Arts and Humanities Commons^™

Call And Response : Experiments In Storytelling, Deanne Fernandes

Masters Theses

Being part of RISD's inaugural Masters of Illustration cohort has been an immense honor. This journey has been nothing short of transformative and healing, as it has allowed me to unearth layers of self-discovery through my creative practice.

In my thesis, I introduce a fresh research methodology rooted in the principles of call and response, with adaptability, creativity, and storytelling as its foundational pillars. Through the lenses of visual storytelling, experimental animation, graphic journalism, and fictional world-building, I demonstrate how these techniques can effectively bridge the gap between theory and practice. This dynamic approach fosters meaningful connections among diverse perspectives …

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …

Searching For The Hyperobject: Crystals As Transscalar Vehicles, Jay Costello

Masters Theses

When I touch the street outside my house, I'm touching Los Angeles—a contiguous vector of material bisecting a continent. A slab, a stone, dust and oil, a googolplex of tightly packed anisotropic particles... At nightfall, I sneak to the edge of the highway and break off a piece. 'What does it mean for a worm to be aware of the scale of the planet?' Bruno Latour's evocative questioning of scalar jumps prompts an existentialism that places me somewhere between the hyperlocal and the massively distributed. Like a cosmic traveler floating through the universe, I feel adrift. I look around, grasping …

Landing: Body, Site, Material, Renata Berta

Masters Theses

I believe that in order to build on the land, I must establish a profound relationship with it. As an outsider to New England territories, I actively seek this connection through immersive activities such as swimming, surfing, climbing, and extensive walks, immersing myself in the land to better understand it and synchronize with its rhythms. In my artistic and architectural practice, I explore dissolving traditional boundaries, emphasizing the vital return to the land to create a more responsive and embodied architecture that symbiotically engages with the landscape

Within this ongoing project, “Landing: Body, Site, Material,” I conceptualize my body not …

Urban Looms, Recoloring City, Ella Son

Masters Theses

The metropolis has been a dominant and defining aspect of my life. Acutely aware of visual illusions created by the choreographed and unchoreographed movements of people in the streets and the distortions of light and shadow on the glass facades of skyscrapers, I reinterpret the patterns and colors that are in constant interplay into a collection of architectural textiles.

With an emphasis on optical layering, these immersive installations recreate the quality of being spellbound in the city. Scaled to emphasize verticality and activated through transparent overlays and dense color interplay, a rich visual field is activated. In their application, the …

Memory And Experiential Lab, Yufan Xu

Masters Theses

In the tapestry of our lives, there exist moments and places that we can never revisit, scenes etched into our memories that fade with the passage of time. These experiences and memories are treasures, provide us with an anchor to our past. Unfortunately, many of these moments are like fireflies in the night, here one moment and gone the next. Yet, they remain invaluable, forever etched in our hearts and minds. I wonder if it is possible to trigger cherished past experiences and memories in our daily lives, allowing individuals to re-experience similar moments, thereby nourishing the spiritual world. Therefore, …

Graphic Warmline, Soo Min Lee

Masters Theses

Graphic Warmline is a metaphorical helpline for designers.It is a safe space to embrace doubt, navigate the complexities of our surroundings, and to move and adapt in new ways through the design process. Born from my own struggles, and ongoing processes of active-listening, observing, and introspection, this warmline is an invitation to contemplate and reframe standards of perfection and ingrained habits in order to discover genuine joy, a true voice, and to embrace flexibility, openness, and dynamism while designing.

Graphic Warmline offers interactive experimental methods, materials, and formats through actions of interplay in freeform.These experimentations revolve around threads of interplaying …

Timeless Teachings & Unbridled Possibilities, Ruijie Tai

Masters Theses

I am looking at is process of TRANSLATING AND BRIDGING.

Qi, traditionally understood as the vital force that flows through and animates living beings and the environment, lies at the edge of our perceptual capabilities.

The notion that what we cannot "see" holds significant influence over our world suggests that there are aspects of reality and forces at play beyond our direct sensory experience. AI, with its capacity for analyzing vast amounts of data and recognizing patterns beyond human capability, offers a unique tool for exploring these unseen forces.

The potential of AI to perceive and understand Qi could open …

Patchwork: 76km Between Juárez And El Paso, Naheyla Medina

Masters Theses

Located at the western edge of Texas where the Río Bravo ~ Rio Grande, becomes the border between México and the United States. Resides a spectacle of misconceptions that, along with an expansive corten steel border wall embedded into the earth, live to suppress the histories, culture, and environment entangled together like patchwork along this border space. The built environment influences our daily experiences, and our daily experiences can often influence our built environment. This project seeks to leverage, murals as a medium, creative writing, and architectural representations, to rework the mapping between Mexico and the US. Honing in on …

Frontier: Land, Architecture, And Abstraction, Jacob Boatman

Masters Theses

The abstraction of land is a colonial process by which physical land is transformed into a conceptual or symbolic entity. This transformation occurs through various economic, architectural, and cultural practices that imbue land with abstract values, meanings, and functions beyond its physicality. This includes the division of land into parcels for economic transactions, the design and construction of built environments that shape human interactions with the land, and the cultural narratives and representations that ascribe significance to particular landscapes. Through abstraction, colonial powers devalue indigenous perspectives and relationships to the land, reducing them to mere obstacles in the path of …

Equivision Habitat: The Collective Dreamworks, Shixuan Zhou

Masters Theses

近年来，武汉这座充满活力的城市在经济快速增长的同时，也经历了重大的社会变革。城市的天际线不断扩大，新的商业和住宅区正在迅速涌现，吸引了更多的中产阶级家庭。作为武汉的长期居民和观察者，我看到了这种向中产阶级社会转变的诱惑力，但我也敏锐地意识到随之而来的社会成本。武汉向中产阶级社会的转变不仅体现在消费水平的提高和生活方式的转变上，更重要的是，体现在城市空间和社区角色的重新配置上。曾经为低收入居民提供住房的旧社区正在被改造成高端公寓和商业空间。虽然这种转变改善了城市的整体形象，但也导致了原住民的流离失所。这种深刻的变化凸显了中产阶级化的双刃剑性质。在这种背景下，我开始关注那些被这一进程边缘化的人的声音和需求。老年居民失去了熟悉的社区环境，年轻人尽管渴望加入新兴的中产阶级，但仍在为高昂的生活成本而苦苦挣扎。这种日益加剧的社会分层，让我深刻反思了城市更新的公平性和可持续性。本文提出了一种基于集体所有权和通过社区土地信托进行管理的社区模式。这种模式将土地所有权从个人转移到社区集体，确保开发活动优先考虑社区的长期福利，而不是短期的商业收益。其目的不仅是提供经济适用房，还旨在培养一个具有共同愿景的社区，探索在城市发展的同时维持社会多样性和包容性的方法。

The Future Is Over, Dotan Appelbaum

Masters Theses

History is constructed out of the narratives by which we organize the substance of all that has ever happened. Our understanding of the contemporary moment is determined by how we shape our history. The future is a promise that emerges from how we contextualize our place in time.

This thesis starts by acknowledging that the futurity promised by enlightenment liberalism is inconceivable in the face of contemporary horrors and climate catastrophe. Given this reality, what are we doing as designers? With a Benjaminian understanding of and a Foucauldian approach to history, this thesis constructs a history of design that follows …

Untitled, Lucia Steele

Masters Theses

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On The Impulse To Notate, Lydia Chodosh

Masters Theses

On the Impulse to Notate assembles an array of dialogic encounters. Composed in fragments — written and collected, designed and curated — this catalog resists linear narrative formulas to favor an open poetic syntax.

Here, the designer relies on her propensity to notate, aggregate, and persistently recompose.

She materializes language that promotes movement toward knowledge and craft in conversation.

She reads and translates stories spatially, frequently shifting their frames.

Graphic Desire, Michelle Belgrod

Masters Theses

Before I knew about design, I knew about desire. A desire for the new, the beautiful, the promising. A desire that lives on a surplus of surfaces. On packaging, social media, on websites. A desire that makes the job of a graphic designer an object of desire itself. A practice that prioritizes aesthetics over meaning. Expectations over reality.

In Graphic Desire, I complicate the ways that desire affects both designers and consumers. Caught up in our own need for creative fulfillment, we often overlook our impact as the arbiters of desire. Under capitalism, we create work that over-promises a …

Industrial Tenderness, Elbert Girón

Masters Theses

Industrial Tenderness surveys the relationship between visual language, cultural expression, and diasporic practices through the design of functional sculptures. These designed objects seek to communicate cultural legibility, or intuitive cultural belonging, to Mexican-American peoples by challenging legacy notions of design language. Through a proposed design language framework and designed objects, Industrial Tenderness seeks to affirm a pluriversal practice of industrial design.

Legacy industrial design confines design language to a heavily prescriptive canon, resulting in a stark monocultural language that is unrepresentative of perspectives outside of a legacy dominant white eurocentricity founded in thinking from the Bauhaus and Ulm schools. Through …

Life Of Things, Things Of Life, Shiyue Wang

Masters Theses

In a world often captivated by the grand and explicit, my thesis, Life of Things, Things of Life explores the quiet yet profound narratives hidden within everyday objects. Drawing on my background in data design, I adopt a methodology that intertwines subjective narrative with rational analysis and challenges traditional hierarchies of value. Through processes of observation, collection, archiving, and re-contextualization, I elevate what is often overlooked as mundane and fleeting. This thesis not only uncovers the narrative potential of ordinary objects but also repositions them as protagonists in their own right, urging viewers to reconsider their conventional roles not as …

Space Between: Navigating Openness, Torie Stotz

Masters Theses

In a predominantly human-made, constructed world, I am exploring how I can manifest the natural world with a hand made screen divider system, based on form and structure, that replicates that of a work of nature, more specifically simulating dappled light. Questioning sustainability through the limitations of terracotta clay, while introducing a passive, bioclimatic design, I explore how a fragile, rounded, hollow fired system impacts its structural integrity and its ability to embed nature like qualities in modular form. Clay is brittle when thin, dry, or water absorbing material is added; it absorbs water slowly, needs to be a certain …

Homeward Bound: Moving Homes, Moving Home, Ella Nadeau

Masters Theses

The built environment has a powerful way of showing where our human attention and care is, a magic trick of emphasis and deemphasis. We proudly display our assets, wrapping them in light and gold while we shun the background people and places, choosing ubiquitous skins of plastic or brick in an effort to remove them from our visual language. Since we have had people we have had spaces to place them in but where some spaces relay the message that the person inside is a gift to the world, the majority chant a tired monotony of oppressive apathy: you do …

Furnicreature, Yijing Huang

Masters Theses

Project "Furnicreature" reimagines domestic furniture and furnishing as unique 'creatures' with anthropomorphic features such as 'facial' expressions, 'body' gestures, dynamic movements, as well as distinct personalities, to foster interactive experiences. By blending the inanimate with the animate and adding humor into the approach, the 'Furnicreature' project not only cultivates mindfulness, empathy, and care towards possessions but also promotes humility and responsibility. Its storytelling and dynamic design inspire imagination and prompt reflection on oneself, surroundings, and relationships. With sustainability as a long-term goal, Furnicreature aims to encourage a departure from everyday challenges and foster a more mindful and empathetic engagement with …

Dimensional Dialogues, Farida Abousteit

Masters Theses

Dimensional Dialogues, a multi-installation series, offers us a place to interact with language in a way that is whimsical and transcends our need to understand and comprehend language. We remove the tensions of language barriers by finding beauty and personal connection to typography, now scaled up to a human scale and reacting in real time to our movements. A process begins from ancient practices of designing Arabic Calligraphy, to creating Graphic Outputs of that calligraphy, to technologically heavy and new works in creating 3D models of these works that can be projected and respond to human movement. These installations, in …

“Touching The Untouchable”: Time As Material And The Fragmented Self In The Maximodern Era Shori V. Sims © 2024 Shori V. Sims All Rights Reserved Shorisims., Shori V. Sims

Masters Theses

In the conventional division of disciplines, film/video/moving images and stationary sculpture are categorized as formal and conceptual opposites. In my work and in this thesis, I am arguing that moving images constitute a form of sculpture in the style of assemblage by the manipulation of time around them. Yes, the image is flat and stationary on its own: but the cut of time which it represents exists multi-dimensionally (spatially and temporally) to be combined in a collage-like manner. In my practice, moving images constitute a form of assemblage that manipulates time and space in ways normally attributed to sculpture.

This …

Looking For A Better Chair: The L Word And Learning How To Sit, Beans Fernandez

Dissertations, Theses, and Capstone Projects

In the 20 years since the initial airing of Showtime’s The L Word, the series has garnered a massive following among the sapphic and queer community and has cemented itself as a staple of queer media canon. Beyond the basic queer plotlines, though, The L Word captures lesbian and queer identity, politics, and livelihoods while using a seemingly superficial medium to portray queer bodies in a way that brings it to mainstream and cisheteronormative culture. Further, queer media like The L Word is able to guide members of the LGBTQ community into a queer consciousness and existence.

Stolen Valor: Mapping The Style Subcultures Of The Left, Lydia Mokdessi

Dissertations, Theses, and Capstone Projects

"Stolen Valor: Mapping the Style Subcultures of the Left'' performs an analysis of three observed style subcultures prevalent in American fashion between the 2000s and the 2020s and demonstrates how these distinct style languages each draw from the aesthetics of various 20th and 21st century Leftist political movements, discussing the extent to which each style subculture undergoes a process of appropriation by the dominant culture and subsequent subsumption into the mainstream compared to the extent to which the subversive communicative power of each subculture remains intact for the original adopting population. The three style vernaculars this text identifies will be …

Wuwei Praxis, Zachary L. Gelnaw-Rubin

Dissertations, Theses, and Capstone Projects

The question of how to change the world is answered in the concept of praxis. For structural change to occur a “revolution in motivation or feeling,” - a paradigm shift - is needed. I argue that this requires the adoption of feminist liberation praxis, which involves a negativistic political stance, nonideal theorizing, and an openness to self-transformation. This entails a transformation of the concept of praxis itself within the Leftist idiom, a transformation which could be the linchpin of the needed paradigm shift in the larger culture.

The three parts of this thesis elaborate upon the different aspects of this …

Examining Book Banning Trends In The U.S., Amanda D. Filchock

Dissertations, Theses, and Capstone Projects

This capstone project is a web application for users to explore book banning trends across the United States. It is intended to serve as a resource for students, parents, educators, librarians, and authors who are interested in understanding the ways that book banning attempts have changed between 2021-2023 in the United States. These audiences will be able to interact with data visualizations to inform their own research and deepen their understanding of this current topic. Interactive features include: the ability to search by the title or author of a book to learn where, when, why, and by whom the book …

Surface Tension, Berett Wilber

Masters Theses

Land is the premise upon which all questions of identity, belonging, and consciousness are set.

Our relationship to land is simple and complex. On one hand, in our daily experience there is no daylight between body and land. On the other hand, our relationship to land is intensely mediated through design in the form of tools, ritual, technology, tradition, and law. Language and design are primary mediums through which land is transformed into a material resource and commodity.

Understanding how designed systems craft our understanding of land can help us recognize their limits — and open our eyes to the …

Unruly And Unresolved: A Shared, Precarious Survival, Sara Inacio

Masters Theses

I'm just a little rat trying to survive,

To exist and not be perceived.

Building a home,

In a place unnatural to me.

Destroyed and rebuilt again,

I've learned to live in the toxic world you've created.

In a world that is not made for my belonging, I’ve had to find my way, to exist and build with what’s within reach. Such a constant state of construction feels oddly familiar and comfortable to me, home is always in the process of becoming. As I build, I think about how the home building process always takes up the space of others, …

Asili, Husna Abubakar

Masters Theses

ASILI is a Swahili word meaning ORIGIN, SOURCE, and ESSENCE. It can also mean the fundamental principal of a culture. It is not cognitive, it is metaphysical.

The work that I do explores the preconceptual, prespatial and pretemporal organization of culture, specifically African culture and even more specifically, Swahili culture.

I use multiple techniques to interpolate a visual voice to an othered people both continental and abroad. I explore the mythoform that connects the mystical and dive into what of it that becomes a practice within Swahili culture. I take experience from my life as a Swahili woman, from the …

Variations On Noise, Clinton Van Arnam

Masters Theses

Variations on Noise is a three-part collection: an index, a set of interviews, and a perspective on a working practice in graphic design and sound.

If noise is ubiquitous in our everyday lives, how do we define it and use it as a catalyst for dissonance and change? As a designer, I use noise algorithms to generate pseudo randomness and break up repetitive textures. As a musician, I use noise to create scores and performances that challenge our perception of what is comfortable and uncomfortable.

Seven interviews with designers, artists, musicians, and a Tibetan monk offer ways to approach the …