Arts and Humanities Commons^™

大栅栏/ Dashilar, Jiayun Zhang, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

No abstract provided.

Catching The Ghost: House Dance And Improvisational Mastery, Christian Kronsted

Contemporary Aesthetics (Journal Archive)

This article received the 2020 Outstanding Student Paper Award from the American Society for Aesthetics. Contemporary Aesthetics recommends reading Renee Conroy’s article, “Reflections on ‘Catching the Ghost: House Dance and Improvisational Mastery,’” following this article.

I interviewed seven expert house dancers regarding their improvisational practice and discovered several intriguing testimonial consistencies. House dancers articulated a feeling of simultaneously being in control and not in control of their movements. Furthermore, in peak moments of improvisation, interviewees were often surprised by their own capabilities. How do we award artistic credit to someone who is seemingly not aware of his or …

Ghost Bikes, Elizabeth Long, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Ghost Bikes, Elizabeth Long, Special Collections, Fleet Library

8th Baker & Whitehill Student Artists' Book Contest 2022

AMERICAN PRINTING HISTORY ASSOCIATION - New England Chapter Purchase Prize | $375 Purchase prize winners receive a cash reward and the books are added to the Fleet Library at RISD Special Collections' Artists' Book collection.

Ghost Bikes, Elizabeth Long, Special Collections, Fleet Library

Baker & Whitehill supplemental content

No abstract provided.

Baking As A Means Of Non-Verbal Expression: An Aesthetic Inquiry On Conventual Pastry, Maddalena Borsato

Contemporary Aesthetics (Journal Archive)

The aim of this essay is to philosophically explore the domain of conventual pastry by understanding baking as a form of aesthetic expression. I intend to investigate the aesthetic meaning of making sweets, both for the specificity of this taste and for the link between tacit knowledge and the meaning of gift through cloistering. From the very beginning of its production in the monasteries, pastry developed not only as an economic livelihood but also as a way to create a meaningful language beyond the so-called intellectual activities. The philosophical interest lies in the relationship of food practice with intimate …

Oral History Transcript | Interview With Rosanne Somerson, June 10, 2021, Rosanne Somerson, Andrew Martinez, Risd Archives

RISD Oral History Project Transcripts

No abstract provided.

In And Of The Body, Nicola Difusco

Masters Theses

This practice traces information as it moves through physical and digital spaces, asking questions surrounding how technology alters meaning as it makes interpretations. Led by my own personal interests and the memetic bodies of popular culture I was embedded, questions arise surrounding how individuals communicate with and experience the networks they are embedded within. Furthermore, this practice expands to investigate what happens when the body becomes a technological interface, and how issues of ownership affect our interactions.

The Story Of Water, Zhanyi Chen

Masters Theses

Propelled by questions about the genuine understanding of weather, I attempt to find various collaborative methods with water in different states in the hydrological cycle. Through these methods, I receive input from water directly, mediating with technologies humans use as a way to understand and perceive the world. The marks that emerge from these inputs are crypto-linguistic scripts that whisper water’s memories and characteristics, a form of gestural automatism where the immediate experience of (nature’s) creating is emphasized and the (human’s) conscious mind is diluted. This state of receptivity enables us to dissolve the hard shell of vision so we …

The Ephemeral Altar & The Floating Grave, Hannah Suzanna

Masters Theses

Using tarot and machine learning, I actively de-compose the narrative of four disintegrating sites — a conservation cemetery in North-Central Florida, my Dad’s house in California, an abandoned parking lot near my apartment in Providence, RI, and myself as an inherently mortal human.

Rather than a tool for prediction, I see tarot as a system of decay — breaking down human experiences into archetypes to allow presence with our existence.

What happens when we look at other predictive technologies, such as machine learning, as means of breaking apart our reality too? When talking about science fiction or speculative fiction, a …

Listening To The Unhearable, Ollie Rosario

Masters Theses

My work lives in the world of trees, lakes, oceans, sunrises, starlight, hurricanes, and mountains, the world centered on the rumbling sounds of the earth and water, the quiet roars of silence in the air, in space, in the depths beneath, and all that lives in between. In approaching this world, I have found myself unable to hear everything it shares. The hard to perceive, often soundless parts of environments — those facets of climate, the ground we stand on, the subtle changes in noise - are often unobserved, or under-observed, and underappreciated. I have cultivated a practice of seeking …

Knowledge From Below, Meghan Surges

Masters Theses

This thesis elucidates artistic research on the programmed world and its brutal machines. It describes a practice that hones a deviant worldview while confronting ubiquity. Applying web scraping as an investigative tool and a filmmaking methodology, I work with archives of traffic images. The pictures, portraying the smart city through its scattered, self-surveilling eyes, offer a cinematic mirror of reality. I select, annotate, and edit sequences to expose agents of administrative violence. Rejecting a vision of progress that rests on exploitation, I aim to destabilize readings of surveillance and policing as beacons of safety. My work proposes models for seeing …

Cloak Wood, Thomas Brett

Masters Theses

Over the last two years, I have been developing films and video games that hybridise techniques of live action and animation. This has primarily been done by reconstructing and modifying scenes from 3D photogrammetric scans that I make of objects, people, and places, allowing me to assemble new, imaginary spaces informed by the actual architecture and dimensions of my surroundings.

The film Cloak Wood was entirety is shot on 16mm Kodak stock. The physicality of this analogue technique confers the modified virtual space and its inhabitants with the aesthetic integrity of the actual. The virtual space, constructed from real objects …

Objects And Images, Jack Lovell

Masters Theses

My work often involves photographic source material as well as surrealistic forms. Two primary influences, René Magritte and Gerhard Richter, can be seen as at odds with each other in many respects. Drawing parallels and distinctions, I explore relationships in the work of Magritte, Richter and myself.

Contemporary Art Warfare, Zongxian Huang

Masters Theses

Being an artist represents a lifelong commitment to nonstop development, despite life circumstances. I fully utilized my two years at graduate school to develop a sustainable way of living an artist’s life by creating a standard operating procedure (SOP), guiding my research and practice. An SOP is a strategic method designed to reach an objective in a systemic manner. Mine shows it is possible for an artist to stay productive, creative, and healthy under high pressure, even during unexpected contingencies like the COVID-19 pandemic. My personal experience completing graduate school during a pandemic presents a possibility to other artists of …

Feral Devices : An Additive Fabrication, Kat Jarvinen

Masters Theses

This collection of stories takes place in a nearby dimension, in which objects and entities that are obsolete, mundane, discarded, or overlooked, define alternative rules for value and purpose. Here, a broken machine suffers an existential crisis while a hungry spider explores its interior; a dog imagines life as a moth; a feral creature escapes from a woman’s mind; and a worker suffers spam email induced headaches. United by the destructive capitalist logic of planned obsolescence and an attraction to blue light, these characters traverse mind, matter, metaphor, and technology to find their way into new forms, reinventing themselves and/as …

House Of Reincarnation, Xinyu Li

Masters Theses

In this book, I will introduce my practice as an artist interested in nightmares, monsters, and abandoned places. My works are personal, so I have designed a character as a guide for the book; the creature is another version of me. This book will describe the adventures of the creature as the main storyline; the stories run through Hakka cultures and my personal experience, and gradually explain the source of my inspirations and design process. With the creature as company, readers won't feel lonely while reading the book.

Bootstrapped: The Cowboy Nomad From Silicon Valley, Emily Bright

Masters Theses

Silicon Valley is a place that grew out of the legends of the frontier. It has followed in the footsteps of Hollywood Westerns, counterculture frontiersmen, and cyberspace cowboys.

In Silicon Valley, the frontier has been a physical and a metaphorical landscape found between everything existing and everything new-- between ideas of the future shaping technology and technology shaping ideas of the future. This seemingly vast open landscape allows the well-meaning cowboy to use his unique position of privilege to spot and solve systemic technological and social issues.

As these Silicon Valley Cowboys enter the frontier in search of new unclaimed …

Tracking Traces, Songan Kyung

Masters Theses

My art practice in RISD is to reveal violent narratives embedded beneath the surface of digital traces. By taking the role of investigator — crime 71 scene investigator, conspiracy theorist —, I experiment in ways to dismantle and reconstruct the ongoing social phenomena caused by the circulation of harmful digital traces. My practice comprises careful choices of protecting the ones harmed by the malignant digital traces and disclosing the toxicity.

Unfold The Body, Fan Su

Masters Theses

I was born into a physical body of flesh and bone, so I thought that I was one with it. As a carrier of my mind and soul, I believed that it was singular to me; that I had full ownership of it. So, why was I refusing womanhood? Was this devaluation of women a legacy? Was this a legacy unique to Chinese women?

As a woman born and raised in a metropolitan center in China, I proceeded through childhood and adolescence questioning my power as a woman. Feminine maturity and the societal pressure to follow the expectation of being …

Balancing The Tangible And Intangible, Shiqi Wu

Masters Theses

I love reading stories, but until now, I had never written my own. Balancing the Tangible & Intangible is organized around my experiences and stories, which are inseparable from my work. Together they constellate a narrative of remembrance. Memories surface, and so do connections, allowing for assurance and conviction during a time of personal flux and global unsettledness. As a choreographer and composer of relationships between the tangible and intangible, I rebuild networks of connections linking memories of my relationship to China, my home country, to my experience of living in the West.

In today's global society, population migration is …

A Hypothetical Debate, Talya Kantro

Masters Theses

A heated argument is taking place, and has been for thousands of years. We deliberate to voice our own opinions, to prove what others have declared, and to validate the past. Judaism – a culture bound by millenia of traditions – follows countless rigorous customs and laws. These traditions are strictly adhered to, and observant members of the faith go through great lengths to show their devotion to their beliefs. Although these laws and customs generally remain uninterrupted over the generations, they can occasionally be challenged by new ideas, new concepts, or new technology. Debates form around these novelties, and …

An Invitation, Ashley Harris

Masters Theses

I am currently navigating between the concepts of body, material, space, and surface. I’m exploring ways to document and understand the full extent of my physical body in relation to the boundary and extent of my personal space. Each of my works displays strategies to understand my body and personal space. My intention is to confidently advocate for myself, particularly when my presence is questioned. At a time in which my body and presence are inherently political, I’m finding an urgency in how I articulate what my body is, the spaces my body navigates, and the surfaces to which my …

Sometimes Like Butterflies, Edward Steffanni

Masters Theses

Perhaps the most radical thing to do is to embrace the tension, being between the heavens and earth. Maybe regardless of identity, sometimes the earth is not enough but there are moments I’ve experienced where the distance between heaven and earth blurs. These are instants where my troubles do melt like lemon drop: the smell of freshly cut hay in a field nearby, seeing a baby goat’s tail wiggle while he nurses his mother, or making love behind the barn. These are moments on earth when something else comes into focus.

The Reenactment : "Object" As Performance, Yue Jiang

Masters Theses

Throughout history, women have endured many obstacles placed upon them in both the private and public spheres. Women are pressured to achieve an ideal beauty standard and the expectation to fulfill the obligation of traditional domestic roles. As a 23-year old Chinese woman who daily faces these pressures, I intentionally critique them using my body as the site and the pressure as subject. Through acts of performance, using handmade and mass-produced objects consumed daily by women, I highlight the insidious pressures and expectations placed upon women’s bodies. By utilizing the format of photography to document the discomfort of “wearing” or …

Futuristic Communication, Haotian Yang

Masters Theses

In today's world we can no longer separate our lives from technology. It is that fluidity between the human world and the technological world that my work explores. Technological development has brought us great convenience in communication. The existence of programs like Zoom allows people to work and socialize remotely. Instagram, Twitter and other social networks allow people to share their lives anytime and anywhere with a simple snap of a picture and push of a button. The emergence of mobile phones allows people to communicate at any time. Science and technology continue to develop and these developments provide many …

Security Blanket, Danni Xu

Masters Theses

I draw upon the stories of people who have experienced nostalgia to identify a sense of belonging to home. I create familiar objects specific to the stories of diasporic peoples to establish a connection between myself and the viewer or wearer, even when I am not present. As a former hotelier adept at initiating conversation, the goal of this work is to serve as a communication mediator, a way to find mutual interests among people in a proactive way.

This thesis addresses the following questions: Can jewelry build networks of connection across time and space? How does the format of …

Prepositions, Alexis Hill

Masters Theses

My work is a conscious engagement with traditions of process art that emphasize making over outcome and the desire to create art that cannot be predetermined. The art objects are primarily a by-product of engagement with my material reality. This is hard to pin down and harder to talk about. Historian Kim Grant’s introduction to the circular and sometimes impenetrable creative process is a good summation of one of the essential problems of my art [school] experience: “The artist’s hard work often takes place without a clearly denied goal, thereby rendering the artist’s labors endless, and any results resistant to …

Is It Real?, Hana Al-Saadi

Masters Theses

The architecture of Doha, Qatar is defined by skins of glass. When the sun shines upon the layers of glass, it creates a shimmery reflective grid across the surface of the city. These reflections, while visually intriguing, conceal many private realities behind the surface.

As a multidisciplinary artist, I attempt to maneuver in the space between the opacity of the facade and stories that lie behind. Specifically, I use this space to directly expose the contradictions that I encounter here.

Phefumula Nami, Ndivhuho Rasengani

Masters Theses

Cosmos: Building a cosmology (mid 17th century: from French cosmologie or modern Latin cosmologia, from Greek kosmos ‘order or world’ + -logia ‘discourse’,) which mirrors and exhumes hidden narratives from our current reality. It is in this tracing that I teeter between visual codes in the form of memories impressed upon my mind from generations of old and Aesthetic symphonies from the present.