Open Access. Powered by Scholars. Published by Universities.®
- Keyword
-
- Feminism (2)
- 20th-Century Spanish Literature (1)
- Aboriginal Populations Research (1)
- Ana María Moix (1)
- Bluebeard (1)
-
- Body image (1)
- Canadian Literature (1)
- Conference Presentations (1)
- DIY (1)
- ESSAYS IN PEER-REVIEWED EDITED BOOKS (1)
- Feminist Ethics (1)
- Feminist/Gender Studies (1)
- Gothic (1)
- La chica moderna (1)
- Lesbianism (1)
- Margaret Atwood (1)
- Mexico City (1)
- Moral and Political Philosophy (1)
- Moral philosophy (1)
- Novels (1)
- Photography (1)
- Psychology (1)
- Silence (1)
- Spain (1)
- Speeches (1)
- Subcultural studies (1)
- Third Wave feminism (1)
- Women college students (1)
- Women's history (1)
- Youth studies (1)
Articles 1 - 11 of 11
Full-Text Articles in Arts and Humanities
Blues For Ron, Linda Niemann
Feminist Moral Philosophy, Samantha Brennan
Imagining La Capital: Photography And La Chica Moderna, Mexico City, 1933, Ageeth Sluis
Imagining La Capital: Photography And La Chica Moderna, Mexico City, 1933, Ageeth Sluis
Ageeth Sluis
No abstract provided.
Looking Good : College Women And Body Image, 1875-1930, Margaret Lowe
Looking Good : College Women And Body Image, 1875-1930, Margaret Lowe
Margaret Lowe
Toward the end of the nineteenth century, as young women began entering college in greater numbers than ever before, physicians and social critics charged that campus life posed grave hazards to the female constitution and women's reproductive health. "A girl could study and learn," Dr. Edward Clarke warned in his widely read 1873 book Sex in Education, "but she could not do all this and retain uninjured health, and a future secure from neuralgia, uterine disease, hysteria, and other derangements of the nervous system." For half a century, ideas such as Dr. Clarke's framed the debate over a woman's place …
From Megaphones To Microphones : Speeches Of American Women, 1920-1960, Sandra Sarkela, Susan Ross, Margaret Lowe
From Megaphones To Microphones : Speeches Of American Women, 1920-1960, Sandra Sarkela, Susan Ross, Margaret Lowe
Margaret Lowe
Until recently, scholars assumed that women stopped speaking after they won the vote in 1920 and did not reenter political life until the second wave of feminism began in the 1960s. Nothing could be further from the truth. While national attention did dissipate after 1920, women did not retreat from political and civic life. Rather, after winning the vote, women's public activism shifted from a single-issue agenda to the myriad social problems and public issues that faced the nation. As such, women began to take their place in the public square as political actors in their own rights rather than …
Through The Causality Web: Looking At Etiology And Resistance In Aboriginal Cancer Experiences, Treena Orchard
Through The Causality Web: Looking At Etiology And Resistance In Aboriginal Cancer Experiences, Treena Orchard
Dr. Treena Orchard
No abstract provided.
Out Of It: Alienation And Coercion In D. H. Lawrence, Anne Fernald
Out Of It: Alienation And Coercion In D. H. Lawrence, Anne Fernald
Anne E Fernald
No abstract provided.
Margaret Atwood’S The Blind Assassin: A Left-Handed Story, Karen Stein
Margaret Atwood’S The Blind Assassin: A Left-Handed Story, Karen Stein
Karen F Stein
No abstract provided.
Resisting Subjects: The Politics Of Spectacular Style In Women's Subcultural Production”, Doreen Piano
Resisting Subjects: The Politics Of Spectacular Style In Women's Subcultural Production”, Doreen Piano
Doreen M Piano
No abstract provided.
“Reading, Writing, And The Love That Dares Not Speak Its Name: Eloquent Silences In Ana María Moix's Julia", Gema Pérez-Sánchez
“Reading, Writing, And The Love That Dares Not Speak Its Name: Eloquent Silences In Ana María Moix's Julia", Gema Pérez-Sánchez
Gema Pérez-Sánchez
No abstract provided.
Rifling Through War Debris: Abjection, The Uncanny, And Male Subjectivity In Fernand Léger’S Art Of The 1930s, Maureen Shanahan
Rifling Through War Debris: Abjection, The Uncanny, And Male Subjectivity In Fernand Léger’S Art Of The 1930s, Maureen Shanahan
Maureen G. Shanahan
No abstract provided.