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Volume 20, Number 12 (December 1902), Winton J. Baltzell Dec 1902

Volume 20, Number 12 (December 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Best Living Composers

Perennial Romanticism

Music as it Exists in the United States: A General Survey

Choral Societies as a Factor in Musical Progress

What the Pedagogues Have Done for Modern Music

Influence of the Modern Orchestra

Musical Journalism as a Factor in Modern Music

What Some Persons Expect of a Pupil

Popular Instrumental Music

Popular Ballad and its Influence

Cradle Song

Modern Theory Teaching

Old Fogy is Pessimistic

Commercialism a Stumbling-Block

First Flights of a Singer: A Story Founded upon the Career of a Prominent American Singer


Volume 20, Number 11 (November 1902), Winton J. Baltzell Nov 1902

Volume 20, Number 11 (November 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: Ossip Gabrilowitsch

Study of Successful Musicians

Use of the Thumb in Pianoforte Playing

Personal Experience the Best Teacher

Collection of Tuition Fees

Making Progress

How Schubert Composed

Piano-Player's Position


Volume 20, Number 10 (October 1902), Winton J. Baltzell Oct 1902

Volume 20, Number 10 (October 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Making of an Artist: A Talk with Mark Hambourg

Ear-Training and Use of the Damper Pedal

Essential Conditions Making for Beauty of Tone in Piano-Playing

For the Young Composer

Keep a Dictionary Handy

Pupil's Rights

Technic vs. Interpretation in Piano Playing

Musician as Missionary

How to Keep Pupils

Beautiful Tone

Repertory Building as a Stimulus to Music Study

Fourth Finger in Arpeggios


Volume 20, Number 09 (September 1902), Winton J. Baltzell Sep 1902

Volume 20, Number 09 (September 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Sir Alexander Campbell Mackenzie and the Royal Academy of Music, London

Opportunity and Ambition

Value and Meaning of Creative Work

Mistakes of Musicians as Seen by an Outsider

Essential Characteristics of Teaching Pieces for the Lower Grades


Volume 20, Number 08 (August 1902), Winton J. Baltzell Aug 1902

Volume 20, Number 08 (August 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Foreign Musical Atmosphere: London

Composers' Pecularities

Are Teachers Teaching?

Time for Practice

Playing in Public

Reflections for Teachers and Students

Never Give Up the Fight


Volume 20, Number 07 (July 1902), Winton J. Baltzell Jul 1902

Volume 20, Number 07 (July 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edward Macdowell on the Relations of Music and Poetry

Inter-Relation of Touch and Tone Effect

Aphorisms by Theodore Gouvy

Borodine's Account of Liszt's Playing

Feeling of Rhythm

Pedagogic Gleanings Selectec by Heinrich Germer

Education of the Listener

Octave Playing and Its Technicr

Analysis of Grieg's Berceuse, Op.28, No. 1


Volume 20, Number 06 (June 1902), Winton J. Baltzell Jun 1902

Volume 20, Number 06 (June 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Unsatisfactory Pupil and His Lack of Innate Rhythm

Treatment of the Thumb

Use of Finger Exercises

Saint-Saëns on Melody and Harmony

What Constitutes a Musical Communitys

How Bach Played

Was Old Fogy a Liszt Pupil?

Preparation for the Day's Work

Some of the Easier Chopin Nocturnes

Paderewski on Scale-Playing


Students' Annual Concert (May 29, 1902), Lindenwood College May 1902

Students' Annual Concert (May 29, 1902), Lindenwood College

Student Music Performance Programs

Event program for the Students' Annual Concert (May 29, 1902).


Volume 20, Number 05 (May 1902), Winton J. Baltzell May 1902

Volume 20, Number 05 (May 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Liszt as a Musical Influence

Liszt, the Musical Liberal

Liszt as Pianist and Composer

Liszt as a Teacher

Transcriptions for the Piano by Liszt

Robert Schumann on Liszt's Playing

Necessity for Business Adaptability

Lesson on Bach

Victor Hugo Celebration

What to Learn in the Biography of a Composer


Volume 20, Number 04 (April 1902), Winton J. Baltzell Apr 1902

Volume 20, Number 04 (April 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Three English Women Composers

Young Man in Music

Criticism of J.S. Bach by a Contemporary

Graduate Recitals: The What and the How

Habit of Counting Correctly

On Instruction in First and Second Grades

Training of Music Teachers

Economy for the Advanced Student and the Teacher

Value of Writing Down One's Impressions

Initial Difficulties in the Student's Work

Intellectual Requirements of the Music-Student

Curving the Fingers


Volume 20, Number 03 (March 1902), Winton J. Baltzell Mar 1902

Volume 20, Number 03 (March 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Harold Bauer on the Study of the Piano

Artistic Freedom

Musical Appreciation

Comparative Composition

Development of Rhythm

Musical Pioneers

Discipline of the Thumb

Prime Necessity in Music Education

Relation of the Teacher Toward the Pupil

Sight Reading


Volume 20, Number 02 (February 1902), Winton J. Baltzell Feb 1902

Volume 20, Number 02 (February 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Edouard Zeldenrust on the Training of an Artist

Music Education: Its Problems and Needs

Guiding Thoughts for 1902 (symposium)

Teacher's Preparation of the Pupil's Lesson

The Term Sonata

Choice of Technic for a Composition

Value of Nuance

Women and Originality

Character in Practice


Because, Guy D' Hardelot, Edward Teschemacher Jan 1902

Because, Guy D' Hardelot, Edward Teschemacher

Historic Sheet Music Collection

Because you come to me with naught save love And hold my hand, and life mine eyes above, A wider world of hope and joy I see, Because you come to me. Because you speak to me in accents sweet, I find the roses waking round my feet. And I am led through tears and joy to thee, Because you speak to me. Because God made thee mine I'll cherish thee, Through light and darkness, through all time to be, And pray His love may make our love divine, Because God made thee mine. Lorsque j'entends ton pas, comme en …


Because, Guy D' Hardelot, Edward Teschemacher Jan 1902

Because, Guy D' Hardelot, Edward Teschemacher

Historic Sheet Music Collection

Because you come to me with naught save love

And hold my hand, and life mine eyes above,

A wider world of hope and joy I see,

Because you come to me.

Because you speak to me in accents sweet,

I find the roses waking round my feet.

And I am led through tears and joy to thee,

Because you speak to me.

Because God made thee mine I'll cherish thee,

Through light and darkness, through all time to be,

And pray His love may make our love divine,

Because God made thee mine.

Lorsque j'entends ton pas, comme en …


Volume 20, Number 01 (January 1902), Winton J. Baltzell Jan 1902

Volume 20, Number 01 (January 1902), Winton J. Baltzell

The Etude Magazine: 1883-1957

Joseph Hofmann on Piano Technic and Piano Practice

Guiding Thoughts for 1902 from Leading Musicians

In Mozartland with Old Fogy

Problems of Music Education

Ideal Music School

Place of Routine in Music Work

Woman Music Teacher in a Large City

Two Choices

Ideals


Chanson. Minde. Espagnol., Michael Krohn Jan 1902

Chanson. Minde. Espagnol., Michael Krohn

Music at the Periphery – Dansemusik Volume

There is handwriting on the front cover that dates ownership of this piece to 1904. There is also a decorative cover and text that indicates this is a souvenir copy.


[Complete Volume] Dansemusik, Gina Oselio Jan 1902

[Complete Volume] Dansemusik, Gina Oselio

Music at the Periphery – Dansemusik Volume

A complete volume of sheet music entitled "Dansemusik."


Bill Bailey, Won't You Please Come Home? / Music By Hughie Cannon; Words By Hughie Cannon, Hughie Cannon, Howley Haviland And Dresser (New York) Jan 1902

Bill Bailey, Won't You Please Come Home? / Music By Hughie Cannon; Words By Hughie Cannon, Hughie Cannon, Howley Haviland And Dresser (New York)

Sheet Music, 1900-1909

Cover: two drawings, one of Bill Baileys woman crying and another of him smiling; Publisher: Howley Haviland and Dresser (New York)


Maple Leaf Rag / Music By Scott Joplin; Words By Scott Joplin, Scott Joplin, John Stark And Son (St.Louis) Jan 1902

Maple Leaf Rag / Music By Scott Joplin; Words By Scott Joplin, Scott Joplin, John Stark And Son (St.Louis)

Sheet Music, 1900-1909

No abstract provided.


Good Evenin' / Music By Will Marion Cook; Words By Paul Laurence Dunbar, Will Marion Cook, Paul Laurence Dunbar, Harry Von Tilzer Music Publishing Co. (New York) Jan 1902

Good Evenin' / Music By Will Marion Cook; Words By Paul Laurence Dunbar, Will Marion Cook, Paul Laurence Dunbar, Harry Von Tilzer Music Publishing Co. (New York)

Sheet Music, 1900-1909

Cover: description reads A Real Native Southern Negro Melody and Music Supplement of the N. Y. American and Journal. Sunday, March 22, 1903; Publisher: Harry von Tilzer Music Publishing Co. (New York)


When The Leaves Are Brown And Gold / Music By Nat. Osborne; Words By Maurice Jacobs And Harry Robinson, Nat. Osborne, Maurice Jacobs, Harry Robinson, American Music Co. (New York) Jan 1902

When The Leaves Are Brown And Gold / Music By Nat. Osborne; Words By Maurice Jacobs And Harry Robinson, Nat. Osborne, Maurice Jacobs, Harry Robinson, American Music Co. (New York)

Sheet Music, 1900-1909

Cover: a drawing of a woman under a tree standing and waving; Publisher: American Music Co. (New York)


Fade Away, I'M Waitin' Fo' Mah Man / Music By Ben M. Jerom; Words By Frank Abbot, Ben M. Jerom, Frank Abbot, Howley Haviland And Dresser (New York) Jan 1902

Fade Away, I'M Waitin' Fo' Mah Man / Music By Ben M. Jerom; Words By Frank Abbot, Ben M. Jerom, Frank Abbot, Howley Haviland And Dresser (New York)

Sheet Music, 1900-1909

Cover: drawing of a saddened African American male sitting on the steps to a locked house, while an African American female peers out from behind the curtains; photo inset of two Caucasian males in blackface, listed as Ward and Wade; Publisher: Howley Haviland and Dresser (New York)


Ma Lady Lu / Music By Edwin S. Brill; Words By Chas W. Doty, Edwin S. Brill, Chas W. Doty, Harry Von Tilzer Music Publishing Co. (New York) Jan 1902

Ma Lady Lu / Music By Edwin S. Brill; Words By Chas W. Doty, Edwin S. Brill, Chas W. Doty, Harry Von Tilzer Music Publishing Co. (New York)

Sheet Music, 1900-1909

Cover: photo of the Clemence Sisters (Violet and Rose); Publisher: Harry von Tilzer Music Publishing Co. (New York)


The Lighthouse Song / Music By Charles Dennee; Words By Allen Lowe, Charles Dennee, Allen Lowe, Arthur P. Schmidt Jan 1902

The Lighthouse Song / Music By Charles Dennee; Words By Allen Lowe, Charles Dennee, Allen Lowe, Arthur P. Schmidt

Sheet Music, 1900-1909

Cover: drawing of a ship and a Lighthouse; Publisher: Arthur P. Schmidt


Evah Dahkey Is A King / Music By John H. Cook; Words By E. P. Moran And Paul Laurence Dunbar, John H. Cook, E. P. Moran, Paul Laurence Dunbar, Harry Von Tilzer Music Pub. Co. (Chicago) Jan 1902

Evah Dahkey Is A King / Music By John H. Cook; Words By E. P. Moran And Paul Laurence Dunbar, John H. Cook, E. P. Moran, Paul Laurence Dunbar, Harry Von Tilzer Music Pub. Co. (Chicago)

Sheet Music, 1900-1909

Cover: caricature photo; Music Supplement of the New York American and Journal. Sunday, October 26, 1902); Publisher: Harry Von Tilzer Music Pub. Co. (Chicago)


A Vision In Paradise / Words By Trevelyan, Trevelyan, T. B. Harms And Co. (New York) Jan 1902

A Vision In Paradise / Words By Trevelyan, Trevelyan, T. B. Harms And Co. (New York)

Sheet Music, 1900-1909

Cover: a drawing of a woman playing Piano; Publisher: T. B. Harms and Co. (New York)


Just For To-Night / Music By Frank O. French; Words By Frank O. French, Frank O. French, M. Witmark And Sons (New York) Jan 1902

Just For To-Night / Music By Frank O. French; Words By Frank O. French, Frank O. French, M. Witmark And Sons (New York)

Sheet Music, 1900-1909

Cover: photo of Jos. E. Blamphin the phenomenal tenor of Al. G. Fields Minstrels, Botanical Illustration; Publisher: M. Witmark and Sons (New York)