Arts and Humanities Commons^™

A Provocation: Queer Is Not A Substitute For Gay/Lesbian, Aneil Rallin

Harlot: A Revealing Look at the Arts of Persuasion

I mull over the increasing interchangeability of queer with lesbian/gay (which ends up domesticating queer's radical potential) and call for queer to be liberated from the mainstream forces and institutional structures that have appropriated it.

Something's Fishy Here, Kate Comer

Harlot: A Revealing Look at the Arts of Persuasion

I wrote this piece as a sort of Harlot test run. When we began talking about the need for public-oriented rhetorical criticism, Jim Fredal challenged me to figure out what that might look like. I'd recently written a rather academic analysis of Hans Christian Andersen's original "Little Mermaid" and was hoping to make it relevant/current; Disney's version had just been re-released in a "Platinum Edition" DVD and was being adapted into a Broadway show. So it made sense to put it all together, using my sister as my ideal audience: smart, fun, feministá and concerned about her new baby's exposure …

Manning, Allen, 1864-1950 (Sc 1762), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid only for Manuscripts Small Collection 1762. Journal of farm work done by Allen Manning and his co-workers for Mrs. Underwood of Warren County, Kentucky. He makes note of the weather and its effect on the crops.

Evans, John Wooten, 1862-1894 (Sc 1754), Manuscripts & Folklife Archives

Manuscript Collection Finding Aids

Finding aid and scans (Click on "Additional Files" below) for Manuscripts Small Collection 1754. Three letters from John W. Evans, New York City, to his wife Sallie Evans, Russellville, Kentucky, while he was on buying trips for his dry goods store. One letter from Evans, Russellville, to Sallie, visiting in Bowling Green, Kentucky; another is from a brother.

Angelica, Mother; Arias Sanchez, Oscar; St. Laurent, Louis; Salazar, António., Howard Bromberg

Book Chapters

Contributions by Howard J. Bromberg to Great Lives from History: The Twentieth Century

Photograph In Four Parts, Pablo Tanguay

Harlot: A Revealing Look at the Arts of Persuasion

If you listen to enough old poets, they will tell you that these ekphrastic poems that are about art and about painting need to be able to exist independently of the painting or visual art itself. I always sort of questioned that idea -- why? I think it's a physical limitation that journals don't have photographs -- that it's too expensive to put the photograph with the poem. But why you can't do that is beyond me.

Welcome To Harlot!, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

An introduction to Harlot: A Revealing Look at the Arts of Persuasion.

Beijing's 2008 Olympic Games, Harlot Editors

Harlot: A Revealing Look at the Arts of Persuasion

To stretch your rhetorical muscles, check out this provocate prompt on Beijing's 2008 Olympic Games.

Real Estate Downturn, Sonya Huber

Harlot: A Revealing Look at the Arts of Persuasion

This piece began in the heat of a real-life dilemma: the real-estate market tanked and I was stuck with a house in Columbus, Ohio, long after I moved to Georgia. Neurosis and anxiety demanded that I think of every possible way to get rid of the darn house, and as I became more desperate, I became willing to sell it even for scrap materials. Luckily it sold (finally) after a year on the market. I used this essay to joke about some real-life challenges, including the fact that someone broke into the vacant house and stole all the copper plumbing. …

“Phonesex : A Digital Collage” And “Dis|Orientation : A Straight Closet”, Jonathan Alexander

Harlot: A Revealing Look at the Arts of Persuasion

As a scholar in rhetoric and composition and a media artist, I am primarily interested in exploring how people compose with digital technologies, as well as what these compositions mean for their many and varied senses of self, individually and collectively. I also work at the intersection of writing studies and sexuality studies, exploring what it means to "compose queerly," as well as what theories of sexuality, particularly queer theory, have to teach us about literacy in pluralistic democracies. These interests permeate the two digital compositions that Harlot has graciously agreed to publish.

See the original creator's statement and two …

We've Come So Far . . ., Kerry Dirk

Harlot: A Revealing Look at the Arts of Persuasion

This piece is a brief rant about the current gender stereotypes that play out in commercials and other forms of advertisements. While sarcasm constantly reigns in this rant, there is also a grain of truth to these complaints. Yet there is also an amount of truth in these commercials, as they are not unintentionally addressing these stereotypical audiences. I was inspired to write this piece after seeing endless commercials trying to sell me, a woman, various cleaning and cooking products. I was especially bothered because these commercials, by appealing to women, are really confirming that women are still the primary …

Caroling Commercialism: The Rhetorical Power Of Christmas Music, Daniel Wharton

Harlot: A Revealing Look at the Arts of Persuasion

"Caroling Commercialism" focuses on the tiny topic of Christmas music and uses this as a lens through which the author examines the growing commodification of the Christmas holiday. At the surface, the expanding season during which radio stations play holiday music seems more like an annoyance than a problem. But the practice is actually a harbinger of a more dastardly intention. In short, there is economic incentive for retailers to pay more money for advertising during the holiday season. Because Christmas music puts consumers in the holiday spirit, stations are more likely to comingle holiday advertising with holiday music. And …

Unlv Symphony Orchestra: Concert I. Beethoven's Fifth, Kanako Yamazaki, Taras Krysa

Orchestra

Program listing performers and works performed

Bolen Faculty Recital Series: September 30, 2008, Angelo Favis

School of Music Programs

This the is the twelfth program of the 2008-2009 season.

Kemp Recital Hall

September 30, 2008

Tuesday Evening

7:30 p.m.

Chapel Hour To Feature Intervarsity, Heather Lindquist ’09

News and Events (Discontinued Series)

No abstract provided.

Two Essays On Financial Condition Of Firms, Sanjay Kudrimoti

USF Tampa Graduate Theses and Dissertations

This dissertation includes two related chapters that analyze financial condition of firms. In the first chapter, I examine the relationship between the firms' level of cash holdings and governance. The findings show that higher levels of cash holdings are significantly related to strong governance. The results also show that firms with strong governance hold asymmetrically higher levels of cash than firms with weak governance when they have high growth opportunities. Furthermore, I also test the impact of financial constraint status of the firm on the level of cash holdings for both good and poorly governed firms separately. The results suggest …

China Annals: Interview With Antonia Finnane

China Beat Blog: Archive 2008-2012

Antonia Finnane is Professor of Chinese History at the University of Melbourne, co-editor (with Anne McLaren) of Dress, Sex and Text in Chinese Culture (1999), and author of three books: Far From Where? Jewish Journeys from Shanghai to Australia (1999); Speaking of Yangzhou: A Chinese City, 1550-1850 (2004); andChanging Clothes in China: Fashion, History, Nation (2008). Read on for an interview with this prolific scholar and a review of her latest book.

Nicole Barnes: What first drew you to China studies?

Antonia Finnane: It’s hard to say, but the Cold War and the Vietnam War were probably factors. When I …

Grand Valley Forum, Volume 033, Number 06, September 29, 2008, Grand Valley State University

2008-2009, Volume 33

Grand Valley Forum is Grand Valley State's faculty and staff newsletter, published from 1976 to the present.

Ccu Newsletter, September 29, 2008, Coastal Carolina University

Coastal Carolina University Newsletter

Coastal Carolina University's weekly on-campus newsletter.

The Chanticleer, 2008-09-29, Coastal Carolina University

The Chanticleer Student Newspaper

The editorially independent student produced weekly newspaper of Coastal Carolina University.

Commentary I: Celebration, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

In March, 1981, Texas Tech University hosted a conference, “The Hopi Year: A Tricentennial Symposium,” and at that conference discussions centered upon a complex topic, the meaning of HOPI.1 The conference featured cultural interchanges among experts of both Hopi and non-Hopi origins, and this volume contains the substantive and visual presentations of this unusual gathering. The content is interdisciplinary and presented in the context of both historic and contemporary viewpoints. Also important is attention given to land-use patterns and to environmental systems of human and physical growth and survival as related to the arid regions of the Hopi Reservation. Perhaps …

Chapter 2 Hopi Mesas And Migrations: Land And People, Lomawywesa (Michael Kabotie)

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Survival and revival; the varied landscapes, buildings and environment; agricultural practices, arts and crafts; community institutions, cultural programs, clan beliefs and rituals—these all have meaning to our Hopi people and Hopi land.

The Hopi Reservation is situated in northeastern Arizona, about seventy-five or one hundred miles from the San Francisco Peaks, one of our sacred mountains. We call it Nuvatukwiovi. An examination of the geographical area reveals that to the far eastern edge of the Hopi Reservation is Keam’s Canyon, the region in which the Federal Government offices are located. Westward from Keam’s Canyon are the three Hopi mesas with …

Exemplary Arts: Section B — Subject: Corn As Life Essence, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Five Paintings by the Artist Hopid

Figure 13: Four Mother Corn — Dawakema (Milland Lomakema)
Figure 14: Kachina Maiden Watching Fields — Coochsiwkioma (Delbridge Honanie)
Figure 15: Harvest Prayer — Honvantewa (Terrance Talaswaima)
Figure 16: Kachinas Germinating Plants — Dawakema (Milland Lomakema)
Figure 17: Angak’ China (Long-haired Kachina) — Honvantewa (Terrance Talaswaima)

“Hopi basically are corn people. We believe in agriculture because our greatest symbol is the corn, the ‘Corn Mother’.”—Lomawywesa

Commentary Ii: Ceremony, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

A typical Hopi ceremonial day offers a visual reality. At Walpi, a village on First Mesa, it is summer and Niman time, and a thanksgiving ritual is beginning. The Kuwan Heheya Kachinas set the first foot movements. Their body actions of their dance begin while their “uncle,” Tu-uqti,1 vigorously performs his solo act in front of their dance lines. A cluster of Koshari clowns,2 starkly visible in their body-paint stripes, collect their parade paraphernalia for antics later in the day. The plaza is crowded, action is anticipated. It is a Hopi celebration day.

The all-encompassing character of the scene itself …

Exemplary Arts: Section A — Subject: Concepts Of Emergence And Migration, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Three Paintings by the Artist Hopid

Figure 7: Emergence — Dawakema (Milland Lomakema)
Figure 8: Migrational Patterns — Lomawywesa (Michael Kabotie)
Figure 9: Spiritual Leadership — Dawakema (Milland Lomakema)

“We believe that we are a part of a great living force which began hundreds of years ago ... Our concept is that we came from the Third World of the Hopi and that now, we are in the Fourth World ... We emerged from underground, somewhere in the Grand Canyon.”—Honvantewa

Ideas of EMERGENCE and MIGRATION permeate the consciousness of every Hopi. They structure ceremonial time and provide patterns for daily …

Lanthorn, Vol. 43, No. 12, September 29, 2008, Grand Valley State University

Volume 43, July 10, 2008 - June 7, 2009

Lanthorn is Grand Valley State's student newspaper, published from 1968 to the present.

“Frontmatter” To Hopi Nation, Edna Glenn, John R. Wunder, Willard Hughes Rollings, C. L. Martin

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Contains:
Editor’s Note
Contents
List of Illustrations
Preface by Edna Glenn, Texas Tech University and John R. Wunder, University of Nebraska-Lincoln

The Hopi Nation reminds itself daily that it is “at the center” of life on the arid mesas of the Hopi Reservation in northeastern Arizona. It has been doing so for over 1000 years, and it will likely do so for many centuries to come. Hopi life is not an easy life, but it is a full and rewarding life. Read this book and enjoy a visual and intellectual celebration of the Hopi Nation.

Hopi Nation: Essays On Indigenous Art, Culture, History, And Law [Complete Work], Edna Glenn, John R. Wunder, Willard Hughes Rollings, C. L. Martin

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Contents

EDITOR’S NOTE

CONTENTS

LIST OF ILLUSTRATIONS

PREFACE: Edna Glenn, Texas Tech University and John R. Wunder, University of Nebraska-Lincoln

COMMENTARY I: CELEBRATION: Edna Glenn

1 THE HOPI NATION IN 1980: “It is a time to recall and to revitalize the good things of Hopi life and to celebrate Hopism.” Abbott Sekaquaptewa, Chairman, Hopi Tribal Council

EXEMPLARY ARTS: SECTION A — Subject: Concepts of Emergence and Migration: Edna Glenn

2 HOPI MESAS AND MIGRATIONS: LAND AND PEOPLE: “Here among the sandstone mesas you will find the Hopis. ‘Among them we settled as rain....’” Lomawywesa (Michael Kabotie), Hopi Cultural Center and …

Exemplary Arts: Section D — Subject: Contemporary Arts And Crafts, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

Hopi people have always been very fine artists. In 1950 we developed the Hopi Arts and Crafts Cooperative Guild . . . The Hopi Co-op supports some four hundred artists and craftsmen . . . Basketry and pottery are the oldest of the art forms among our people. — Lomawywesa

Sixteen examples are presented in this section. Other examples of painting, photography, and graphics are included throughout the book.

Ceramics, Figures 43-51
43. HOPI CERAMIC PROCESSES, 2 photographs — Sylvia Naha Talaswaima, potter,First Mesa, Arizona. 1981
45 – 48. ONE CERAMIC BOWL (four views) — Sylvia Naha Talaswaima, potter,First Mesa, …

Commentary Iii: Challenge, Edna Glenn

Hopi Nation: Essays on Indigenous Art, Culture, History, and Law

A visual challenge results from experiences with original works of art reproduced on these pages. These are contemporary Hopi paintings and craft-works executed by young artists who call themselves the Artist Hopid. Coochsiwukioma (Delbridge Honanie), a painter of the Artist Hopid group, presents a view of “Hopi Life,” the title of an extremely complicated work completed in 1974. Examining this painting is indeed valuable in the pursuit of defining the contemporary HOPI. “Hopi Life,” according to its painter, symbolically evolves from the central theme of Hopi migrations. 6 Ideas of migration, fertility, and growth, structure the centuries-old concept of Hopi …