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Articles 361 - 390 of 173903
Full-Text Articles in Arts and Humanities
When The Hood Comes Off: Racism And Resistance In The Digital Age, By Rob Eschmann. University Of California Press, 2023. 312 Pages. $24.95. Isbn 978-0520379749, Stephanie M. Ortiz
When The Hood Comes Off: Racism And Resistance In The Digital Age, By Rob Eschmann. University Of California Press, 2023. 312 Pages. $24.95. Isbn 978-0520379749, Stephanie M. Ortiz
Journal of Hate Studies
Sociologist Stephanie M. Ortiz reviews Rob Eschmann’s When the Hood Comes Off: Racism and Resistance in the Digital Age, which examines how the internet reorganizes the conditions under which racism is expressed, with a focus on higher education. This reorganization allows hate to flourish online even as racism is disavowed in public. Online and offline spaces are not disconnected, though, and digital revelations—revealed when “the hood comes off”—shape offline relationships, institutional trust, campus climate, and students’ sense of safety.
We Have Never Been Woke: The Cultural Contradictions Of A New Elite, By Musa Al-Gharbi. Princeton University Press, 2024. 432 Pages. $35.00. Isbn 978-069123260, Justin Sprague
Journal of Hate Studies
A scholar of women and gender studies, Justin Sprague reviews Musa al-Gharbi’s We Have Never Been Woke: The Cultural Contradictions of a New Elite. Focusing on four “Great Awokenings”—the Great Depression, the introduction of the GI Bill and ensuing counterculture movements of the 1960s, the financial precarity of the 1980s Reagan era, and the 2008 financial crisis and ensuing Occupy Wall Street movement—We Have Never Been Woke highlights the cyclical nature of the ideological/capitalist status quo and peels back the shiny veneer of politically “woke” and ideologically altruistic professionals to reveal how this group upholds a political economy that …
On Antisemitism: A Word In History, By Mark Mazower, Penguin Press, 2025. 274 Pages. $26.56. Isbn 978-0241722909, Beth A. Griech-Polelle
On Antisemitism: A Word In History, By Mark Mazower, Penguin Press, 2025. 274 Pages. $26.56. Isbn 978-0241722909, Beth A. Griech-Polelle
Journal of Hate Studies
Historian Beth A. Griech-Polelle reviews Mark Mazower’s On Antisemitism: A Word in History which explores how the term came emerged in Germany in the last 1800s and how its definition has changed over time and across cultures, including in the US, the USSR, and the Arab world. Mazower considers the roles of geography, Christan and antisemitic Zionism, intellectual and political antisemitism, Nazism, anti-Zionism, imperialism, conspiracy theories, and anti-Israel sentiment in shaping how people have historically understood and do today understand the concept—and how such differences in understanding frustrated efforts to end antisemitism.
All The Empty Rooms. Produced By Joshua Seftel, Conall Jones, James Costa, And Trevor Burgess; Directed By Joshua Seftel. In English. 2025; Color; 33 Minutes. A Smartypants Production, Distributed By Netflix, Christopher Strain
Journal of Hate Studies
Christopher Strain, an American studies scholar, reviews the Academy Award-winning short documentary All the Empty Rooms. Director Joshua Seftel’s film travels into the bedrooms of American children shot to death at school. Seftel visited children’s families over seven years, profiling in his film four children, ages 9 to 15, documenting the ordinariness of their childhoods before their deaths and the grief of the families they left behind.
Imagining The Possibilities: A Consideration Of Speaking Volumes: Transforming Hate, Tracy Wascom
Imagining The Possibilities: A Consideration Of Speaking Volumes: Transforming Hate, Tracy Wascom
Journal of Hate Studies
Tracy Wascom reviews Speaking Volumes: Transforming Hate, a traveling exhibit that refashions books published by a white supremacist group, the Creativity Movement, into art. Books such as The White Man’s Bible and RAHOWA: This Planet is All Ours!, written in the 1980s, were provided to the Montana Human Rights Network by a white supremacist defector. With curator Katie Knight, MHRN then invited artists to repurpose the texts into paintings, sculptures, films, and other artistic investigations of hate. Thirty-eight artists are represented in the current touring exhibit, including Enrique Chagoya, Jaune Quick-to-See Smith, Jim Riswold, Faith Ringgold, and Clarissa …
Shakespeare Adapts, Grace C. Tiffany
Shakespeare Adapts, Grace C. Tiffany
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Shakespeare’S Troilus And Cressida And The Genre Of Comical Satire, Robert B. Pierce
Shakespeare’S Troilus And Cressida And The Genre Of Comical Satire, Robert B. Pierce
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
“Shall I Always Keep Below Stairs?”: The Waiting-Gentlewoman On The Margin Of Much Ado About Nothing, Daniel F. Gates
“Shall I Always Keep Below Stairs?”: The Waiting-Gentlewoman On The Margin Of Much Ado About Nothing, Daniel F. Gates
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
A Mouth Too Full: Domination, Consumption, Kitchens And Witches In Macbeth, Bethany Decker
A Mouth Too Full: Domination, Consumption, Kitchens And Witches In Macbeth, Bethany Decker
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
Introduction, Emily Isaacson
Introduction, Emily Isaacson
Selected Papers of the Ohio Valley Shakespeare Conference
No abstract provided.
The Ketupat War As A Cultural Performance: Ritual, Community Participation, And Cultural Preservation In Tempilang, Bangka Belitung, Fawarti Gendra Nata Utami, Budi Setiyono, Muhammad Fazli Taib Saearani
The Ketupat War As A Cultural Performance: Ritual, Community Participation, And Cultural Preservation In Tempilang, Bangka Belitung, Fawarti Gendra Nata Utami, Budi Setiyono, Muhammad Fazli Taib Saearani
Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya
This study examines the Perang Ketupat tradition in Tempilang Village, Bangka Belitung Province, Indonesia, as a form of cultural performance. It aims to analyze the tradition through five dimensions: ritual, performing arts, community participation, cultural education, and community-based safeguarding of intangible cultural heritage (ICH). Employing a qualitative approach based on performance ethnography, data were collected through participant observation, in-depth interviews, document analysis, and a literature review during the 2024 Ketupat War Festival. The findings reveal that the tradition functions not only as a ritual for warding off misfortune but also as a living cultural performance that reinforces cultural identity, strengthens …