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Articles 1 - 11 of 11
Full-Text Articles in Arts and Humanities
Nous Sommes Tous Des « Djadjas » : La Question De L’Identité Dans La Musique Française Et Francophone Au 21^E Siècle, Molly Earle
Nous Sommes Tous Des « Djadjas » : La Question De L’Identité Dans La Musique Française Et Francophone Au 21^E Siècle, Molly Earle
Honors Theses
Le titre de mon travail fait référence à une chanson qui représente les thèmes de la race,1 du genre, de la transculturalité et de la collaboration musicale : « Djadja », une chanson écrite par la chanteuse franco-malienne Aya Nakamura qui a eu beaucoup de succès en 2018 et puis en 2020 avec le remix en duo avec Maluma, un chanteur colombien. Comme d’autres chansons de Nakamura, « Djadja » utilise des sons africains et urbains, mais l’ajout d’influences latino-américaines a aidé la chanson à toucher une plus grande partie du monde (Nakamura et Maluma). Par exemple, cette chanson est …
Score Following With Hidden Tempo Using A Switching State-Space Model, Yucong Jiang, Chris Raphael
Score Following With Hidden Tempo Using A Switching State-Space Model, Yucong Jiang, Chris Raphael
Department of Math & Statistics Faculty Publications
A score-following program traces the notes in a musical score during a performance. This capability is essential to many meaningful applications that synchronize audio with a score in an on-line fashion. Existing algorithms often stumble on certain difficult cases, one of which is piano music. This paper presents a new method to tackle such cases. The method treats tempo as a variable rather than a constant (with constraints), allowing the program to adapt to live performance variations. This is first expressed by a Kalman filter model at the note level, and then by an almost equivalent switching state-space model at …
[Introduction To] Soda Goes Pop: Pepsi-Cola Advertising And Popular Music, Joanna K. Love
[Introduction To] Soda Goes Pop: Pepsi-Cola Advertising And Popular Music, Joanna K. Love
Bookshelf
From its 1939 “Nickel, Nickel” jingle to pathbreaking collaborations with Michael Jackson and Madonna to its pair of X Factor commercials in 2011 and 2012, Pepsi-Cola has played a leading role in drawing the American pop music industry into a synergetic relationship with advertising. This idea has been copied successfully by countless other brands over the years, and such commercial collaboration is commonplace today—but how did we get here? How and why have pop music aesthetics been co-opted to benefit corporate branding? What effect have Pepsi’s music marketing practices in particular had on other brands, the advertising industry, and popular …
Composing After The Italian Manner: The English Cantata 1700-1710, Jennifer Cable
Composing After The Italian Manner: The English Cantata 1700-1710, Jennifer Cable
Music Faculty Publications
In this chapter, I will examine examples from several of the earliest eighteenth-century English cantatas written after the Italian style and in direct response to the growing popularity of Italian vocal music in England.3 The early English cantatas of three composers-John Eccles, Daniel Purcell, and Johann Christoph Pepusch-portend how each would fare in the new musical century, when the compositional ideals of an earlier era were foresaken as the focus on Italian vocal music, the 'talk of the town', broadened in scope and sharpened in intensity.
Sources, Linda B. Fairtile
Sources, Linda B. Fairtile
University Libraries Faculty and Staff Publications
Sources of instrumental music and of non-dramatic vocal music are generally understood to include preliminary sketches and drafts, manuscript and printed scores, performing parts, and, in the latter case, materials related to the choice or development of the vocal text. Letters, diaries, administrative papers, and even journalistic reviews can also be considered sources. Opera, as a collaborative fusion of music and drama, expands this list to include such materials as set and costume designs, staging manuals, lighting plots, and prop lists. Technology has further augmented the inventory, first with still photographs, and later with audio and video recordings. This chapter …
How A Thrown Shooe Became A Tragedy And Other Funny Stories: A Study Of The Three Burlesque Cantatas (1741) By Henry Carey (1689–1743), Jennifer Cable
How A Thrown Shooe Became A Tragedy And Other Funny Stories: A Study Of The Three Burlesque Cantatas (1741) By Henry Carey (1689–1743), Jennifer Cable
Music Faculty Publications
This is not to say that Carey thought ill of Italian music, per se. Contemporary accounts, including Carey’s own poems, reveal his high opinion of Handel and others who composed in the Italian style. Rather, Carey’s literary barbs were directed toward his English brothers and sisters who were all too swift to support Italian opera and Italian singers at the expense of English music and musicians. Carey spent much of his career addressing this cultural issue from a variety of creative vantage points: prose, song texts, original melodies, Italian-style cantatas, burlesques of Italian operatic style, and anonymous commentaries. This essay …
Freedom's Disciple : The Life, Music, And Impact Of Hazel Dickens, Kelly Landers
Freedom's Disciple : The Life, Music, And Impact Of Hazel Dickens, Kelly Landers
Honors Theses
The work of Appalachian musician Hazel Dickens sheds light on many of the musical and cultural changes in our country. Dickens used her music as a voice for the disadvantaged, advocating for improvements in the lives of miners, working-class people, and women, and pushing for all to be treated equally. A wonderful songwriter, performer, and overall musician, Dickens saw her career, music, and beliefs as inextricably linked, and so this thesis will explore her leadership by analyzing her songs and her history.
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Leadership Through Laughter: How Henry Carey Reinvented English Music And Song, Jennifer Cable
Music Faculty Publications
Polly refers to Miss Polly Peachum, a character in John Gay's The Beggar's Opera of 1728 (January). Henry Carey (1687-1743) set this verse (1728) to his famous tune Sally in our Alley, which Gay had used in the opera. Carey's verse about Polly Peachum became so popular that it was eventually incorporated into The Beggar's Opera libretto, beginning with the third edition.1 Even in this short example, we can detect Carey's delight that Polly had overtaken "the Opera of Rolli," alluding to Italian opera in general by referring specifically to the Italian poet and librettist who adapted libretti for …
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
The Works Of Giuseppe Verdi: A Consideration Of Its Impact, Linda B. Fairtile
University Libraries Faculty and Staff Publications
The rationale for preparing a critical edition of Verdi's works is by now well known. The unavailability of printed orchestral scores for some operas, disagreements among performing materials for others, and a proliferation of new scholarship illuminating the complex Verdian source situation all point to the need for a scholarly edition of the complete works of this extremely popular composer. In 1983 the University of Chicago Press and Casa Ricordi began jointly producing scores and other performing materials in a series entitled «The Works of Giuseppe Verdi» («WGV»). Rigoletto was the first volume to appear, followed by Ernani, Nabucco, …
The Application Of The Kodaly Method To Instrumental Music Education, Sherry Black
The Application Of The Kodaly Method To Instrumental Music Education, Sherry Black
Honors Theses
Music educator have constantly searched for more effective ways to teach their subject. In the past thirty years, several philosophies and methods of music education have had considerable influence on the music curricula in American schools. An examination of one one of these methods, the Kodaly method, will be the focus of this paper. Zoltan Kodaly, a Hungarian composer and educator, believed that the voice was nature's first instrument and that only though its correct utilization could a child develop correctly in all other aspects of music. The history, goals and techniques of Kodaly's method will be outlined in the …
Luther The Musician, Charles L. Hill
Luther The Musician, Charles L. Hill
Honors Theses
The chief contributions of Martin Luther to Western civilization are in the fields of theology and religious reform; but his influence upon, and even his direct contributions to, the development of music also are of considerable importance. Luther has established a place for himself in history as "the great German religious reformer who began the Protestant Reformation" (Brit., 436), but his abilities as a musician are often overlooked. That Luther had a great love for music is clear from a letter which he sent to Ludwig Senfl, the court musician at Munich, on October 4, 1530, in which he says: …