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Tolkien’S Cosmology: Divine Beings And Middle-Earth By Sam Mcbride, Phillip Fitzsimmons

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Sam McBride writes the following in his Introduction to Tolkien’s Cosmology: Divine Beings and Middle-earth “Exploring Tolkien’s legendarium will show the cosmological structure of Middle-earth, but also reveal moments in The Hobbit and The Lord of the Rings when the metaphysical impacts the physical.” (p. x) The book delivers on its promise to show the reader places within the stories of The Hobbit and The Lord of the Rings likely to be influenced by spiritual beings who are described in The Silmarillion and the other volumes of the Legendarium. McBride’s book gives the reader a convincing description of the divine …

J.R.R. Tolkien: A Very Short Introduction By Matthew Townend, Laura N. Van Dyke

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

“Perilous And Fair” In “A Bleak, Barren Land”: A Feminist Responds To Dylan Lee Henderson’S Essay, Robin A. Reid

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Dylan Lee Henderson’s 2023 essay in Mythlore (vol. 42, no. 1) titled “A Bleak, Barren Land’: Women and Fertility in The Lord of the Rings,” claims that “many feminist scholars [since 1971] have condemned Tolkien’s depiction of women as inadequate and denounced Tolkien himself as a misogynist” (88). In my response, I argue that Henderson’s essay reduces a fifty-plus year history of scholarship (much of it by feminists) exploring the complex, contradictory issues of Tolkien’s female characters to a single negative stereotype. I described that stereotype in my 2015 essay in Perilous and Fair (Croft and Donovan) in my conclusion …

What Will We Do With The Christmas Pudding?: Joy Davidman, William Lindsay Gresham, And "Christmas In The Workhouse", Gabriel C. Salter, Clark Sheldon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The poem "Christmas in the Workhouse" archived in William Lindsay Gresham's papers at first appears to be a random transcript in his files. Exploring the work's publication history and Gresham's contributions to War Poems of the United Nations, a book edited by his second wife Joy Davidman, suggests that in fact "Christmas in the Workhouse" is part of the larger story of how they informed each other's work in the 1940s.

Weaving Wikipedia’S Middle-Earth Web, Ian F. Alexander

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

J.R.R. Tolkien’s Middle-earth fantasy writing has become extremely popular, and has been extensively studied by scholars. Part of the demand for information on the subject is met by Wikipedia, an online encyclopedia with a large readership. I have extended its coverage of Middle-earth subjects to more than 200 Good Articles, divided roughly equally between in-universe subjects such as “Aragorn” and more scholarly subjects such as “Heroism in The Lord of the Rings”. Each article is required to stand alone as a notable topic in its own right, as demonstrated by its citations to reliable sources. Other sites like Tolkien Gateway …

St. Jack’S Experiment House For Juvenile Delinquents: Responding To Aslan’S Breath By Matthew Dickerson, Gabriel C. Salter

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Matthew Dickerson raises an important point in his latest book "Aslan's Breath: Seeing the Holy Spirit in Narnia" that Lewis offers a theologically problematic example of combating evil when his heroes terrorize the bullies at Experiment House at the end of The Silver Chair. Exploring Dickerson's point, and particularly how Lewis pairs vengeance with saitre in this scene, challenges readers to see that Lewis' work for children is often more transgressive than it appears, not unlike the concerns raised about Roald Dahl's vengeful punishment scenes. Extending the popular Dahl vs. Lewis discussion shows how they both may be read as …

"Better To Reign In Hell": Ambivalence And Orcs In The Lay Of The Children Of Húrin, Matthew Thompson-Handell

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

A remarkable passage in Tolkien's incomplete Lay of the Children of Húrin, describing the Orc-band after its capture of Túrin, provides an echo of Milton's assembly of fallen angels in Book I of Paradise Lost. The description of the Orc-band also hints at the kind of ambivalence which has often been ascribed to Milton's portrayal of Satan. This in turn provides a connection with recent work on humanity in Tolkien's depiction of the Orcs.

Interview With Professor John Mckinnell Concerning Tolkien’S Lectures On Beowulf, Łukasz Neubauer

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Professor John McKinnell attended his classes on Beowulf as a student in the early 1960s. The interview sheds more light on Tolkien as a lecturer.

Alan Garner’S Elidor: The “Anti-Narnian Fantasy”?, Laura N. Van Dyke

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

British fantasy writer Alan Garner has referred to his novel Elidor as "THE anti-Narnian fantasy," though he says this was done unconsciously. In this article, I explore why Garner positioned his work as the antithesis to C.S. Lewis's fantasy novels, and argue that in many ways it in fact complements rather than contradicts the vision Lewis conveys.

The Bright Sword And Its Sharpness: Swords, Symbolism, And Medievalism In The Lord Of The Rings, Gavin S. Davis

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Swords are paradoxical objects that hold in tension both aesthetic beauty and repulsion, and how one goes about resolving this paradox has much to say about one’s personal ideology. This paper investigates Tolkien’s representation of swords in The Lord of the Rings as ideologically loaded objects with shifting symbolic significance between the cultures of Rohan, Gondor, and Hobbits. These changes in significance produce three kinds of medievalism, shaped by differences in their interaction the cultural imagination of the medieval sword. Through the Rohirrim, Tolkien provides a medievalism of spectacle—an idealized world of valor to be marveled at from the safe …

Book Culture And Narrative In Martin’S A Song Of Fire And Ice, Maria Damkjær

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

What do books represent in G.R.R. Martin's A Song of Ice and Fire? This article examines their role as objects and their limitations within a narrative obsessed with loss of knowledge. Books, which are handled, lost, found, read, or destroyed, are both a shorthand for a fantasy world’s material culture, but also a metafictional nod to the reality of the reader. Contemporary fantasy authors, I posit, are both fascinated by texts, and also troubled by their limited chance of survival over the very long periods that the genre tends to sketch. Deep time is hostile to book knowledge, and …

Harry Potter And The Goblet Of Beowulf: Rowling’S Beowulfian Allusions, Analogues, And Inversions, Mark-Elliot Finley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

In this essay, I suggest Rowling’s Goblet of Fire literarily echoes the Old English epic poem Beowulf, while simultaneously updating the medieval epic to reflect the novel’s place within the modernized, Christian-influenced fantasy tradition. While cursory popular links have been made between the Old English epic with Rowling’s novel, this essay presents a sustained dialogue between Beowulf and Goblet of Fire. Both heroes engage in one-to-one combat (Beowulf with Grendel and Harry with Voldemort), venture into an unknown watery abyss (Beowulf diving into Grendel’s mother’s underwater cave and Harry rescuing Ron and Gabrielle from the merpeople in Hogwarts’s …

Pandemic Mythmaking: Covid-19 And Mythological Symbolism In Indian Folk Art, Ishani Anwesha Joshi, Sathyaraj Venkatesan

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Through a comprehensive analysis of Durga Bai Vyam’s “Samura Manthan” and Rupsona and Bahadur Chitrakar’s “Corona Rakshasa,” this article aims to investigate how mythological stories and themes have been used in the Indian context in folk art during the COVID-19 pandemic. The investigation will offer insights into how artists have leveraged mythological symbolism to infuse their works with richer layers of meaning, thereby engaging readers in a deeper exploration of the pandemic’s impact on society and the human psyche. By close-reading the aforementioned paintings, this study aims to illustrate the evolving visual representation of cultural narratives …

Feasting At The Threshold: Eucharistic Eroticism And Homonationalism In Diane Duane's The Tale Of The Five, Taylor Driggers

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Diane Duane’s ongoing fantasy series The Tale of the Five (1979–present) is set in a world marked by constant bodily transgressions and surprises, where a human and dragon can occupy the same body and become lovers and a one-night stand can bring one face-to-face with God. This essay will argue that Duane’s series articulates eroticism in a manner comparable to Linn Marie Tonstad’s (2016) queer re-visioning of transubstantiation and bodily and spiritual transformation through the Eucharist. Acts of eating and drinking serve to highlight how characters’ pansexual, polyamorous relations with each other and the love of the Goddess spill over …

Modelling The Fear Of God In C.S. Lewis's The Chronicles Of Narnia, Brett Roscoe

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article employs insights from cognitive approaches to literature to study how The Chronicles of Narnia evoke a religious affect known in the Christian tradition as the “fear of the Lord.” It first does what Guillemette Bolens calls a "kinesic analysis" of the books, focusing on the gestures, movements, and facial expressions related to the fear of Aslan, and then it interprets this fear in the context of Rudolf Otto’s The Idea of the Holy, a book C. S. Lewis claims had a large influence on him. Lewis, like Otto, was concerned with religious experience, specifically with how his …

The Liberty To Bind Oneself: Chesterton And The Oath Of Fëanor, Matthew Mckenna

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper does two things. First, it reads the oath of Fëanor in The Silmarillion through the lens of Chesterton’s philosophy of oaths, and suggests that Tolkien was speculatively influenced by Chesterton on this topic. It accomplishes this by an exposition of Chesterton’s philosophy of vows followed by an in-depth exposition of the oath of Fëanor throughout The Silmarillion. Its thesis is that the oath of Fëanor works according to the mode of Chesterton’s philosophy of oaths, that is, the oath compels the oath-taker to act. Viewing the oath of Fëanor through the framework of Chesterton’s philosophy of oath …

The Middle-(Un)Man Of Desire: A Girardian Reading Of Perelandra, Clinton Manley

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

The French polymath René Girard presents a compelling argument that all desire is mimetic. According to Girard, we don’t actually know what we want; instead, we imitate the desires of others. These models of desire act as mediators, indicating what objects or ways of being are worth pursuing. For Girard, desire exists in this middle place between a subject, a model, and an object. He famously argues that all great literature leverages an awareness of mimetic dynamics; the greater the work, the more mimetically perspicacious the author.

Given Girard’s theory, we would expect the greatest fantasy authors to erect their …

Divinity And The Void In Chinese And Thai Translations Of The Ainulindalë, Eric Reinders

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This article treats Chinese and Thai translations of the opening lines of the Ainulinalë, not to evaluate their fidelity to the original, but to explore the surplus meanings inherent in those languages. From a close reading of the first line emerge several new variations, including a new reading of the name Eru in Chinese, and a changed linguistic register of the Thai version. In each case there is some attempt to resolve the paradox of Eru as primal deity and Tolkien’s use of lower-case “he”—which one would expect to be “He.” Lacking capital letters, the Chinese and Thai translators use …

An Aspirational Cultus? Tolkien Fandom At The Borders Of Belief, Tom Emanuel

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This paper draws upon fan studies, sociology of religion, and J.R.R. Tolkien’s theory of sub-creation to theorize the religious implications of Enyalië (Quenya: remembrance), the emotionally charged graveside memorial which closes the U.K. Tolkien Society’s annual gathering in Oxford. Employing a framework of religion as sacred worldbuilding, the author argues that Enyalië is best understood as the “secondary liturgy” of the “secondary faith community” that is Tolkien fandom. The paper concludes that Tolkien’s fiction, his community of devoted fans, and the lineaments of religious ritual have combined, in Enyalië, to produce a fan practice which troubles the boundaries …

No Ragnarök, No Armageddon: Pagan And Christian Interpretations Of The Lord Of The Rings, Matthew Thompson-Handell

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

Critical responses to The Lord of the Rings from its publication up to 1981 (the year in which The Letters of J.R.R. Tolkien was first published) often considered pagan and Christian elements in the work. To the extent that pagan and Christian views were opposed to each other, such opposition is grounded to a greater extent in the ambiguity present in The Lord of the Rings (at least in terms of its theology or world-view), than in any contradiction in the work. The distinction between ambiguity and contradiction is important, especially in the context of the significance of contradiction in …

Editorial, Janet Croft

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

No abstract provided.

Queen's Pride: A Queer Reading Of Star Wars Character Padmé Amidala, Madeleine Loewen

Mythopoeic Society Seminar Proceedings

Ever since Luke Skywalker and Han Solo first appeared onscreen together in 1977, LGBTQ+ Star Wars fans have harnessed the power of queer reading to write themselves back into a galaxy far, far away, despite Lucasfilm’s long-term disapproval of such practices. Nonetheless, there exists little scholarly literature on queerness in the franchise, and even less on the potentially sapphic characters. Queen Padmé Amidala, first introduced onscreen in Episode I: The Phantom Menace, proves a surprising—but no less salient—queer figure in Star Wars. From her intimate relationships with her handmaidens, to her experimentation with gender performativity, to her quiet yet …

More To The Hobbit Than Meets The Eye: Deconstructing Femininity In Bilbo Baggins, Pieter Conradie

Mythopoeic Society Seminar Proceedings

Femininity in JRR Tolkien’s The Hobbit has long been read as virtually non-existent. Although Tolkien’s 1937 text remains a compelling story, this absence often means that female readers struggle to find themselves represented in the text. New strains of scholarship, however, claim that by her appearance, interests, behaviour and positioning in a patriarchal society, Bilbo Baggins appears to be more of a woman than a man. In this presentation I take up these emerging arguments, showing how gender relations in The Hobbit deconstruct. In Bilbo and Bilbo’s parents, traditional gender roles are reversed, but ultimately merged. The outcome is a …

Reading, Rending, And Queering The Web Of Story With The Lenses Of “Con-Creation” And Process Theology, Cameron Bourquein, Nick Polk

Mythopoeic Society Seminar Proceedings

“Sub-creation” within Tolkien’s narrative and extra-narrative works is routinely exhibited not as monolithic but rather as (literally and figuratively) polyphonic. In this joint paper Bourquein proposes that the Legendarium can be read through the lens of “con-creation” (total, continuous, collective, creative activity) both internally (as events in the Secondary World) and externally (as both a text and a pseudohistory in the Primary World). This approach levels the playing field between all actors in—and readers of—“The Drama,” providing a queer approach to interpretive-creative activity when compared to “orthodox” doctrines of creation. Polk further argues that con-creation resonates with process theologies of …

Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Valerie Estelle Frankel

Mythopoeic Society Seminar Proceedings

As Jewish science fiction expands into twenty-first-century questions of identity, some authors explore the trans experience and build bridges towards intersectionality. Ritual and tradition become popular subjects. In the post-apocalyptic Fragments of the Brooklyn Talmud by Andrew Ramer, diverse rabbis create new prayers and practices. A Half-Built Garden by Ruthanna Emrys offers protagonists from a diverse commune who welcome aliens and rise up against the corporations. Bogi Takács’ short story “Three Partitions” questions where to segregate the shapeshifting Adira, and how the Orthodox space colony can change. Several of these stories ask how comfortable Jewish protagonists are with alien rituals …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I—A 'Feminine' Eldil And A 'Masculine' Vala, Luke Shelton

Mythopoeic Society Seminar Proceedings

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, many new interpretive communities arose. In one of these conversations, the way that fans interpreted Tolkien’s description of the physical characteristics of the Valar resonated with a passage in C.S. Lewis’s Perelandra (the second book of his Space Trilogy) where the narrator describes the physical manifestation of Perelandra and Malacandra. In this paper I perform a close read of the two passages, to examine the textual meaning, to see what interpretive room there is in …

Sauron, Seduction, And The Queering Mechanism Of The Ring, Mercury Natis

Mythopoeic Society Seminar Proceedings

It has often been argued that Sauron is barely present in The Lord of the Rings, existing as a villainous presence on the margins of the narrative. This paper will argue that Sauron is present throughout the entire narrative as manifested in the Ring, and through the Ring’s presence as a queering device. The Ring acts out Sauron’s seduction mechanism, a defining character trait as portrayed in the Silmarillion. It is this seduction mechanism that allows the Ring to act as a queering agent throughout the narrative. Ring-lust is inherently queer as it projects a male-presented character’s seductive powers, …

The Mariner (And His Wife): Rethinking Aldarion's (A)Sexuality, Rory M. Queripel

Mythopoeic Society Seminar Proceedings

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work, and cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting. However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple. This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that he is asexual and/or aromantic (i.e., he does not experience sexual …

Gazing Queerly: The Art And Text Around Saruman’S Non-Normativity, Christopher Vaccaro

Mythopoeic Society Seminar Proceedings

Saruman is an example of a an outsider character in relation to the normative communities in The Lord of the Rings; he serves as a repository for a stigmatized eros, a non-normative desire, a repressed sexuality, and even an orcish sadomasochism simmering just below the narrative’s surface. This paper examines the representation of this queer relationship in several artists’ depictions of Saruman, focusing in particular on three works by Donato Giancola.

Myth, Murder, And Mayhem: Discerning The ‘Other’ In Our Flag Means Death, Sara Brown

Mythopoeic Society Seminar Proceedings

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …