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Articles 1 - 30 of 51
Full-Text Articles in Arts and Humanities
Changing The Canon Of The Mass In The Beauvais Sacramentary, Elizabeth Teviotdale
Changing The Canon Of The Mass In The Beauvais Sacramentary, Elizabeth Teviotdale
Elizabeth C Teviotdale
The Beauvais Sacramentary (Los Angeles, J. Paul Getty Museum, MS Ludwig V 1) comprises the surviving ten leaves of a deluxe liturgical manuscript almost certainly created at the behest of Roger, bishop of Beauvais (998–1016). According to tradition, its parent manuscript was one of three liturgical codices left to the cathedral church of Saint Peter by Roger. A half century or more after the manuscript was originally copied, a single scribe added new text to the canon of the mass on top of an erasure, in a margin, and on an inserted slip of parchment. This paper explores the character …
Stammheim Missal, Elizabeth Teviotdale
Das Sakramentar Von Beauvais: Vollständige Faksimile-Ausgabe Der Handschrift Ms. Ludwig V 1 Aus Dem J. Paul Getty Museum, Los Angeles, Elizabeth Teviotdale
Das Sakramentar Von Beauvais: Vollständige Faksimile-Ausgabe Der Handschrift Ms. Ludwig V 1 Aus Dem J. Paul Getty Museum, Los Angeles, Elizabeth Teviotdale
Elizabeth C Teviotdale
A facsimile of a ten-leaf fragment of an illuminated sacramentary. The commentary includes a close examination of the object itself (physical properties, text, writing, and painting), considers the fragment's place in the oeuvre of the main scribe, and evaluates the artistic comparanda. A new understanding—anticipated in the work of Guy Lanoë—of the probable circumstances of the manuscript's creation is offered: that the sacramentary was made almost certainly at the behest of Roger, bishop of Beauvais from 998 to 1016, for his cathedral church of Saint Peter.
The Beauvais Sacramentary In The Getty Museum As A "Coronation Sacramentary", Elizabeth Teviotdale
The Beauvais Sacramentary In The Getty Museum As A "Coronation Sacramentary", Elizabeth Teviotdale
Elizabeth C Teviotdale
Reexamines the evidence--paleographical, art historical, and circumstantial--that Carl Nordenfalk (1907-92) adduced for his hypothesis that Los Angeles, J. Paul Getty Museum, MS Ludwig V 1 (the ten surviving leaves of a sacramentary written and illuminated around the year 1000) was created for the occasion of the consecration in 1017 of Robert the Pious’s ten-year-old son Hugh as his co-ruler. In putting forward this hypothesis, Nordenfalk was building on a suggestion he made first in 1950 that the manuscript was written and illuminated at the behest of Robert the Pious by a Lombard artist named Nivardus, who was working at the …
Abraham, Bosom Of, Elizabeth Teviotdale
Reform, 10th-Century, Elizabeth Teviotdale
Stammheim Missal, Elizabeth Teviotdale
Ash Wednesday, Elizabeth Teviotdale
Holy Week, Elizabeth Teviotdale
Palm Sunday, Elizabeth Teviotdale
Canterbury-York Dispute, Elizabeth Teviotdale
Canterbury-York Dispute, Elizabeth Teviotdale
Elizabeth C Teviotdale
Restricted access.
Typology, Elizabeth Teviotdale
Eadwine Psalter, Elizabeth Teviotdale
Jubilee Year, Elizabeth Teviotdale
Pembroke College 302: Abbreviated Gospel Book Or Gospel Lectionary?, Elizabeth Teviotdale
Pembroke College 302: Abbreviated Gospel Book Or Gospel Lectionary?, Elizabeth Teviotdale
Elizabeth C Teviotdale
A consideration of the character of the text of Cambridge, Pembroke College, MS 302, a series of excerpts from the four canonical Gospels in (with one exception) biblical order preceded by an incomplete set of canon tables, a manuscript produced in England in the mid-11th century. Concludes that it was probably created as a private devotional book for a high-ranking Benedictine monk, a prayer book intended to resemble a Gospel book and to present a full account of the life of Christ.
Afterword: Audiences Near And Far, Elizabeth Teviotdale
Afterword: Audiences Near And Far, Elizabeth Teviotdale
Elizabeth C Teviotdale
A reflection on the acquisition and display of medieval art in museums of the American Midwest and on the appearance of medieval works of art from Midwestern museum and library collections in international loan exhibitions.
The Scribes Of Bamberg Lit. 5, Elizabeth Teviotdale
The Scribes Of Bamberg Lit. 5, Elizabeth Teviotdale
Elizabeth C Teviotdale
Identifies the scribes of Bamberg, Staatsbibliothek, MS Lit. 5 (olim Ed.V.9), an illuminated troper made at Reichenau ca. 1000, proposing that seven scribes contributed significantly to the project: a project lead, two text specialists, a rubrication specialist, two notation helpers, and a finisher.
Illustrating The Music Of The Mass: A Case Study, Elizabeth Teviotdale
Illustrating The Music Of The Mass: A Case Study, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the figural decoration of a late 11th-century gradual from Toulouse (London, BL, MS Harley 4951, fols. 121-301), concluding that the psalmodic origin of the texts of many chants of the mass informed the way in which those of the 11th century conceived the chants.
The Pictorial Program Of The Stammheim Missal, Elizabeth Teviotdale
The Pictorial Program Of The Stammheim Missal, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the program of illumination revealed in the full-page miniatures of Los Angeles, J. Paul Getty Museum, MS 64. The published version of a paper given at the conference Objects, Images, and the Word, sponsored by the Index of Christian Art, March 23-24, 2001, in Princeton.
The Stammheim Missal As Tribute To Saint Bernward's Interest In Art, Elizabeth Teviotdale
The Stammheim Missal As Tribute To Saint Bernward's Interest In Art, Elizabeth Teviotdale
Elizabeth C Teviotdale
An examination of the circumstances of the creation of the Stammheim Missal (Los Angles, J. Paul Getty Museum, MS 64) and the Ratmann Missal (Hildesheim, Dom-Museum, DS 37) in the decades after the monks of St. Michael's at Hildesheim, where the manuscripts were created, had been granted the privilege in 1150 to venerate their founder, Bishop Bernward (d. 1022) as a saint. Proposes that the Stammheim Missal was not intended to be consulted during the mass, the Ratmann Missal serving that requirement, and that it served rather as a repository of the monastery's liturgy and as a sort of contact …
Review Of The Exhibition 799: Kunst Und Kultur Der Karolingerzeit, Melanie Holcomb, Elizabeth Teviotdale
Review Of The Exhibition 799: Kunst Und Kultur Der Karolingerzeit, Melanie Holcomb, Elizabeth Teviotdale
Elizabeth C Teviotdale
A review of the exhibition mounted at three venues in Paderborn in 1999, contrasting it with the exhibition Karl der Grosse, mounted in 1965 in Aachen, and assessing the integration of objects traditionally regarded as artifacts with those considered to be high art.
Troper, Elizabeth Teviotdale
Troper, Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
The Stammheim Missal, Elizabeth Teviotdale
The Stammheim Missal, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of Los Angeles, Getty Museum, MS 64, a deluxe liturgical manuscript made at and for the monastery of St. Michael's at Hildesheim, probably in the 1170s, with a sketch of the antecedent tradition of illuminated manuscripts for the liturgy of the mass and a discussion of early medieval typological art. All of the manuscript's major illumination is reproduced in color.
Wulfstan [Wulstan, Wolstan] Of Winchester, Elizabeth Teviotdale
Wulfstan [Wulstan, Wolstan] Of Winchester, Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
Puy [Pui], Elizabeth Teviotdale
Puy [Pui], Elizabeth Teviotdale
Elizabeth C Teviotdale
Originally published in print in 2001, the Oxford Music Online edition may have been edited since and should be cited with date accessed information. Restricted access.
A Pair Of Franco-Flemish Cistercian Antiphonals Of The Thirteenth Century And Their Programs Of Illumination, Elizabeth Teviotdale
A Pair Of Franco-Flemish Cistercian Antiphonals Of The Thirteenth Century And Their Programs Of Illumination, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of Los Angeles, Getty Museum, MS 44/Ludwig VI 5 and related fragments, extant and lost, reconstructing the original programs of illumination of their parent manuscripts, a pair of antiphonals produced in the second half of the 13th century in the Franco-Flemish border region, and establishing a taxonomy of relationships between subjects chosen for the historiated initials and the manuscript's text.
The Stammheim Missal: A "New" Source Of North German Chant, Elizabeth Teviotdale
The Stammheim Missal: A "New" Source Of North German Chant, Elizabeth Teviotdale
Elizabeth C Teviotdale
A survey of the contents of the Stammheim Missal (Los Angeles, J. Paul Getty Museum, MS 64), long known to art historians but unstudied by musicologists, with special attention paid to the sequence collection.
The Frontispiece Miniatures Of The Stammheim Missal, Elizabeth Teviotdale
The Frontispiece Miniatures Of The Stammheim Missal, Elizabeth Teviotdale
Elizabeth C Teviotdale
Examines the frontispiece miniatures of Los Angeles, J. Paul Getty Museum, MS 64, proposing that the direct reflection of the art patronized by Bishop Bernward of Hildesheim (d. 1022) is a key component in the manuscript's role as a testament to Bernward.
Who Was Gevehard?, Elizabeth Teviotdale
Who Was Gevehard?, Elizabeth Teviotdale
Elizabeth C Teviotdale
Discusses the relationship between the Stammheim Missal (Los Angeles, J. Paul Getty Museum, MS 64) and the Ratmann Missal (Hildesheim, Dom-Museum, MS DS 37), a pair of manuscripts produced at and for the Abbey of St. Michael's, Hildesheim, in the second half of the 12th century, focusing on a certain Gevehard, a contemporary monk and priest pictured in the Getty manuscript.
The Getty Anglo-Saxon Leaves And New Testament Illustration Around The Year 1000, Adam Cohen, Elizabeth Teviotdale
The Getty Anglo-Saxon Leaves And New Testament Illustration Around The Year 1000, Adam Cohen, Elizabeth Teviotdale
Elizabeth C Teviotdale
A study of the two surviving leaves of an Anglo-Saxon gospel book (Los Angeles, J. Paul Getty Museum, MS 9), concluding that the text was based on an Irish-influenced recension of the text transmitted to England by Breton manuscripts of the late Carolingian period and that a Carolingian model can also be proposed for the illustrations of the parent manuscript.