Arts and Humanities Commons^™

A Place In Time: Maria Osborne And Her Daughters, Waterville, Maureen Elgersman - Lee (Ed.)

The Griot

No abstract provided.

Torture Goes Pop! : Screening The Praxis Of Torture In Films & On Tv, Madelaine Hron

English and Film Studies Faculty Publications

No abstract provided.

Brazen (Spring 2008), Hollins University

Brazen - Gender & Women's Studies Department Newsletters

No abstract provided.

Seussical, April 23-30, 2008, Theatre Arts Discipline

Theatre Programs

University of Minnesota, Morris production of Seussical based on the works of Dr. Seuss. Written by Lynn Ahrens and Stephen Flaherty and directed by Brenna Jones.

Synopsis: A musical perfect for the whole family, Seussical takes us into the world of Dr. Seuss, where we revisit beloved characters including The Cat in the Hat, Horton the Elephant, Gertrude McFuzz, Lazy Mayzie, and JoJo. The Cat in the Hat guides us into The Jungle of Nool where we see Horton, the kind hearted elephant who discovers a speck of dust containing Whoville. He meets JoJo, a Who child sent to military …

Flarr Pages #60: Lady Assassins In Spain? A Psychological And Cultural Profile Of Perez-Reverte's Dona Adela De Otero, Thomas C. Turner

FLARR Pages

In 1988, twenty years ago, Arturo Perez-Reverte wrote a marvelously complex novel entitled El maestro de esgrima (The Fencing Master). The project of that novel was to show how certain traditional Spanish values and attitudes were threatened by contemporary realities. The protagonist, the talented and socially withdrawn Don Jaime de Astarloa, is a gentleman of the ideal "caballero-hidalgo" type, a fencing master, who is nearly killed defending his values, single-handedly, against a major transnational conspiracy being played out during the political turmoil of the late 19th century. Perez-Reverte shows that by then it had become extremely difficult to be an …

Church And Society: The Laurence J. Mcginley Lectures, 1988-2007, Avery Cardinal Dulles, S.J., Robert P. Imbelli

Religion

One of the leading theologians of our time, Avery Cardinal Dulles, S.J., has written and lectured on a wide range of topics across his distinguished career, and for a wide range of audiences. Integrating faith and scholarship, he has created a rich body of work that, in the words of one observer, is “both faithful to Catholic tradition and fresh in its engagement with the contemporary world.”

Here, brought together for the first time in one volume, are the talks Cardinal Dulles has given twice each year since the Laurence J. McGinley Lectures were initiated in 1988, conceived broadly as …

Santa Clara Magazine, Volume 49 Number 4, Spring 2008, Santa Clara University

Santa Clara Magazine

14 - LET THE SUN SHINE IN By Steven Boyd Saum. In the international Solar Decathlon competition, a team from Santa Clara blazed a dazzling trail from almost-ran to third in the world.

20 - VISIONS FROM THE SIXTIES By Lisa Taggart. It was art that broke all the rules. And now an exhibit at the de Saisset Museum, curated by Santa Clara scholar Andrea Pappas, captures the sense of optimism and energy when the only limits were imagination itself.

26 - JORMA'S JOURNEY By Mark Purdy. With Jefferson Airplane, he helped define the San Francisco sound. With Hot Tuna …

Using Stanley Cavell, Michael Fischer

English Faculty Research

Stanley Cavell often speaks of inheriting and carrying on the work of Ludwig Wittgenstein, Ralph Waldo Emerson, Henry David Thoreau, and other writers. These writers help him move on in his own thinking, turning him around when he feels lost, provoking him when he gets discouraged or stuck. His indebtedness to J. L. Austin in the acknowledgements to Must We Mean What We Say? (1969) captures one way he benefits from all the writers who have influenced him: “To the late J. L. Austin I owe, beyond what I hope is plain in my work, whatever is owed the teacher …

Review: The Theology Of The Book Of Jeremiah, Gary E. Yates

Liberty Baptist Theological Seminary (1973-2015)

No abstract provided.

Funny Girl Audition Form, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Funny Girl audition form

Hair Trigger 30, Columbia College Chicago

Hair Trigger

An anthology, edited by students, featuring the fiction, prose and creative non-fiction work of students, alumni, and staff. Editors: Alverne Ball, Donell Bonaparte, Tony Bowers, John Cahill, Max Glaessner, Sheree L. Greer, Mary Beth Hoerner, April Newman, Ashley Pflaumer, Daniel Prazer. Cover photograph: Cecil McDonald, Jr. 411 pages.

Columbia Poetry Review, Columbia College Chicago

Columbia Poetry Review

Literary journal produced annually. Student editors: Richard Dugan, Joe Eldridge, Kristen Orser, Jennifer Steele, Nicole Wilson. Assistant editors: Jesse Crouse, Stephen James Dvorak, Ted Jackle, Amanda Nielsen. Editorial Board: John Cacho, Regan Crisp, Tom DeRoma, Tyler Flynn Dorholt, Joshua Keiner, Meghan M. Lee, Monica Long, Katherine Mattes, Meg Reilly, Rocco Spiteri, Andrew Terhune. Cover: Joe Brainard.

Oral History Transcript | Interview With Roger Mandle, April 1, 2008, Roger Mandle, Ann Hudner, Risd Archives, Andrew Martinez, Josh Backer

RISD Oral History Project Transcripts

No abstract provided.

Ellis, Courtney M., 1888-1964 (Mss 48), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and several representative photographs for Manuscripts Collection 48. Photographs and informational material collected by Courtney M. Ellis relating to steamboats which operated in the Ohio and Mississippi River Valleys, including correspondence with other collectors and steamboatsmen, and publications of steamboating. To see a copy of "History of Steamer, J.C. Kerr, Chaperone, Choctaw" click on "Additional Files."

Archarios, 2008 Spring, Office Of Student Life

Archarios Literary Art Magazine

Issue No. 23. Editor: Megan G. Fisher. Faculty Advisor: Paul Olsen. Printed by Sheriar Press.

Angell Blackfriars Theatre Seating Plan, Providence College

Playbill and Promotion

Providence College Department of Theatre, Dance & Film

Angell Blackfriars Theatre seating plan included in Agnes of God folder

Testimonial, Henry Abelove

Center for LGBTQ Studies (CLAGS)

Douglas Crimp was born in 1944 in Coeur d'Alene, Idaho, where his brother and sister still live. As a boy, Douglas imagined that he might become an architect, and he went to Tulane University specifically to study architecture. But soon after beginning his university life, he shifted his concentration to Art History. One Tulane Teacher of Art History in particular enthralled him. This was Bernard Lehman, an eloquent, learned, and effervescent lecturer, and a campy gay man, whom Douglas credits as a primary influence.