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Articles 1 - 30 of 43
Full-Text Articles in Arts and Humanities
In “Memory” Of Marcel Proust (1871-1922), Eamon Maher
In “Memory” Of Marcel Proust (1871-1922), Eamon Maher
Articles
Eamon Maher on the memory-rich private universes of Proust and McGahern.
Julien Green (1900–1998): Exploring The Intersection Of Religion And Literature, Eamon Maher
Julien Green (1900–1998): Exploring The Intersection Of Religion And Literature, Eamon Maher
Articles
No abstract provided.
(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin
(Re)Visions Of The Outre-Mer: Looking At The Male Gaze In Jacques Feyder’S Le Grand Jeu (1934), Barry Nevin
Articles
Cinéma colonial is regarded by certain scholars as a highly conventionalised and commercialised film practice that grants spectators a sense of control over the potentially threatening colonial Other, and Belgian director Jacques Feyder has been subject to particularly harsh criticism in this regard. This article argues that Feyder’s Le Grand Jeu (1934), which depicts a young legionnaire’s relationship with a cabaret singer who bears an uncanny resemblance to a previous lover who jilted him in Paris, challenges dominant tendencies in portrayals of gender and colonialism in French cinema of the 1930s. Drawing on the relationship between Laura Mulvey’s theorisation of …
Framing “L’Âme Des Personnages”: Performance And Affect In Jacques Feyder’S Pension Mimosas (1935), Barry Nevin
Framing “L’Âme Des Personnages”: Performance And Affect In Jacques Feyder’S Pension Mimosas (1935), Barry Nevin
Articles
Although Jacques Feyder's authorial control over his productions and his direction of actors constituted two of the most widely appreciated aspects of his approach to filmmaking during his own lifetime, the impact of each on his mise en scene has received little critical attention. This article aims to remedy this oversight by linking both aspects in three stages: first, drawing on contemporary periodicals, recollections of Feyder's performers and his own writings, it illustrates Feyder's preoccupation with the creation of in-depth psychological portraits through his actors; second, focusing on Pension Mimosas (1935), it demonstrates that Feyder's technical style, although aligned closely …
“The Very Essence Of French Cinema”(?): Jacques Feyder’S Return To France, 1944–1948, Barry Nevin
“The Very Essence Of French Cinema”(?): Jacques Feyder’S Return To France, 1944–1948, Barry Nevin
Articles
No abstract provided.
Review Of The Labour Of Literature In Britain And France, 1830-1910, Eds. Marcus Waithe And Claire White, Palgrave, 2018, Sue Norton
Books/Book Chapters
Book Review of The Labor of Literature in Britain and France: 1830-1910, eds. Marcus Waithe and Claire White, Palgrave, 2018
Introduction : Patrimoine/Cultural Heritage In France And Ireland, Eamon Maher, Eugene O'Brien
Introduction : Patrimoine/Cultural Heritage In France And Ireland, Eamon Maher, Eugene O'Brien
Books/Chapters
Assessing something as all-pervasive as cultural heritage can run the risk of resorting to cliches and stereotypes, even though these very things are also an integral part ofwhat constitutes the patrimoine ofany given society. The French are rightly acclaimed for their fashion, wines, gastronomy, literature, philosophy, regional specificities, architecture, and cafe culture, to name but a few ofthe Hexagone's most distinctive traits. Ireland, on the other hand, has its pubs, its writers, many ofwhom traditionally spent far too much time in the aforementioned pubs, its fighting spirit, its greenness, its historic struggle with its nearest neighbour, perfidious Albion, its beef …
'Elle T'Aime Trop, Et Moi, Pas Assez': Jacques Feyder's Melodramatic Mise En Scène Of Female Desire In Pension Mimosas (1935), Barry Nevin
Articles
Extract
Melodrama ‘à la française’: Feyder and French cinema of the 1930s
By the end of 1934, Jacques Feyder had led a distinguished career in French silent cinema, had directed a critically acclaimed adaptation of Émile Zola’s Thérèse Raquin (1928) in Berlin, had returned from a three-year contract in Hollywood, had brought Le Grand Jeu to the screen (the greatest box-office success of the 1933–34 season), and appeared to be virtually unstoppable as he proceeded to direct his next film, Pension Mimosas. The film was described by one critic as ‘sans aucun doute l’une des œuvres les plus attendues …
Iehca Summer University On Food And Drink 2018 Report, Diarmuid Cawley, Sylvia M. Grove, Kaian Lam
Iehca Summer University On Food And Drink 2018 Report, Diarmuid Cawley, Sylvia M. Grove, Kaian Lam
Reports
The Institut Européen d’Histoire et des Cultures de l’Alimentation (IEHCA, European Institute for the History and Cultures of Food) was established in 2001 by the French Ministry of National Education, Higher Education and Research in partnership with the Centre-Val de Loire region and the University of Tours. As a scientific and cultural development agency, it seeks to encourage university research and teaching in connection with “food cultures and heritages” in the humanities and social sciences. The university serves as a key platform for the discussion of new research in Food & Drink Studies. In 2018, 20 researchers from a wide …
Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin
Dans La Serre: Framing The Greenhouse In Le Jour Se Lève (1939) And La Règle Du Jeu (1939), Barry Nevin
Articles
Beyond the year of their production, their notoriously foreboding references to contemporary national and international politics, and their shared status as canonised classics of French cinema, Marcel Carné’s Le Jour se lève (1939) and Jean Renoir’s La Règle du jeu (1939) both portray the romantic union of two parties within a greenhouse. This article aims to elaborate on these images in two central ways: first, it theorises glass in cinema with reference to the writings of André Bazin and Gilles Deleuze; second, it situates Carné and Renoir’s greenhouses within their respective dramatic, aesthetic and political contexts. In both cases, the …
‘Prochainement: Arizona Jim Contre Cagoulard’: Framing The Future Of The Front Populaire In Jean Renoir’S Le Crime De Monsieur Lange (1936), Barry Nevin
Articles
Gilles Deleuze remarks that Jean Renoir’s entire œuvre displays the most fundamental operation of time, constantly holding the embodied past and the potential creation of a genuinely new future in tension. Although he fails to address Le Crime de Monsieur Lange, the film that cemented Renoir’s association with the Front populaire, Deleuze tantalisingly remarks that this dialectic stems partly from Renoir’s attitude towards the Front populaire. How Deleuze’s framework allows spectators to interpret this film as an expression of Renoir’s own ambivalence regarding the future of the Front populaire has yet to be sufficiently addressed. Drawing on Ida, …
Report: Visiting Lecture Exchange, Paris May 2017, Diarmuid Cawley
Report: Visiting Lecture Exchange, Paris May 2017, Diarmuid Cawley
Reports
A report of a lecture on wine and wine language given to French culinary and hospitality students at the Pôle Universitaire de Gastronomie, a subsidiary of Université de Cergy-Pontoise in Paris, 2017.
George Moore : Cultural Tourist In France, Eamon Maher
George Moore : Cultural Tourist In France, Eamon Maher
Books/Chapters
Ofall the Irish writers ofthe nineteenth and twentieth centuries, George Moore (I 8S 2.-1933) is the one who was most embedded in French literature, painting and culture. Taking the strongly autobiographical Confessions ofa YoungMan as its main focal point, this chapter will examine Moore's love affair with France and the influence this exerted on his literary and artistic evolution. In Confessions, we read the extent ofMoore's attraction to Paris: '[ ... ] my thoughts reverted to France, which always haunted me; and which now possessed me with the sweet and magnetic influence ofhome.'l Moore clearly had a deep appreciation ofFrance …
Histoire Croisée As An Approach To Migrant Writing, Gijsbert Pols
Histoire Croisée As An Approach To Migrant Writing, Gijsbert Pols
CALL: Irish Journal for Culture, Arts, Literature and Language
Although commonly understood as a monolithic entity, scholars have successfully approached the idea of cultural identity in terms of relationship, reference and binary opposition during the last two decades. This approach has consequences for the study of migrant literature. It seems the widely shared idea of ‘cultural transfer’, which implies a linear movement between mutually independent cultural spaces, is obsolete. This article instead proposes the concept of the histoire croisée, developed by Werner and Zimmermann, as a more fruitful model. Following Werner and Zimmermann’s suggestion that any migrant situation can be seen as culturally ‘crossed’, the article discusses two Dutch …
Introduction, Gerard Connolly
From Founding Fathers To Reluctant Europeans: What Happened To France's European Dream?, Lara Marlowe
From Founding Fathers To Reluctant Europeans: What Happened To France's European Dream?, Lara Marlowe
2014 Association of Franco-Irish Studies Conference
Keynote address by Lara Marlowe, France correspondent for the Irish Times to the Association of Franco-Irish Studies annual conference, National Conference Hall, Dublin 2014 text and audio file
An Irishman's Diary On A Classic Novel Of The Great War., Eamon Maher
An Irishman's Diary On A Classic Novel Of The Great War., Eamon Maher
Articles
No abstract provided.
Attitude Of French Writer-Priest, Dead 33 Years, Reflected In Word And Deed By Pope Francis, Eamon Maher
Attitude Of French Writer-Priest, Dead 33 Years, Reflected In Word And Deed By Pope Francis, Eamon Maher
Articles
On October 30th, 1913, in the French village of Montauban-de- Bretagne, Joseph Lemarchand was born, the only child of a tenant-farming family that was ripped asunder by the death of his father in the Great War. A few decades later, as a writer-priest stationed in the Breton capital, Rennes, Lemarchand took the pseudonym Jean Sulivan, a name inspired by his fascination with the movie Sullivan’s Travels . When reading Pope Francis’ groundbreaking interview last August, I had the uncanny feeling that the new pontiff’s views strongly echo what Sulivan was writing in the 1960s and 1970s. A commitment to the …
Albert Camus And The Dilemma Of The Absent God, Eamon Maher
Albert Camus And The Dilemma Of The Absent God, Eamon Maher
Articles
The year 2013 marked the centenary of the birth of Albert Camus. In this article Eamon Maher considers Camus' writing on religion,focusing in particular on two novels, The Outsider and The Plaque. They offer a powerful analysis of the seeming absence of God from a world a suffering, a challenge for all who profess Christian belief.
The French Of Algeria – Can The Colonisers Be Colonised?, Aoife Connolly
The French Of Algeria – Can The Colonisers Be Colonised?, Aoife Connolly
Books/Book Chapters
The Algerian War, 1954– 1962, was arguably the most traumatic war of decolonisation fought by Western colonial powers. The French had occupied Algeria since 1830 and the territory had formed three administrative départements of France since 1848. Thus, when conflict arose in 1954, the French administration could not conceive of a situation in which France was at war with itself and this ‘war without a name’ was referred to as ‘the events’ or ‘operations to maintain order’. Indeed, the war was only officially recognised in France in 1999. The war was particularly violent as Algeria was a settler colony in …
The Outsider With A Mission : An Irishman's Diary, Eamon Maher
The Outsider With A Mission : An Irishman's Diary, Eamon Maher
Articles
No abstract provided.
Pondering Eternity In A Stifling Rural Setting: François Mauriac's Thérèse Desqueyroux And John Mcgahern's The Barracks, Eamon Maher
Journal of Franco-Irish Studies
No abstract provided.
Albert Camus At 100 : A Mediterranean Son Of France, Eamon Maher
Albert Camus At 100 : A Mediterranean Son Of France, Eamon Maher
Articles
THIS YEAR marks the centenary of the birth of one of the world's finest writers, the French-Algerian Albert Camus (1913-1960). When his father, a pied-noir farm labourer died fighting in the French army during the First World War, Camus' mother, Catherine, was forced to work as a cleaner to provide for her two sons. The younger one, Albert, demonstrated academic talent from an early age and managed to continue in education due to the interest taken in him by two inspirational teachers, Louis Germain and the well-known philosopher, Jean Grenier. He was also awarded scholarships, without which he could not …
Idea-Making And Crises: Contradictions Between The Presentation, Argumentation And Form Of Ideas In Selected Works Of Descartes And Voltaire, Lauren Clark
Journal of Franco-Irish Studies
No abstract provided.
The Role Of Revolution And Rioting In French Wine's Relationship With Place, Brian Murphy
The Role Of Revolution And Rioting In French Wine's Relationship With Place, Brian Murphy
Books/Book Chapters
French Wine: The role of revolution and rioting in establishing it’s relationship with “place”
Many of the rules and regulations surrounding the production of French wines have been heavily debated and criticised over the years. They have been accused of limiting French wine’s ability to compete with new world marketing successes. Appellation d’Origine Controlee represents France’s much imitated system of controlling both geographically based names and indeed production variables associated with these AOCs in terms of “place”.
Prior to the development of the Appellation d’origine controlee laws in 1937, France bore witness to two key wine related violent episodes in …
Franco-Irish Connections: Essays, Memoirs And Poems In Honour Of Pierre Joannon : Review, Eamon Maher
Franco-Irish Connections: Essays, Memoirs And Poems In Honour Of Pierre Joannon : Review, Eamon Maher
Articles
The name Pierre Joannon is synonymous with Irish studies and with Franco-Irish relations. I can think of few, if any, people who are more worthy recipients of this beautifully presented Festschrift than the Honorary French Irish Consul, scholar and former President of the Ireland Fund de France. You get some idea of his stature from the list of contributors to this book: two former Taoisigh, Garret FitzGerald and John Bruton, two Nobel Laureates, John Hume and Seamus Heaney, poets Brendan Kennelly and John Montague, a host of historians including Dermot Keogh, Joe Lee, Eunan O’Halpin and Kevin Whelan, distinguished intellectuals …
''Ma Paroisse Est Dévorée Par L'Ennui'' : Secularisation In Georges Bernanos' ''Journal D'Un Curé De Campagne'' And John Mcgahern's ''That They May Face The Rising Sun''., Eamon Maher
Books/Chapters
No abstract provided.
A Message From France : Jean Sulivan And Post - Catholic Ireland, Eamon Maher
A Message From France : Jean Sulivan And Post - Catholic Ireland, Eamon Maher
Books/Chapters
No abstract provided.
Jean Sulivan (1913-1980): La Marginalité Dans La Vie Et L’Oeuvre, Eamon Maher
Jean Sulivan (1913-1980): La Marginalité Dans La Vie Et L’Oeuvre, Eamon Maher
Books/Chapters
Le prêtre-écrivain Jean Sulivan est encore peu connu en France. Pourtant, Jacques Madaule a dit de lui dans Témoignage chrétien du 30 avril 1964 qu'il était "un auteur capable de continuer Bernanos". A travers l'étude de la marginalité dans la vie et l'oeuvre de Sulivan, l'ouvrage d'Eamon Maher entend mettre en lumière l'originalité d'un parcours et d'une écriture des marges : l'enfance dans une ferme bretonne, le travail de prêtre diocésain à Rennes et la naissance à la littérature, en marge des courants, roman catholique ou nouveau roman.
Carrying The Cross : Jean Sulivan's Mais Il Y A La Mer, Eamon Maher
Carrying The Cross : Jean Sulivan's Mais Il Y A La Mer, Eamon Maher
Articles
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