Arts and Humanities Commons^™

The Temporality Of The Aesthetic Appreciation Of Food And Beverages, Hiroki Fxyma

Contemporary Aesthetics (Journal Archive)

Taste and smell are gaining status in aesthetics, but theories concerning their basic appreciation are insufficient. This study aims to clarify the temporality of food and beverage appreciation. First, the temporality underlying this appreciation is classified into three categories: the time of the object, the time of the embodied cognition, and the time of the phenomenon. Next, four aspects of the time of the phenomenon are proposed: non-temporal, linear temporality, circular temporality, and point temporality. These four temporalities are not determined a priori but generated by the eater’s attention. This study provides a basis for discussing food and drink as …

Fentanyl: Social Somanaesthetic, Valery Vino

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Zombies Don’T Fall In Love, Marie You, Special Collections, Fleet Library

11th Baker & Whitehill Student Artists' Book Contest 2025

Entry for the 11th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 19, 2025 at 6:30pm, Fleet Library, Main Reading Room. Juror: Roger S. Williams.

Settling Dust, Unsettling Ground, Olivia Newroz

Masters Theses

Understanding dust as a material system that blurs the line between ground and atmosphere, I developed a dust machine as a tool for making dust legible at the human scale. While the blurriness of ground is visualized at both particle and planetary scales, at the human scale, it becomes less evident. Drawing from Lisa’s Moffitt’s discussion of “environmental models”–that is, models that don’t merely simulate phenomena, in this case dust, but rather produce the underlying force itself––I produced visualizations of how dust, as both a grounded and atmospheric element, intertwines ground and weather across scales, through a cyclical process of …

Black Bodies In White Spaces: Considering The Black Female Ballet Dancer In South Africa, Devon Bailey

Contemporary Aesthetics (Journal Archive)

Considering apartheid in South Africa and the resistance that black (dancing) bodies were met with in white (ballet) spaces, there are clear, prevailing effects of the male gaze on how the bodies of black, female dancers are perceived in the arts. In this paper, I argue that the neglected and overlooked black female/oppositional gaze presents a strong challenge to the white male gaze in relation to how black, female, ballet dancing bodies are perceived, using the example of black, South African, female choreographer Dada Masilo’s interpretation of “Swan Lake.” I take Paul C. Taylor’s sarkaesthetic approach to show how Masilo …

Past-Oriented And Future-Oriented Frames Of Familiarity: Aesthetic Experience In Everyday Environments, Mami Aota

Contemporary Aesthetics (Journal Archive)

Familiarity is an important concept that reveals aesthetic and ethical connections in everyday environments. However, it is unclear what a particular object of familiarity is in our daily lives. Identifying the object of familiarity is important for respecting residents’ perspectives in practices such as community redevelopment. This study uses two concepts, past-oriented and future-oriented framing, to clarify the process of identifying objects with which we feel familiar in our everyday environments. A past-oriented frame is invoked by a loss experienced in an everyday environment and refers to memories relating to our habits therein. A future-oriented frame is called upon by …

How Could Anybody Ever Feel At Home? Aesthetic Familiarity, Epistemic Comfort, And Displacement, Ariane Nomikos

Contemporary Aesthetics (Journal Archive)

Places are at once inhabited by various individuals who are themselves members of diverse communities and whose experiences of the same everyday living environment can vastly differ. Everyone lives in some place, but not everyone is fortunate enough to feel as if they belong to that place, as if that place is their home. According to José Medina (2017), those who inhabit a place they are unable to make their home experience a unique form of displacement, that of being displaced within a place. This, he claims, is a problem for everyone—not just for those experiencing displacement within …

That's Beyond My Imagination!, Kiyohiro Sen Phd

Contemporary Aesthetics (Journal Archive)

According to one strongly supported view, fiction is a functional kind that communicates imaginings. Combining this definitional thesis with a plausible principle concerning functional kinds leads to the following evaluative thesis: features that contribute to communicating imaginings constitute good-making features as fiction, and features that impede this constitute bad-making features as fiction. However, this thesis is at odds with the actual practice of fiction. Critics can show their admiration for complicated works of fiction by stating, “That’s beyond my imagination!” I argue that in resolving this paradox of hard-to-imagine fiction, we should not deny the observation, but rethink the definitional …

Virtue Appreciation And Sustainability In Olafur Eliasson’S Ice Watch, Nicole Hall

Contemporary Aesthetics (Journal Archive)

This paper is a case study of Olafur Eliasson’s Paris installation of Ice Watch (2014-2018) that coincided with the Climate Change COP-21 conference at the United Nations in 2015, and whose message was poignantly felt as a reminder of global warming, the melting polar regions, and the current environmental crisis. In particular, I explore how and what might we learn from this installation, to consider and rethink the relationship between aesthetic value, ethical value, and the concept of sustainability. Considering that Eliasson’s work requires relational perceptual-intellectual double awareness, it is argued that virtuous appreciation, judgment, and evaluation emerge if engaged …

Feeling The Environment: Aesthetic Interestedness And Environmental Aesthetics, Roberta Dreon

Contemporary Aesthetics (Journal Archive)

Can aesthetic disinterest represent an adequate strategy to develop a sustainable attitude? While aesthetic disinterest plays a basic role in the Kantian foundation of aesthetics, (dis)interestedness has been a puzzling topic of discussion in the debate on environmental aesthetics and is becoming an increasingly pressing one, given the current worsening of the climate crisis.

The first part of this paper will explore the different meanings of the term as it is used within the debate on environmental aesthetics, either in support of or against the adoption of a disinterested attitude toward the environment. I will suggest drawing a distinction between …

Recovering Landscape And Landscape Beauty In Environmental Aesthetics, Paolo Furia

Contemporary Aesthetics (Journal Archive)

In this article, I will pin down some elements to recover the concept of landscape in the context of environmental aesthetics. Such insertion of landscape in environmental aesthetics entails the questioning of the dualism between nature and culture that still lays at the basis of much literature in environmental aesthetics. My argument will unfold in three steps: first, I will show how the original question of environmental aesthetics, as elaborated by Ronald Hepburn in 1966, presupposes a distinction between nature and culture rooted in the moral contempt for excessive modernization and urbanization. Second, I will criticize some theories, not all …

Landscape Education, Enskilment, And Aesthetics: Complex Skills For Our Time, Alberto L. Siani

Contemporary Aesthetics (Journal Archive)

Environmental education is undoubtedly a pressing need in our time. Landscape education may be seen as something more restricted in scope and necessity, and more disengaged. However, as I will first argue, because of the intrinsically concrete, localized, aesthetic character of landscapes in their difference from environment, landscape education in fact can also be seen as a more complex and challenging concept that can be framed in terms of enskilment. Second, to better clarify this concept and highlight the theoretical and practical difficulties related to it, this paper will then turn to some Wittgensteinian ideas about learning, especially his concept …

No Trace, No Waste? The Art Of Living In Trashscapes, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

Humans have always striven to overcome their finitude by leaving traces. The phenomenology and hermeneutics of the twentieth century interpreted traces as meaningful sources for reconstructing the past and disregarded their materiality. This culturalist and retrospective approach nowadays has become untenable, as it is impossible to generate significative traces without producing waste as well. Waste itself forms a special category of trace that is unintentional and partly nocuous. Moreover, a final repository appears to have perversely fulfilled the dream of leaving ineffaceable traces that would survive humanity itself. In this new context, a future-oriented approach, one that would engage collectivities …

Frugality. An Aesthetic Category For A Sustainable Art Of Living, Elisabetta Di Stefano

Contemporary Aesthetics (Journal Archive)

Climate change has necessitated the exploration of new interpretive models and aesthetic categories to understand our relationship with the environment. In response to this, the concept of frugality emerges as a potential paradigm for a sustainable art of living. This paper aims to provide a comprehensive exploration of frugality as an aesthetic category through the lens of the history of ideas, its connection to everyday aesthetics, and its implications for an art of living. By adopting a frugal lifestyle, individuals can establish a harmonious and respectful relationship with the environment, promoting a more sustainable future. This existential model has been …

On The Significance Of Eco-Phenomenology For Theories Of Sustainability, Kira Meyer

Contemporary Aesthetics (Journal Archive)

The Ecosystem Service Approach lays down the several ways in which nature contributes to the welfare of human beings. One important category of this approach is the cultural services that nature offers, which conform to the eudaimonic values in environmental ethics. The cultural services of nature are an important reason in choosing a concept of strong sustainability, as developed by Konrad Ott and Ralf Döring; eco-phenomenology is a method to immerse into these cultural-eudaimonic values and articulate them in nuanced ways. Our overall argument will substantiate the uncommon claim that eco-phenomenology is of focal significance to theories of sustainability.

Imaginaries, Scenarios, And Materialities: The Arts As Part Of Ecology, Peter J. Schneemann

Contemporary Aesthetics (Journal Archive)

This contribution seeks to identify some of the methodological implications and challenges for art history as a discipline when confronted with the ecological imperative. There are clear societal expectations to ecological questions, approaches, and attitudes and a new rhetoric by artists and also scientists that anticipates the necessity of an ethical stand. The shift towards notions like sustainability was so fast and so radical, I argue, that we ought to take time to step back and reflect on its implications. I am especially interested in the intersection between the ethical dimension we now apply to artistic production (as a …

Back To Intermittence, Or Rediscovering Web-Materiality: An Artistic Quest For A Sustainable Internet Aesthetics, Diego Mantoan

Contemporary Aesthetics (Journal Archive)

Through the digital and public artwork, Solar Protocol (2020-ongoing), artists and engineers Tega Brain, Alex Nathanson, and Benedetta Piantella kickstarted a solar-powered server network that hosts a web page demonstrating how intermittent energy levels affect its very aesthetics and usability. This small-scale participatory experiment stimulates a wider reflection on the interconnection between economic, environmental, behavioral, and aesthetic features that shape the way the internet is produced and consumed in today’s society. Far from being a mere matter of greening the internet’s power supply, rather the artwork turns a spotlight on the implicit attitudes of web producers and consumers as developed …

An Aesthetics Of Minimal Resources: Affective Ecologies At The Encounter With Environmental Ethics In Alicia Barney’S Artistic Practice, Vanessa Badagliacca

Contemporary Aesthetics (Journal Archive)

The aim of this article is to present the early works created between 1975 and 1982 by Alicia Barney, a pioneer of environmental art in Colombia. The purpose is to highlight her ability to lead us Toward a Sustainable Attitude, the title of a conference held at the University of Venice (October 6-8, 2022), and also to claim how relevant these works remain in the current climate crisis within and beyond contemporary aesthetics debates. Taking on this approach, it will emerge that despite the attempt of the artist in some of her pieces to adopt a detached, scientific attitude …

The Aesthetics Of Animal Companions, Samantha Vice

Contemporary Aesthetics (Journal Archive)

In the philosophical aesthetics literature, domestic animals, and in particular companion animals or pets, are notable for their absence. I examine the few available accounts of the aesthetics of animals, extend them to animal companions, and argue that they are lacking in important respects. An appropriate aesthetics of these animals should recognize their unique status as individual animals in human spaces, imbued with human meanings, and yet essentially other.

Aesthetic Value And Gardens, David Fenner

Contemporary Aesthetics (Journal Archive)

Gardens as an aesthetic form rank high for their capacity to engage aesthetic attenders fully. ‘Full engagement’ may be thought of in terms of an object’s capacity for constituting an aesthetic world a person can temporarily inhabit, a description used by Alan Goldman as he articulates his theory of aesthetic value, one that focuses on depth of perceptual, affective, and cognitive engagement.

Properness And Pluralism In Functional Beauty, Ryan Mitchell Wittingslow Phd

Contemporary Aesthetics (Journal Archive)

In their 2008 monograph, Functional Beauty, Glenn Parsons and Allen Carlson develop a theory of functional beauty account based on a selected effects theory of biological function and apply it to human-made artifacts. This paper contends that their selected effects theory falls short in capturing the inherently pluralistic nature of functional beauty (FB). The paper is structured as follows. First, it provides an overview of Parsons and Carlson’s FB argument, focusing on their attribution of proper function in artifacts. Second, it analyzes how aesthetic dysfunction is conceptualized in Functional Beauty, highlighting what I take to be shortcomings in …

Codex Occultus, Aya Abdallah

Masters Theses

The occult reveals itself in ruins, ruptures, and rituals, evoking a melancholic sense of loss that invites revelation and reenactment. CODEX OCCULTUS is an investigation into divinatory practices, namely coffee reading, as a methodology of speculating fictions and realities embedded in contested time-spaces. The method relies on a ‘failure to capture’ geopolitical sites using traditional technologies of seeing. Codex Occultus operates in different mediums and takes shape as a video, a sculpture, a machine, a talisman, and an archive emphasizing that an excess of imagery in both physical and digital spaces is necessary.

Umbrella And Jellyfish, Yanran Bi

Masters Theses

Rainy season arrives as soon as the summer begins in Shanghai. For some reason, I rarely remember to bring an umbrella with me. I have a lot of umbrellas, most of them are transparent ones bought at subway stations. When it suddenly starts pouring rain, umbrella vendors in Shanghai gather at each crowded exit of the subway sta- tions to sell umbrellas to people like me. The cheapest umbrellas they have are always the transparent ones. The whole city is turned upside down by the rain with its reflections on every street. Then a transparent umbrella opens up, then another, …

Half Dawn, Catherine Ashley

Masters Theses

By presenting these words on paper, I have given entry into a microcosm of recent research, questions, and creative explorations. There is potential for disconnection when trying to turn your head inside out and present it in a way that feels beautiful for other people. I’m trusting the moments of authenticity I’ve found in my wandering. Segue. Relationship. Gesture. Illusion. My musings all stem from notions of temporality. Time dances on the farthest ends of both immensity and desolation. I’ve spent stretches of time asking the people, texts, and experiments around me to define time in a way that I …

Creative Connections: Building Empathy To Foster Ecoliteracy Through Art Education, Jocelyn Salim

Masters Theses

This thesis investigates the potential positive impact of fostering empathy and understanding for the natural world through art education. Through action research, this study examines various teaching approaches, such as incorporating scientific knowledge, employing literature to discuss ecological themes, and engaging in participatory storytelling activities to cultivate empathy among elementary school children. The objective of this thesis is to explore empathy as a potential pathway to encourage children to foster connections with the natural world and develop compassionate traits, attitudes, and behaviors towards nature as they grow. The findings of this study reveal that children exhibit high levels of enthusiasm …

Rejected Manuscripts, Yangqi Deng

Masters Theses

Rejected Manuscripts is a series of visual metaphors reconstructed from hyperlink research. It explores the representation, perception, and processing of information as fact across three projects, highlighting the pervasive influence of fiction throughout each stage. It investigates forms of fact versus fiction to bring awareness to multi-perspective and from that explores the intricate interplay between reality and imagination.

This thesis consists of three chapters. Chapter 1 falls into an abyss of fictional imagery intertwined with factual information. From there, the second chapter explores how we observe the world and how technology affects our vision. Chapter 3 discusses how this information …

Wild Joy: An Exploration In Queer Spatial Dynamics, Kipper Thomas Reinsmith

Masters Theses

What does it mean to feel represented in a space?

What does a trans space look like?

How can we queer our interior spaces?

Our world is crafted by the many designers that have come before us. These systems, products, and spaces are built upon assumptions of the bodies that will use and occupy them—namely cisgender, able-bodied, straight folks.

Designing and creating objects as a trans person is an act of radical nature. To take up space, to design for trans luxury, for the sake of beauty, for joy itself, feels counterintuitive to the narratives we’ve been served: that of …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Unfurling Blue Carpet Memories, Sara Ahli

Masters Theses

Glass is an amorphous solid, existing in a liminal space, embodying indeterminacy. Its states of transformation from viscous flow to structural solidity carry the imprints of bodily influence. With the direct intention of using glass as a conduit to explore materiality, memory, and self-awareness, I construct a language of embodiment that arises through a series of performative encounters between my physicality and glass in the hot shop.

The mediating process I employ to create and arrive at the glass artwork I make is as necessary as its final form. Motivated by the desire to claim agency over my personal narrative, …

Emotional Factory, Yukun Cui

Masters Theses

该项目设想将上海一个历史悠久的仓库改造成一个创新的、以情感为主题的联合办公空间，超越传统的办公环境。在工作环境质量深刻影响生产力和幸福感的时代，该项目旨在创造一个协调身体、心理和情绪健康的空间。该设计融合了促进健康的元素，例如健身设施、美食和丰富的绿色植物，确保居住者在整个工作日中保持动力和灵感。该项目涉及个人与其环境之间的动态互动。认识到传统的办公室布局往往会限制移动和空间感知，我们的设计引入了一个固有的动态工作空间。灵活的布局，可调节的家具和可移动的隔板使空间能够适应各种活动和需求。互动元素和视觉刺激全天变化，鼓励探索和互动，而不需要持续的身体运动。使用不同的纹理、颜色和照明方案创造了一种多感官体验，使空间充满活力和不断变化的感觉。通过结合这些元素，该项目旨在重新定义现代工作空间，创造一个不仅能提高生产力，而且能丰富人类工作体验的环境。这种创新方法旨在为全球联合办公空间设定新标准，培养社区意识、创造力和幸福感。最终，该项目旨在创造一个开创性的环境，增强人类的工作体验，展示工作空间设计在广泛影响和改善情绪和心理健康方面的潜力。