Arts and Humanities Commons^™

Master Of Fine Arts 1988 Exhibitions, Thomas J. Riesing

Ewing Gallery of Art & Architecture

MFA class of 1988: Calvin R. Custen, Barry Fleming, Mary Jo Gigax, and Robert Gibson.

Department Of Art Department History, Sandra Walker

Historical Material

A history of the University of Tennessee's Department of Art from 1947 - 1988, compiled by Department Historian and Slide Librarian, Sandra Walker.

1988 Art News, Department Of Art

Historical Material

1988 Department of Art newsletter that profiles Art History Professor, Dale Cleaver upon his retirement with appreciative memories written by Department of Art Faculty members, Don Kurka and Fred Martinson.

Other newsletter highlights include: the 1988-89 Sculpture Tour, Visiting Artist Chen Bo-jin, the Annual SECAC conference, and the appointment of new faculty members, Pam Longobardi and Karen A. Bearor.

Sculpture Tour 87 88 (Exhibition Catalogue), Jack E. Reese, Dennis Peacock

Sculpture Tour

Curated by UT Department of Art sculpture professor, Dennis Peacock, the 87/88 Sculpture Tour features the work of twenty-six artists.

Participating artists were: Joseph Falsetti, Patrick Thibert, Joe Mooney, John W. Parker, Jack Kennedth Maxwell, Williard C. Carl, Rod Strickland, Martin Emanuel, Peter MacElwain, W. Glenn Phifer, Dann Nardi, Dennis Whitcopf, Lin S. Walker, Michael F. Daugherty, Bob Fetty, Norman J. Taylor, Al Keim, Sherry Ann Edwards, Walter C. Jackson, Harold D. Van Houten, Jack Gron, David Wilson, James S. Gibson, Be Gardiner, Philip NIchols, and Jim Buonaccorsi.

1988 Stanley A. Bauman Photograph Collection Index, Stonehill College Archives

Bauman Indexes

Chronological Listing of all negatives taken by Stanley A. Bauman during 1988. The numbers to the left of each entry indicates the envelope those of negatives are found in. Please use this number when requesting contact sheets for images.

Fluxus And Friends, Estera Milman, Special Collections, Fleet Library

Art History

"The University of Iowa Museum of Art, January 23-March 13, 1988." Includes a separate checklist, inside back cover. Library has two copies, each with two checklist sheets. Gift of Estera Milman, RISD Class of 1970. Fleet Library at RISD Alumni Collection. Estera Milman (RISD BFA Painting/Printmaking and Film, 1970) scholar of post-World War II avant-garde art. Founded Alternative Traditions in Contemporary Art (ATCA) at the University of Iowa, 1982, and served as its director until 2000. She is the author of many books, articles, interviews, and exhibition catalogs on Fluxus and No!art. In December 2018 she donated a selection books …

Chinese Cultural Center, Wei Dong

Theses and Dissertations

During this period of high technology, designers are eager to create environments that have strong emotional appeal to people's physiology and psychology. Our exploration of the natural living space has become all the more an elusive search as modern technology advances. Interior design, in its concern for environmental engineering, endeavors to exploit the spiritual aspect of human resources. Through this message, people are inspired to higher planes of existence.A. PROJECT To design a Chinese Cultural center. B. PURPOSE 1. To introduce the traditional and contemporary Chinese culture to western people. 2. To illustrate and describe the philosophies of Chinese life …

1988-1989 Course Catalog (Graduate), Columbia College Chicago

Course Catalogs

1988-1989 graduate course catalog.

Reflections 1988, Amanda Thomas, Jimmy Byrd, Joyce Compton Brown

Reflections

The 1988 issue of Reflections is edited by Amanda Thomas with Jimmy Byrd and Joyce Compton Brown serving as layout editor and faculty adviser, respectively. Cover design is by Melissa Brown. Award winners of the student writing contest include: Melissa Brown, Bobby Beal, and Jimmy Byrd. This year the Art Department sponsored an art contest for all students whose submissions were chosen for publication. Award winners of the student art contest include: Melissa Brown, Henry Doo, and Craig Lewis. This issue includes a special tribute to Ruth Kiser, written by Sheila McClure, for her support of Reflections throughout the years.

Photo, Grace Brady

The Messenger

No abstract provided.

Duchess, Jeff Sagester

The Messenger

No abstract provided.

Painting, Ephraim Rubenstein

The Messenger

No abstract provided.

Charcoal Drawing, Jerry Hanley

The Messenger

No abstract provided.

Photo, Grace Brady

The Messenger

No abstract provided.

Messenger 1988

The Messenger

No abstract provided.

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, And Drawing, University Of Richmond Museums

Exhibition Brochures

Mark Rhodes/Ephraim Rubenstein: Sculpture, Painting, and Drawing

November 29 to December 18, 1988

Marsh Art Gallery

Introduction

The art of Ephraim Rubenstein and Mark Rhodes is art about the human figure, born out of personal experience and nourished by the great tradition of the figure in western culture. Indeed, the persistence of the human form in art from prehistoric times into the 20th Century, demonstrates not only the infinite variety of interpretations and expressions possible through the body, but our consistent need for self-realization and re-creation through the figure. The particular pieces in this show convey a remarkable cumulative visual …

Nexus, Winter 1988, Wright State University Community

Nexus Literary Journal

Nexus is a magazine that began as an insert in the Wright State Guardian student newspaper in 1965 and has since been published semi-regularly. It began only accepting creative writing, but has since expanded to include illustrations, photography and other non-written art forms. Today, it is published in a digital format and accepts submissions from around the country, though it maintains its commitment to the Wright State Community.

Brochure 1988, 90.9 Wmpg Fm

WMPG Program Guides

Promotional brochure, 1988.

Winter/Spring 1988, 90.9 Wmpg Fm

WMPG Program Guides

Playbill format.

Parnassus 1988

Parnassus

The 1988 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Ye Olde Alphabet, Anne Johnson, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class.

Memory Loss, Scott Mccarney, Special Collections, Fleet Library

Artists' Books

1 sheet folded. Folded accordion style; binding consists of end boards and cord tie.

Portfolio, 1988, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

Window Watching: An Alliterative Alphabet, Elizabeth Bowne, Fleet Library, Special Collections, Jan Baker

Letters

This book was completed for Jan Baker's artists' book class.

Miniature Masterworks, Daphne A. Deeds

Sheldon Museum of Art: Catalogs and Publications

Miniature does not merely mean small. When applied to painting, the term "miniature" conveys art historical and psychological meanings of greater import than simple dimensions may indicate. "Miniature Masterworks" offers a diverse group of undersized paintings which are related by virtue of their size, but which reveal larger issues pertinent to the history of twentieth century art.

While artists have used the miniature format throughout the history of art, the tradition of small scale paintings was rather recently reestablished in America, via the French. In part as a reaction to large, Neoclassical paintings commissioned by grand patrons, and depicting ideal …

Women's Perception Of Fashion Comparing Viewers And Non-Viewers Of Evening Soap Operas : The Cultivation Effect, Elliot Paul Bloom

University of the Pacific Theses and Dissertations

The cultivation effect is defined as the distorted view of reality which results from the heavy viewing exposure to a certain type of programming content. The assumption behind the cultivation hypothesis is that the more hours an individual exposes himself or herself to a particular type of program content. the more the individual's view of reality will be consistent with the "reality" shown in the program.

It is no mystery that for the past half-century, millions of Americans have made the broadcast soap opera a daily habit. In response to the heavy interest exhibited by this strong audience, social scientists …

Summer 1988, 90.9 Wmpg Fm

WMPG Program Guides

WMPG Program Guide, Summer 1988.

Textiles As Primary Sources In The Study Of "Boundary Art:" Hispanic Textiles Of Northern New Mexico, Suzanne Baizerman

Textile Society of America Symposium Proceedings

INTRODUCTION

Wool, weft-faced textiles from the looms of Northern New Mexican Hispanic weavers (Figs. 1 through 7) are widely represented in museum collections and historical societies. Often, they are confused with Navajo and Mexican blankets and rugs although Hispanic weavings are the products of a unique weaving tradition and are produced within a distinctive cultural context. I view the history of Hispanic weaving in northern New Mexico as an example of "boundary art," that art which is produced by one cultural group for purchase by another. This transaction often requires the services of an intermediary and takes place within a …

Wringing It Dry: The Challenge Of Prehistoric Textiles, Elizabeth Barber

Textile Society of America Symposium Proceedings

Some time ago I embarked on a "short little project" to find out what I could about Bronze Age Aegean textiles, which I had come to suspect were more elaborate and more important than anyone was giving them credit for. I knew the project could not take very long, and would not take more than maybe ten pages to write up, because virtually nothing in the way of textiles has survived from Greece—even in the Classical period, let alone the prehistoric era. But my father, who was a physicist, had instilled into me a question that changed everything: namely, "(If …

The Mexican Jaspe (Ikat) Rebozo: Comments On Its History, Significance And Prevalence, Virginia Davis

Textile Society of America Symposium Proceedings

The rebozo is a multi-function shawl worn by women in Mexico, 6 to 12 feet long and 24 to 34 inches wide. Approximately three-quarters of the length is woven; the remainder is fringe, most often elaborately worked: usually by half hitch or overhand knotting or by finger weaving. Place and identity are communicated by the yam, the color and design of the weaving, the style and technique of fringe finishing, and by the manner in which the rebozo is worn. My particular interest is the ikat rebozo. The Spanish for ikat is jaspe. Jaspe,(ikat), a system of resist dyeing a …