Arts and Humanities Commons^™

Hor Bouks: Or, Her Book: Finding Women Readers, Writers, & Producers In Early Modern Literature, Rebecca Fitzsimmons

Faculty and Staff Publications – Milner Library

The impact of women on the history of literature can be difficult to track, but they made important contributions to writing, publishing, and collecting. This short talk focuses on works in the Rare and Fine Book Collection in the Milner Library Special Collections department, with a particular emphasis on the writer Lady Mary Wroth and the collector Frances Wolfreston. Wroth was the first Englishwoman to publish a complete sonnet sequence and an original work of prose fiction and Wolfreston is considered one of the first notable women book collectors.

Escape Words: From Solitary Confinement To Female Solidarity In Lena Constante’S Post-Communist Prison Memoirs, Szidonia Haragos

All Works

This article argues that the representative post-Communist autobiographical texts by Romanian writer Lena Constante, based on the author’s personal experience of twelve years of incarceration in Communist Romania’s notorious political prisons, trace a gradual transformation from solitary confinement to female solidarity. While the first of the two memoirs, The Silent Escape, invokes the power of the literary and creative imagination in surviving eight years of solitary confinement, the second part, The Impossible Escape, reveals the growing sense of community among the imprisoned women, their shared sense of suffering that was often induced by torture and frequently endured as a hardship …

Iron Manicures: Sex, Power, And Sedition In Margaret Atwood's Writing, Anna Zarra Aldrich

Honors Scholar Theses

Margaret Atwood has often been criticized as a bad feminist writer for featuring villainous, cruel women. Atwood has combatted this criticism by pointing out that evil women exist in life, so they should in literature as well. Every story requires a villain and a victim, for Atwood these roles are both usually played by women. This thesis will explore the idea of the woman as spectacle in both behavior and body. Women are controlled by the idea that they must care. When they stop caring, they become a threat. At the heart of Atwood’s writing are the relationships between women …

“Marie” And “An Unusual Recourse”: English Translations Of German Early Romantic Stories, Meghan Leadabrand

Honors Theses

This project consists of English translations of two German early Romantic stories, “Marie” (1798) by Sophie Mereau and “Seltner Ausweg” (1823) by Luise Brachmann, as well as an introductory discussion of the authors, their significance in the Jena Circle of Romantic writers, and the translation process. The introduction incorporates research on both Mereau and Brachmann and German early Romanticism, as well as some research on translation theory. Overall, the project aims to make “Marie” and “Seltner Ausweg,” which have not previously been translated, available to an English-speaking audience and to highlight the work of two little known Romantic women writers. …

Discovering And Recovering The Nineteenth-Century Journals Of Martha E. Mcmillan In An American Women Writer’S Course: A Collaborative Digital Recovery Project, Michelle M. Wood, Lynn A. Brock, Gregory A. Martin, Adam John Wagner

English, Literature, and Modern Languages Faculty Publications

No abstract provided.

Discovering And Recovering The Nineteenth-Century Journals Of Martha E. Mcmillan In An American Women Writer’S Course: A Collaborative Digital Recovery Project, Michelle M. Wood, Lynn A. Brock, Gregory A. Martin, Adam John Wagner

Martha McMillan Research Papers

The following essay tells a story about an undergraduate American Women Writer's course, the University archives, a nineteenth-century journal, and a Digital Recovery project. The essay explains that the story of undergraduates and their work to discover and to recover a primary text within the context of a single course could not have happened without collaboration. Because our story is a story of collaboration, I cannot tell it alone. I am Michelle Wood, an Associate Professor of English who teaches American Literature. During spring semester 2015, I collaborated with Lynn Brock, the Dean of Library Sciences, to create an archival …

“The Finest Production Of The Finest Country Upon Earth”: Gender And Nationality In The Writings Of Nineteenth-Century British Women Travelers To Portugal, Manuela MourãO

English Faculty Publications

First paragraph:

Critical attention to the writings of nineteenth-century British women travelers has repeatedly stressed their value as evidence of the writers’ attempts at overcoming the constraints of nineteenth-century ideologies of femininity that constructed women as inferior or ancillary (Frawley; Robinson; Foster; Dolan; Middleton); it has also often emphasized the importance of reading them within contemporary discourses such as imperialism, colonialism, or nationalism (Blunt; Frawley; Foster; Mills; Siegel). This essay focuses on three accounts by nineteenth- century British women travelers to Portugal— Marianne Baillie’s Lisbon in the Years 1821, 1822, and 1823 (1824); Julia Pardoe’s Traits and Traditions of Portugal …

Overcoming Gender: The Impact Of The Persian Language On Iranian Women’S Confessional Literature, Farideh Dayanim Goldin

English Faculty Publications

[From the Introduction] The idea that language embodies patriarchal thought processes, severing women writers from the written language and from their own words, was first elaborated by the French feminist theorists Luce Irigaray and Hélène Cixous. Irigaray argues, for example, that language generally denies women a distinct subjectivity, with the result that the voice of women has largely been excluded from mainstream cultural discourse (Donovan). In this chapter, I juxtapose this theory to the obstacles faced by Iranian women writers of life narratives. Is it possible that Persian could have impeded Iranian women’s literary aspirations, especially in the genre of …

Progressive Foote? Gender Politics In An 1887 Letter From Mary Hallock Foote, Tara Penry

Western Writers Online

Mary Hallock Foote is not known for progressive gender politics. Quite the opposite. As her biographer Darlis Miller observes, Foote and her longtime friend Helena DeKay Gilder agreed that woman’s most important work lay in the home, and suffrage would distract her from her primary duties. But Foote did not always practice her belief in the separate spheres of men and women perfectly. Not only did necessity compel her for a time to support her family, but an 1887 letter also shows that in her professional life, Foote did not always think of her work as feminine or separate from …

Dialogue, Selection, Subversion: Three Approaches To Teaching Women Writers, Karen Gevirtz, Martha Bowden, Jonathan Sadow

Department of English Publications

No abstract provided.

"What's A Goin' On?" People And Place In The Fiction Of Edythe Squier Draper, 1924-1941, Aubrey R. Streit Krug

Department of English: Dissertations, Theses, and Student Research

This essay is devoted to looking back into the life and fiction of Edythe Squier Draper, a twentieth-century writer in Oswego, Kansas. Many of Draper’s stories are set in southeastern Kansas. Through them, we gain a sense of how she attempted—and at times failed—to perceive, articulate, and adapt to her place on the Great Plains. Draper claimed the identity of a rural woman writer by writing herself into narratives of colonial, agricultural settlement, and she both complicated and perpetuated stereotypes of class and race in her fiction. By examining her and her characters’ perspective on their place in the Great …

Reasonable Conversions: Susanna Rowan's Mentoria And Conversion Narratives For Young Readers, Karen Roggenkamp

Faculty Publications

Though not well known, Rowson's Mentoria-a curious conglomeration of thematically-related pieces from multiple genres, including the essay, epistolary novel, conduct book, and fairy tale-offers particularly fertile ground for thinking about the nexus between eighteenth-century didactic books and earlier works for young readers.2 At the heart of Mentoria is a series of letters describing girls who yield, with dire and frequently deadly consequences, to the passionate pleas of male suitors.3 Fallen women populate Rowson's world, and scholars have traditionally read Mentoria within the familiar bounds of the eighteenth-century seduction novel.4 However, Rowson's creation transforms the older tradition of didactic, child-centered conversion …

A Birth And A Death, Or Everything Important Happens On Monday, Daryl Cumber Dance

English Faculty Publications

I was going to be a grandmother. It had taken all too long. I gave birth to my first child, Warren Dance Jr., when I was only twenty-one, but Warren Jr. was going to be almost thirty-six when his first child was born. As excited as I was, I decided to wait until a week after the July 4, 1995, appearance of my new grand to visit him in Houston, Texas. Other members of the family were going to be there for the birth, and I wanted time to enjoy this baby all by myself, so I planned to arrive …

'Grung Tell Me Wud': An Introduction To Karl, Daryl Cumber Dance

English Faculty Publications

Olive Senior informs us in 'The Poem as Gardening, the Story as Su-Su: Finding a Literary Voice' that Jamaican elders believe the ground is the place where ancestral wisdom is located and they will explain and validate their warning or advice by saying, 'Grung tell me wud' (36). Jamaican linguist/literary critic/poet/and novelist Velma Pollard has put her ear to the ground of Jamaica and shared many important words of ancestral wisdom with us. This was a natural development for the talented girlchild born into an artistic family in Woodside, Jamaica, a rural community rich in folk traditions: her father was …

Sucking Salt: Caribbean Women Writers, Migration, And Survival By Meredith M. Gadsby (Book Review), Daryl Cumber Dance

English Faculty Publications

The folk will tell you that salt can either save you or destroy you. Toni Cade Bambara's Velma of The Salteaters realized that her survival depended on learning "the difference between eating salt as an antidote to snakebite and turning into salt, succumbing to the serpent." The lesson of similar folk wisdom is the subject of Meredith M. Gasby's Sucking Salt, where she propses as a new framework for the examination of Caribbean women's writing the survival techiniques implied in "sucking salt," techiniques suggested in her aunt's reflections on people she knew. Tantie expounded: "Little salt won't kill …

A Conversation With Velma Pollard, Daryl Cumber Dance

English Faculty Publications

Noted poet, novelist, linguist, and educator, Velma Pollard was Visiting Professor of English at the University of Richmond in Richmond, Virginia, during the fall semester of 2001 when I conducted the following interview. John Martin, my graduate assistant at the time, assisted me in videotaping and transcribing our conversation, which took place in her cottage at the University on December 3, 2001.

Colonial Violence And Trauma In The Works Of Michèle Lacrosil And Ken Bugul, Marie-Chantal Kalisa

French Language and Literature Papers

To what extent can we say that both Lacrosil and Bugul rewrite Fanon? Through the study of Cajou and Ken, respectively the Guadeloupean and the Senegalese female protagonists, this article proposes a way to derive a specifically female perspective on colonial violence. The essay focuses on the two novels, Cajou and Le baobab fou, and examines the effect of colonial epistemological violence and its specific impact on the black female’s subjectivity. The protagonists Ken and Cajou revisit their initial trauma in a quest for knowledge of their historical heritage and engage in a dialogue with Frantz Fanon, representative of black …

'What! Has She Got Into The "Atlantic"?': Women Writers, The Atlantic Monthly, And The Formation Of The American Canon, Anne E. Boyd

English Faculty Publications

No abstract provided.

The Colored Girl In The Ring: A Guyanese Woman Remembers By Brenda Chester Doharris (Book Review), Daryl Cumber Dance

English Faculty Publications

Brenda Chester DoHarris's The Colored Girl in the Ring: A Guyanese Woman Remembers joins the company of some of the most memorable works of Caribbean literature, those classic accounts of coming-of-age, such as George Lamming's In the Castle of My Skin, V. S. Naipaul's A House for Mr. Biswas, Michael Anthony's The Year in San Fernando, Merle Hodge's Crick Crack, Monkey, Erna Brodber's Jane and Louisa Will Soon Come Home, Zea Edgell's Beka Lamb, Jamaica Kincaid's Annie John, and Beryl Gilroy's Sunlight on Sweet Water. Like most of the bildungsromans - and …

Rose Ausländer (1901-1988): Austria-Hungary/Germany, Kathrin M. Bower

Languages, Literatures, and Cultures Faculty Publications

Rose Ausländer was born Rosalie Beatrice Scherzer on 11 May 1901 into a German-speaking Jewish family. She spent her childhood in Czernowitz, the capital of Bukovina, a province of the Austro-Hungarian Empire. After World War I, Bukovina was incorporated into Romania, and at the end of World War II was annexed by the Soviet Union. Rosalie Scherzer studied literature and philosophy at the university in Czernowitz but never completed a degree, largely because of the family's poverty after her father's death in 1920. To help alleviate this economic situation, she emigrated to the United States in 1921 with lgnaz Ausländer. …

Beryl Gilroy: A Bio-Literary Overview, Daryl Cumber Dance

English Faculty Publications

In 1992 when I joined the faculty at the University of Richmond, I taught a class in black women's literature to a group of mainly white students who had previously read little or nothing in this body of literature. One young senior--a white male--did a paper comparing the sympathetic portrayal of the white male character in Beryl Gilroy's Stedman and Joanna and Bebe Moore Campbell's Your Blues Ain't Like Mine. His enthusiasm for the rich body of literature to which I had introduced him continued after he graduated, and he often wrote to me about books he was reading …

“A Whole New Poetry Beginning Here”: Claiming Language For Survival In The Works Of Adrienne Rich, Joy Harjo And Mitsuye Yamada, Christine Beyer

WWU Honors College Senior Projects

Audre Lorde has said “Poetry is not a luxury”; Adrienne Rich writes “Poetry is. . . survival.” (What is Found. . . 215). Poetry is a conscientious act, a recording of our understanding of our world, our experience, and of our very existence. Writing poetry we claim, however softly, the validity of what we feel, think and experience. For women, for people of color, for anyone whom the majority in society seeks to silence and discount, writing is an act of survival, a refusal to be silenced and made invisible.

Male And Female Bildung: The Mémoires De Céleste Mogador, Claire Marrone

Languages Faculty Publications

The 'Memoires de Celeste Mogador' is a Bildungsroman narrating the life a a prostitute and an actress. Censorship may have been the reason the book was not better known in its own time, and maybe even today. She eventually marries a count with whom she has an affair and follows him when he becomes French consul to Australia. The books recounts the life of an exceptional 19th century heroine, who has the strength to succeed despite a society which limits female roles and has ideas about proper marriages.

Plotting The Mother: Caroline Norton, Helen Huntingdon, And Isabel Vane, Elisabeth Rose Gruner

English Faculty Publications

The proper Victorian heroine neither acts nor plots. Heroines as disparate as Fanny Price of Mansfield Park and Gwendolen Harleth of Daniel Deronda prove their virtue by failing as actresses. When Fanny protests, “Indeed, I cannot act,” we know that it is because she cannot be other than what she is: virtuous. Gwendolen Harleth’s aborted attempt to make a career as an actress seems, in Daniel Deronda, to signal her essential difference from the Princess Halm-Eberstein, the mother who has abandoned Daniel in order to pursue her acting career. Gwendolen is flawed, but at least she is not an …

Moore, Opal, Daryl Cumber Dance

English Faculty Publications

Moore, Opal (b. 1953), poet, short story writer, essayist, educator, and critic of children's literature. Born and raised in Chicago, Illinois, Opal Moore was influenced from childhood by the particular dynamics of the Pentecostal church; echoes of that institution reverberate in her plots, themes, characters, tone, and language. When Moore entered Illinois Wesleyan University's School of Art in 1970, she was so shocked by her first real encounter with racism and her sens~ of powerlessness in the face of it that she sought some control over what was happening to her by writing, thus initiating her first journals. She also …

Appropriation And Gender: The Case Of Catherine Bernard And Bernard De Fontenelle, Nina Ekstein

Modern Languages and Literatures Faculty Research

In 1757, Bernard de Bavier de Fontenelle, the well-known popularizer of scientific thinking, homme de lettres, and secretary of the Académie des Sciences, died just months shy of his hundredth birthday. In 1758, Volume 10 of Fontenelle's Oeuvres appeared, edited by Fontenelle's chosen literary executor, the abbé Trublet. Along with a number of other works, Volume 10 contains a tragedy dating from 1690 entitled Brutus. This play has had a complex and curious history. The year 1758 marks the first time that Brutus appears under Fontenelle's name, but hardly the last. In 1690, when the play was first …

Matriarchs, Doves, And Nymphos: Prevalent Images Of Black, Indian, And White Women In Caribbean Literature, Daryl Cumber Dance

English Faculty Publications

Universally, male writers have tended to create images of women which reveal the familiar male tendency to view women merely as functionaries whose role basically is determined by male needs, male motivations, male fears, and male fantasies. When woman is submissive, docile and pure, she is to be protected and revered; then, she is the virgin/goddess. When she is assertive and strong, she is to be avoided and despised; then, she is the bitch/shrew. When she is passionate and active, she is to be resisted and feared; she is the whore/temptress. While this genera] categorizing of women characters carries over …

Condé: The Politics Of Gender And Identity, Marie-Denise Shelton

CMC Faculty Publications and Research

Today, in the French-speaking Caribbean, in the domain of theory, a choice is presented among three terms: africanité, créolitém and antillanité. As with any option which presents itself in exclusive forms, this choice is embedded in the complex antagonisms of contemporary Caribbean politics.

Go Eena Kumbla: A Comparison Of Erna Brodber's Jane And Louisa Will Soon Come Home And Toni Cade Bambara's The Salt Eaters, Daryl Cumber Dance

English Faculty Publications

When I returned to Jamaica in July 1982, I took as gifts for friends some recent novels by black American writers, including Toni Cade Bambara's The Salt Eaters. Upon my arrival, Erna Brodber gave me a copy of her new book, Jane and Louisa Will Soon Come Home. As I read it, I was struck by another instance of how similar experiences (in this case, being black and female in the Americas of the civil rights, black awareness, Rastafarian, and feminist movements) had inspired such strikingly similar expressions in books published the same year (1980) by an American …

Review: Moi, Tituba, Sorcière...Noire De Salem, Marie-Denise Shelton

CMC Faculty Publications and Research

Maryse Condè, l'une des romancières les plus importantes de la littérature antillaise, est un écrivain que passionne l'histoire. Elle en a fourni la preuve avec Segou, oeuvre remarquable qui nous fait revivre une ère mouvementée du passé africain. Elle l'a réaffirmé avec deux courts récits publiés sous le titre Pays Mêlé qui saisissent sur le vif les contradictions de l'histoire contemporaine des Caraibes. Moi, Tituba, sorcière...noire de Salem, son dernier livre, est un projet qui tient du défi: remplir par un travail de création et d'invention un vide de l'histoire. Le livre, nous est-il précisé, est une …