Arts and Humanities Commons^™

In Praise Of Dessert, Yujia Song

Contemporary Aesthetics (Journal Archive)

Is there something special about dessert? Is it the sweetness or sumptuousness or something else? This essay explores the aesthetic layers in our experience of dessert. It will turn out that dessert promises much more than sensuous pleasures. As we savor our dessert, we reach outside the humdrum of everyday life for a taste of all the good things life has to offer. Although dessert is by its nature superfluous, it is precisely its being “unnecessary” that makes it necessary for us.

Towards The Non-Spectacle: Responses To Necropolitics In The Artwork Of Teresa Margolles And Maya Watanabe, Leslie Anne Condon

Masters Theses

How do we engage with artwork that addresses complicated histories

of colonialism and political violence, specifically intangible and

incomprehensible violence? Mexican artist Teresa Margolles’ 2005 work, Lote

Bravo, is named after and composed of the soil from a mass grave site

discovered in 1995 in the southeastern corner of Ciudad Juárez, a city known

internationally for the femicide that has continued to haunt its streets and

peripheries since the 1990s. Peruvian filmmaker Maya Watanabe’s 2019 film

Liminal cinematically documents the official exhumation of two mass graves

in the Ayacucho and Huánuco regions of the Andes highlands, where

thousands of …

Performance Assemblages | Motion Capture, La Samuelson, Movement Lab

Course Materials & Research

No abstract provided.

2025 Yearbook, Risd Archives, Center For Student Involvement (Csi), Risd Design Guild

RISD Yearbooks

No abstract provided.

Spatial Audio Studies, Kameron Neal, Movement Lab

Personal Work

Listen to Hi Song audio recording.

Public Projection | Window, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Shared Architecture Of The Sacred:Designing Sacred Spaces In Virtual Reality, Ian Gonsher, Sameerah Munshi

Scholarly Research

This project investigates how sacred spaces might be conceived and experienced within virtual reality (VR). Through interfaith dialogue, design research, and iterative prototyping, we explored affordances in virtual environments for prayer, contemplation, study, and communal gathering. Drawing on insights from Jewish and Islamic traditions in particular, we developed design principles that informed the creation of a pilot prototype for sacred space in VR. This paper presents the conceptual framework, design process, and architectural strategies embodied and expressed in that pilot prototype, with particular attention to the formal and symbolic elements of light, orientation, sound, and written text. Additionally, the project …

Public Projection | What Is Projection?, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Public Projection | Wintersession 2025 Syllabus, Kameron Neal, Movement Lab

Course Materials

In this course, we will create site-specific projections that breathe new life onto the built environment. Working in the lineage of street art and guerrilla performance, we will explore the relationship between art, public space and the communities we inhabit. How is projection a tool of public communication? How can light and movement reshape architecture and human behavior? We will research sites, understand their stories, develop creative interventions, build prototypes and work collaboratively to design ephemeral public installations.

Telegraph Valley Performance, Installation, And Animation, La Samuelson, Movement Lab

Personal Work

"My fellowship project culminated in a 10 month exhibition and a series of 5 performances in Miami, presented by Diaspora Vibe Cultural Arts Incubator, the National Performance Network, with support from the RISD Movement Lab and Foundation for Contemporary Arts. The work was also included in Miami Art Week - 2025." – LA Samuelson

What Year Is It?, Kameron Neal, Movement Lab

Personal Work

No abstract provided.

Surveillance Studies, Kameron Neal, Movement Lab

Personal Work

No abstract provided.

Stereoscope Studies, Kameron Neal, Movement Lab

Personal Work

No abstract provided.

Public Projection | Found Footage, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Public Projection | Typography, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Rheology, Kameron Neal, Movement Lab

Personal Work

No abstract provided.

Performance Assemblages | Wintersession 2025 Syllabus, La Samuelson, Movement Lab

Course Materials & Research

In this course, we will make solo and collaborative performance works. We will approach performance as the project of creating new contexts for interrelation–between beings, material, matter, the known, and the unknown–that allow both the performer and the viewer to learn and/or experience something we otherwise would not have access to. In other words, the work of this class is the work of listening in the direction of something you can’t quite yet hear, and taking the time to figure out: where you might stand, what device you might invent, what you might wear, and how you might work with …

Performance Assemblages | Research, La Samuelson, Movement Lab

Course Materials & Research

No abstract provided.

2025-2026 Risd Course Catalog, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

Public Projection | What Is Public?, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Public Projection | Intervention, Kameron Neal, Movement Lab

Course Materials

No abstract provided.

Counter Dots, Barbara Cutlak Soares, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed. Counter-Dots is an interactive book that explores playfulness and tactility through the design of letters. Each letter and number is composed on a 21 × 21 grid of perforated holes that matches the same module of a spiral-binding puncher. The holes create a layering effect, allowing the letters to relate to one another. The book can be completely unbound from the spiral, allowing for an open-ended …

Memoire, Lucie Kusner, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Voyager, Stephanie Van Riet, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

GRAND PURCHASE PRIZE | $500 Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Gossip: An Investigation Into The Feminine Art Of Conversation, Deborah Khodanovich, Special Collections, Fleet Library

12th Baker & Whitehill Student Artists' Book Contest 2026

Entry for the 12th Baker & Whitehill Student Artists' Book Contest. Opening reception and award ceremony Wednesday, February 25, 2026 at 6:30pm, Fleet Library, 1st Floor Main Reading Room. Juror: Gabrielle Reed.

Editorial, Yuriko Saito

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Notices, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Recent Publications, Editorial Office

Contemporary Aesthetics (Journal Archive)

No abstract provided.

Design(Ing) Disruptions: Towards Intimacies Between Feminist Situated Knowledge, Gossip And Design, Senjuti Sangia

Masters Theses

This project highlights and problematizes the knowledge traditions and politics foundational to problem-solving paradigms in design education and practice. By emphasising the ontological nature and turn in design (Willis, 2006, Fry, 2012) , this thesis critically appraises the aforesaid formulations by extending intersectional feminist theories to dominant design epistemology. Drawing on the sociological framing of the matrix of domination, I investigate the dichotomy of the designer and user- as designers, users, and communities find themselves at different junctions in the matrix of domination. Further, I critique design frameworks from the analytical lenses of feminist situated knowledge, In so doing, I …

Mixed Race Futurity Through Contemporary Archetypes: Mutants, Cyborgs And Dhampirs, Kobe Jackson

Masters Theses

Analysis of Enlightenment philosphes reveals how the contemporary archetypes, mutants, cyborgs and dhampirs may be situated as sources for understanding mixed race positionality. Arranged on a trajectory of hybrid mythology reaching from ancient times into the present day, their contemporary relevance is put into context. Through modern speculative fiction, historical mythology and the theoretical frameworks of sociology, and philosophy, two tropes are revealed to be imposed roles for mixed race people. The first one, the tragic hybrid is a term which references a character specific to the context of American colonial slavery, the tragic mulatto. By reframing the term, tragic …