Arts and Humanities Commons^™

The Illusory Angel: The Perfect Victorian Wife, Anne Razey Gowdy Jan 1993

An Irish Landscape In Beckett’S Fiction, Laura Barge Jan 1993

Country House Entertainments In Milton’S Paradise Lost, D. M. Rosenberg Jan 1993

Robin Hood’S “Irish Knife”: Irony In The Guy Of Gisborne Ballad, George Swan Jan 1993

Discerning Motive: Another Look At Trollope’S Warden, Kevin Floyd Jan 1993

The Apotheosis Of The Hero In Eighteenth Century Tragedy: A Look At Addison’S Cato And Home’S Douglas Milton, Milton Jeffrey Waldrop Jan 1993

When The Priest Is A Woman: Female Clergy And The Detective Novel, Linda K. Robertson Jan 1993

‘So Unlike The Normal Lunatic’: Abnormal Psychology In Bram Stoker’S Dracula, William Hughes Jan 1993

The Return Of The Repressed In M. R. James’ Martin's Close, Cyndy Hendershot Jan 1993

Form And Content In The English History Play: The Evolution Of A Mature Dramatic Style In Shakespeare’S York And Lancaster Cycles, Daniel L. Wright Jan 1993

“Conceal Me What I Am”: Reading The Second Scene Of Twelfth Night, Stephen Ratcliffe Jan 1993

“I Wol Thee Telle Al Plat”: Poetic Influence In Chaucer’S Pardoner, Dana E. Aspinall Jan 1993

The Motif Of Water In Charles Kingsley’S The Water-Babies, Brendon Rapple Jan 1993

Failed Quests For Ideal Love: Jude The Obscure As A Paradigm For The Wild Palms, Margaret D. Bauer Jan 1993

Family Resemblances: Intertextual Dialogue Between Father And Daughter Novelists In Godwin’S St. Leon And Shelley’S Frankenstein, Gregory Maertz Jan 1993

Waugh’S The Loved One: A Classic/Romantic Paradigm, Brooke Allen Jan 1993

Fetishism And Fantasy In Bennett’S The Old Country And Single Spies, Larry Langford Jan 1993