Arts and Humanities Commons^™

Eggs, Hair, Seeds, Milk, Patrick West

Landscapes: the Journal of the International Centre for Landscape and Language

Short story

Mount Keira By Night, Frank Russo

Landscapes: the Journal of the International Centre for Landscape and Language

Poem: Mount Keira by night

Summer On The Swan River, 1953, Lawrence A. Smith Mr

Landscapes: the Journal of the International Centre for Landscape and Language

Memories of the Swan River, Perth, Western Australia, 65 years ago.

After Rain, Louise Boscacci

Landscapes: the Journal of the International Centre for Landscape and Language

Amidst climate chaos, words gather as a tipping point in after-affect. On January 4, 2020, the massive Currowan bushfire in New South Wales crossed the Shoalhaven River and raced into the Wingecarribee district of the Illawarra region south of Sydney. After two weeks of emergency warnings, a new preternatural “catastrophic” danger rating, watch and act alerts, and heatwave temperatures, the fire front arrived on a blunt southerly gale in the evening. Climate breakdown had delivered locally and personally. The next day, light rain, more drizzle than shower, visited the home fireground.

Looking For Marianne North, John Charles Ryan

Landscapes: the Journal of the International Centre for Landscape and Language

This poem reflects on the life of peripatetic botanical illustrator Marianne North (1830-1890) who travelled to Southwest Australia in 1880.

Critically Imagining A Decolonised Vision In Australian Poetry, Cassandra Julie O'Loughlin

Landscapes: the Journal of the International Centre for Landscape and Language

Postmodern ecocriticism, given its broad range of perspectives, offers an agreeable platform for articulating a new, advanced and inclusive framework for a decolonising theorisation of literature and the environment. This article seeks to identify Australian Western decolonising poetry that sits in harmony with Indigenous aural and literary versions of communicative engagement with Country. The concept of human embeddedness in ecological relationships and biological processes as part of a complex matrix of interdependent things is embraced. In particular this article focuses on inclusivity and interconnectedness of all life forms to illustrate aesthetic and conceptual interfaces between Aboriginal Australia and Western poetics. …

The Dancing Between Two Worlds Project: Background, Methodology And Learning To Approach Community In Place, Anindita Banerjee, Shaun Mcleod, Gretel Taylor, Patrick L. West

Landscapes: the Journal of the International Centre for Landscape and Language

This article recounts the history to date of the Dancing Between Two Worlds (DBTW) project, which was initiated by a team of artist-scholars at Deakin University in 2018. DBTW’s brief was to engage the Indian community living in the western fringes of Melbourne in a project on civic belonging, cross-cultural artistic identity, and the performance of outer-suburban Indian diaspora. Working with the creative and community energies that are activated at the intersection of the creative arts and demographically inflected place, the Deakin researchers collaborated with local artists with an Indian background on a major performance in late 2019: …

Landscape Theology: Exploring The Outfields Of The Telemarkian Dream Song, Thomas Arentzen

Landscapes: the Journal of the International Centre for Landscape and Language

The article explores the Norwegian ‘national ballad’ Draumkvæde (the Dream Song) in Maren Ramskeid’s version. This work has traditionally been interpreted as a folklore adaptation of medieval visionary literature such as the Vision of Tundale, related to Dante Alighieri’s Divine Comedy. The ballad, however, lacks demons and devils and infernal torture – it is even almost completely devoid of human beings. Instead it tells of a corporeal encounter with an imagined natural landscape. This dreamscape of the song is intimately intertwined with the local terrain of the singer. Maren Ramskeid engaged her own landscape in Telemark, the …

Issue Introduction Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Issue Introduction and Editorial for Volume 10, Issue 1.

Complete Issue 1, Volume 10, David Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Complete Issue 1, Volume 10

Review Of Environmental Humanities And Theologies: Ecoculture, Literature And The Bible, By Rod Giblett, Sam Mickey

Landscapes: the Journal of the International Centre for Landscape and Language

This is a review of Rod Giblett's Environmental Humanities and Theologies: Ecoculture, Literature and the Bible, published by Routledge in 2018. The review notes Giblett's contributions to the field in tracing wetlands iconography through theological and literary discourses in landmark works in the Anglo-American tradition, Judeo-Christian doctrine, and Australian Aboriginal myth.

Shadow Over Mount Barren, Bronwyne J. Thomason Dr

Landscapes: the Journal of the International Centre for Landscape and Language

A short story that captures scenery of the Fitzgerald National Park and relates it to life-affirming principles of the natural Australian Bush.

Fortunates Part 1, Lawrence Upton

Landscapes: the Journal of the International Centre for Landscape and Language

A poem. With corrections listed in an email of today's date

Zemlja And Pioneer Day, Natalie D-Napoleon

Landscapes: the Journal of the International Centre for Landscape and Language

Poems: Zemlja and Pioneer Day by West Australia born author Natalie D-Napoleon.

North Sea Poems: Birds Of The North Sea, Caa'in, Summer Ferry, Lesley Harrison

Landscapes: the Journal of the International Centre for Landscape and Language

These poems reflect the practical, human, immersive processes of self-orientation and self-location within the coastal and island landscapes round the North Sea. In both recording and bringing about this process, the poet maps herself onto her surroundings and brings her surroundings to bear on herself. The interplay of graphic, linguistic and other forms of description are destabilised by the contingency of their usefulness, and by their meaningless to each other. In the end, the generative poetic voice is the principle by which the 'map' is made.

Snorkel Virgin, Emma J. Young

Landscapes: the Journal of the International Centre for Landscape and Language

Snorkel Virgin

Plunging Down Under, Ian Smith

Landscapes: the Journal of the International Centre for Landscape and Language

Plunging Down Under

Hard Data, Soft Data, Louise Boscacci

Landscapes: the Journal of the International Centre for Landscape and Language

Hard Data, Soft Data

The Junk That 8 K-Town (View-Master Haiku Series 1, 2 & 3), Brenton M. Rossow

Landscapes: the Journal of the International Centre for Landscape and Language

THE JUNK THAT 8 K-TOWN (View-Master Haiku Series 1, 2 & 3)

My first session taking photos of bush junk near the K-Town train station led to an addiction. I started to see things within images that aroused deeper contemplation. The miniature Eiffel Tower within one landscape seemed to expertly align with a gasping car belly that paid homage to Peter Dam’s The Dogs That 7 Sparrows.

Absent past owners became unconscious artists. Objects in their adopted environments became creatures with lives beyond previous incarnations. I saw things as representations, serendipitous alignments, but more importantly, a culture addicted to …

Forest-Walks – An Intangible Heritage In Movement A Walk-And-Talk-Study Of A Social Practice Tradition, Margaretha Häggström

Landscapes: the Journal of the International Centre for Landscape and Language

This article seeks to understand and extend current understandings of intangible heritage and particularly forest-walks as such. The study is related to Swedish conditions and has been conducted in Sweden. The research is grounded in social practice theory – and the perspective of practice architectures in particular – and it draws on the work of Stephen Kemmis. Further, we view practice theory entangled with the phenomenological life-world concepts of intersubjectivity and historicity. The data are based on 12 walk-and-talk interviews conducted in the forest with individuals who willingly walk in the forest on their leisure time. The analysis takes its …

“‘The Strata Of My History’: Reading The Ecological Chronotope In Wendell Berry’S That Distant Land”, Ellen M. Bayer

Landscapes: the Journal of the International Centre for Landscape and Language

This article examines Wendell Berry’s short story collection, That Distant Land (2004) through the lens of the ecological chronotope. Berry’s characters cultivate an intimate relationship with their physical environment, and the land, in turn, inscribes their history within it. Furthermore, it is through a shared sense of responsibility to the land that the characters foster a sense of community, shared history, and timeless connection with each other. My analysis of Berry’s fiction employs the notion of the ecological chronotope as a lens for understanding the environmental implications encountered at the intersection between time and place in That Distant Land. …

Landscapes As Identity And Cultural Heritage In Animation– The Australian Bushland, Japanese Urban Agglomeration And Eurasian Steppes, Zilia Zara-Papp

Landscapes: the Journal of the International Centre for Landscape and Language

Animation adapted from literature, folk tales and ancient myths showcases diverse approaches towards reimagining elements of geographical landscapes as cultural identity. This paper aims to compare elements from Australian, Japanese and European animated works where geographical elements are used in order to recreate the original world of the literary work the animation is based on, where landscape defines the identity of the individuals and groups of enchanted animals and human custodians of the land and location. Case studies of Yoram Gross (Dot and the Kangaroo, 1977) Australia, Takahata Isao / Studio Ghibli (Racoon Wars Pom Poko, …

In The Name Of Profit: Canada’S Mount Arrowsmith Biosphere Reserve As Economic Development And Colonial Placemaking, Richard M. Hutchings, Marina La Salle

Landscapes: the Journal of the International Centre for Landscape and Language

Taking a critical heritage approach to late modern naming and placemaking, we discuss how the power to name reflects the power to control people, their land, their past, and ultimately their future. Our case study is the Mount Arrowsmith Biosphere Reserve (MABR), a recently invented place on Vancouver Island, located in southwestern British Columbia, Canada. Through analysis of representations and landscape, we explore MABR as state-sanctioned branding, where a dehumanized nature is packaged for and marketed to wealthy ecotourists. Greenwashed by a feel-good “sustainability” discourse, MABR constitutes colonial placemaking and economic development, representing no break with past practices.

Solastalgia, Nostalgia, Exhilarating, Immersive: Landscapes: Heritage Ii, David F. Gray

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape: Heritage II presents the scholarly and creative contributions to Landscapes, Volume 9, Issue 1.

Issue Introduction By Icll Director Glen Phillips, Glen Phillips

Landscapes: the Journal of the International Centre for Landscape and Language

General Introduction by ICLL Director Glen Phillips

Complete Issue 1, Volume 9

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 9, Landscapes Journal.

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Launch Announcement For In The Hollow Of The Land, 2 Vols., Glen R E Phillips Professor

Landscapes: the Journal of the International Centre for Landscape and Language

Announcing the launch of Glen Phillip's Collected Poetry, 1968-2018

Emily, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Landscape and Trauma; Public Memorials and Conflict Histories, Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This image depicts an elaborate and clearly heartfelt roadside memorial to “Emily”, which is an extraverted display of sadness and loss that is an increasingly familiar contemporary lament. We know not who Emily was, nor what happened to her. The story is unclear if the tragedy unfolded on the road outside the house, or inside the house itself, thus the house could have been either witness or host to her demise. The composition directs, but most certainly does not invite us via the gate to …

Mandurama Storm, Jamie Holcombe 986459

Landscapes: the Journal of the International Centre for Landscape and Language

Dwelling, Belonging, Nostalgia, Solastalgia, Sense of Place

This urban landscape, Mandurama Storm, highlights our resistance to the forces of nature. The photograph is underpinned by a similar sentiment to artist Laura Glusman, who writes, “the concept of landscape is not an isolated portion of land that exists only to be contemplated, but [is] a being imprinted with the traces of culture, storms, commerce and climate change”.

The image depicts an anonymous building behind a nondescript façade in the main street of a small town. It is of unknown purpose, but appears to be a former business. There are signs …