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Narratives Among The Mola Blouses Of The Kuna: A Blending Of The Old And New Worlds, Teena Jennings-Rentenaar

Textile Society of America: Symposium Proceedings

The Kuna of the San Blas (Kuna Yala) region of Panama are highly regarded for the mola panels that they make using appliqué and reverse appliqué. These panels form the front and back of blouses that the women and their daughters wear both in their daily lives and for special occasions. Mari Lynn Salvador found, when doing her research on the making of mola panels, that there are different types of designs and that these categories are recognized by the Kuna women themselves as being distinct. Each of the different categories requires a different approach to its manufacturing process.

One …

Investigation Of A Colonial Latin American Textile, Elena Phipps, Lucy Commoner

Textile Society of America: Symposium Proceedings

Introduction

Museum collections often contain works of art of uncertain provenance. Additionally, hybrid works attributed to Colonial cultures reflect the composite nature of a cross-cultural society integrating native and foreign traditions. An interdisciplinary technical study often is needed to identify such an object, including where it was made, when and by whom. The following paper presents the results to date, of a collaborative investigation from art historical, scientific, and conservation perspectives, of a textile belonging to the Cooper-Hewitt National Design Museum. (fig. 1).

Catalogued as Colonial Peruvian, the textile was considered for inclusion in the Metropolitan Museum’s Colonial Andes: Tapestries …

About Textile Society Of America

Textile Society of America: Symposium Proceedings

The Textile Society of America, Inc. provides an international forum for the exchange and dissemination of information about textiles worldwide from artistic, cultural, economic, historic, political, social and technical perspectives.

National Office

Textile Society of America (TSA)

Kim Righi, Executive Director

P.O. Box 70

Earleville, MD 21919-0070

Phone (410) 275-2329

Fax (410) 275-8936

TSA Board of Directors 2006-2007

Officers

President

Vice President

Treasurer

Recording Secretary

Past President

Director of Internal Relations

Director of External Relations

Directors at Large

Task Representatives

Co-Chairs, TSA 10th Biennial Symposium - Toronto 2006

Co-Chairs, TSA 11th Biennial Symposium - Honolulu 2008

2006 Proceedings Editors

Newsletter …

Abstracts

Textile Society of America: Symposium Proceedings

Textile Society of America

10th Biennial Symposium 2006

October 11–14, 2006

Harbourfront Centre

Toronto, Ontario

A-Z

Author Biographies

Textile Society of America: Symposium Proceedings

Textile Society of America

10th Biennial Symposium 2006

October 11–14, 2006

Harbourfront Centre

Toronto, Ontario

A-Z pp. 1-26

Acknowledgements, Carol Bier

Textile Society of America: Symposium Proceedings

Nataley Nagy and Frances Dorsey deserve our very special thanks for the organization of such a splendid symposium, which indeed exceeded our expectations and goals. Thanks are also due to the dedicated staff of the Textile Museum of Canada, of which Nataley is Director, and to the staff at Harbourfront Centre, and its Director, Melanie Egan. We also thank Debbie Adams of Adams + Associates Design Consultants, Inc., who served as artistic director for the Symposium; her designs, logo and artwork, have served us as well for the Proceedings.

Ann Svenson Perlman stepped in to take on the role of …

Introduction, Frances Dorsey, Nataley Nagy

Textile Society of America: Symposium Proceedings

The Textile Society of America's 10th Biennial Symposium took place in Toronto, October 11- 14, 2006. The Textile Museum of Canada and Harbourfront Centre co-sponsored the event. A springboard for discussions across disciplines, the symposium offered in-depth explorations of specific topics related to textiles. The Program, which serves as the Table of Contents, includes presentations about textiles and trade, education, ritual practices, cultural transitions, cultural and gender issues, and contemporary art practices, offering an enticing and savoury array of narratives and conversations about textiles. The organized sessions, panels, and plenary programs are designed to raise questions that encourage our talking …

Notes On Editing, Carol Bier, Ann Svenson Perlman

Textile Society of America: Symposium Proceedings

Sixty-six papers and more than ninety bios and abstracts are included in this publication of the Proceedings of TSA's 10th Biennial Symposium in Toronto. The Proceedings reflect in text and image the substance and the intellectual vibrancy that characterized the Textile Society of America's 10th Biennial Symposium in Toronto. The contents are published substantively as submitted. Our editorial efforts comprised formatting of more than 500 images and preparing each paper to a standard visual style of presentation.

We have endeavored to bring all papers into a consistent visual format, suitable for either screenviewing or hard-copy print-out. Since the symposium was …

About The Authors

Textile Society of America: Symposium Proceedings

About the Authors

A-Z

Nettie Adams

Monisha Ahmed

...

Yoshiko Iwamoto Wada

Stephen Wagner

Mike Cloud: Systems, Daniel A. Siedell

Sheldon Museum of Art: Catalogs and Publications

Mike Cloud was born in 1974. He received a BFA from the University of Illinois-Chicago and studied at Yale University, where he received his MFA in 2003. He has had solo exhibitions at the Max Protetch Gallery in 2003, 2004, and 2006. His work has been featured in National Projects at PSl Contemporary Art Center in Long Island City and in Frequency at the Studio Museum in Harlem. He lives and works in Brooklyn.

"So a lot of painting for me is just trying to find out what is believable and what kinds of painting can be honestly generated."

"The …

Who Is Imitating Whom?, Sharon L. Kennedy-Gustafson

Sheldon Museum of Art: Catalogs and Publications

Photographers create images that look like paintings, and painters make paintings that look like photographs. Who is imitating whom and why?

Long before photography was invented painters who could depict realistic imagery were held in high esteem. When photography was first invented, its ability to capture reality was also greatly admired. Over time, however, its status declined and eventually it was viewed as merely a mechanical tool with little artistic value.

Henry Peach Robinson (1830-1901) popularized the emulation of painting and encouraged artificiality in photography. It was believed that if a photograph were made to look like a painting it …

The New South And The Sandlot: Company-Sponsored Baseball In Birmingham, Al, Justin Brasher

Vulcan Historical Review

pp. 20-32

To Duel Or Not To Duel: The Influence Of Anti-Dueling Tracts In Late Eighteenth-Century England, Marshall Digmon

Vulcan Historical Review

pp. 33-41

Fallout Shelter As America's Maginot Line: Birmingham, A Case Study, John Fuller

Vulcan Historical Review

pp. 53-61

Dadaism: War, Society, And Art In The 20th Century, Christopher Null

Vulcan Historical Review

pp. 74-84

George Orwell And Winston Smith: The Status Inconsistency And Social Consciousness Of Two Down And Out Writers, Kathy Hakim

Vulcan Historical Review

pp. 62-73

Vulcan Historical Review 10 (Complete Issue), Vulcan Historical Review Staff

Vulcan Historical Review

No abstract provided.

Birmingham Poetry Review 32 (Front Matter), Birmingham Poetry Review Staff

Birmingham Poetry Review

pp. -4

Licking Valley Tractor Sales, John N. Miller

Birmingham Poetry Review

p. 36

Name Calling, Michael Casey

Birmingham Poetry Review

p. 9

After The Amputation, Dane Cervine

Birmingham Poetry Review

p. 11

Bristlecone Pine, Nick Conrad

Birmingham Poetry Review

p. 12

Burning Bush, Charlene Fix

Birmingham Poetry Review

p. 17

When Wendy Grew Up, Kate Tuxford

Birmingham Poetry Review

p. 48

Pond, J T. Ledbetter

Birmingham Poetry Review

p. 27

Diagnosis, Mary C. Mccarthy

Birmingham Poetry Review

p. 35

Patsy Cline, David Martin

Birmingham Poetry Review

pp. 33-34

The Moss-Rose, Brent Pallas

Birmingham Poetry Review

p. 38

The Ghost Of Everyday, Philip Miller

Birmingham Poetry Review

p. 37

A Light Secreted By Bees, Paulann Petersen

Birmingham Poetry Review

p. 40