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Articles 1 - 20 of 20
Full-Text Articles in Arts and Humanities
Responsibility And Responsiveness In The Novels Of Ann Radcliffe And Mary Shelley, Katherine Marie Mcgee
Responsibility And Responsiveness In The Novels Of Ann Radcliffe And Mary Shelley, Katherine Marie Mcgee
USF Tampa Graduate Theses and Dissertations
This dissertation looks at the ways in which humans interact with and respond to other humans and nonhumans in Ann Radcliffe's and Mary Shelley's novels. I argue that in light of the social and political turmoil surrounding the French Revolution, Radcliffe and Shelley call not so much for Revolution or drastic reform but for a change in the ways in which individuals respond to the needs of others, both human and nonhuman, and take responsibility for each other. The ways in which humans interact with the nonhuman inform the positive and negative practices that they should use to interact with …
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione
Decolonizing Shakespeare: Race, Gender, And Colonialism In Three Adaptations Of Three Plays By William Shakespeare, Angela Eward-Mangione
USF Tampa Graduate Theses and Dissertations
What role did identification play in the motives, processes, and products of select post-colonial authors who "wrote back" to William Shakespeare and colonialism? How did post-colonial counter-discursive metatheatre function to make select post-colonial adaptations creative and critical texts? In answer to these questions, this dissertation proposes that counter-discursive metatheatre resituates post-colonial plays as criticism of Shakespeare's plays. As particular post-colonial authors identify with marginalized Shakespearean characters and aim to amplify their conflicts from the perspective of a dominated culture, they interpret themes of race, gender, and colonialism in Othello (1604), Antony and Cleopatra (1608), and The Tempest (1611) as explicit …
Review Of Marilyn Francus, Monstrous Motherhood: Eighteenth-Century Culture And The Ideology Of Domesticity, Phyllis Ann Thompson
Review Of Marilyn Francus, Monstrous Motherhood: Eighteenth-Century Culture And The Ideology Of Domesticity, Phyllis Ann Thompson
ABO: Interactive Journal for Women in the Arts, 1640-1830
Review of Marilyn Francus. Monstrous Motherhood: Eighteenth-Century Culture and the Ideology of Domesticity. Baltimore: The Johns Hopkins UP, 2012. Xi + 297pp. Index. ISBN 978-1-4214-0737-1.
Review Of Stephen Bending, Green Retreats: Women, Gardens And Eighteenth-Century Culture, Nicolle Jordan
Review Of Stephen Bending, Green Retreats: Women, Gardens And Eighteenth-Century Culture, Nicolle Jordan
ABO: Interactive Journal for Women in the Arts, 1640-1830
Review of Stephen Bending. Green Retreats: Women, Gardens and Eighteenth-Century Culture. New York: Cambridge UP, 2013. X +312 pp. Index. ISBN: 978-1-107-04002-1.
Discomforting Narratives: Teaching Eighteenth-Century Women’S Travelogues, Elizabeth Zold
Discomforting Narratives: Teaching Eighteenth-Century Women’S Travelogues, Elizabeth Zold
ABO: Interactive Journal for Women in the Arts, 1640-1830
In this essay, I describe an undergraduate course I designed and taught on eighteenth-century women’s travelogues and advocate for more courses that explicitly focus on noncanonical genres and authors. Using student papers, I explore how students worked through their discomfort with new genre conventions and improved their overall reading and analytical skills. I hope that my outline of the course will be useful to those who teach or will be teaching women's travel literature or who wish to focus courses on noncanonical authors and genres.
In Their Hands: Students Editing Eighteenth- And Nineteenth-Century Letters, Thomas Mclean
In Their Hands: Students Editing Eighteenth- And Nineteenth-Century Letters, Thomas Mclean
ABO: Interactive Journal for Women in the Arts, 1640-1830
This article describes an honours-year class conducted in 2013 at the University of Otago in New Zealand. Students transcribed, annotated and wrote essays about a little-known New Zealand collection of unpublished letters written by leading British women writers of the Romantic era. Their research was then collected and published as a book entitled "In Her Hand: Letters of Romantic-Era British Women Writers in New Zealand Collections." The success of this course suggests the benefits of allowing students the opportunity to undertake original archival research and serves as a reminder that rich archival collections are found all over the world.
Material And Textual Spaces In The Poetry Of Montagu, Leapor, Barbauld, And Robinson, Jessica Lauren Cook
Material And Textual Spaces In The Poetry Of Montagu, Leapor, Barbauld, And Robinson, Jessica Lauren Cook
USF Tampa Graduate Theses and Dissertations
Women Poets and Place in Eighteenth-Century Poetry considers how four women poets of the long eighteenth century--Lady Mary Wortley Montagu, Mary Leapor, Anna Letitia Barbauld, and Mary Robinson--construct various places in their poetry, whether the London social milieu or provincial England. I argue that the act of place making, or investing a location with meaning, through poetry is also a way of writing a place for themselves in the literary public sphere and in literary history. Despite the fact that more women wrote poetry than in any other genre in the period, women poets remain a relatively understudied area in …
Review Of Bonnie Latimer, Making Gender, Culture, And The Self In The Fiction Of Samuel Richardson: The Novel Individual, Karen Lipsedge
Review Of Bonnie Latimer, Making Gender, Culture, And The Self In The Fiction Of Samuel Richardson: The Novel Individual, Karen Lipsedge
ABO: Interactive Journal for Women in the Arts, 1640-1830
Latimer’s Making Gender, Culture, and the Self in the Fiction of Samuel Richardson answers a need in eighteenth-century Richardsonian studies. It is also a thoughtful and long overdue study, which deserves praise and attention. Latimer provides the reader with a greater understanding of the notion of female individuality in Richardson’s novels, and also of eighteenth-century culture and contemporary literature. Her research is gratifying in its level of detail, and she is deft in showing correspondences between eighteenth-century culture, fiction and Richardson’s novels. Although Sir Charles Grandison lies at the heart of this study, Latimer is equally skilful in devoting attention …
Novels, Philosophies, And Sex, Aleksondra Hultquist
Novels, Philosophies, And Sex, Aleksondra Hultquist
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Review Of Enit Karafili Steiner, Jane Austen's Civilized Women: Morality, Gender, And The Civilizing Process, Sarah Raff
Review Of Enit Karafili Steiner, Jane Austen's Civilized Women: Morality, Gender, And The Civilizing Process, Sarah Raff
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Review Of Paula Backscheider, Elizabeth Singer Rowe And The Development Of The English Novel, Sarah H. Prescott
Review Of Paula Backscheider, Elizabeth Singer Rowe And The Development Of The English Novel, Sarah H. Prescott
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Review Of Carol Stewart (Ed.), The Rash Resolve And Life's Progress, Sarah R. Creel
Review Of Carol Stewart (Ed.), The Rash Resolve And Life's Progress, Sarah R. Creel
ABO: Interactive Journal for Women in the Arts, 1640-1830
This review gives an overview of Carol Stewart's edition of Eliza Haywood's The Rash Resolve and Life's Progress. Providing a modern edition of these texts in print for the first time, Stewart's edition brings the two novels to life with careful attention to historical and contextual details.
You’Re An Austen Heroine! Engaging Students With Past And Present, Caroline Breashears
You’Re An Austen Heroine! Engaging Students With Past And Present, Caroline Breashears
ABO: Interactive Journal for Women in the Arts, 1640-1830
In my senior seminar on Jane Austen, I seek to engage students in multiple ways. On one hand, I want them to connect with Austen’s world and to reflect on what it means to them; on the other hand, I want them to understand the very real differences of that world and how they inform her novels. One strategy for engaging students in these ways is through interactive games. Studies have shown that many modern games have features similar to those stressed by engaged learning, so game design can be adapted for pedagogical purposes. I discuss the purposes, design, and …
Teaching Willmore, James Evans
Teaching Willmore, James Evans
ABO: Interactive Journal for Women in the Arts, 1640-1830
Teaching Aphra Behn’s The Rover for nearly four decades, I have witnessed a considerable shift in students’ attitudes toward the play, especially toward Willmore. More positive about his character in the 1970s and 1980s, they have had a much more negative assessment since then. The only available video version, the Women’s Theatre Trust production, compounds my pedagogical problem through filming techniques and choice of actor; emphasizing male violence against women, its interpretation parallels feminist criticism of the 1990s. Asking students to examine theater history may lead them to see that Behn does not completely match this ideological paradigm. The original …
Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt
Charlotte Smith's Beachy Head: Science And The Dual Affliction Of Minute Sympathy, Kelli M. Holt
ABO: Interactive Journal for Women in the Arts, 1640-1830
Greatly illustrative of Adam Smith’s statement in his Theory of Moral Sentiments that the sympathizer must “adopt the whole case of his companion with all its minutest incidents; and strive to render as perfect as possible that imaginary change of situation upon which his sympathy is founded”––while also complementing notions of feeling from the work of Anna Barbauld––Beachy Head and its minutiae “renders” an utterly sympathetic argument, one void of gender conventions, that comments on nature's inhuman and human condition.
The Secret Life Of Archives: Sally Siddons, Sir Thomas Lawrence, And The Material Of Memory, Laura Engel
The Secret Life Of Archives: Sally Siddons, Sir Thomas Lawrence, And The Material Of Memory, Laura Engel
ABO: Interactive Journal for Women in the Arts, 1640-1830
This essay is in two parts, in the first I attempt to map out strategies for considering archival materials through the lens of performance, and in the second I enact or perform some of those strategies through a close reading of a letter from Sally Siddons, daughter of the famous actress Sarah Siddons, to the renown portrait painter and rakish bad boy, Sir Thomas Lawrence. I present a methodology that considers archival researchers as tourists who approach archival objects and images as material for curating a virtual exhibition. I argue that this strategy allows us to recognize and attempt to …
Adrianne Wadewitz, 1977-2014, Laura Runge
Adrianne Wadewitz, 1977-2014, Laura Runge
ABO: Interactive Journal for Women in the Arts, 1640-1830
No abstract provided.
Poetry Archives On The Web: Thomas Gray Archive, The Poetry Of The Gentleman’S Magazine, 1731-1800: An Electronic Database Of Titles, Authors, And First Lines, And The Poetess Archive, Kate Parker
ABO: Interactive Journal for Women in the Arts, 1640-1830
Recent innovations in digital scholarship have enabled new online archives, editions and bibliographies to flourish. Three such online resources--the Thomas Gray Archive, the Poetess Archive, and The Poetry of the Gentleman’s Magazine, 1731-1800: An Electronic Database of Titles, Authors, and First Lines--are explored in depth in this review, with an eye to how each archive specifically encourages scholarly collaboration and makes use of crowd-sourcing technologies.
“Putting On Her White Hair” The Life Course In Wilder’S The Long Christmas Dinner, Valerie Barnes Lipscomb
“Putting On Her White Hair” The Life Course In Wilder’S The Long Christmas Dinner, Valerie Barnes Lipscomb
English Sarasota Manatee Campus Faculty Publications
Thornton Wilder’s The Long Christmas Dinner (1931) holds a unique place in American drama, as it covers ninety years in the history of one family. The one-act play captivated composer Paul Hindemith, who collaborated with Wilder to adapt The Long Christmas Dinner as a 1961 short opera by the same name. Analyses of both works overlook the representation of age and aging on stage. Actors perform the aging of characters from young adulthood to death in just a few minutes of stage time, challenging the “difference” of age by suggesting the stability of human identity over the life course. One …
Locating Early America., Thomas Hallock
Locating Early America., Thomas Hallock
USF St. Petersburg campus Faculty Publications
No abstract provided.