Arts and Humanities Commons^™

The Illusory Angel: The Perfect Victorian Wife, Anne Razey Gowdy Jan 1993

An Irish Landscape In Beckett’S Fiction, Laura Barge Jan 1993

Country House Entertainments In Milton’S Paradise Lost, D. M. Rosenberg Jan 1993

Robin Hood’S “Irish Knife”: Irony In The Guy Of Gisborne Ballad, George Swan Jan 1993

Discerning Motive: Another Look At Trollope’S Warden, Kevin Floyd Jan 1993

The Apotheosis Of The Hero In Eighteenth Century Tragedy: A Look At Addison’S Cato And Home’S Douglas Milton, Milton Jeffrey Waldrop Jan 1993

When The Priest Is A Woman: Female Clergy And The Detective Novel, Linda K. Robertson Jan 1993

‘So Unlike The Normal Lunatic’: Abnormal Psychology In Bram Stoker’S Dracula, William Hughes Jan 1993

The Return Of The Repressed In M. R. James’ Martin's Close, Cyndy Hendershot Jan 1993

Form And Content In The English History Play: The Evolution Of A Mature Dramatic Style In Shakespeare’S York And Lancaster Cycles, Daniel L. Wright Jan 1993

“Conceal Me What I Am”: Reading The Second Scene Of Twelfth Night, Stephen Ratcliffe Jan 1993

“I Wol Thee Telle Al Plat”: Poetic Influence In Chaucer’S Pardoner, Dana E. Aspinall Jan 1993

The Motif Of Water In Charles Kingsley’S The Water-Babies, Brendon Rapple Jan 1993

Failed Quests For Ideal Love: Jude The Obscure As A Paradigm For The Wild Palms, Margaret D. Bauer Jan 1993

Family Resemblances: Intertextual Dialogue Between Father And Daughter Novelists In Godwin’S St. Leon And Shelley’S Frankenstein, Gregory Maertz Jan 1993

Waugh’S The Loved One: A Classic/Romantic Paradigm, Brooke Allen Jan 1993

Fetishism And Fantasy In Bennett’S The Old Country And Single Spies, Larry Langford Jan 1993

“The Eve Of St Agnes” And The Seductive Mystery Of Imagination, Lyndel P. Colglazier Jan 1992

Cooper And Wordsworth, Lance Schachterle Jan 1992

Lydia Gwilt: Wilkie Collins’S Satanic, Sirenic Psychotic, Jonathan Craig Tutor Jan 1992

Robert Browning’S Cleon: A Natural Man, George F. Horneker Jan 1992

Staging Personal Chaos And Fragmentation: The Plays Of Doris Lessing, Dorothy H. Brown Jan 1992

Robert Graves’S Dilemma Of The Storyteller: Multiple Narratives In “The Shout”, Kirk H. Beetz Jan 1992

“‘The Duca Di Crinola’”—What’S In A Name?, Rebecca Jordan Jan 1992

The Feminism Of Rosamond Lehmann’S Novels, Harriet Blodgett Jan 1992

Shakespeare And The Aggression Of Children, Morris Henry Partee Jan 1992

Evoking Emma In “Poems Of 1912-13”, William C. Duckworth Jr. Jan 1992

Gerard Manley Hopkins, Jesuit A.M.D.G., John Stasriy Jan 1992

Two Altered Endings—Dickens And Bulwer Lytton, John Cloy Jan 1992

Gilbert And Sullivan And The Brooklyn Bridge: Two Newly Discovered Letters, G. A. Cevasco Jan 1992