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Rhode Island School of Design

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Articles 2731 - 2760 of 4931

Full-Text Articles in Arts and Humanities

Sylvæ: Fifty Specimens Printed Directly From The Wood With Historical Anecdotes & Observations, Gaylord Schanilec, Ben Verhoeven, Special Collections, Fleet Library Jan 2007

Sylvæ: Fifty Specimens Printed Directly From The Wood With Historical Anecdotes & Observations, Gaylord Schanilec, Ben Verhoeven, Special Collections, Fleet Library

Artists' Books

case bound with fold-out pages, bound in oak cover boards with leather spine and foil stamped spine label; cover; interior pages and spreads. Fifty specimens of timber trees on the farm property of Gaylord Shanilec are printed in full color woodcuts. Anecdotes about the making of the book, the trees, and the neighbors give personality to each tree sample. Ben Verhoeven is RISD alumnus.

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The Appeal Of Pornography, Karen Bleitz, Special Collections, Fleet Library Jan 2007

The Appeal Of Pornography, Karen Bleitz, Special Collections, Fleet Library

Artists' Books

drum leaf binding, hard cover, pop-up, movable parts; accordion; cover; page spread, title page; page spreads; colophon. Pop-up book featuring the vast array of pornographic materials available in today's culture and the resulting objectification of women. Designed by Karen Bleitz, hand cut and bound by Amelia Drinkwater. Originally produced in 1996, re-issued in 2007.

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The Twin Survey: A Study, Amber Gayle, Special Collections, Fleet Library Jan 2007

The Twin Survey: A Study, Amber Gayle, Special Collections, Fleet Library

Artists' Books

pamphlet stitch; stab bound; cover; page spreads, interior page. A study on the psychology of twins and their relationships to each other and other people.

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Paleolithic Flints: Is An Aesthetics Of Stone Tools Possible?1, Riva Berleant Jan 2007

Paleolithic Flints: Is An Aesthetics Of Stone Tools Possible?1, Riva Berleant

Contemporary Aesthetics (Journal Archive)

This paper asks whether an aesthetics of Paleolithic tools is possible, and if so, what it might be. The application of our own aesthetic sensibilities to artifacts of prehistory is not difficult. We easily recognize and appreciate their visual and tactile qualities. The more complicated questions that the paper explores are whether we can uncover the aesthetic sensibilities of their makers and, if we cannot, whether aesthetic examination of prehistoric tools from our own perspectives is adequate or useful. The paper is based on study of Paleolithic flints from French archaeological sites dating from about 500,000 years ago to about …

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Art, Perception And Indeterminacy, Robert Pepperell Jan 2007

Art, Perception And Indeterminacy, Robert Pepperell

Contemporary Aesthetics (Journal Archive)

This article considers the phenomenon of visual indeterminacy, which occurs when the sensory data gathered from the visual system cannot be integrated with semantic knowledge. A number of examples are given, including from the author's own art work, and some results presented from a scientific study based on them. The implications for the operation of the mind and, in particular, the nature of aesthetic experience are addressed, and the distinction between the perception of visual forms and their cognitive interpretation is discussed. Arguments about the nature of aesthetic experience are then considered from some historical sources and interpreted in light …

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Architecture Vs. Art: The Aesthetics Of Art Museum Design[1], Larry Shiner Jan 2007

Architecture Vs. Art: The Aesthetics Of Art Museum Design[1], Larry Shiner

Contemporary Aesthetics (Journal Archive)

Many art critics have complained that the most dramatic art museum designs of the last decade have upstaged or interfered with the art within. This essay examines eight contemporary cases before drawing some lessons for art museum design, and ends by setting the architecture vs. art problem in the context of the philosophy of architecture, focusing on the issues of function and symbolism.

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2007 Yearbook, Risd Archives, Center For Student Involvement (Csi) Jan 2007

2007 Yearbook, Risd Archives, Center For Student Involvement (Csi)

RISD Yearbooks

No abstract provided.

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Mixed Media September 22, 2006, Risd Archives Sep 2006

Mixed Media September 22, 2006, Risd Archives

All Student Newspapers

Mixed Media began as the student publication Your Name Here. The September 22, 2006 issue includes articles on departmental isolation at RISD, a Balls winning streak, visiting artist Laurie Rosenwald, a profile of a ceramics student, a planned public art piece for Boston's South Station, and ethnic hair products, along with student creative work, event notices, and other announcements.

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Office Of Multicultural Affairs (Oma) Annual Report 2005-2006, Intercultural Student Engagement Office, Anthony Johnson, Deborah Kanston Jun 2006

Office Of Multicultural Affairs (Oma) Annual Report 2005-2006, Intercultural Student Engagement Office, Anthony Johnson, Deborah Kanston

Intercultural Student Engagement (ISE) Annual Reports

The Office of Multicultural Affairs (OMA) Annual Report 2005-2006 is a year in review containing a message from the director, staff updates, community programs, statistics and general report of the work of this office. Our Mission: People from all backgrounds bring value to the art and human conversations held at RISD. The Office of Multicultural Affairs (OMA) assists the RISD community-at-large in shaping a culturally inclusive and supportive environment that enables all its members the opportunity to fully contribute to and benefit from the total RISD experience. OMA coordinates enriching opportunities for cultural awareness, dialogue, and interaction. The office services …

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Oral History Transcript | Interview With Baruch Kirschenbaum, February 2, 2006, Baruch D. Kirschenbaum, Andrew Martinez, Risd Archives, Alfred Chin Feb 2006

Oral History Transcript | Interview With Baruch Kirschenbaum, February 2, 2006, Baruch D. Kirschenbaum, Andrew Martinez, Risd Archives, Alfred Chin

RISD Oral History Project Transcripts

No abstract provided.

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On February 2006, Students Of Risd, Risd Archives Feb 2006

On February 2006, Students Of Risd, Risd Archives

All Student Newspapers

On was an interdisciplinary graduate periodical established by RISD graduate students in 2006. The February 2006 issue is the publication's first issue and features essays on the theme of space. Essays are on a variety of topics within this theme, including commentaries on RISD and explorations of student work.

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Muffin January 2006, Students Of Risd, Risd Archives Jan 2006

Muffin January 2006, Students Of Risd, Risd Archives

All Student Newspapers

Muffin was a newsletter produced in the early aughts by RISD’s Queer Student Union as a student guide to queer culture. The January 2006 issue is the first since the February-March issue from 2004. It was revived by the Straight and Gay Alliance and features a "gay timeline," articles on freshman lesbians, female pirates Anne Bonny and Mary "Mark" Read, lesbians who look straight, why straight people are needed in RISD's Straight and Gay Alliance, a Jewish student's struggle to reconcile his homosexuality with his faith, and cheap and corny date ideas, along with a book review of "Women's Barracks" …

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Wunderground: Providence, 1995 To The Present, Judith Tannenbaum, Maya Allison Jan 2006

Wunderground: Providence, 1995 To The Present, Judith Tannenbaum, Maya Allison

Books

For the past decade, Providence, RI, has been the site of a radical underground art scene, giving rise to a multi-faceted, unbridled aesthetic that is as distinct as it is influential. As a celebration of the movement, The Museum of Art at the Rhode Island School of Design is presenting the exhibition Wunderground. The companion publication, Wunderground- Providence, 1995 to the Present features a foreword by celebrated artist and designer Gary Panter, 128 pages of full color illustrations and 4 fold-out gatefolds. Artists, musicians, writers and students who created and witnessed the rise of the movement offer shorter texts providing …

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Pictorial Webster's: G. & C. Merriam Dictionary Engravings Of The Nineteenth Century Printed Alphabetically As A Source For Creativity In The Human Brain, With Additional Dissertation, John Carrera, Special Collections, Fleet Library Jan 2006

Pictorial Webster's: G. & C. Merriam Dictionary Engravings Of The Nineteenth Century Printed Alphabetically As A Source For Creativity In The Human Brain, With Additional Dissertation, John Carrera, Special Collections, Fleet Library

Artists' Books

case-bound in leather, clamshell box; open clamshell box with closed book inside; front cover; page spread 24-25, "letter B"; page spread 270-271, "letter P";. copy 10, signed by the artist

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A Phenomenological Aesthetic Of Cinematic 'Worlds', Christopher Yates Jan 2006

A Phenomenological Aesthetic Of Cinematic 'Worlds', Christopher Yates

Contemporary Aesthetics (Journal Archive)

Contemporary film aesthetics is beset by difficulties arising from the medium itself and the bewildering itinerary of film theory. Inspired by Martin Heidegger's hermeneutical vision in "On the Origin of the Work of Art" (1935), my essay seeks to overcome this paralysis by grounding the aesthetic value of cinematic art in its ability to "disclose the world" through a convergence of artist and viewer intentionalities. Stanley Cavell has gone far by exploring a corresponding "natural relation" between philosophy and cinema, but his work assumes an ontological discourse without an appropriate phenomenological method. I contend that Mikel Dufrenne's phenomenology of aesthetic …

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2006-2007 Risd Course Announcement, Risd Registrar's Office, Risd Archives Jan 2006

2006-2007 Risd Course Announcement, Risd Registrar's Office, Risd Archives

RISD Course Catalogs / Announcements

No abstract provided.

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Editorial Jan 2006

Editorial

Contemporary Aesthetics (Journal Archive)

No abstract provided.

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Fact And Fiction: Writing The Difference Between Suicide And Death, John Carvalho Jan 2006

Fact And Fiction: Writing The Difference Between Suicide And Death, John Carvalho

Contemporary Aesthetics (Journal Archive)

Did Michel Foucault die of AIDS or did he kill himself? Did he knowingly infect others in the bath houses in San Francisco or was he unaware that he was ill and of how less-than-safe sex could spread the same virus that infected him? What did he know about AIDS/HIV and what do we know about what he knew? Answers to these questions are ambiguous. This is due, in part, to the culture of homosexuality and the cultural response to AIDS/HIV at the time. It is also due to the conflicting reports about what Foucault knew, and when, in the …

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Gesture, Pulsion, Grain: Barthes' Musical Semiology, Michael Szekely Jan 2006

Gesture, Pulsion, Grain: Barthes' Musical Semiology, Michael Szekely

Contemporary Aesthetics (Journal Archive)

Although Barthes is perhaps best known as a semiotician, he is paradoxically always in search of precisely that which defies the constraints of language, whether art, signs or, in fact, language itself. Enter the relevance of music for Barthesian aesthetics. Barthes called for a "second semiology," in contrast to the classical semiology, which would explore "the body in a state of music." In this essay, I explore Barthes' musical semiology in terms of key concepts, including gesture, pulsion, grain, and jouissance. I extend the relevancy of Barthes' concepts, often articulated within the context of the Western classical musical tradition, to …

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Notices Jan 2006

Notices

Contemporary Aesthetics (Journal Archive)

No abstract provided.

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Beautiful Noise, Will Swanson Jan 2006

Beautiful Noise, Will Swanson

Contemporary Aesthetics (Journal Archive)

This article aims to explore the nature of discordant sound, such as guitar feedback, in several respects: its status as music, its status as art and the extremely interesting aesthetic responses it evokes. I will argue for its value as an art form on the grounds that: (1) it is a neglected and overlooked area of music in terms of philosophical aesthetics; (2) it raises some interesting ontological questions about the nature of artworks; and (3) it highlights some key aspects of aesthetic responses, e.g., emotions and the body. Examining the works of such music artists as The Jesus and …

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Interrupting Danto's Farewell Party Arrangements: Comments For Grigoriev, Kalle Puolakka Jan 2006

Interrupting Danto's Farewell Party Arrangements: Comments For Grigoriev, Kalle Puolakka

Contemporary Aesthetics (Journal Archive)

This paper is a response to Serge Grigoriev's article "Living Art, Defining Value: Artworks and Mere Real Things" (Contemporary Aesthetics Volume 3, 2005) in which he develops Joseph Margolis' provocative Danto-criticism. He especially criticizes Danto's art-philosophical starting point, the problem of indiscernibles, claiming that it presupposes an objective value judgment that cannot be maintained and that it misrepresents the way in which people interact with art. In this article, Grigoriev's argument is found lacking mainly on two grounds. First, it overlooks where the source of Danto's starting point lies; and second, I argue that it does not lead to the …

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Commitment And Communication: The Aesthetics Of Receptivity And Historicity, Todd Mei Jan 2006

Commitment And Communication: The Aesthetics Of Receptivity And Historicity, Todd Mei

Contemporary Aesthetics (Journal Archive)

A general tension in contemporary aesthetics can be described as existing between objective truth claims and historical relativity. The former is generally represented by the Enlightenment approaches and its descendants that ground aesthetic judgment in rationality. The latter characterizes the postmodern appeal to historicity and the exposure of historical prejudice. Following mostly the hermeneutical philosophy of Heidegger, Gadamer, Ricoeur, and Dupré, this paper argues how aesthetic theory, defined by either pole, inadequately accounts for historicity. In response to this critique, this paper attempts to navigate between these two poles in returning to an analysis of the nature of history and …

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Reflections On An Aesthetics Of Touch, Smell And Taste, Mădălina Diaconu Jan 2006

Reflections On An Aesthetics Of Touch, Smell And Taste, Mădălina Diaconu

Contemporary Aesthetics (Journal Archive)

Modern aesthetics regards sight and hearing as the only senses which were able to produce art. Touch, smell and taste might offer pleasant stimuli, but can never achieve the status of art objects. What are the arguments for this rejection, and are they still sustainable? This paper focuses on the general and specific difficulties of forming an aesthetics of touch, smell and taste; some can be overcome, while others are still waiting for a proper answer. At the same time, artistic movements, as well as changes in recent discussions of the aesthetics of everyday life prove the necessity of extending …

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Paradoxes And Puzzles: Appreciating Gardens And Urban Nature, Stephanie Ross Jan 2006

Paradoxes And Puzzles: Appreciating Gardens And Urban Nature, Stephanie Ross

Contemporary Aesthetics (Journal Archive)

To explore our appreciation of gardens and urban nature, I propose a recursive definition of original or wild nature together with guidelines for discerning degrees of naturalness. Arguing (contra Robert Elliott) that nature can be restored as well as degraded, I characterize four varieties of urban nature - interrupted, altered, constructed, and virtual. I build on Stan Godlovitch's comments about scale to suggest two modes of appreciation - macroscopic and fine-focused. I close by discussing some particular examples - parks, environmental art, gardens - and drawing some conclusions for the appreciation of vernacular gardens.[1]

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A Reply To Puolakka, Serge Grigoriev Jan 2006

A Reply To Puolakka, Serge Grigoriev

Contemporary Aesthetics (Journal Archive)

No abstract provided.

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The Color Of The Sublime Is White, Jeffrey Downard Jan 2006

The Color Of The Sublime Is White, Jeffrey Downard

Contemporary Aesthetics (Journal Archive)

In this paper, I examine Melville's discussion in Moby Dick of the whiteness of the whale from the perspective of a Kantian account of the sublime. My aim, in the first instance, is to see if the comparison helps to shed light on Melville's puzzling discussion of the color white and why this color serves to heighten the feeling of being overwhelmed by terror when confronted with something extremely large or powerful. In turn, I intend to use Melville's discussion of whiteness to put pressure on some of the philosophical assumptions behind a Kantian analysis of the sublime. In particular, …

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From Aesthetics To Politics: Rancière, Kant And Deleuze, Katharine Wolfe Jan 2006

From Aesthetics To Politics: Rancière, Kant And Deleuze, Katharine Wolfe

Contemporary Aesthetics (Journal Archive)

What does politics have to do with aesthetics? Surely, both politics and aesthetics are concerned with imagining, envisioning, and even creating, yet aren't the kinds of things these fields of inquiry imagine, envision and create greatly disparate? Jacques Rancière argues that what is at stake in politics, just as it is in aesthetics, is the distribution of the sensible, and that politics happens not only through the disruption of a certain aesthetic organization of sense experience but through the eruption of a distinct aesthetics. Here I elaborate the Kantian foundation for Rancière's conception of the kind of aesthetics that politics …

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Symposium On Pictorial Realism Jan 2006

Symposium On Pictorial Realism

Contemporary Aesthetics (Journal Archive)

No abstract provided.

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A Plea For A Cognitive Iconology Within Visual Culture, Ian Verstegen Jan 2006

A Plea For A Cognitive Iconology Within Visual Culture, Ian Verstegen

Contemporary Aesthetics (Journal Archive)

A place is needed for a 'cognitive iconology' within "visual culture." Like Logical Positivism before it, visual culture must reexamine its tacit assumption that conflation of psycho-sociological contributions to visual meaning is an adequate methodology, and that sociologism is a worthwhile overriding philosophy. Cognitive iconology isolates the psychological contribution to the study of images and does not monopolize it but isolates the foundational basis for it on which narrower interpretations must be built. With examples from the work of Titian, it is shown how the cognitive and 'cultural' contributions must work together to make meaning. Using the philosophy of Maurice …

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