Arts and Humanities Commons^™

Arrival Is Not Access, Emmanuel Asamoah

School of Art, Art History, and Design: Theses and Student Creative Work

This thesis presents a group of sculptures and installations that explore how material, labor, and communication shape unequal access in diasporic life. It questions the common belief that movement, visibility, or relocation automatically leads to stability, care, or belonging. In my experience, arrival does not guarantee access. Using clay, steel and found materials, I create tension between softness and control. Many of these materials are worn and discarded. I cut and rebuild them, leaving marks of strain and repair visible rather than hiding them.

Repetition appears through rows of cast faces and a collection of telephones. These forms suggest shared …

Rhetorical Violence: The Rhetorics Of Women's Counter Political Violence, Kylie Rowland

Department of English: Dissertations, Theses, and Student Research

Protest is omnipresent, and yet not much is known about the efficacy and impacts of its different rhetorical strategies—particularly so for marginalized populations, whose available means of protest are already limited by both material realities and assumptions that govern who and what can make waves. This bind is further exacerbated by gendered and racialized civility politics that determine which bodies can be disruptive and which already are considered “violent.” To address this gap, I turn toward the under-researched rhetorical potentials of marginalized people’s—specifically women and queer folks’—use of symbolic protest “violence,” which works to strategically make evident the larger ongoing …

A Software-Defined Radio Testbed For Mimo-Ofdm Communications, Chaz G. Maschman

Department of Electrical and Computer Engineering: Dissertations, Theses, and Student Research

In this thesis, we implement a testbed for multiple-input multiple-output orthogonal frequency division multiplexing (MIMO-OFDM) systems via GNU Radio. Specifically, we implement a configurable framework for the construction of MIMO-OFDM software-defined radio (SDR) systems as a GNU Radio module. The GNU Radio MIMO-OFDM module consists of multiple algorithmic blocks necessary for implementation of a MIMO-OFDM system. This includes a library for the generation of orthogonal or pseudo-random pilot sequences, amendments to the Schmidl-Cox protocol for MIMO synchronization, and the creation of click-and-drag GNU Radio blocks implementing the conversion of arbitrary data sent via external programs to MIMO-OFDM frames, the initial …

Beauty Temples, Courtney Obrien

Honors Program: Senior Projects (Public)

This photo story explores the profound intersection of physical touch, professional craft, and emotional sanctuary within the independent beauty spaces of Lincoln, Nebraska. By documenting the work of practicing hairstylists, a tattoo artist, and a nail technician, the project positions the modern studio not merely as a place of aesthetic enhancement, but as a "Beauty Temple".

At the heart of this narrative is the intimacy of the artist-client relationship. In an increasingly digital world, these practitioners remain among the few professionals whose work requires sustained, purposeful physical contact. Through close-up photography and environmental portraiture, this project captures the steady hands …

A Place To Perform: Designing Spaces For Student Artists Through Event Planning, Ava R. Jacobsen

Honors Program: Senior Projects (Public)

This thesis examines the creation of accessible performance spaces for student artists not enrolled in formal music programs. To address this gap, two First Friday events were hosted at The Gathering Grove in Lincoln, Nebraska, providing platforms for local student performers and engaging the community in live art experiences. The first event, an open mic night, highlighted the challenges of spontaneous performances, while the second, featuring designated performers, tested more structured event planning strategies.

Both events emphasized the importance of marketing, venue layout, audience engagement, and operational organization. Key lessons included the need for contingency planning, multi-channel promotion, and clearly …

Sparks Under Ashes, Ani Sargsyan

School of Art, Art History, and Design: Theses and Student Creative Work

Rooted in hope, reflections on longing, family history, and the contemporary Armenian experience take precedence in Sparks Under Ashes. The title of the show itself derives from my great-grandfather’s notebook, which details his unjust exile during the Great Purge of the Soviet era and other life experiences. His handwriting becomes ingrained in my work as both our marks collide through painting, drawing, and transfer processes to bridge the time between us and celebrate generations of resilience.

Acts of endurance are crucial for Armenia’s survival because attempts of erasure have always been prominent, with the 1915 genocide being the darkest …

The Space Between Seams, Rachel M. Clarke

School of Art, Art History, and Design: Theses and Student Creative Work

Through the use of form, softly muted colors, and play with transparent materials, I create ethereal drawings and immersive installation experiences. I work with the softness in fabric and the controlled detail in drawing. In doing so, I am enveloping myself in the drive to create, pushing the viewer to be spatially aware of their bodies existing in space.

This body of work exists as I am processing the state of my own body. We engage and perceive the world through our bodies. The fabric panels I create call to the porosity and permeability of human skin. The skin contains …

Dressing For The Descent: Costume Designing Eurydice, Hannah Olivia Schoen

Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work

During the early spring of my second graduate year, I was assigned to be costume designer for the upcoming production of Sarah Ruhl’s Eurydice. Eurydice is a retelling of a narrative that had been mostly given spotlight to the male hero in past iterations. Now we as a design team were going to tell the story from Eurydice’s point of view. After doing an analysis and research into details that would give me ideas on how I wanted to present these characters, I was able to present initial ideas to the director at our first design meeting.The design process …

Sweet Is The Work, Allie M. Wheeler

School of Art, Art History, and Design: Theses and Student Creative Work

Sweet is the Work is a collection of collagraph prints, collages, and sculptural artworks created through a dialogue between surface textures, colors, and imagery, sourced from personal experiences and the home environment that nurtured them. My artwork functions as a visual journal of my memories of living on a family farm in Delta, Utah, in an engaged religious lifestyle. Daily life at home was filled with responsibilities, from sweeping the floor to tending crops and livestock. Tasks like preserving food were guided less by necessity than by tradition. A history of family record keeping inspires my process of documentation. Each …

Subterranean Echoes, Daniel E. Garcia

School of Art, Art History, and Design: Theses and Student Creative Work

Subterranean Echoes is an immersive exhibition that explores themes of spirituality, geology, growth, and decay. Depictions of earthly entities, sacred architecture, crystalline portals, reliquary and geological forms are what drive my narratives of ancestral beginnings in-between states of physical and metaphysical realms.

I rekindle and reimagine what it means to stay connected to the land and ancient people of the past. With ceramic materials, I channel divine energy through a primordial process involving earth, water, air, and fire that allows me to reconnect with the land and our predecessors. I create adaptations of spirituality that reflect my own philosophies, experiences, …

Interview With Orca Award Winner Margaret Jacobs, Unl History; Indigenous Child Removal, Mark Griep, Margaret D. Jacobs

UNL ORCA Interview Series

Dr. Margaret Jacobs was awarded the ORCA in 2021. She was born in San Pedro, California, but grew up in Colorado. Something in her youth must have sparked an interest in history because she earned a bachelor’s, master’s, and doctorate in that subject with a focus on the interactions between Indigenous peoples and settlers. Her bachelor’s was from Stanford University in California, while her master’s and doctorate were from the University of California, Davis. After teaching history at New Mexico State University, she joined the University of Nebraska-Lincoln in 2004 as professor of history and director of the Women’s and …

Interview With Orca Award Winner Michael James, Unl Textile Clothing & Design; Abstract Quilted Fabric Artist, Mark A. Griep, Michael James

UNL ORCA Interview Series

Prof. Michael James was born in New Bedford, Massachusetts. Something in his youth must have sparked an interest in the arts because he earned a bachelor and master of fine arts, both with an emphasis on painting and printmaking. His bachelor’s was from the University of Massachusetts at Dartmouth and his master’s was from the Rochester Institute of Technology. After graduation, he embarked on a 26-year career as an independent studio quilt designer and maker. His career took a new direction in Spring 2000 when he was a Visiting Lecturer in Textiles at his Dartmouth Alma Mater. In Fall 2000, …

Tallina Linnahall: Arquitectura Soviética Y Mundo Prehispánico, Isabel Bargallo, Montserrat Bargalló Sánchez

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Existen construcciones que nos recuerdan morfológicamente aspectos de la arquitectura precolombina que no tienen, en principio, relación cultural alguna con el pasado mesoamericano y que no responden tampoco a la función que desempeñaban las construcciones originales, o quizás sí. Éste es, sin duda, el caso del Linnahall de Tallin, donde no podemos dejar de preguntarnos los motivos que llevaron a unos arquitectos europeos, específicamente a dos profesionales estonianos, a inspirarse en las formas prehispánicas para proyectar y construir un espacio monumental que formó parte de las instalaciones de los Juegos Olímpicos de Moscú (1980) en la capital de Estonia. ¿Podemos …

Ideas Y Materialidades Que Viajan. Las Cabezas Como Contenedoras De Poder En Las Sociedades Malagana, Nazca Y Huari, Catalina Simmonds Caldas, Sonia Blanco, Marisa Sánchez David

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Un cuenco en cerámica perteneciente a la sociedad Malagana (800 a. C. – 600 d. C.), – Suroccidente de Colombia – y cuya descripción es el de ser un contenedor con cabezas antropomorfas circundantes, adheridas a su contorno, quizá esté vinculado a los aspectos conceptuales e ideológicos que encarna en las sociedades Nazca (s. I - VII d. C.) y Nazca-Huari (500 – 700 d. C.) el culto a las cabezas-trofeo; de ser así, se puede presuponer en estas sociedades distintas, un uso ritual asociado al concepto de la cabeza como materialización de formas de poder. Respecto a esta noción …

Las Representaciones Florales En Los Bordados De La Indumentaria Cuzqueña, Nathalie Santisteban-Delgado

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Los vestidos indígenas cuzqueños contemporáneos se caracterizan por tener decoraciones iconográficas variadas. Es la representación floral decorativa que destaca por el color, el diseño y la forma. El motivo floral aparece adornando tanto los vestidos de las imágenes santas de la pintura cuzqueña (siglos XVII y XVIII) como la ropa de los incas nobles retratados durante la colonia. Este estudio tiene como objetivo mostrar que existe una continuidad estética andina, a partir de la identificación de las especies florales utilizadas en las expresiones artísticas virreinales y de la comparación con las especies florales empleadas en la decoración del vestido tradicional …

Las Representaciones Figurativas Del Sitio Arqueológico Cuidad Del Jaguar (Honduras): Espacio Sagrado, Conceptos Compartidos Y Diálogo Entre Mesoamérica Y La Zona Andina, Geydy Rodríguez Wood

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El sitio arqueológico Ciudad del Jaguar-T1, se encuentra ubicado en el noroeste de Honduras. Pertenece al Área Intermedia, considerada zona de frontera y paso entre Mesoamérica y la Zona Andina. Esta ubicación facilitó que, durante la época prehispánica, fuese un sitio de migraciones e interacción constante entre culturas del norte y del sur del continente, que dio origen a una civilización hasta ahora desconocida, que se formó, desarrolló y tuvo una significativa producción artística. En el presente trabajo propongo el estudio y la lectura e interpretación de las imágenes figurativas representadas en los objetos excavados, como también su utilidad y …

El Papel De Tonantzin-Guadalupe En La Conservación Del Pensamiento Nahua Durante La Cristianización De Mesoamérica, Marina Valls I García

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

Dentro de este ciclo de estudios sobre la imagen del poder se aprovecha la ocasión para focalizar en el estudio de la imagen religiosa de la Virgen de Guadalupe y su papel en la conversión del México precolombino. Partiendo de la base antropológica en que el poder siempre es respaldado por la religión de una cultura, profundizamos a entender como este proceso “político” es mimetizado y acompañado no solo por la creación de una imagen de poder religioso sino por diversas luchas de poder entre el pensamiento nahua y el católico, así como entre las distintas órdenes cristianas que participan …

Aves, Felinos Y Ofidios En Los Templos Montaña Amerindios, Sarai Ramos Muñoz

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El siguiente estudio se centra en la comparación de las representaciones pictóricas de aves, felinos y ofidios de algunos de los principales Templos Montaña, tanto de la zona andina, como de Mesoamérica. Dentro de él se pueden apreciar las similitudes y diferencias arquitectónicas y escultóricas simbólicas de estas imágenes. El análisis comparativo se realiza a través de un estudio iconográfico e iconológico de la arquitectura escultórica de dichos templos y de cada una de las representaciones zoomorfas relacionadas con el concepto del Axis Mundi prehispánico, centrándose en el águila, el jaguar y la serpiente. Al mismo tiempo se analiza la …

Construcción De Identidades A Través Del Diseño Precolombino, Luz Helena Ballestas Rincón

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

La identidad de los pueblos en gran medida se refleja en su cultura, tanto material como inmaterial, lo que constituye su herencia: es lo que permanece, lo que los representa. En la tradición de los países latinoamericanos, el pasado precolombino es parte del patrimonio cultural. Es evidente en el arte, el diseño y la artesanía. En el presente artículo se destacan los aportes de personas que pertenecen a estos ámbitos, especialmente de diseñadores que resignifican los motivos precolombinos y, que por ser sus productos de carácter popular y reproducible, son de fácil acceso y de esta manera reflejan la esencia …

Introducción, Victòria Solanilla, Anabel Villalonga Gordaliza

Actas seleccionadas del SIMPOSIO ARTE 4.2: Migraciones en la imagen prehispánica: transitando territorios del pasado al presente. 58º Congreso Internacional de Americanistas, Novi Sad, Serbia, 2025.

El presente volumen reúne una selección de contribuciones derivadas del simposio «Migraciones en la imagen prehispánica: transitando territorios», coordinado en el marco del 58º Congreso Internacional de Americanistas (ICA58). Este congreso, celebrado en distintas sedes en Novi Sad, Serbia, del 30 de junio al 4 de julio de 2025, conmemoró los 150 años del ICA y reunió a investigadores de todo el mundo bajo el lema «Nuevos desafíos, Nuevos espacios», incorporando además una valiosa «mirada balcánica» al estudio de las Américas. En ese escenario — un cruce de lenguas, trayectorias y tradiciones académicas — nuestro simposio propuso detenerse ante un …

“No Ifs, Ands, Or Butts”: Analyzing Race And Gender In Sex And The City Through Black Feminist Theory, Daniella Orias

Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy

This article analyzes Season 3, Episode 5 of Sex and the City, “No Ifs, Ands, or Butts,” through the lens of Black feminist theory. It investigates how race and gender are constructed, stereotyped, and selectively represented within the episode’s narrative. The analysis focuses on two Black characters who were featured only in one episode of the series, Adeena and Chivon, and examines how the show portrays harmful stereotypes such as the angry Black woman (Adeena) and sexualized Black male (Chivon) in the episode. These limited and harmful representations are further scrutinized by the fact that the show is often …

Gods' Man, Lynd Ward

Zea E-Books Collection

Lynd Ward (1905–1985) was born in Chicago and studied at Columbia Teachers College in New York City and at the National Academy of Graphic Arts and Bookmaking in Leipzig, Germany. He began working as a book illustrator in 1927, and in 1929 published this first “wordless novel,” Gods’ Man. He eventually published five more such works, as well as illustrations for more than 100 other books, plus drawings, lithographs, watercolors, and children’s stories.

Gods’ Man is credited as the first American wordless novel. It tells a story about a struggling young artist who makes a pact with a mysterious …

Chapter 3: Diamonds In The Rough: The Development And Occurrences Of The Rhombus Motif, Its Components, And Its Variations In Olmec And Olmec-Related Textiles, Billie J. A. Follensbee

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses the development of textiles in the Mesoamerican Preclassic/Formative period from the Gulf Coast, the rhombus textile patterns and motifs in Olmec and Olmec-related imagery, and includes further reflections on the dotted-diamond motif, its components, and their correlations.

Madman's Drum, Lynd Ward

Zea E-Books Collection

Lynd Ward (1905–1985) was born in Chicago and studied at Columbia Teachers College in New York City and at the National Academy of Graphic Arts and Bookmaking in Leipzig, Germany. He began working as a book illustrator in 1927, and in 1929 published this first “wordless novel,” Gods’ Man. He eventually published five more such works, as well as illustrations for more than 100 other books, plus drawings, lithographs, watercolors, and children’s stories.

Madman’s Drum is his second wordless novel. It tells a dark story about a slaver who murders an African and steals his drum, which seems to …

Chapter 1: A Brief Introduction: Rhombus Motifs In Textiles, Billie J. A. Follensbee, Lois Martin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Presents a brief introduction to rhombus motifs in textiles.

Chapter 4: The Grid Patterns In The Vestments And Headdresses Of Female Statuary From The Classic Period Cultures Of Central Veracruz, Chantal D. Huckert

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

This chapter focuses on grid designs appearing on female clothing in Late Postclassic Nahua sources, in Maya sources, and on the Late Classic figurines of Central Veracruz. This study examines cross-hatched lattice patterns based on repetitions of rhombus and quincunx motifs associated with the sentient Mesoamerican Earth complex. The attached catalog presents a clear reference to these motifs and their variants, while the rest of the chapter is divided into two sections and addresses the general cross-hatched lattice pattern and the associated motifs. The first section discusses the all-over grid design, dotted or not, on the clothing of Mexican highland …

Chapter 5: The “Dotted-Grid” And “Dotted-Diamond” Motifs On Skirts: Fertility And Power During The Epiclassic And Early Postclassic Periods In Central And Western Mesoamerica (600 To 1200 Ce), Juliette Testard

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses gender, apparel, and attributes with respect to the Epiclassic shift in politics and ideology, the grid, hatched, and rhomboidal patterns in central Mexican imagery during the Epiclassic, and the dotted-grid and dotted-diamond motifs on female figurines during the Epiclassic and Early Postclassic Periods.

Chapter 7: Symmetries Of Cloth And Corn In The Ancient Americas: Pattern Generation, Botany, And The Maize Matrix In Mexico And Peru, Lois Martin

Precious Pattern: The Dotted-Diamond Motif in Indigenous American Textiles, Explorations in Mesoamerica, the American Southwest, and the Andes

Discusses pattern generation, botany, and the maize matrix in Mexico and Peru.

Nebraska Test 2305: Claas Arion 660, Nebraska Tractor Test Lab

Nebraska Tractor Tests

ABOUT THE TEST REPORT AND USE OF THE DATA The test data contained in this report are a tabulation of the results of a series of tests. Due to the restricted format of these pages, only a limited amount of data and not all of the tractor specifications are included. The full OECD report contains usually about 30 pages of data and specifications. The test data were obtained for each tractor under similar conditions and therefore, provide a means of comparison of performance based on a limited set of reported data. EXPLANATION OF THE TEST PROCEDURES Purpose The purpose of …

Nebraska Test 2308: John Deere 9r 540 Single Turbo (Chassis Serial Numbers 1rw9540xxsx090001 And Higher), Nebraska Tractor Test Lab

Nebraska Tractor Tests

ABOUT THE TEST REPORT AND USE OF THE DATA The test data contained in this report are a tabulation of the results of a series of tests. Due to the restricted format of these pages, only a limited amount of data and not all of the tractor specifications are included. The full OECD report contains usually about 30 pages of data and specifications. The test data were obtained for each tractor under similar conditions and therefore, provide a means of comparison of performance based on a limited set of reported data. EXPLANATION OF THE TEST PROCEDURES Purpose The purpose of …