mean stretching well beyond the comfort zone. In this session, we will explore philosophical, spiritual, and practical strategies for surviving and thriving.

Where Can I Find That Song? Researching Hymns Online–Greg Scheer, Greg Scheer

Symposium on Worship Archive

There are a few databases that will allow anyone to find sources of particular songs or hymns. The most established (still within the last few years) are geared toward historical hymns, but more recent databases are becoming more comprehensive and global in scope, even to providing sources of different versions/keys, ability to print a song, ideas for performance, etc. Come to learn about the current state of research.

The Hymnary is an online hymn and hymnal database that is collaboration between The Christian Classics Ethereal Library (CCEL) and the Calvin Institute of Christian Worship (CICW). The project actually began as …

In Spirit And In Truth: The Role Of Worship In Christian Higher Education, Tim Mccarthy

Symposium on Worship Archive

The role of worship in Christian Higher Education is a unifying practice for missional endeavor, a well of missional conviction, a garden of missional practices, a fountain of missional response, and to discuss threats and areas of further development.

The Priest Of Our Worship, The Priests Of Creation, Gerrit Scott Dawson

Symposium on Worship Archive

Christ now bears the office of priest, not only that by the eternal law of reconciliation he may render the Father favourable and propitious to us, but also admit us into this most honourable alliance. For we though in ourselves polluted, in him being priests (Rev. 1:6), offer ourselves and our all to God, and freely enter the heavenly sanctuary, so that the sacrifices of prayer and praise which we present are grateful and of sweet odour before him. To this effect are the words of Christ, "For their sakes I sanctify myself" (John 17:19), for being clothed with his …

Redeeming The Time: Homiletic Theology For A Pilgrim People, Michael Pasquarello Ii

Symposium on Worship Archive

The idea for Redeeming the Time has emerged during more than twenty five years of leading worship according to the rhythms of the Christian Year and preaching from its common lectionary. In following these "traditioned" practices, I have often thought there is need for a fresh understanding of the Christian Year that will demonstrate the theological and pastoral wisdom of ordering a congregation's ministry of the Word and its life by means of the narrative of salvation proclaimed in the liturgical reading and preaching of Scripture.

Spiritual Formation In Worship-Centered Congregations, Jane Rogers Vann

Symposium on Worship Archive

When I talk about spiritual formation, what I have in mind is "being formed in the likeness of Christ." Now, people in every historical period and location have their own understanding of what "the likeness of Christ" might include. So we want to look at these images or assumptions and the ways they went about spiritual formation.

Making Stuff Up: Magically Making Music In The Moment!, Tom Trenney

Symposium on Worship Archive

In many churches, the only time congregations clearly hear the organ as a solo instrument is during hymn introductions. Frequently, there is talking and movement during the prelude. Often, there is mass chaos during the postlude. Use this opportunity to showcase the many colours of your instrument and to set the tone for the music to follow. Introductions must clearly present the key, the tempo, and the character of the hymn to come. Otherwise, be creative!

An Introduction To The Principles And Practices Of Liturgical Dance, Shelley Marinus

Symposium on Worship Archive

A note taking document for liturgical dance - exploring its purpose (worship, prayer, communion with believers, expressing the story of scripture) and basic elements (music, clothing, props, imagery), as well as scripture references.

Christ's Priesthood And Our Praises, Gerrit Scott Dawson

Symposium on Worship Archive

As the eternal Son of God, our Lord has from before time been offering himself to his Father in perfect love. We might say he has ever been completely obedient, though the human implication of a hierarchy involved in obedience obscures the reality. The three co-equal persons of the Trinity give themselves to each other so absolutely that the most abject human obedience to another is pitifully shallow in comparison to the depths of such offering of one divine person to the other, and yet all of this is done not in servility but in total freedom. The very nature …

Reclaiming Funerals As Christian Worship, John D. Witvliet

Symposium on Worship Archive

Goals:

To encourage each of you to set up a council discussion, adult education sessions about this topic (note: to change, even if to deepen, our practices in the context of the volatile emotions surrounding death is not likely, and may be very counter-productive),

To encourage each of you to select the very best books for your persona and church libraries (one of the best ways to deepen practice is to make the best resources the most available),

To plant the seeds of some constructive questions that can ferment a bit in each of our lives over the next several …

Morning Worship - The Wonder Of The Nature Of Faith, Calvin Institute Of Christian Worship, Kenneth E. Bailey, James Abbington, Soul Purpose, Greg Scheer

Symposium on Worship Archive

A morning worship service from the 2008 Calvin Symposium on Worship with preaching from Kenneth Bailey on Hebrews 11 ("The Wonder and Nature of Faith: David, Jesus, and Hebrews 11"), a scripture drama by Soul Purpose, and music led by James Abbington and Greg Scheer.